Evolving Ideas: J. B. d’Anville’s Maps of Southern Africa, 1725–1749

This article focuses on the changes made to the cartography of southern Africa between 1725 and 1749 by the French geographer Jean Baptiste Bourguignon d’Anville. The maps in question were produced in collaboration with the Portuguese ambassador Dom Luís da Cunha as part of d’Anville’s plan to demonstrate what lay between the Portuguese colonies of Angola in the west and Mozambique in the east and to establish a link across the continent. The maps he produced in the first two phases of his mapping of southern Africa (1725–1731) echoed the traditional horror vacui. The vast blank that appeared on his map of Afrique of 1749, however, has to be seen as d’Anville intended—the integration of empty space on a map with Enlightenment rationalization of geography.     

Some reflections on mental maps

ABSTRACT

The point of departure for this essay is a map drawn in 1963 by the writer’s maternal grandfather. It represents the village of Berg, located in northern Sweden, and depicts his activities as a farmer and hunter. But it is also based on grandfather’s collective knowledge of the village. In what follows I will examine mental maps of microspaces that reflect what is important to an individual or to the members of a community. One shows how Aivilik Inuits perceive their local environment; another set of urban maps from Los Angeles, California, are based on the views of residents in different areas. The social divides become strikingly apparent on these mental maps. Among the conspicuous features of my grandfather’s map are the images he drew to supplement the various geographical locations he laid out. In this respect one might compare medieval mappae mundi that is, maps of the world representing compendiums of all things worth knowing. I also consider the appearance of mysterious gaps on grandfather’s map, that is, “the silences”. Many general perspectives on mental mapping are suggested by a consideration of the map my grandfather drew.     

Going beyond the grid: literary mapping as creative reading

Drawing from the importance of narrative inquiry in contemporary geographical reasoning and teaching, this paper focuses on some practices set around the relationship between maps and literature. Reader-generated maps, maps produced starting from the reading of a literary text, are at the core of a reflection on the potentialities of literary mapping in higher education; relating maps and literature in an educational environment, I suggest creative reading and creative mapping as co-constructive practices that are able to guide students in addressing and internalising the complexity of spatial categories. Reflecting on the students’ literary mappings, I focus on the various ways that the literary map contributes to mobilising the space of the text, guiding students in approaching spatial issues from a different (and creative) perspective. Time, point of view and literary trans-scalarity are the key narrative concepts that guide and inform possible inductive ruminations on literary mapping as a learning strategy. Following the core question of “what literary mapping might be and do in the digital age”, I aim to resituate contemporary discussions on literary mapping in an educational environment.     

The Laurentian world map with special reference to its portrayal of Africa

When the Jesuit missionaries began to work in China, they attracted the attention of the Chinese by introducing European knowledge. This is the context in which Jesuits such as Matteo Ricci, Giulio Aleni, Francesco Sambiasi and Ferdinand Verbiest made their Chinese‐language world maps. Sambiasi was a man of many talents. He was a tactful diplomat and a learned scientist. His world map shows him to be a skilful adapter of earlier knowledge, which he passed on to future generations. The six known copies of his map are in two versions, printed from two sets of wood blocks (c. 1639). A text at the top of one version explains why the world must be seen as a sphere, which demonstrates how these maps were meant to convince the Chinese public of European scientific findings.     

Interpreting urban space through cognitive map sketching and sequence analysis

Traditionally, analysis of sketch maps of urban areas has focused on the interpretation of hand‐drawn renditions of features that are most familiar to individuals. Few researchers have investigated the sequence that sketchers use to identify features on the urban landscape and how these features are linked together to form a coherent ‘picture’ of an area. This article builds upon previous research by exploring the sequential pattern of sketch map creation. Two research questions are proposed, namely, can a repetitive sequential order in element inclusion be identified for different individuals sketching the same urban environment? If so what features are mapped in which order to create the sketchers' image of the city? Findings suggest that three distinct groups of cognitive maps exist, namely, sequential, spatial and hybrid, and that the map elements of each group are organised in a distinctive manner with paths and landmarks as principal elements. It is suggested that insights into this process provide more substance to understanding how individuals interpret and structure urban space and use this information to navigate both known and new environments.     

