Irish Female Emigration in the 1930s: Transgressing space and culture

Following the establishment of the Irish Free State in the 1920s, the continuing levels of emigration from Ireland came as a disappointment to many who believed that British colonialism had caused and perpetuated the emigration problem. Within this context, there was a need to explain emigration in ways that deflected blame away from the new state authorities. In this article, the author contributes to a gendered analysis of these shifting constructions of emigration. Drawing upon Irish newspapers of the period, she suggests that the figure of the 'emigrant girl' was central to post-colonial discourses on emigration. During the 1930s, the emigration of thousands of young Irish women to English cities such as London sparked widespread comment and criticism. The Irish press and the Catholic hierarchy in particular propagated an image of these vulnerable young women as lost and alone in the big, bad cities of England. The author analyses the ways in which the 'emigrant girl' embodied specific representations of place, culture and gendered identity; the 'emigrant girl' embodied an Irishness marked by religion, culture and landscape. Through her transgression of physical, cultural and religious spaces, she encountered loneliness, danger and the risk of denationalisation.     

Migration in childhood and its impact on national identity construction among migrants from Northern Ireland

While there is currently only a tiny literature available on Northern Ireland migration, nothing at all has as yet been published relating to the subject of the province's child migrants. This paper focuses on the migration experiences of individuals who migrated as children to and from Northern Ireland, based on interview narratives collected during the course of two studies on contemporary migration from Ireland, North and South, conducted from 2004 to 2008. In all cases, these experiences triggered identity issues for the individuals which have played out subsequently in their lives in different ways. In particular, the author seeks to understand how the memory of these events continues to construct present realities for these individuals. What awareness did these children have of sectarianism, of the Northern Ireland conflict? What was their reception in the host country and upon return to Northern Ireland? How have these experiences contributed to their identities in the present and their sense of belonging to Ireland, North and South?     

Citizens of Nowhere: longing,belonging and exile among Irish Protestant writers in Britain,c.1830–1970

Since the 1970s, the literature on the history of the worldwide Irish diaspora has become increasingly sophisticated, with scholars employing a range of innovative techniques to capture aspects of the migratory experience. Many challenges remain, however, in charting the multifaceted experiences of the Irish in Britain. This article makes the case for a cultural study of Irish Protestants in Britain. It examines the contours of the Irish Protestant migratory mind-set, focusing on the writings of a number of creative émigrés, temporary and permanent, such as W.B. Yeats, Denis Ireland, Nesca Robb, and John Hewitt. Of particular relevance are articulations of longing, belonging and exile, which shaped the literary perspective of these writers, and complicated their relationships with Ireland and Britain. Attitudes regarding emigration within Protestant Ireland are also probed to tease out cross-channel ideals and fears.     

Economic Imperialism and Financial Citizenship: Reconsidering British Subjectivity in Martin Chuzzlewit and Lawrie Todd

During the tumultuous time of financial and colonial expansion between 1825 and 1855, both Charles Dickens and John Galt published picaresque novels depicting transatlantic travel and land speculation. If emigration is the act of permanently leaving one's homeland and living in another, then neither novels' eponymous protagonist Martin Chuzzlewit nor Lawrie Todd is an emigrant. By reading Martin Chuzzlewit (1843–44) and John Galt's Lawrie Todd (1830) alongside nineteenth-century developments of the geo-political and financial spheres, this article shows how these works form a counter-narrative to traditional novels of emigration. Both protagonists leave Britain with the explicit intent to seek their fortune in America through engagement with land speculation companies. Though the characters' experiences of transatlantic financial speculation is dichotomous (with Todd becoming rich and Chuzzlewit losing all he has), both characters ultimately return to Britain. In these counter-narratives, we argue that America is deployed as Britain's financial periphery, rather than an alternative imperial centre, working to entrench British nationalism through transatlantic financial speculation. It is through the act of returning from America that Dickens and Galt counter typified emigration narratives that represent the choice to emigrate to America as synonymous with abandoning the Empire for the ‘Great Republic’. Instead, Dickens and Galt show how America can be exploited as a financial extension of Empire where Britons can maintain national loyalty while simultaneously responding to an unstable global financial market that was increasingly dependent upon speculation and foreign investment practices.     

Gallantry on the Shankill road: the British ‘soldier-hero’ and state-media relations in Northern Ireland, 1969-1979

ABSTRACT

The study of the British ‘soldier-hero’ as a political and cultural icon after 1945 has been largely confined to literature concerned with the memory of historical figures. Rarely have scholars considered how post-war military deployments not only created contemporary soldier-heroes, but also transformed their place within politics and society as the moral interrogation of these wars threatened to encroach upon the prestige of these icons. This article examines how the soldier-hero interacted with one of Britain’s most contentious deployments, Northern Ireland, and how politicians sought to control narratives surrounding this figure to avoid public relations controversy in unusual political conditions.     

