“From one April to another”: remembering and acknowledging the Holocaust in the poetry of Michael Longley

Michael Longley has written and spoken of the responsibility to commemorate the Holocaust in a manner which is free from historical or political distortion. This article will consider his poetry about the Holocaust in the light of these statements, arguing that the epigraph in Gorse Fires (1991) from the work of Paul Celan provides an indication of Longley's strategy. The close association of elegy and botanical life in Longley's work manifests in the reconfiguration of remembrance poppies in relation to Celan and the Holocaust. The article discusses Longley's work in relation to Ireland's refugee policies during the Second World War, with recourse to the poems “Buchenwald Museum” and “Poppies”. Finally, the article considers Longley's personal link to the Holocaust through his friend Helen Lewis. The representation of the Holocaust in Longley's poetry is always associated with other traumatic events and this article extracts the threads which entangle Longley's evocations of historical violence.     

From “Holocaust” to “Rational Choice”: Generational Change in Political Science

Abstract

David Walsh has demonstrated a unique gift for reading modernity sympathetically, for discerning within it a certain luminosity, in fact a distinctly Christian luminosity, without losing sight of modernity's darkest possibilities. In the magisterial concluding volume of his trilogy, he seeks to elaborate a “coherence” of modernity that is revealed not in concepts but only “through existence itself.” Finally, though, Walsh's enthusiasm for a purely open and therefore purely formal understanding of practical existence, articulated through brilliant, original, and remarkably comprehensive readings of the greatest authors of the continental tradition, seems to me to draw him very far away indeed from actual moral and political practice, and thus from the reality of our human condition. A truer and more truly “performative” attention to “the nature of practice itself” would be less inclined to praise pure freedom or openness and more solicitous of the actual horizons of common worlds, including implicit metaphysical and hierarchical elements.     

The Longest Painting Scroll in the World

Zongza Lhagyicannot forgetDecember 3,1999,When hereceived the entry certifi-cate from me London-based Guinness Book ofWorld Records while hewas in Shanghai.It reads:China Tibetan Cultural ArtColor Painting, the longest.measures 618 meters longand 2.3 meters wide.     

From universal homogeneity to essential heterogeneity: On the visual construction of “the Lappish race”

During the second half of the nineteenth century, a radical change took place in the representation of the Saami. Whereas physical variation earlier was insignificant to cultural representation, from then on it became the very essence of their otherness. In this paper I relate the change in the representation of the Saami to the emergence of a modern discourse in which the concept of ‘race’ became central to the organization of knowledge and social practices as well as to the understanding of cultural difference. Moreover, I try to demonstrate how the “success” of the racial discourse was conditioned by new visual technologies.     

From “Spitsbergen” to “Svalbard”. Norwegianization in Norway and in the “Norwegian Sea”, 1820–1925

Abstract

The aim of the paper is to enhance our understanding of the Norwegian acquisition of Spitsbergen/Svalbard by using the concept of Norwegianization as a tool for analyzing the political and diplomatic background for the Spitsbergen treaty of 1920, and comparing the Norwegianization polar politics with the Norwegianization concept used to analyze the internal colonization in the Sami districts of northern Norway during the same period. The paper concludes that the politics of Norwegianization on the main islands in the North Ocean – renamed the Norwegian Sea by Norwegian oceanographers in the 1870s – was an offensive policy of expansionism, motivated by historical and geographical considerations and alleged rights to re-establish the Medieval Norse empire.     

“From the cradle to the grave”: Jim Williams,black manhood,and militia activism in Reconstruction South Carolina

The life of Jim Williams, an African American militia captain hanged by the Ku Klux Klan in South Carolina in 1871, illuminates the history of martial black manhood during Reconstruction. Service in state militias seemed to afford black men the opportunity to assert a new kind of manhood, grounded in a desire to defend black communities and exercise political rights gained after emancipation. But conservative white southerners met these assertions of black manhood with a campaign of vigilantism. Racist violence by conservative white southerners worked to reverse the support militias had received from white Republicans, and the militias were disbanded and blamed for the very violence they suffered. This article explores Williams’s story, analyzes both officers and troops of black militia companies in the South Carolina upcountry, and charts how real and rhetorical violence silenced the militias’ assertions of a new form of black manhood and freedom.     

From humour to fine arts and vice versa: Atlántida in the twenties

From its foundation in 1918 by the Uruguayan writer Constancio C. Vigil, Atlántida magazine kept a well-defined interest in images. The covers, a clear example in that sense, displayed colourful works on full pages while the content itself reflected that through cartoons, graphic sections, vignettes, illustrations and photographs. Conceived as a mass-market project, Atlántida worked with images and texts resorting to the popular and the cultured within the magazine’s layout. Thus, they implemented innovative strategies in the promotion of art, combining a humorous register with texts and images within institutional circuits. This essay is aimed at analysing that peculiar device articulating professional art reviews and reproductions of academic paintings linked also to the art market, with humorous illustrations and textual interventions which spoofed the artistic system. In this vein, the role played by cartoons will be studied, together with the criteria for choosing cover images and the introduction of professional criticism, to eventually focus on an emblematic case in Argentinean art history: Emilio Pettoruti’s exhibition of 1924 and its counterpart, the Salón Ultrafuturista [Ultrafuturistic Salon], a satire of avant-garde proposals and, in short, a questioning of the progress of modern art through humorous means. Our intention is then to reflect upon the artistic promotion strategies which had an impact on the development of consumption, and among which humour turned out to be a critical component. The magazine will be thus conceived as a device for the circulation of imaginaries moulding the sensitivity of the time and the readers’ artistic understanding.     

From imperial inclusion to national exclusion: citizenship in the Habsburg monarchy and in Austria 1867–1923

This paper examines the development of citizenship in Austria-Hungary between 1867 and the 1920s. At the beginning, the paper analyses the reform of citizenship laws in both Austria and Hungary after the Settlement of 1867. Whilst the Austrian citizenship law maintained legal traditions stretching back into the first half of the nineteenth century, the new Hungarian citizenship law of 1878 emulated the laws in effect in Wilhelmine Germany. The basis of Hungarian citizenship law was, however, much broader than German law, in order to allow for the effective integration of the non-Magyar population. An evaluation of applications for Austrian naturalisation illustrates the remarkable capacity of Austrian citizenship law to integrate and to uphold a concept of nationality independent from ethnicity, religious denomination, class or gender. Only during, and above all after, the First World War did the inclusive practice of the Cisleithanian bureaucracy give way to the more exclusive policy of the new German-Austrian Republic, as civil servants now introduced the vague notion of ‘race’ as a criterion for naturalisation. In contrast to Tsarist Russia and the Second German Empire, both of which introduced similar agendas for nationalisation in the latter part of the nineteenth century linking citizenship to ethnic and religious identity, the Habsburg Monarchy remained basically untouched by such tendencies and with the constitutionally guaranteed principle of ‘national equality’ upheld its early modern tradition of ethnic and religious tolerance well into the later Imperial period.     

Ships’ Pumps: From Antiquity to the Early Modern Era

Journal of Maritime Archaeology - One of the few facts that can be stated unequivocally is that wooden vessels leak. Whether due to a damaged hull, loose caulking between seams, or simply a...