Remembrance of Things Passed: Memory,Body and the Politics of Feasting in New Ireland,Papua New Guinea1

This paper explores the connection between body and memory for the people of the Lelet Plateau of central New Ireland. Through an examination of the processes by which memories of mortuary feasts are created and circulated, I draw attention to the embodied nature of memory as a central facet in the politics of feasting. The approach taken here differs from other prevailing approaches to the body and memory in its exploration of the ways in which memories are created through and within the body, rather than seeing the body, or things representing the body, as signs that are utilised for remembering. In particular, I examine the forms of sorcery which target the participants' bodies, making them experience diarrhoea as a mnemonic process. It is through this that a significant memory of the feast is created, one which stands out notably from numerous other memories, and is the means by which remembrance of the event is transformed into fame for the host.     

Remembering the city: translocality and the senses

This article explores how the postcolonial cities of Kolkata and London are remembered across space and time through the translocal memories of a religious minority, followers of the Hindu reform sect, known as the Brahmo Samaj. London Brahmos represent a miniscule translocal community, historically located in the urban culture of Kolkata and yet with a long tradition of travel and migration inside and outside India. Drawing on interviews with London Brahmos, who migrated to London from Kolkata from the 1950s onwards, the article focuses on the role of urban memory as a translocal and sensory practice, infused with enchantment. I start by considering how London and Kolkata are connected through translocal memories of mobility and dwelling. I then move on to contrast sensuous and sterile memories, which emplace translocal urban imaginaries of Kolkata and London and examine the limits of translocality to connect cities and lives through mapping a variety of situated urban sensescapes.     

Remember and never forget

In this article we try to analyse the relationship constructed between the memories of individuals and collective memory. This analysis is based on the confrontation of two types of sources: on the one hand the Yisker‐biher or “books of memories”; devoted to several hundred Jewish communities of the Diaspora (mostly in Poland), and on the other, autobiographies of Jews, both written (selected among the many published in the last ten years) and oral. Both kinds of texts are part of a literature of memorial and of mourning which makes use of analogous procedures and themes. Despite the diveristy and the irreducible uniqueness of each lived experience, the individual accounts all recount basically, the same trials: uprooting, migration, persecution, exile and impossibility of mourning. The authors of the autobiographies, in their role as spokespeople for others, who are no longer alive to bear witness, contribute not only to transmit individual memories, but also to reconstitute a collective memory. Inversely, collective memory takes its substance from individual memories, and bases its rhythm and movement upon them. These exchanges, in the form of chiasmes, creates a memory which is both unified and multiple, where individual memories reproduce general categories which subsume them and give them meaning.     

Remembering and forgetting 1974: the 2011 Brisbane floods and memories of an earlier disaster

The city of Brisbane, capital of the Australian state of Queensland, sits on a floodplain and has been struck by two devastating flood disasters in the last 50 years. This article contributes to the growing literature on disaster memory by tracing memories of a flood in 1974 as they were constructed and re‐enacted in a more recent disaster in 2011. The article examines how disaster memories shape local identities and considers how such memories influence policy and local knowledge, doing so by reference to an analysis of three forms of memory media—personal narratives, news media reporting, and built memorials. At times, memories of 1974 enabled Brisbane residents to prepare for an oncoming flood and to understand the scope of the 2011 event. Yet other memories produced a form of forgetting by positioning the earlier flood as a successfully navigated event now safely contained in the past. Findings from the analysis thus point to the importance of understanding memories of past disasters as a critical element of disaster planning and management.     

Dancing for the King of Congo from Early Modern Central Africa to Slavery-Era Brazil

Breathtaking parades of black kings and their courts enlivened the streets of cities in Europe and the Americas between the fifteenth and the eighteenth centuries. Sumptuously dressed queens and kings and their resplendent attendants processed to the sound of music, lifted, temporarily, from the grim the life of enslavement or institutionalized inferiority many of them lived in the age of Atlantic slavery. Drawing from a recent analysis of a prominent ritual performance from the central African kingdom of Kongo called sangamento, this article offers a new interpretation of the black kings festivals, beyond their interpretation as carnivalesque pomp emulating and destabilizing European rule. On both shores of the Atlantic, the performances combined African and European regalia and pageantry to express and enact central African collective identity, political power, and social unity. Restaging performances and reshaping ideas honed in the Kongo, enslaved central Africans not only preserved the memory of their region of origins, but also crafted empowered responses to enslavement and the colonial system at large.     

