Le Psaume 80 Dans Le Cadre Du Psautier Et Ezechiel 17

Psalm 80 is a Psalm of Asaph in the continuity of Psalm 79, and especially Psalm 78. We have the influence of Psalm 44 in relation to the Psalm 79, too. In the Psalms 78 and 80 we have two times in Israel's history: Patriarch's time (Joseph) and King's time (Judah). Joseph's mention in 80,2 and Ephraim Benjamin and Manasseh in 80,3, is an allusion to Egypt's time, a time without King. This point is corresponding to the fact of a doubt about the continuation of the royalty in the continuity of Ez 17. In the same way, Psalm 89 establishes the disappearance of the Davidic dynasty. But in the Psalm 80 there is always a hope. In the Psalm 80 the perspective of salvation plays an important part, with especially three times the expression . In this case it is not an influence of the book of Ezekiel, but a perspective of the Book of Isaiah, and so the Psalter. In this way it is possible to understand the relation of Psalm 80 to the Book of Exodus and especially Ex 15, see .     

Les Mains de Michel-Ange

This article focuses on a drawing, regarded by 18(th)-century amateurs as a masterpiece by Michelangelo, and serves as a point of departure to illuminate the amateur's fascination with the artist's hand. This self-referential representation of the artistic process attracted much comment among connoisseurs. As virtually all amateurs had their say on the meaning of ? les mains de Michel-Ange ? the drawing sheds further light on the objects of desire which informed the amateur's discourse and the mediality such discourse needed in order to join word and image.     

流淌在半空中的涟漪 美国爱阿华州得梅因公共图书馆

这座图书馆位于新得梅因"西入口公园"的东端,联系着市区和风景区。一方面,它呼应了城市的街区,但同时它又延伸进公园,漂浮在周围的景观之中。这样就创造出不同     

Les techniques dans l'espace public

In this article, we intend to study the cultural transformations fostered by the commercialisation of inventions, a major process in the growth of markets and consumption in the XVIII^th century. Inventors' commercial strategies were based on intense mediatisation, combining visual languages (public shows, experiments, exhibitions) and print resources: advertisements, posters, tracts, how-to leaflets and users' books. Technical information and useful knowledge played a major part in the building of markets for inventions. This demension has seldom been stressed neither by historians of consumption nor by historians of technology. Yet, this literature that aimed to emancipate consumers and to develop their participative talents as m means to convince them to buy, expressed the success of knowledge in action, of operative sciences, based on gestures and verbs, on purposive action and projects. Whereas technological science (technologie) in the Enlightenment developed in treatises and dictionaries, it was also stemming from useful literature and commercial ephemeras that allowed appropriations.