《牟尼意庄严论》梵文写本及第一章1v1-3v5的转写（英文）

<正>Abhayakaragupta(ca.11-12th century)was an outstanding Indian pandita whose thought strongly impacted Tibetan Buddhism.He is widely known from a number of his compositions.Among the twenty-one works attributed to him by the Derge Tanjur,nineteen are allocated to the Tantra section,one to the Prajfiaparamita section,and two to the Madhyamaka section.Of these,the Munimatalarfikara,in the Madhyamaka section,is one of his most important.The Munimatalarfikara is sometimes regarded by Tibetan Buddhists,e.g.,Tsong     

梵文写本《牟尼意趣庄严论》摹写本——第1章:叶4r3-7v4（英文）

<正>Abhaya?karagupta(ca. 11–12 th century) is widely known for a number of his compositions. Among the 21 works attributed to him by the Derge Tanjur, nineteen are allocated to the Tantra section, one to the Praj?a?pa?ramita? section, and two to the Madhyamaka section. Of these, the Munimata?lam?ka?ra, in the Madhyamaka section, is     

月称及其《入中论》(英文)

Ⅰ.Cadrakirti's Life and Works Cadrakirti(600-650)was a well-known Mād- hyamikāh scholar of Indian Mahayana in the seventh century,as well as the representative of Prasangika one of the two Mādhyamikāhs in the Indian mid-period. Since he redeveloped the Madhyamaka doctrines of Nagarjuna,founder of Mahayana theory,and became famous for inheriting Nagarjuna's Madhya-maka doctrines,so he is addressed with respect as one of     

Six Tibetan Translations of the Ratnagotravibhaga

The Ratnagotravibhaga （abbr. RGV） is one of the most influential texts among Indic works that teach the Buddha-nature doctrine in Tibet. No translation of the text seems to have existed in Tibet before the 11th century, inasmuch as no catalogue of the imperial period （the 9th century）,     

Tonglha Zeweng Master of the Garma Garze Painting School (I)

Garma Garze painting school is one of the threefamous painting schools in the Tibetan-inhibitedareas (along with Moinze and Qenze paintingschools),and was formed in the 15th century.Major master painters of the school include Tongl-ha Zeweng,who is one of the most outstandingmodem painters in the region. Tonglha Zeweng(his religious name being Garma LhozhubWose)was born in Dege County in 1901.He started to learn to     

HIGHLIGHTS

King Gesar is a focus of study in and outside China. Accomplished scholars include:——Alexandra David-Neel (1868-1969): A noted French expert in Oriental studies, Chinese and Tibetan studies in the 20th century, she visited Tibet and surrounding areas five times for survey. Her treatises and diaries related to the Orient, especially to Tibet and related areas, were translated into many languages and published repeatedly.——Ren Neiqiang (1894-1989): A noted geologist, an expert in ethnic groups and a pioneer in Tibetan studies. From 1939 to 1944, he published his Initial Introduction to "Tibetan Three Kingdoms" and "On the Three Kingdoms" in Border Government Affairs Forum and Kangdao Month.——R.A. Stein (1911-1999): He is held as the most successful Tibetan study worker in France in the 20th century. And he was one of the few who could do research in both Tibetan and Chinese. His contribution to the study of King Gesarfinds expression in his effort to translate the epic.——Wang Yinuan (1907-1998): A     

藏传佛教对当代蒙古族生态文学的影响——以郭雪波的小说为例（英文）

正Tibetan Buddhism,one of the important sects of Buddhism,is believed by a lot of researchers to have disseminated into Tibet from India,Nepal and its adjacent Han nationality congregating areas in around 7~(th) century.The subsequent spread of Buddhism in Tibet experienced two periods of fast diffusion,during which the     

A CALL FOR SUBMISSIONS TO A PHOTOGRAPHIC COMPETITION AND EXHIBITION ON THE THEME OF THE 60TH ANNIVERSARY OF THE PEACEFUL LIBERATION OF TIBET

<正>As part of the celebrations for the 60th anniversary of the Peaceful Liberation of Tibet,China's Tibet magazine and the Federation of Literature and Art of Tibet Autonomous Region is going to hold a photographic competition with the theme"Witness to Tibet Over 60 Years".Photographers from home and abroad are welcome to contribute images on this theme.All prize-winning and top-ranked works will be exhibited in Beijing and Lhasa in May 2011 by the organizers.     

