红叶节赏斑斓秋色

进入秋季,满山葱翠的大明山开始呈现出赤橙黄绿的颜色,层林尽染,蔚为壮观,远远望去,就如穿上了节日盛装,而一年一度的大明山江南红叶节也自10月下旬隆重启幕了,大明山迎来了最富有魅力的季节,大明山,比香山更红叶. 大明山是森林的海洋,观赏植物相当丰富,到了秋天,凉风飒飒,艳阳高照,经过霜雾的洗礼,一片片枫叶像害羞的少女,撒落一片深情,特别是枫树湾,是一片红色的世界,娇艳似火,瑰丽似霞的红叶耀眼夺目、引人入胜,红的织烈,红的诱人.立于栈道,远处山坳,近处脚底,一株株,一团团,一簇簇,黄红相间,色彩缤纷,鲜艳夺目,令人仿佛进入了“车行十里画屏上,身走四方红叶中”的梦幻童话世界.山上的空气特别清明、新鲜,山上的环境特别宁静、安详,可以欣赏秋色的茂林,领悟秋山的寂静,感受大自然的人生,享受人间的乐趣.晨曦中,山林秋雾,叶面上秋珠闪闪.天高秋爽,霜叶红于二月花,一片深秋的景色,一个秋天的童话,大明山的秋天,比香山更红,它是怡情的远方,更是摄影爱好者的天堂.     

药

用流水形容时间,它就无声无息地从你的容颜上剜过,清凉地、温柔地留下水迹,渗进肌肤。把朋友当作一味长熬的药剂,温暖灼烈的药剂,甘味入苦。把人生看成一间药铺,我们积蓄了很多副药剂,有的用来治愈肌肤之痛,有的用来治愈心灵之痛……用来治愈时间伤口的,有吗? 同样的地方,秋梧桐下,同样的时间,日落西山,同样的人,微笑的我,不同的脸,你看着我。你翻过围栏,奔跑在操场上,抬起你的右脚,扮各式的鬼脸。你的脸,有些模糊的重叠,另一张脸,颤抖的,若隐若现,熟悉的悲哀,充满压抑,我微笑看着那张脸,已经不用     

仿莎菲女士的日记

跋 读丁玲女士的《莎菲女士的日记》数次,前后相隔五、六年,第一次读时,只记得片段,如同电影镜头的切换,那么真切的在眼前闪过,那是震撼人心的呼唤,让人不得不痴痴跟随丁玲女士的脚步,去寻找莎菲的心灵足迹。不知道她今后的生活会怎样,可是,有瞬间,我仍然觉得,她已经获得她遍寻不获的思念,通过她的日记,她会得到许许多多人的爱与理解,会存活在许多人的心里,许多与她同样,忍受着人生,享受着人生,爱着,而且挣扎着,最后,总能通过这心灵的挣扎求存,净化她的心灵,通过痛彻肺腑的呼唤,实现人生的交响乐在不同的时空回荡。     

巷中

漫步在幽静的小巷,眼下,太阳含山,炊烟四起,倦鸟返林,暮色氤氲,但面对着如此的黄昏却满溢着温情。我在巷中驻足停下,伸开手掌,向着夕阳的余晖,用力去捕捉,去触碰那柔美的光线,薄纱的轻柔,蒙蒙的光感……吱啦的木门推来亘古的余香,褪色的石板铺就曲折的回廊,喜欢走这条小巷,从这里的繁华街市,到那里的城南陋巷,从这里都市楼宇,到那头的敬老院,每每看到老人们慈祥的双眸佝偻的背影,心中便有种异样的情愫升起那但是——回报。     

段子

女人全是优点妖的叫美女,刁的叫才女,木的叫淑女,蔫的叫温柔,凶的叫直爽,傻的叫阳光,狠的叫冷艳,土的叫端庄,洋的叫气质,怪的叫个性,匪的叫干练,疯的叫有味道,嫩的叫靓丽,老的叫风韵犹存,牛的叫傲雪凌风,闲的叫追求自我,弱不禁风叫小鸟依人,不像女人的叫超女!过去就好了晚上,室友偕女友一起去河边溜达。为了讨好女友,于是唱歌给她听。唱得正起劲,一位老大爷走到他身边驻足观看,室友害羞,停止高歌。大爷到他旁     

余光中的马屁诗

蒋经国去世后,台湾诗人余光中应邀写了一首《送别》诗,发表在当时的《中国时报》上。全诗是：悲哀的半旗,壮烈的半旗,为你而降,悲哀的黑纱,沉重的黑纱,为你而戴,悲哀的菊花,纯洁的菊花,为你而开,悲哀的灵堂,肃静的灵堂,为你而拜,悲哀的行列,依依的行列,为你而排,悲哀的泪水,感激的泪水,为你而流,悲哀的背影,劳累的背影,不再回头,悲哀的柩车,告别的柩车,慢慢地走,亲爱的朋友,辛苦的领袖,慢慢地走。     

我的左岸,我的运河

正我的左岸,我的运河。左岸慢时光,运河新变化,是杭州的,也是中国的。1.左岸,其实在河的东边。河叫运河,运河不宽,却很长,1794千米,自北京通州开始,一直到杭州拱宸桥,我就住在桥边上。左岸的运河边上,有一个晚上会亮的标记塔,法国人设计的,1786KM,每天晚上,我都能从餐厅的窗外望得见它的亮光,光一闪一闪,船上的马达声沉重地传来,我知道,它依然是杭州的交通主     

十二木卡姆的故乡——莎车

有道是,不到新疆,就不知中国之大;不到喀什,就不算到新疆,就不知新疆如此源远流长。莎车是新疆人口第一大县,是十二木卡姆的故乡,是新疆最大的绿洲,其悠久的历史,深厚的文化,鲜明的特色,独特的地貌,淳朴的民风,繁荣的经济,广褒的土地,飘香的瓜果,能歌善舞、顾盼生情的维吾尔族姑娘,无不令人神往。     

