Captive afterlives in the age of mass conviction

ABSTRACT

Criminal records have become an increasingly important mechanism for managing and containing criminalized populations beyond prison walls. This ethnographic analysis of a formerly imprisoned woman’s search for work explores how the feeling of captivity resonates not only with the imprisoned but also with the recently released.     

Forensics and fortification in South African self-captivity

ABSTRACT

This essay considers how residential security and forensic genetics in South Africa open ways to think about captivity as something that the relatively privileged embrace to delineate a safe inside from a threatening outside. Captivity functions here as a means to entrench privilege and guarantee its protection.     

Narrating landscape: The potential of oral history for landscape archaeology

Abstract

The potential of an oral history approach to the study of landscape archaeology is considered. The paper presents the findings from an Arts and Humanities Research Board (AHRB) funded project ‘Landscape archaeology and the community in Devon: an oral history approach’, which aims to transgress some of the epistemological boundaries of archaeology by drawing on the discursive genre of oral history in order to augment, challenge and destabilize existing landscape narratives. We suggest that oral histories can offer both consensual as well as alternative narratives of landscape and have the ability to engage the public, not just in terms of the popular consumption of archaeological knowledge, but also in the actual construction of archaeological knowledge.     

Australian Communist Party of Australia v The Commonwealth: Histories of Australian Legalism

Abstract

In this article I structure legalism as a device to interpret how 1951 is remembered in law, in order to show what legal orthodoxies meant in their own time, and how that shifts to a different form of legalism in our own. In doing so, I will argue that the idea of legalism famously produced by the High Court judgment in 1951 has shifted its meaning as much as the ideological support of and opposition to communism that were expressed in the case. I will suggest that this history requires conscious incorporation in the commemorative narratives of ‘democracy vs. communism’.     

The Tenco effect. Suicide,San Remo,and the social construction of the canzone d'autore

Abstract

Canzone d'autore is an indigenous expression that has no precise equivalent in other languages. Its social use identifies a genre of popular song that presuppose the existence of an ‘autore’ taken in its most vigorous sense, meaning a ‘creator’, an ‘artist’– but how did this claim to artistry originate? How did it insinuate itself into the world of song, a genre that by definition belongs to the realm of what is traditionally called in Italian ‘musica leggera,’ with unmistakably pejorative connotations? In this essay, I will put forward a sociological interpretation of the genesis of the canzone d'autore, using as a strategic conceptual device the idea of cultural trauma. The traumatic event that I propose to explore, making use of this concept and its analytical machinery, is the suicide of the singer-songwriter Luigi Tenco during the seventeenth San Remo ‘Festival della Canzone’ (‘song festival’) – that is the best-known, most controversial, and most influential single event in the field of Italian ‘musica leggera’, an annual event regularly attended every year – via radio, television, or audience participation – by millions of Italians. Through a reconstruction of that suicide and above all of the public and dramatic events that followed in response to it, the paper examines the social process that transformed an individual tragedy into a collective, social drama, a process that not only produced a new musical classification, but also a new cultural and aesthetic category.     

Why Do We Ask “What If?” Reflections on the Function of Alternate History

The new prominence of alternate history in Western popular culture has increasingly prompted scholars to historicize it as a broader phenomenon. What has largely escaped notice until now, however, has been the question of the underlying function of alternate history as a genre of speculative narrative representation. In this essay, I argue that writers and scholars have long produced "allohistorical narratives" out of fundamentally presentist motives. Allohistorical tales have assumed different typological forms depending upon how their authors have viewed the present. Nightmare scenarios, for example, have depicted the alternate past as worse than the real historical record in order to vindicate the present, while fantasy scenarios have portrayed the alternate past as superior to the real historical record in order to express dissatisfaction with the present. The presentist character of alternate histories allows them to shed light upon the evolving place of various historical events in the collective memory of a given society. In this essay, I examine American alternate histories of three popular themes—the Nazis winning World War II, the South winning the Civil War, and the American Revolution failing to occur—in order to show how present–day concerns have influenced how these events have been remembered. In the process, I hope to demonstrate that alternate histories lend themselves quite well to being studied as documents of memory. By examining accounts of what never happened, we can better understand the memory of what did.     

