Sir Edward Grey,Germany, and the Outbreak of the First World War: A Re-Evaluation

ABSTRACT

Historians have variously condemned British Foreign Secretary Sir Edward Grey for contributing to the escalation of the July Crisis of 1914, and praised him as an heroic advocate of peace. Addressing this conundrum, this article first assesses historiographical debates around the significance of Grey's policy towards Germany in the events that led to the outbreak of the First World War. It then traces Grey's foreign policy vis-à-vis Germany on the one hand, and the Entente on the other. Finally, it provides an innovative analysis of Grey's policy from the vantage point of Berlin, arguing that in July 1914 decisions taken by the governments of other countries escalated the crisis and were taken regardless of Grey's position. The article concludes that current historiography overestimates British agency in July 1914 and that Grey was not as important to the outcome of the crisis as both his critics and his defenders have claimed. His actions could not change the minds of those on the continent who were bent on war.     

Sir Edward Grey: The Private Life of a Foreign Secretary

ABSTRACT

This article examines the private life of Sir Edward Grey in order to explore some of the contradictions in Grey's character that continue to interest biographers and academics: he was apparently without ambition yet he pursued a successful political career; he longed to live his life in the country but spent much of it working in London; he was a man whose reputation was built on honesty and integrity but recent studies hint at extra-marital affairs and illegitimate children. It shows that Grey had an aptitude for public life and a desire to satisfy a sense of public duty but was reluctant to become defined by it, having other passions as countryman and naturalist. But the balance in his life between work and leisure became increasingly strained due to the pressures of a ministerial career and the changing nature of politics. It also finds that Grey's personal life was not without colour, even if not all the infidelities attributed to him seem credible. In addition the article contributes to the debate over whether Sir Edward Grey was an ‘ambitious political operator’ or a ‘gentleman amateur’.     

Sir Edward Appleton and Joseph Priestley: two giants of electrical science

The life of Sir Edward Appleton is reviewed, in commemoration of the recent centenary of his birth. Appleton discovered the ionosphere and devoted much of his life to investigations of its properties, receiving the Nobel Prize for physics as a result. He became a senior government scientist in World War II and afterwards was appointed Vice-Chancellor of Edinburgh University. The influence of his roots in the city of Bradford is emphasized and compared with the case of Joseph Priestley, also born near Bradford some 160 yr earlier. Priestley was a major early investigator of electrical phenomena and compiled a comprehensive treatise on the electrical knowledge of his day. He was the first person to present an experimental proof of the inverse-square law of electrostatic force, although he is usually better remembered as the discoverer of oxygen.     

The Reception of Sir Edward Elgar 1918-c.1934: A Reassessment

It is generally believed that the reputation of Sir Edward Elgarexperienced a disastrous reversal of fortune after the GreatWar. This has conventionally been explained by the changingmusical tastes of the public and by a postwar reaction againstthe unappealingly ‘Edwardian’ character of Elgar'smusic. Both claims, I argue, have been exaggerated. Examiningevidence from concert programmes, gramophone record sales, andBBC broadcasts, this article demonstrates that Elgar continuedto enjoy estimable popularity after 1918. The article also considersthe way in which Elgar came to be seen as an archetype of ‘Englishness’and ‘Edwardianism’ in music. With a legacy of virulentattacks on the composer's ‘complacency’ and ‘jingoism’,critical attention by the 1930s had been refocused onto a perceivedrural nostalgia within Elgar's music. This atavism complementedinterwar visions of the Edwardian period as a prelapsarian ‘goldenage’. The implications of these changing perspectiveson Elgar are twofold. They can be seen to have laid the foundationsfor our ‘mature’ understanding of Elgar's life andwork; and they suggest that our views of the interwar reactionagainst the past might require profound and wide-ranging revision. ^*I am grateful to Professor Hugh Cunningham, Dr Peter Martland,and Dr David Turley for their comments on an earlier versionof this article.