Beneath the Rising Sun: “Frenchness” and the Archaeology of Desire

This article takes the case of “rouge pot” fragments found in an archaeological context in New Orleans’ French Quarter associated with the circa 1822 Rising Sun Hotel and investigates the discourses and desires that shape our interpretations of artifacts. We argue that archaeological, historiographic, and public desires overlap and inform one another in a complex web of relations. In New Orleans, the particular web into which the archaeology of cosmetic jars and hotel sites can fall is spun by the ways in which the former French colonial capital is sexualized in both textbooks and folk songs.     

The technologies of distance: new migrations in Conor O’Callaghan’s The Sun King

This article analyses Conor O’Callaghan’s collection The Sun King as an expression of contemporary migration practices. It places the poet’s technological mobilities within larger global movements and argues that the collection reconfigures poetic versions of migration for the twenty-first century. The Sun King (2013) is located in explicitly transient spaces, while its formal innovations serve to mimeticise contemporary dislocation. In reinventing the dual demands of memory and migration in the postmodern society, The Sun King recognises and pursues alternative poetic possibilities. The article suggests that O’Callaghan’s Twitter-poem “The Pearl Works” can be read as indicative of an expansive impulse towards ephemeral online works. In particular, the article raises questions around composition, stability and memory practices in the digital era, and highlights how both migration and memory are complicated by technological innovations.     

Socialists: The end of the line?

Melchior, E., Le PS, du projet au pouvoir (Editions de l'Atelier/Editions Ouvrières, 1993), 358pp., 135F., ISBN 2 7082 30522

Chevènement, J.‐P., Le Temps des citoyens (Editions du Rocher, 1993), 447pp., 39F., ISBN 2 268 01557 2     

The invasion of Iraq: what are the morals of the story?

It is uncontroversial that the invasion and occupation of Iraq involved the following errors: the misinterpretation of intelligence; the underestimation of the number of troops requisite for law and order; the disbanding of the Iraqi army; and indiscriminate debaathification of the civil service. The first error was one of imagination rather than virtue; the others were caused by ‘callousness”, impatience, and consequent imprudence. These vices were partly responsible for massive civilian casualties, which many wrongly assume to teach the fundamentally erroneous character of the invasion. Nonetheless, we should beware such moral flaws in tomorrow's policy‐makers and renounce the managerial mentality that fosters them. Another lesson is that, in so far as nation‐rebuilding requires substantial and long‐term commitments, it must command the support of the nation‐builder's domestic electorate; and to do that, it must be able to justify itself in terms of the national interest. From this we should not infer the further lesson that morality's reach into foreign policy is limited, since, according to Thomist ethics, the pursuit of the national interest can itself be moral. Finally, one lesson that we should not learn from Iraq is never again to violate the letter of international law and intervene militarily in a sovereign state without Security Council authorization. The law's authority can be undermined as much by the UN's failure to enforce it, as by states taking it into their own hands. It is seriously problematic that the current international legal system denies the right of individual states to use military force unilaterally except in self‐defence, while reserving the enforcement of international law to a body, whose capacity to act is hamstrung by the right of veto. Given this situation, military intervention without Security Council authorization could be morally justified on certain conditions.     

The Idiom of the Other: Three Francophone Writers of “The Fringe”

This paper is based on the linguistic and cultural experiences of three francophone writers: Ahmadou Kourouma (Abidjan, Ivory Coast), Suzanne Dracius (Martinique), and Barry Jean Ancelet (Louisiana, United States). Their testimonies are discussed in the opening section. A reading of Jacques Derrida's Monolingualism of the Other; or, The Prosthesis of Origin, enables us to analyze the experiences of these three writers, “whose relation to the French language is as vexed and varied as Derrida's own Algerian inheritance” (in the words of an anonymous reviewer). It leads, in the next section, to a discussion of the impossibility of absolute monolingualism demanded by “linguistic imperialism,” the multiplicity inherent in any language, and the violence of a language which claims to be unique, while serving some ideology or power. In the last part, I address the double interdict to which Derrida believes education must respond, and the double entitlement for which it is responsible.     

A Trip to The Lhasa River Area （Ⅱ）——-Moving Out of the Monastery in the Deep Mountains

Dainzin Leshie is 20 years old now. Three years ago, he became a monk. But then, three months ago, when he headed out of the Nyainqentanglha Mountains and became a businessman of the Daglung Monastery Store, he took off his red kasaya （monk＇s robe）.     

The necessity of “corporatism”: The case of the Hawke labor government

“Consensual Corporatism” under the Hawke Labor Government is a process of policy decision‐making engendered both by a reaction to perceived past Labor policy‐making failures and the context of the collapse of the long post‐war economic boom.

This paper argues:

1. 1) that the perceptions of economic crisis in Australia in 1983 were accurate and that the Hawkeist consensus model was a correct (though not really corporatist) reaction to the policy requirements of the mid‐1980s;

2. 2) that, primarily because of the fragility of the institutional‐cum‐political base of the Hawke “consensual corporatist” policy process it will take an unusual combination of continuous good management and good luck for the model and its progenitor government to survive beyond the next election.

     

The Tip of the Iceberg: The Material of Skriðuklaustur Monastery and Hospital

Material objects from distant societies and cultures have long been an axis for archaeological research. In recent research, however, growing attention has been drawn to exploring simultaneously the conceptual meaning of material substances as the products of humans. The visual appearance of material is in this respect no more than the tip of an iceberg, where only a small part of something largely hidden is evident. In this article, Skriðuklaustur, an Augustinian monastery which operated in Eastern Iceland from ad 1493 to 1554 will thus be approached as embracing the remains of an internationally based society that flourished on the outskirts of the medieval monastic world. An excavation of its ruins has revealed residues of a society whose material is both domestic and international but still reflects the universally based meaning of monasticism. The Catholic Church is in this manner regarded as having fabricated phenomena through its pervasive institutions, upholding a distinct monastic identity. This view does not though involve a general denial of cultural or social changes as it rather underlines the hybrid character of everything that is and, at the same time, the significance of examining the materiality of past cultures as the creation of humans in their relational context.     

“The artifice of eternity”: The Wanderings of Oisin and the Byzantium poems

Yeats’s poetry and drama centre on conflict, and crucially, on the clash between the mortal and the eternal. In this essay, I focus on the way in which The Wanderings of Oisin foreshadows and informs the treatment of eternity in Yeats’s later Byzantium poems. The Wanderings of Oisin explores the intensity of human longing for the eternal despite our time-bound nature, prefiguring his later impassioned though analytical Byzantium poems. Although the Byzantium poems seem initially to glorify eternity at the expense of human life, this essay traces the complexity of Yeats’s desire. Previous criticism has understated the extent to which Yeats’s poetry actively resists the siren song of eternity. The Byzantium poems problematise the eternity that they seem to desire, and this article reveals them as inflected by the way in which The Wanderings of Oisin questions the value of the eternal realm in the light of mortal heroic values. The “intensity, solitude, defeat” of the artist are inevitable, but there is a victory of sorts won from the poet’s deliberate inability to commit to any version of the eternal that preclude his own power and humanity. Yeats’s poetry runs the gamut between versions of desire that express an overweening desire for resolution even as they retain their resistance to any single pure state of being, if any such state is possible.