旅游循环经济理念下创意林业旅游的产品开发——以伊春市为例

旅游循环经济本质上是一种生态经济,是旅游业可持续发展的必由之路。创意林业旅游是借助创意产业的思维逻辑和发展理念,以林区的生产、生活、生态"三生"资源为基础,通过创意理念、文化、技术的提升,创造出具有旅游吸引力、带来林业和旅游业双重收益的新型产业发展模式。创意林业旅游符合旅游循环经济的基本理念和发展模式,发展前景广阔。本文以旅游循环经济为宗旨,从创意产业的视角,提出伊春市创意林业旅游的产品开发模式和系列旅游产品。     

论创意旅游——兼谈上海都市旅游的提升战略

在创意产业勃兴的背景下,创意旅游理论研究与实践逐渐受到了重视。但理论界对创意旅游认知的视角是有差异的,其中：旅游者自我关照视角下的创意旅游着重强调旅游活动主体的自我意识、自我反省,旅游产业发展视角下的创意旅游则着重强调创意思维的延伸及运用。本文对上述观点进行了分析,对理查德和威尔逊提出的创意旅游发展的三种形式做了进一步阐释,进而结合产业实际重点探讨了上海都市旅游的提升战略。     

旅游资源的可拓性及其认识论意义

在某种意义上,旅游资源反映人与自然环境、人文环境之间的精神联系,它在类型与范畴、功能与价值、结构与联系三个方面具有可拓展的特征。若欲深入把握这一特征,首先应具备发现的眼光,其次方可论及对属性列举、共轭分析、物元变换等方法的灵活运用。惟其如此,才能使旅游资源开发策划、旅游项目创意、旅游产品设计别开生面,进而对旅游资源整合、旅游地差异化发展、旅游产品创新有所裨益。就认识论而言,旅游资源之可拓性的实践"先行",既表明创意无限性对资源有限性的积极弥补,亦暗示对拓展有限性与覆盖性的忽视。     

创意旅游:旅游产业发展模式的革新

本文论述"创意旅游"这一旅游产业发展的新概念,强调对传统产业发展模式进行创新和改造,用创意产业的思维方式和发展模式重塑旅游产业体系.本文控讨了创意旅游的特点,并围绕"拓展产业链"、"延伸空间链"、"秀也主题链"几个方面剖析了这种"有智增长"的新模式是如何引领旅游产业的转型的.     

高职旅游英语教育与旅游文化创意产业的合作研究——以秦皇岛市为例

旅游文化创意产业是提升旅游城市文化软实力的有力抓手。秦皇岛市在发展旅游文化创意产业过程中进行了有益的探索。升级是当前产业发展面临的棘手问题。高职旅游英语教育具有独特的旅游、英语和文化优势。教育与创意产业的互动是助推产业升级的一个新的可行方向高职旅游英教育可以为提升城市软实力做出独特的贡献。一、秦皇岛市旅游文化创意产业发展现状秦皇岛是驰名中外的旅游城市。目前已基本形成"一区一片"两个规模不等的旅游文化创意产业组团。"一区"为北戴河区。2006年起,北戴河区委区政府立足本区"毗邻京津"、     

吉林省旅游创意产业发展研究

文化创意为旅游产业注入观念、感情和品位等新的要素,旅游创意产业基于创意元素与旅游元素的完美融合。旅游创意产业依托于旅游元素的感知度、服务性和创意元素的新奇度、体验性,并在双方相互渗透的基础上,通过创意理念为旅游业搭建桥梁,从而促进旅游业的发展。通过对创意产业的特点、旅游创意产业的作用和生命周期等的分析,探讨了吉林省旅游创意产业发展状况和发展重点。     

浅析乡村旅游中旅游文化创意与策划的思考——以四川省屏山县锦屏镇为例

“旅游文化创意与策划”是合理地对旅游地的经济、文化、地域开发提出一个总体规划概念,为当地的规模经济开拓提出一个架构性的蓝图。本文以四川省屏山县锦屏镇为例,围绕文化创意、文化策划、创意策划理论,浅析在旅游规划的核心“文化”的基础上,叠加创意与策划。     