Maps and Memory: Readings of Cartography in Twelfth- and Thirteenth-Century Song China

ABSTRACT

This essay traces the early history of the genre of the empire map in China, examines twelfth-century steles and printed maps of the Chinese territories, and analyses contemporary viewings and readings of maps in this genre. It argues that such maps reached a much broader readership of literate elites over the course of the Song Dynasty (960–1279) and acquired new political significance as maps became powerful symbols in debates concerning the pros and cons of negotiated peace.     

Saxton's Maps of England and Wales: The Accuracy of Anglia and Britannia and Their Relationship to Each Other and to the County Maps

ABSTRACT

From measurements of the graticules on Saxton's two general maps of England and Wales—the atlas map Anglia and the wall map Britannia—together with other evidence, it is argued that neither map was drawn according to any specific projection, but that both were effectively produced as ‘flat-earth’ maps with the graticules superimposed afterwards. Digital versions of Saxton's maps and of a modern map, the 1:1 million Ordnance Survey transport map, are used in a number of comparisons by means of the computer program MapAnalyst. These comparisons allow the scales of the two Saxton maps to be determined. They also show that the maps are of almost the same accuracy in terms of the positioning of settlements, typically within about 4.6 kilometres, in spite of a difference in scale of a factor of about 3.6. This fact and the direct comparison of the two Saxton maps in MapAnalyst show that they are basically the same map, and it is concluded that a version of the wall map was the first to be drawn and that Anglia is a reduced copy prepared for the atlas. The lengths of Saxton's miles as used on the two maps are calculated and compared with other determinations. The relationship between the two general maps and the county maps is briefly considered, and it is provisionally concluded that the relationship is a close one.     

Feminist cartography and the United Nations Sustainable Development Goal on gender equality: Emotional responses to three thematic maps

Thematic maps facilitate spatial understanding of patterns and exceptions. Cognitive ability, spatial cognition, and emotional state are related, yet there is little research about map readers’ emotions. Feminist critiques of cartography recognize emotion and affect as legitimate experiences on par with quantitative ways of knowing. We conducted an online survey to measure users’ affective states before and after engaging with three thematic map types. The maps showed data from the United Nations Sustainable Development Goal to achieve gender equality, on the proportion of girls and women aged 15 to 49 who have undergone female genital mutilation/cutting. Participants viewed a choropleth, a cartogram, and a repeating icon tile map; completed map-related tasks; rated certain map qualities; rated their affective states before and after engaging with the maps; and answered open-ended questions. The maps piqued curiosity and evoked emotions for most users, while some users perceived the thematic maps as clinical or neutral despite the sensitive topic. After viewing the maps, female participants who were affected expressed deeper engagement in their open-ended comments than males. Traditionally, cartography construes the human experience as male experience and denies or trivializes women's experiences. Our findings corroborate feminist critiques of this disembodiment and entrenched rational rhetoric of maps.     

Book Reviews

Abstract

One of the few maps made by the indigenous population of the Americas and dating from the early eighteenth century to have survived, either in original or copied form, is the subject of this article. The map, on deerskin, was given to the new governor of South Carolina, Francis Nicholson, by an unknown Native American. Entitled A Map Describing the Situation of the Several Nations of Indians between South Carolina and the Massissipi River, it has generally been attributed to the Catawba nation. After situating the map in its historical period and detailing the claims for a Catawba origin, these claims are refuted and evidence supplied for a Cherokee origin.     