‘Accurate to the Point of Mania’: Eyewitness Testimony and Memory Making in Australia's Official Paintings of the First World War

The collection of official war art housed in the Australian War Memorial has played an important role in shaping a memory of the First World War for almost a century. This article explores the importance of eyewitness testimony in the production of war paintings for the Memorial's collection during the interwar years. Focusing on the repainting of official artist Harold Septimus Power's canvas Saving the Guns of Robecq, it explores the reasons why—in the inevitably contested construction of memory—Charles Bean and John Treloar privileged veterans’ memories over artists’ interpretations of the conflict. It argues that in the process of memory making aesthetics mattered less than portraying the war in a way acceptable to the men who had experienced it.     

Two models of universalizing memory practices

Abstract

This essay conceptualizes ‘universalizing memory practices’ that are at the centre of the present special issue on ‘European Memory: Universalizing the Past?’. By comparing the case studies, the article brings out two models of universalizing memory practices that either establish equivalence among different interpretations of the past or coordinate between them. First, actors establish equivalence by defining rules under which heterogeneous memories can be subsumed. Equivalence decontextualizes memories and divests them of temporal references. Here, the integration of mnemonic difference expands a mnemonic realm from its centre. Second, through coordination, memory actors connect different layers of interpretation that all refer to their own time and context. By rendering explicit the implicit rules of how those interpretations compete, actors open up a general standpoint of multiple temporalities. From this standpoint, reinterpretations can stretch the boundaries of mnemonic realms.     

Oral testimonies,archival sources,and the 1948 Arab-Israeli War: A close look at the occupation of a Galilean village

This article explores the (still) possible and significant contribution oral history can make to the study of the 1948 Arab-Israeli War. Its purpose is to create a constructive “dialogue” between archival sources and oral testimonies. By weaving the information contained in written documents together with that conveyed through spoken words – the two sources simultaneously support and cast doubt on each other – it bridges a gap between the path generally followed by Israeli historians and that taken by many Palestinian scholars. To illustrate the potential embodied in the proposed “dialogue” to improve our understanding of the war, the article presents a historical close-up of Fassuta, one of the Arab villages occupied by Jewish forces during the war. Cross-checking Israeli documents in Hebrew against Palestinian memories conveyed in Arabic, this article seeks to explain how and why that particular village remained intact while many of the neighboring villages were depopulated and destroyed.     

Spirit knows: materiality,memory and the recovery of Spiritualist places and practices in Stoke-on-Trent

Abstract

Much has been written about constructing memories of place, yet few speak of the difficulties in dealing with lost, partial and fragmented histories of place. We argue that behind the idea of ‘memory of place’ is an assumption that these memories are recoverable and can build a sense of place. Our research has led us to assume the opposite: not just that the fragments of history cannot build a complete memory of place, but that this understanding of memory and place is itself skewed by its reliance on materiality. This paper stems from a project that explores the place of spirituality in everyday life through insights from Spiritualist churches and their congregations. Whilst evidence of Spiritualist locations can be partially obtained through documentary records, a key challenge has been in understanding practices in the context of Spiritualism’s disassociation with materiality and the centrality of Spirit. The paper concludes that retracing Spiritualism’s past, and capturing its contemporary spiritual practices, uncovers a ‘memory of place’ that is not only in constant transience, but that can only be known through Spirit.     

Writing Veterans’ History: A Conversation on the Twentieth Century

This article is a conversation between five specialists of veterans’ history on the current direction of the field and its importance to the study of war and society. The discussants offer an an overview of current methodologies, definitions and historiographical approaches. Concentrating on the experiences of twentieth-century veterans (particularly after 1945) and using a diverse range of case studies from across the world, this article also asks what connections bound veteran communities together, and how we as historians might conceptualise veterans: as a class, as a collective, or as a far looser grouping of individuals? Finally, this article explores what distinguishes veteranhood after 1945 and the evolving relationship between veterans and the memory of conflict.     

Memory, Distortion, and History in the Museum

Museums are conventionally viewed as institutions dedicated to the conservation of valued objects and the education of the public. Recently, controversies have arisen regarding the representation of history in museums. National museums in America and Germany considered here, such as the Smithsonian's Air and Space Museum, the Holocaust Memorial Museum, and the German Historical Museum, have become sites of contention where national histories and personal memories are often at odds. Contemporary art installations in museums which take historical consciousness as their theme similarly raise contentious issues about public knowledge of and personal interest in the past. When members of publics find that their memories of the past or their expectations for museum experiences are not being met, a kind of "distortion" occurs. The "distortion" related to memory and history in the museum is not so much of facts or interpretations, but rather a distortion from the lack of congruity between personal experience and expectation, on the one hand, and the institutional representation of the past on the other. This essay explores the possibilities for a redefined relationship between personal memory and history that is experienced in contemporary museums.     