乡村旅游中文化创意产品发展路径

近年来,人们生活水平与质量不断提高,越来越注重精神享受,想要深入体验乡村生活,体验不同的生活环境,享受传统优秀精神文化带来的不同感受,由此乡村旅游产业也逐渐成为乡村经济新的增长点。本文以此为基础,首先分析乡村旅游中文化创意产品发展的意义,其次阐述乡村旅游中文化创意产品的类型,再次提出乡村旅游中文化创意产品发展路径,希望能够为相关人士提供一定帮助。     

古镇创意旅游发展模式研究——以龙凤古镇为例

随着旅游业的蓬勃发展,创意旅游成为旅游发展的热点,古镇旅游作为旅游的代表,其未来发展的方向必然是以创意带动旅游的发展。本文通过对古镇创意旅游发展模式进行分析,以遂宁市龙凤古镇为实证研究,对古镇创意旅游的开发提出指导建议。当旅游市场适应需求变化从"大众观光市场"发展到"大众休闲市场"和"个性体验市场"时,传统旅游产业的发展模式也迎来了巨大的挑战。如何使传统旅游产业冲破束缚已成为广大旅游工作者亟待解决的问题。斯坦福大学经济学家保罗·罗默就曾经认为"真正推动年代巨大繁荣的不是充沛的资金投入     

探究群众文化艺术活动的创意与策划

在当前社会不断发展的背景下,广大群众开始追求更高质量的生活,其中文化艺术活动的开展不仅能够满足广大人民群众的物质需求,还能够满足其精神文化追求,这对促进社会的和谐发展有着深远的影响,对现代化社会建设工作有着促进作用。但是针对于当前群众文化艺术活动来说,存在着缺乏创新和改革的问题,因为所开展活动的内容以及形式都相对陈旧以及单一,为了更好地处理这一问题,本文将围绕群众文化艺术活动的创意与策划为主题来展开分析,了解群众文化艺术活动中缺少创意和策划的主要原因,再提出有利于促进群众文化艺术活动具有创意和策划的可行性对策。     

Creative shifts and directions

The availability and “readiness” of culture as a mode of governmental control makes cultural policy a matter of great importance in any contemporary society. This is true not only in liberal democracies with established arts councils or cultural policies, it is also proactively pursued by a technologically advanced yet illiberal regime like Singapore, eager to position itself as the global “Renaissance City” of the twenty‐first century. What this “renaissance” model entails remains highly cryptic, not least because cultural terms and political markers are often elusive, but also because the very concept of “cultural policy” shifts along with the political and economic tides in Singapore. Drawing on a rarely cited essay by Raymond Williams, this article offers an historical look at cultural policy in Singapore – from its first articulation in 1978 to its present standing under the rubric of “creative industries” (2002). It considers some of the problems encountered and the societal changes made to accommodate Singapore’s new creative direction, all for the sake of ensuring Singapore’s continued economic dynamism. This article contends that cultural policy in Singapore now involves extracting creative energies – and economies – out of each loosely termed “creative worker” by heralding the economic potential of the arts, media, culture and the creative sectors, but concomitantly marking boundaries of political exchange. In this regard, culture in Singapore has become more than ever a site for governmentality and control.     

旅游创造性破坏模型述评

旅游影响与旅游演化是旅游研究的重点与热点,论文对旅游影响与旅游演化领域近来发展的旅游创造性破坏模型进行了述评。在介绍创造性破坏的理论基础与社会背景之后,论文评述了旅游创造性破坏模型取得的新成果,如把旅游商品化与创新看作旅游影响与演化的主动力、发展阶段的多因子判断、指标变化的非线性、资本在旅游利益主体互动中的主导地位等,同时也对该模型在应用范围、阶段特征与划分、旅游影响与演化机制等方面的不足,并对其今后研究进行了展望。     