Chosŏn Korea in the Ryūkoku Kangnido: Dating the Oldest Extant Korean Map of the World (15th Century)

The date of the earliest extant Korean world map, entitled Honil kangni y?ktae kukto chi to (Map of Integrated Lands and Regions of Historical Countries and Capitals) and now in the ōmiya Library, Ryūkoku University Academic Information Center, Kyoto, Japan, is unknown. The Ryūkoku Kangnido (as the map is commonly referred to), along with three other Korean world maps believed to have been made in Chos?n Korea in the fifteenth or sixteenth century, is thought to have been derived from a now‐lost world map made in Chos?n Korea in 1402. Opinions on possible dates for the Ryūkoku Kangnido have varied widely. In this paper, a revised date of between early 1479 and late 1485 is proposed on the basis of a study of the Korean place‐names in the map and changes in the Korean civil and military administration they reflect. It is also suggested that, despite showing most of the rest of the world, the Korean officials who produced the Ryūkoku Kangnido were less interested in portraying current images of neighbouring Asian countries than in presenting an up‐to‐date image of Chos?n Korea.     

已佚1590年单幅中国大地图研究

透过法国制图家桑松1656年绘制的中国地图,揭示已佚的由耶稣会士罗明坚与意大利制图家内罗尼合作的1590年单幅中国大地图面貌,指出此图主体部分是由罗明坚依据《大明一统文武诸司衙门官制》所载中文舆图摹绘的抄摹型分省图稿拼合而成的,拼合主要基于对分省图稿省际河道比较随意的连接,造成水系、诸省轮廓及方位等重大错误。部分图示还借鉴1584年刻印的巴尔布达"中国新图"。此图是已知最早的单幅西文中国详图,虽有缺陷,但对中国地理面貌的展现较此前西文地图有所推进。     

The map drawings of Aegidius Tschudi (1505–1572)

‘On a visit to Leningrad some years ago I consulted a map to find out where I was, but I could not make it out. From where I stood, I could see several enormous churches, yet there was no trace of them on my map. When finally an interpreter came to help me, he said: “We don't show churches on our maps.” Contradicting him, I pointed to one that was very clearly marked. “That is a museum,” he said, “not what we call a ‘living church.’ It is only ‘living churches’ we don't show.”

It then occurred to me that this was not the first time I had been given a map which failed to show many things I could see right in front of my eyes. All through school and university I had been given maps of life and knowledge on which there was hardly a trace of many of the things that I most cared about and that seemed to me to be of the greatest possible importance to the conduct of my life. I remembered that for many years my perplexity had been complete; and no interpreter had come along to help me. It remained complete until I ceased to suspect the sanity of my perceptions and began, instead, to suspect the soundness of the maps.’

E. F. Schumacher, ‘On philosophical maps,’ A guide for the perplexed (New York, 1977).     

The World Map as an Emblem: Abraham Ortelius and the Stoic Contemplation

Although the close association of word and image in medieval cartography is widely acknowledged, the significance of the relationship after the rediscovery of Ptolemy's Geography and throughout the Renaissance has been overlooked, despite Abraham Ortelius's choice of the term ‘Reader’ for users of the Theatrum orbis terrarum (1570). In this paper, the map of the world, which (as in Ptolemy's Geography) opens Ortelius's Theatrum, is analysed to show how Ortelius's concept of space was very different from Ptolemy's. Attention is drawn to the content of the texts on the map, to Ortelius's notion of geography as the eye of history, and to the importance in the Renaissance of the emblem as a conceit, or device, in the system of acquisition and transmission of knowledge. As in emblems, the words on Ortelius's map are not there to explain or to comment on what is seen but to give the image meaning; the purpose of the map is to invite contemplation of God's world. The map is contradictory, however; for Ortelius's accurate and up‐to‐date presentation of the physical world is qualified by a verbal statement that the world is ‘nothing’, a mere pinpoint in the immensity of the universe. It is concluded that Ortelius was not a geographer in the same way Ptolemy was, and that Ortelius was using geography as a philosopher and his world map as an illustration of his moral and religious thinking.     

Editorial Introduction 38(3): The Partnership of Agency

Birx, H. James. Theories of Evolution. Springfield, Illinois: Charles C. Thomas, 1984. xiv + 417 pp. including photographs, bibliography, and index. $39.50 cloth.

Brooks, John Langdon. Just Before the Origin. New York: Columbia University Press, 1984. xii + 284 pp. including maps, sketches, bibliography, and index. $30.00 cloth.