历表、系连与年代史料（续）——关于西周诸王年代的讨论

本文在上一篇论文的基础上继续使用系连排谱的方法,对剩余的完整历日铜器所属的时代进行判定,进而排定十二位周王的在位年代;并确认西周王朝始于公元前1071年武王克商,终于公元前771年骊山之役。     

Commemoration of the Great War: A Global Phenomenon or a National Agenda?

During the First World War, people from all over the world were present in Flanders Fields. On the eve of the centenary of the Great War, it is striking that the war is not commemorated as strongly in every country that was involved. This article explores the specific national sensitivities related to the commemoration of the First World War and the reasons why some states commemorate it more strongly than others. The data for this article were obtained through desk research and expert interviews. In addition to focusing on the main conclusions, this article briefly explores some theoretical insights on memory and commemoration. The particular history of a nation’s involvement in the war, the extent to which the war contributed to the nation-building process of the state in question, the extent to which a military tradition existed and the extent to which civil society was involved in the commemorative events are all factors that influence the intensity and the way that the war is commemorated. Another remarkable difference is that the emphasis of commemorative events is on a contemporary peace message in some states while other nations focus on the memory as such. Remembrance of Flanders Fields in particular is only important to some nations. The commemoration of the First World War is, as well as much other expressions of heritage, a historic and social construct.     

《宋诗话辑佚》拾遗初编

郭少虞先生《宋诗话辑佚》对已经亡佚散失的三十六种宋代诗话著作作了辑佚工作,为研究宋代诗学提供了重要的参考书。限于材料,先生辑佚之外还有一些资料未见收录,虽有学者作了一定的增补,然仍有部分资料可以补遗。本文即对《宋诗话辑佚》中的六种诗话,《王直方诗话》、《古今诗话》、《唐宋诗话》、《潘子真诗话》、《桐江诗话》、《艺苑雌黄》等六种作了增补。     

Musical memory,heritage and local identity: remembering the popular music past in a European Capital of Culture

This paper explores the relationship between rock music, collective memory and local identity, by focusing on events connected to Liverpool's status as European Capital of Culture 2008. The first part of the paper describes these events and how memories of local rock music were attached to heritage and local identity and mobilised to validate Liverpool as a capital of culture, whilst in turn the city's Capital of Culture status served to validate particular ways of remembering the local musical past. The second part of the paper considers the broader significance of these events by relating them to three pan-European trends in cultural policy: the development of the cultural and heritage industries; the protection and promotion of local culture and identity; and the fostering of cultural diversity and integration. It highlights the general significance of the popular music past for cultural policy in Europe, but also the politics of popular music memory and how it involves a complex and dynamic process of negotiation that relates to cultural policy in particular ways. The paper concludes by arguing that popular music offers a specific and productive focus for research on cultural policy, heritage and local identity in Europe.     

“The Gudeman of Ballangeich”: rambles in the afterlife of James V

This article concerns a corpus of legends in which James V of Scotland disguised himself as the “Gudeman of Ballangeich” in order to enjoy amorous adventures. The traditions may or may not be contemporary, and equally there is no certainty about whether they reflect actual behaviour (although kings in general, including the Stuart kings, have been known to disguise themselves for a variety of reasons, including pleasure). However, in later centuries, allusions to the “Gudeman of Ballangeich” were used by Scots to refer surreptitiously to a Scots king, by Jacobites to refer to a Stuart king, and members of The Beggar's Benison, an eighteenth‐century libertine club, used tales of James V to evoke memories of a better, pre‐Union, pre‐Calvinist Scotland of cultural creativity and sexual liberty. The legends of James V helped maintain the positive, popular image of this monarch as the “poor man's king” in the face of less kind judgements from contemporary elites and subsequent generations of historians.     

Remembrance as remaking: memories of the nation revisited

This article revisits Anthony Smith's landmark collection Myths and Memories of the Nation (1999) from the perspective of recent developments in cultural memory studies. It argues for a more clearly demarcated distinction between myths and memories which acknowledges cultural memory as a site of new experiential perspectives that often work against the authority of myths, seen as the unquestioned truths about the collective past. Drawing on studies of modern memory cultures, it presents a dynamic and generative model that construes memory in terms of cultural practices of remembrance. It shows that memory is not an unchanging legacy but rather a malleable resource for making shared stories about the past. Where Halbwachs (1925) presumed that social frameworks precede and shape memory, remembrance is presented here as a cultural force that helps to redefine social frameworks and to create links between hitherto unconnected imagined communities.     