旅游企业营销策划的创意要求

现代旅游企业都面临前所未有的压力和挑战。面对这种态势,有创意的营销策划显得尤为重要。本文从分析创意的本质着手,介绍旅游企业营销策划的创意要求和思维要求。     

创造阶层与城市可持续发展

随着知识经济的发展和经济全球化,人才资源(人力资本)成为第一资源,以人为本,重视人力资本特别是创造型人才并发挥其创新作用,是城市可持续发展及竞争力的根源和保证。创造阶层理论为城市可持续发展发现了新道路。创造阶层的兴起将深刻地影响城市的可持续发展,中国城市应当采取措施兴起创造阶层。城市可以通过规划建设提高人居环境质量、增加城市便利性,通过制度创新扩展人的自由、提供创新的制度环境,而积累人力资本特别是兴起创造阶层,从根本上增强城市可持续发展能力。     

‘Innovation is a dirty word’: contesting innovation in the creative industries

Innovation is a term that is used and defined in many different ways. This holds for innovation in general, but particularly for innovation in the creative industries. In cultural policy and in academic literature, the creative industries are often addressed in the relation to their innovative capacities, yet a shared conceptualisation of innovation in this sector is lacking. This paper seeks to develop a conceptualisation of innovation in the creative industries based on 43 interviews with creative workers about their views and practices. Results indicate that creative workers articulate numerous views on innovation, with three main approaches: innovation as something completely new, innovation as a contribution to society and innovation as a continuous recombination of new and existing elements, with the latter being most prevalent in the creative industries and considered a central (by-product of the) process of creative production that is highly contextual to specific localities and fields.     

唐服饰文化的旅游创意研究

本文基于西安悠久厚重的唐文化底蕴,以构建东方人文特色的国际一流旅游目的地的发展目标为出发点,分析唐服饰文化的旅游文化价值,并对唐服饰文化创意与西安旅游业联动开发模式进行分析比较研究,提出了继承创新和体制机制创新促进旅游文化创意产业发展的相关建议。     

Emerging challenges of an urban creative economy: reflections on the governance of creative clusters in Taipei City

ABSTRACT

Retaining the global mobile creative class has been considered a crucial strategy for driving creative economic development in inner cities. However, implementing the global creative city strategy overemphasizes the significance of amenity-based creative economic landscapes over institutional collaborations in contributing to the situated governance dynamics of creative clusters. Drawing on insights from an evolutionary perspective, this paper scrutinizes the extent to which creative city strategies foster the situated development of creative clusters based on a case study of Taipei. The paper argues that developing the urban creative economy requires a context-specific understanding of the urbanization process, and should involve an institutional collaboration to articulate the socio-spatial co-evolution between the diversified dynamics of creative clusters and urban form. This paper advocates reflexive thinking on neoliberal city strategies to develop a conjunctive, diverse and substantial creative policy to support alternative paths of creative city development.     

苏州园林文学与园林旅游

本试图以苏州园林为例,剖析园林学与园林旅游的关系,认为园林学在对园林意境的点示、开拓、再现以及园林旅游的宣传、导游、开发中都起着重要作用,是急需开发的人旅游资源。     

Exploring the intellectual structure of creative economy research and local economic development: a co-citation analysis

The aim of the present research is to investigate the intellectual structure of creative economy research (CER) with a bibliometric analysis based on co-citation. Firstly, we try to reconstruct the evolution of academic research on creative economy with particular attention to the themes of regional and local economic development. Secondly, we investigate the community of contributions/actors that contributed to its generation throughout social network analysis. We analyse publications collected from ISI Web of Science, which includes all academic works starting from the seminal contribution of Department of Culture Media and Sport in 1998. Through the analysis of 941 publications produced over 16 years, we investigate the evolution of CER. Then we apply a relational analysis exploring co-citations of ‘disseminators’ and founders’ work’ of CER. Results underline that creative economy may be considered as a successful multidisciplinary paradigm born and developed in English-speaking countries, developed even on a global level, and still in a developmental phase. The internal structure of research appears fragmented in many sub-communities concentrated around some key concepts. Whereas creative class and creative city contribute to the foundation of the field, cultural and creative industries are the most important and recent topic.