PHOTO EXHIBITION MARKING THE 10TH ANNIVERSARY OF THE QINGHAI-TIBET RAILWAY OPEN TO TRAFFIC HELD IN BEIJING

正The photo exhibition celebrating the 10th anniversary of the Qinghai-Tibet railway open to traffic was held in Beijing from July 1 st to 16th.Sponsored by China Association for Preservation and Development of Tibetan Culture and China Railway Construction Corporation Limited,the exhibition collected more than 300 photos and painting works,showing the construction achievement of the Qinghai-Tibet railway and the social and economic development it brings to the snowy plateau.     

宝藏寂对佛性的理解（英文）

<正>The Ratnagotravibhāga(abbr.RGV)was very likely composed sometime around ~(th)e 4~(th) or 5~(th) century in India.But traces of the RGV fell into obscurity after ~(th)e late 6~(th) century,and again begin to appear after the early 11th century.To clarify the text’s resurrection after the early 11~(th) century,I have studied the earliest masters of this period who quote the RGV,namely Maitrīpa     

《法称定量论》的藏译本——试论俄·洛丹喜饶的译本(英文)

<正>Introduction The contribution of rNgog Blo ldan shes rab(1059—1109)(hereafter:rNgog Lo)to the developments of Buddhist scholarship in general at the beginning of the Later Diffusion of Buddhism in Tibet(phyi dar)is a highly significant one.In the field of epistemology in particular rNgog Lo’s translations and commentarial works constituted the corner stones for the emergence of a leading tradition of Tibetan tshad ma at the monastery of gSang phu     

THE THREE MASTERS OF JO OLDRUM

The ＂three masters of Jo Oldrum＂ refers to Guru Jo Olgyal Palden Atisha and his two disciples： Drumdompa Gyaiwarongne and O1 Lepal Sherab who lived in the 10th Century. In Thangka and frescos, Guru Atisha sits in the middle, and his two disciples on either side. Such works are commonly found in the shrines of Tibetan monasteries. All three were initiated into the Sect of Kadam in Tibetan Buddhism during the 10th Century.     

The Day in Lhasa

Procession at Sunup As the sun rises,pilgrims,one after another,come from various directions and gradually form a procession around the Potala Palace.Undeniably,in the short term,this daily procession has been reduced due to the negative impact of the tragedy that occurred on March 14~(th) in Lhasa. Notwithstanding,today it seems everything has returned to normal.     

The Day in Lhasa

Procession at Sunup As the sun rises,pilgrims,one after another,come from various directions and gradually form a procession around the Potala Palace.Undeniably,in the short term,this daily procession has been reduced due to the negative impact of the tragedy that occurred on March 14~(th) in Lhasa. Notwithstanding,today it seems everything has returned to normal.     

TIBETAN MUSIC AND DANCE Performed in Beijing

<正>In March 2010,the Tibet Autonomous Region selected both national and regional level music and dance items for an intangible cultural heritage performance.On March 25-26th,a performance was given in the Tianqiao Theater,Beijing,to demonstrate the intangible cultural heritage of Tibet in both diversity and abundance.It revealed the beauty of Tibetan culture as one of the preserved special cultures of the Chinese Nation.     

Tonglha Zeweng： Master of the Garma Garze Painting School （Ⅱ）

The Garma Garze painting schoolis one of the three famous paint-ing schools in Tibetan-inhibitedareas(along with those ofMoinze and Qenze),and was formed inthe 15th century.In the 16th century,it began to exertgreater influence on the Tibetan-inhabitedareas,and.a number of painters flourished,including Dabo Goba,Garrna Sengzbe and     

Emperor Qianlong''''s Painting to the 6th Panchen Erdeni

In the 11th month of the 45th year of the reign of Qing Dynasty Emperor Qianlong (1781), he gave the 6th Panchen Erdeni a painting of a Saba tree complete with a Chi- nese text when the latter came to Beijing to celebrate the imperial birthday. The ink-water painting, 204 cm wide and 90 cm long, bears words written in the Chinese, Tibetan, Manchurian and Mongolian languages. Each of the four sections ends with a seal text meaning Qianlong in corresponding language. Also stamped on the painting are four seal texts of the emperor, such as the one meaning "Treasure of the Emperor in His Advanced Age."     

Square of the Potala Palace简

Since the end of the 19th Century, a little westerns sneaked into Tibet and then a real Tibet showed in front of the world through their sketches or photographs. In the early of the 20th Century, there were two photo studios in Lhasa by Nepalese. About in 1930s or 1940s one of Nepalese bosses got ill and dead. He was sent to the celestial burial stone of the Sera Monastery