‘I Felt Connected to a Past World’: A Survey of Visitors to Colonial Archaeological Sites Conserved In Situ in Australia and New Zealand

Abstract

While there is extensive international literature on the technology and techniques of archaeological conservation and preservation in situ, there has been only limited discussion of the meanings of the places created and the responses they evoke in visitors. Experience in Australia and New Zealand over the past decade suggests that the conservation of colonial archaeological remains is today seen as a far more desirable option, whereas previously many would have suggested that this kind of conservation was only appropriate in ‘old world’ places like Greece and Italy; and that the archaeology of the colonial period was not old enough to be of value. This paper discusses a recent survey of visitors to colonial archaeological sites which reveals some of the ways in which these archaeological remains are experienced, valued, and understood, and gives some clues as to why conservation in situ is an expanding genre of heritage in this region. The visitors surveyed value colonial archaeological sites conserved in situ for the link they provide to place, locality, and memory; for the feeling of connection with the past they evoke; and for the experience they provide of intimacy with material relics from the past. This emphasis on the affective qualities of archaeological remains raises some issues in the post-colonial context, as it tends to reinforce received narratives of identity and history, and relies on the ‘European’ antiquarian appreciation of ruins — making the urban environment more like Europe by creating evidence of similar historical layering.     

Black Geographies of Respite: Relief,Recuperation, and Resonance at Florida A&M University

In this article, I argue that places of respite provide relief from the burdens of oppressive articulations and experiences of society and space and are produced through three general practices: relief as a practice that mitigates psychological and physical burdens of oppression; recuperation as a form of (self-)care that can help heal harms; and affirmative resonance as a practice of counter-storytelling that challenges hegemonic social narratives and internalises affirmative narratives for marginalised peoples. Through a case study with members of the Marching 100 at Florida A&M University (FAMU), I demonstrate how these relational practices produce FAMU as a multiscalar place of respite for black students. Finally, I claim that places of respite, produced through a black sense of place, offer scholars interested in affirmative black geographies an ontological object produced by (and productive of) visions and practices of black life and produced for the celebration and protection of black lives.     

Pickles and purity: Discourses of food,empire and work in turn-of-the-century USA

For the most part, American imperialism in the late nineteenth and early twentieth centuries was characterized by an expansive search to secure markets for its industrial products, not to establish colonies of subjects and/or citizens. In this article, I analyse the story of Heinz Corporation, the first international American food manufacturing company, in order to begin to understand some of the ideological underpinnings of this form of imperialism. I show how and why gendered and racialized discourses of food production and consumption were integral to the successful marketing of manufactured food within the USA and beyond its national borders.     

Race-ing Rape: Representations of Sexual Violence in American Combat Films

Abstract

Although portrayals of the rape of Asian women in American combat films are associated with the Vietnam War movie, such scenarios first became an established trope of the combat genre in films made during and about World War II. While pre-Vietnam War films used rape as a narrative device to justify US foreign and military policy, Vietnam combat films later used it as metaphor for US imperialism. Notwithstanding this difference, the combat film’s representation of sexual violence both pre- and post-Vietnam has always thrived on its confirmation of an American hegemony predicated on the subjugation of peoples (and, in particular, women) of colour.     

GIs and “Jeep girls”: sex and American soldiers in wartime China

ABSTRACT

This article examines how sex affected the larger politics of the Sino–US alliance during World War II. By early 1945, Chinese from across the social spectrum resented the US military presence, but just one issue sparked a violent backlash: sexual relations between American soldiers (GIs) and Chinese women. Two interrelated, patriarchal narratives about sex emerged that spring. Starting in March, government-backed newspapers began criticizing “Jeep girls,” an epithet coined to describe the Chinese women who consorted with American servicemen. Rumors also circulated that GIs were using Jeeps to kidnap “respectable” women and rape them. Each narrative portrayed women’s bodies as territory to be recovered and inextricable from national sovereignty. These narratives resonated widely, turning Jeep girls into the catalyst through which all variables causing resentment against the US military presence intersected and converged. With Japan on the ropes, China’s allied friends now stood in the way of irreversibly consigning foreign imperialism to the past. Sexual relations were not the Sino–US alliance’s seedy underside, but the core site of its tensions.     

