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The French physiologist François Magendie showed, in 1822, that the anterior roots of the spinal nerves are motor and the posterior sensory. The English anatomist Charles Bell claimed the discovery, but his claim was based on republications of papers in which the wording had been altered to be consistent with Magendie’s findings. Bell also appropriated Herbert Mayo’s discoveries of the functions of the fifth and seventh cranial nerves. Bell repeated his claims in a number of influential publications, supported by his brothers-in-law John and Alexander Shaw. And for a century and a half, Bell figured as the discoverer in most references to the subject. During this period, several reviewers did go back to Bell’s original papers, disclosing Bell’s falsifications in the republished texts. But Magendie was not definitely acknowledged as the discoverer of the function of the spinal nerve roots until Cranefield’s (1974) treatise. Cranefield, as did all other reviewers, overlooked accounts from 1825 by P.W. Lund and F.D. Eschricht. They critically reviewed Bell’s early publications and reached conclusions similar to those of Cranefield concerning the roles of Bell and Magendie in the discovery of the function of the spinal nerve roots.  相似文献   

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Abstract

Beehive coking ovens had virtually monopolised coke oven design by the middle of the nineteenth century and their physical remains have been described in several recent articles. The following account identifies an alternative oven arrangement on one of the smaller and less well known British coalfields.  相似文献   

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J.B. Priestley's writing has been used to explore aspects of landscape and Englishness. Through an analysis of Priestley's early journalism in the Bradford Pioneer and the Yorkshire Observer, we argue that his critical disengagement to most of the landscapes of England was based on a connection to the landscapes of his youth in Bradford where he first developed his fictional and documentary narrative style. In his early journalism, Priestley articulated a sense of dwelling in Bradford that was rooted in the experience of two distinct local landscapes: the spaces of the city and the nature of the surrounding upland and moorland. Priestley's geographical ideal balanced the civility of the Edwardian city embedded in a landscape that offered escape to and commune with nature. The existential balance between the two was, we argue, central to the narrative geographies developed by Priestley in his fiction which is illustrated through an analysis of his two early novels: The Good Companions (1929) and Angel Pavement (1930). We suggest that the ways in which Priestley's interwar writing expressed dwelling in local landscapes might be thought of as a critical provincialisation of London and England.  相似文献   

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