Remembering the Sea: Personal and Communal Recollections of Maritime Life in Jizan and the Farasan Islands,Saudi Arabia

People create narratives of their maritime past through the remembering and forgetting of seafaring experiences, and through the retention and disposal of maritime artefacts that function mnemonically to evoke or suppress those experiences. The sustenance and reproduction of the resulting narratives depends further on effective media of intergenerational transmission; otherwise, they are lost. Rapid socio-economic transformation across Saudi Arabia in the age of oil has disrupted longstanding seafaring economies in the Red Sea archipelago of the Farasan Islands, and the nearby mainland port of Jizan. Vestiges of wooden boatbuilding activity are few; long-distance dhow trade with South Asia, the Arabian-Persian Gulf and East Africa has ceased; and a once substantial pearling and nacre (mother of pearl) collection industry has dwindled to a tiny group of hobbyists: no youth dive today. This widespread withdrawal from seafaring activity among many people in these formerly maritime-oriented communities has diminished the salience of such activity in cultural memory, and has set in motion narrative creation processes, through which memories are filtered and selected, and objects preserved, discarded, or lost. This paper is a product of the encounter of the authors with keepers of maritime memories and objects in the Farasan Islands and Jizan. An older generation of men recall memories of their experiences as boat builders, captains, seafarers, pearl divers and fishermen. Their recounted memories are inscribed, and Arabic seafaring terms recorded. The extent of the retention of maritime material cultural items as memorials is also assessed, and the rôle of individual, communal and state actors in that retention is considered. Through this reflection, it becomes clear that the extra-biological memory and archive of the region’s maritime past is sparse; that intergenerational transmission is failing; that the participation of state agencies in maritime heritage creation is highly limited; and that, as a result, memories current among the older generation have limited prospect of survival. These memories, recorded and interpreted here, identify the Farasan Islands as a former centre of the pearling industry in the Red Sea, and identify them and Jizan as open to far-reaching maritime-mediated cultural influences in an era before the imposition of the attributes of the modern nation-state.     

Memory and Non-Place: Visual Testimonies of Japanese American Internment During World War II

This article addresses the little-known history of Japanese Latin American internment during WWII. Classified as ‘illegal aliens’ and ‘enemy aliens’, 2,264 Japanese Latin Americans were stripped of citizenship from their home countries, denied rights in the United States, and ultimately deprived reconciliation due to their undocumented status. Using the traces of this history as a case study, I explore the strategic memories Japanese Latin Americans create about non-place – spaces of statelessness or states of exception – that allow them to make claims about state violence committed against them under these conditions, and, second, argue that demands for justice against political violence entail not only bringing light to erased histories but also developing engaged acts of reception that account for survivors’ claims to the memories of non-place. Visual testimonies, such as the Denshō Digital Archive and the short documentary Hidden Internment: The Art Shibayama Story (2004), affectively connect a viewer/listener to the memory of trauma, to an inexpressible haunting, and thus are critical platforms for creating a collective memory between survivors and the digital generation of postmemory.     

Trajectories of Memory: Documentary Film and the Transmission of Testimony

The author argues that in the burgeoning new literature about social memory anthropologists have not yet contributed all that they might. In particular, little has been written from an anthropological point of view about memory and film. The article seeks to examine the possible roles of documentary film in memory transmission. During the twentieth century, film and video became increasingly important vehicles of memory, while the digital revolution has made video such a pervasive medium in the new century that it will become more and more vital as a source of historical evidence and reflection. While the evidence presented by visually recorded interviews certainly requires critical evaluation, there is no reason to suppose that recorded interviews are any less reliable than texts; they may in fact offer clues that a text cannot. Some of the most interesting films of memory are the work of independent filmmakers engaged in a courageous personal quest to break officially imposed silences. The article examines the potential of film to preserve memories as trace—that is, as a form of historical evidence; as event—testifying itself being a performative act which generates its own meanings and demands a dialogical engagement with/by an audience; and as trajectory—for individual memories must be transmitted in order to become social. As they are launched into the flow of collective memory, they have a chance to endure over time, multiplying available perspectives on the past. Films of memory are thus part of the struggle against the forgetting of past injustices, and ultimately have the potential to contribute to shifts in our interpretations of history.