The American war: Italian culture and Hollywood movies on the Second World War

Abstract

This article deals with the reception of American narratives on the Second World War in Italy, assuming the key role that myths and memories about the conflict played in post-war Europe and the importance of transcultural exchanges in the mass-media age. Such narratives were not imported to Italy by official US propaganda, but were mainly conveyed by Hollywood war movies, which were centred on the ideas of the righteousness of the conflict and of the fight between good and evil. The article focuses on a specific sector of the Italian audience, that of critics and film reviewers, who played a key role in interpreting the films and in fostering their acceptance – or refusal. Through the analysis of cinema magazines and newspapers, the research outlines how the reception of such movies was influenced by multiple elements, the different political and ideological allegiances, the cultural gap between elite and popular periodicals, and the interactions with Italian myths and memories about the war. Finally, the article compares the results of the inquiry with the rare sources about the reception of American narratives among a mass audience, and underlines the importance of a transnational approach to the study of cultural issues in contemporary history.     

Neoliberal expulsions,crisis, and graphic reportage in Spanish comics

ABSTRACT

In this article, after analyzing the comics industry in Spain in the context of the 2008 crisis, which reveals how small and medium publishers have adapted to new trends in consumption, I focus on the graphic novel Barcelona. Los vagabundos de la chatarra (2015) by Jorge Carrión and Sagar. This comic depicts the underworld of scrap metal collection in Barcelona, where mainly immigrant workers wander the streets, barely eking a living out of the detritus of consumerist society. It is an example of graphic journalism in comics, one of the most interesting developments in the genre in the past few years. It is also a novelty in Spanish comics because certain topics were far from common in the existing repertoire, which had been dominated by adventures, fantasy, and science fiction. Drawing on Verónica Gago's La razón neoliberal (2014) and Saskia Sassen's Expulsions (2015), I challenge conventional approaches to neoliberalism by focusing on neoliberalism from below, which is seen by Gago to point toward the emergence of a new historical consciousness of living in perpetual crisis.     

Do ‘in vitro children’ exist? The ‘ontological choreography’ between public debates and private experiences in Poland

ABSTRACT

Children who were born used IVF in Poland are subject of vivid discussion nowadays. In this article, we probe the ontology of the in vitro child: do in vitro children exist? If so, how and where? We analyse how an ‘IVF child’ is constructed through public discourses and private narratives. We explore media publications, as well as doctors’ and parents’ narratives concerning IVF children. A very strong voice in the debate has Catholic Church, which opposes medically assisted reproduction. Our main interest in this text are the answers of children and adults born using in vitro. Even young children recognize some focal points from the debate over assisted reproduction and refer to them. Their narratives show that they feel interpellated into existence by various discourses. In this manner, we argue, being an ‘in vitro child’ in Poland is a political status, not a biological one.     

Re-naturalizing sugar: Narratives of place,production and consumption

This article analyses the inter-relationships among food consumption practices, marketers' representations of sugar, and the history and political economy of sugar production. It focuses on the 'supermarket narratives'--stories regarding place and production that appear on commodity packaging--used to market sugar in the USA. It explores how competition within the sweetener industry, as shaped by the material qualities of sweeteners, has given rise to supermarket narratives that seek to differentiate sugars on the basis of ideas of place, freshness and environmental sustainability. It also examines how, at the same time, sweetener users have co-operated to maintain and increase consumption in the USA. The article begins with a discussion of historical patterns of sweetener consumption in the USA, and then looks at the genesis of the primary sugar industry lobbying organization. The case study of Florida sugar producers is used to demonstrate the historical antecedents of supermarket narratives and the contemporary geographical specificity of the political economy underlying supermarket narratives.     