敦煌笔记

在茫茫的黑夜中,敦煌已经看不清了。这种情形一直残留在我的头脑中,从一开始,我就是一个在茫茫黑夜中玩耍的孩子,盲目中偷看着灿烂的星空,未来遥远,敦煌遥远。我生活在敦煌,18岁的时候,才绘制了它的形貌。它延续着狭长的走廊,两股河流东西汇合,大河两岸,堆积着人类的语言,这语言,有着黄土的质地,有着黄金的品质,后来,他们的名字如滚过天空的响雷,为创造者证明,为逝去的时间证明。人们惊讶无比,在敦煌的光明与色彩中,他们竟能够目睹天使的舞蹈。我的生活体验中,春季大风一直包裹着敦煌。一间阴暗的黄泥小屋,房顶上有一个簸箕大的窟窿,这是一处房屋与外界联系的惟一通道。童年的大多数时候,就是这样一个叫作天窗的窟窿里洒下的月色和星光,照亮了我的梦想。而在春天,有风的日子,它却被严严实实地盖上了草垫,呼呼的风声敲打着墙壁,像要掠去小屋,像要夺走人世间的一切。在我长大以后,阅读那些春天的词句,它们却包容了人间的至美,这使我日渐产生了对知识的怀疑。再以后,走了许多地方,徜徉春光,我明白了,某个特殊的地域,春天并不是特别适合于它。比如,敦煌。我常常把敦煌比作一只古老的陶罐或者一个新鲜的苹果,或者一只陶罐中装着新鲜的苹果。之所以如此极端,之所以...     

平山湖丹霞:气势磅礴的天工造化

正雪落无声。甚至,无形。似有若无,只感觉润湿扑面,沁入心脾,定睛凝神,却无踪影,如雾,只在远处氤氲。似霰,早已融入呼吸。张掖平山湖的山,就在这样悄无声息的雪中,幻化成了气势磅礴的丹霞。绵延千里,浩瀚无边。这丹霞,这红色的群山,一定是有历史,有故事的。沧桑的容颜,风蚀掉了鲜活的肌肤,留下骨肉和灵魂,似亿万年的时间堆积、压缩。每一座峰都是突兀的,都是等待的姿势,每一块岩石都浸透了风霜雨雪,厚重,苍凉,浓郁。深深浅浅的赭红色,不是华丽     

Advances in Morphometrics in Archaeobotany

ABSTRACT

Morphometric analysis offers an alternative or augmentation to traditional archaeobotanical methods to address differences within and between plant species and their remains, refining and enhancing taxonomic resolution. Morphometrics, the measurement of size and shape, and the multivariate statistical analysis of generated quantitative variables, have long played a major role in biological research, including plant taxonomy and systematics, although its application in archaeobotany is relatively recent. Over the last few decades, there has been an increasing interest in the use of morphometrics for analysing a varied range of archaeological plant materials (mainly seeds, pollen, phytoliths, and starch grains). In particular, morphometrics have contributed to the study of the domestication and spread of many cereals world-wide, as well as that of other taxa including legumes, underground storage organs (USO), and fruits (such as olives, grapes, and dates). This paper reviews current methodologies, recent applications, and advances in the use of morphometrics in archaeobotanical research, discusses its role in exploring major research questions, and suggests possible future directions for its use.     

杏开二月

已经是二月仲春了,大地柔软,天气慢慢热起来了。一场习习的春雨,浇得人心头酥酥的。我第一次注意到,家门前的杏树开了。枝干上,星星点点,挑着几朵白,轻盈得很,把薄薄的心打开,驻足美的枝头,观赏人间烟火。背后是灰灰的庭院,低矮的     

Geography in Higher Education in Australia

Within the last 30 years, geographical information systems (GIS) have been used increasingly in the training of geographers. On the basis of the philosophy of technology and instrumental genesis, we sketch how the use of instruments interacts with learning processes and outline how this can be studied. We empirically analyse students' learning processes and the influences of teaching practice in an introductory course in GIS. We show that students have different strategies for creating their personal instrument for spatial thinking and how teaching interacts with the students' learning processes. Finally, we discuss how GIS may gradually alter future professional development of geographers.     

America in Speech and in Deed

The author's primary aim in what follows is to fully articulate Chantal Delsol's critique of late modern universalism as an attempt to depoliticize the individual for the sake of replacing politics with morality. The result of this depoliticization is a quasi-pantheistic cosmopolitanism that not only effectively denies the significance of individuality, despite rhetorically lionizing it, but also undercuts the freedom of individual conscience that makes moral choice possible. Genuine political prudence and moral judgment are subsequently replaced by the rigid exactitude of a technocratic analysis that reintroduces the "clandestine ideology" it was, despite protestations to the contrary, intended to eliminate. The unhappy paradox produced by the attempt to replace the necessary limitations of political judgment with the universality of a priori moral decree is that a new set of culturally and historically idiosyncratic political attachments are surreptitiously introduced beyond the pale of reasonable debate and disagreement. Delsol's measured response is not a precipitous rejection of universalism as such but a rehabilitation of it that recaptures the Christian moral realism at its core.     

Tibetan-Inhabited Area in Deqen in Development

Deqen, honored as “Shangri La”,is located in the area where three rivers meet to form one in the Henduan Mountains straddling the borders of Yunnan, Sichuan and Tibet. The Deqen Tibetan Ethnic Group Autonomous Prefecture, founded in September 1957, is the only Tibetan autonomous prefecture in Yunnan Province but one of 10 in the