Skiffle in the U.K.: the indigenization of a musical genre

ABSTRACT

This article examines the creation and diffusion of skiffle, and analyses how it emerged from the transatlantic flow of popular music from the United States to the United Kingdom, and the process by which it became “indigenized” in the U.K. I have also looked at the salience of race, the legacy of English music hall song traditions, and the idea of indigenization of music in post-WWII Britain. I have highlighted how skiffle eventually became “English,” its later impact on popular music in the U.K. in the 1960s and thereafter, and the complexities inherent in the idea of musical genre.     

Loyalist,patriot, or colonizer? The three faces of Zheng Chenggong in Meiji Japan and late Qing China

ABSTRACT

This article examines the transformation of Zheng Chenggong’s image in Meiji Japan and late Qing China. Prior to the mid-nineteenth century, Zheng Chenggong was often depicted as a Ming dynasty loyalist in Chinese narratives and as a Japanese hero adventuring in a foreign land in Japanese narratives. The two groups of narratives converged in the late nineteenth and early twentieth centuries, transforming Zheng Chenggong into a patriot, an anti-imperialist hero, and a conqueror and developer of Taiwan. Underlying the convergence of Chinese and Japanese narratives of Zheng Chenggong was surging nationalist sentiment in response to different forms of imperialism. This study aims to show how different nationalist agendas activated efforts to recreate Zheng Chenggong’s image in China and Japan at the turn of the nineteenth century.     

Sanitizing Szigetvár: On the post-imperial fashioning of nationalist memory

ABSTRACT

In this essay, I examine an early modern battle between the Habsburg and Ottoman Empires, the Siege of Szigetvár, and its protagonists, Nikola ?ubi? Zrinski and Sultan Süleyman the Magnificent, as sites of memory in Hungary, Croatia, and Turkey. In relation to recent commemorations of the Siege, I focus on how sanctioned memories of Szigetvár have been sanitized for national(ist) ends, evacuating fraught historical and political questions related to the enmity between the two empires. Concomitantly, I pursue the silences and erasures that hegemonic memories of the battle and its protagonists have produced, both in relation to specific landscapes of memory in Szigetvár and through an analysis of three narratives of the Siege: a Hungarian-language epic poem, a Croatian opera, and a Turkish television serial.     

The Imperial End: How Empire Overtakes Refugees in Jeremiah

ABSTRACT

Refugee studies, postcolonial studies, as well as political theory is used to argue that the portrayal of the Judeans who flee to Egypt, rather than those deported to Babylon, occupy the social space of the everyday conception of refugees in Jeremiah. By examining the narratives of chapters 42–44 in relation to the oracles against the nations (chs. 46–51), I show how the exclusion of the Egyptian group shores up the imperial turn represented in the OANs. After explaining the oracles' imperial character, a discussion follows of how reading them as imperial produces the Egyptian group as refugees in chs. 42–44. An exploration of contemporary discussions regarding refugees follows, enabling the claim that refugees are produced by the state. Finally comes, a broader discussion on how various discursive strategies excludes the Egyptian group of refugees in favor of the Babylonian deportees, supportive of an imperialized agenda.     

Marginal or mainstream? Migrant centres as grassroots and official heritage

Abstract

Migrant heritage, as a grassroots practice seeking to commemorate pre- and post-war migrant communities and their contributions, emerged in Australia from the 1980s. Since that time, its appeal has continued to grow. It now receives, in some form, state sanction and is policed by the same state and national legislation as other cultural heritage, both tangible and intangible. This article seeks to complicate understandings of migrant heritage as a marginal practice, specifically by interrogating the use-value of particular narratives in the Australian context – that is, how do individuals, communities and other groups (the grassroots) draw on sanctioned and publicly circulating narratives to mark their site as heritage-worthy? Ideas of what constitutes official and unofficial heritage can be mutually inclusive – a dialectical process. I analyse this in relation to the commemoration of former post-war migrant reception centres in Australia.