‘Home is home be it never so homely’: Reading Mid-Victorian Slum Interiors

This article considers representations of the ‘slum interior’ as complex cultural narratives produced by urban investigators of the mid-Victorian period, including Henry Mayhew, Thomas Beames and George Godwin. Much existing scholarship on nineteenth-century slum narratives has tended to emphasize the use of sensationalism, hyperbole and tropes of colonialism to describe the dire living conditions of the very poor, a feature particularly apparent in the works of the 1880s. By focusing on writings from the period 1849–1865, this article pays attention to earlier conceptions and projections of slum interiors which were conceived as not altogether abject or ‘other’, but as ambivalent spaces that both defied, and invoked, Victorian forms of domesticity. Through close readings of their textual and visual form, I show how the paradoxical and ambivalent spaces of the slum interior reconfigure in meaningful ways the conventional relations of domestic architecture, inhabitants and their objects.     

Religion,politics and socio-cultural change in twentieth-century ireland

The Catholic Church assumed vast power and influence in early twentieth century Ireland based on political, social and religious developments in the course of the nineteenth century. The first Irish governments under Costello and de Valera were deferential in relation to the power and place of the Catholic Church in Irish life. The 1950s represented the final phase of the dominance of the Catholic Church. Since then, a wide variety of influences from emigration to the mass media to issues related to family planning have undermined the social framework of Church dominance in Irish life. By highlighting the ideas and arguments of priests and prelates, this article summarizes the remarkable changes that have come to Ireland undermining the status and privilege of the Church in Irish politics and society.     

Revisiting Gendered Representations of Humility: An Examination of Sources from Late Medieval Italy

During the Middle Ages, gender-neutral representations of humility as a quality linked to spiritual love and voluntary service competed with representations according to gendered patterns, such as those related to the naked and dressed body in terms of its biological and social functions and its appearance. Moving from Dante's examples of humility in Purgatory, Canto X, this article focuses on representations of humility in textual and pictorial sources authored by women and men between the thirteenth and early fourteenth centuries in Italy. By showing the complexity of these representations, this article revisits and reconsiders one-sided historiographical narratives according to which humility in the Middle Ages was intrinsically, persistently and negatively related to feminine suppression and servility.     

Autistic culture online: virtual communication and cultural expression on the spectrum

In this article, I examine cultural narratives about the lives and places of women with mental illness in the commercial Hollywood film: Girl Interrupted (1999). In contrast to most of the disability studies literature concerned with cultural representation, this article explicitly examines how the spatiality of ‘mad women's’ lives is constructed through film. Drawing on post-structuralist, and feminist perspectives on disability, and on conceptual ideas from the limited social geographic literature concerned with the lives of persons with mental illness, I explore the contradictory cultural narratives about the lives and places of women with mental illness constructed through this film. This approach recognizes that representations of ‘mad women’ and their places in society and space involve contradictory, tension-laden relationships between spectator and cultural product, complex discursive negotiations of meaning, and gendered processes of meaning-making, in some ways affirming mad women's lives and in others perpetuating negative stereotypes about women with mental illness and where they belong.     

Sara Ruddick's theory of maternal thinking applied to traditional Irish mothering

This paper uses Sara Ruddick's theory of maternal thinking to explain patterns of Irish mothering that developed in Ireland following the Great Famine of 1845-1852. Ruddick's central thesis, that maternal thinking develops strategies for preserving the life of the child, fostering the child's growth, and shaping an acceptable child, is applied to the intersecting influences of famine memory, religion, education, and emigration in post-famine Ireland. The strict, moralistic, and highly inhibiting features of Irish culture that dominated the nineteenth and twentieth centuries are traceable to patterns of mothering that developed after the famine. While Irish mothers are often blamed for instilling values that stressed sexual repression and guilt, other cultural factors influenced maternal thinking. Mothers did foster highly repressive moral values that encouraged permanent celibacy and delayed marriage. This paper examines the larger cultural features that derived from political oppression and the famine as they imprinted these values.     

From golden hills to sycamore trees: pastoral homelands and ethnic identity in Irish immigrant fiction, 1860–75

The prose fiction that remembers the trials of starvation and eviction of the Great Famine (1845–50) often juxtaposes representations of blasted, infertile land with images of a green, idyllic Erin. Through a discussion of Mary Anne Sadlier's Bessy Conway (1861), Elizabeth Hely Walshe's Golden Hills: A Tale of the Irish Famine (1865) and John McElgun's Annie Reilly (1873), this article reveals that immigrant writers of the Famine generation often negotiate depictions of Famine-stricken wasteland with evocations of a pastoral homeland. In the case of the two Catholic novels, Bessy Conway and Annie Reilly, the pastoral becomes a point of ethnic identification through which the immigrants can recollect and reconstruct a sense of Irishness in exile. By contrast, Golden Hills, which focuses on the Anglo-Irish ascendancy, does not lament the mass exodus of afflicted Irish: the novel rather envisions emigration as a way to regenerate Ireland as locus amoenus.     

Beyond Orange and Green? The awkwardness of negotiating difference in Northern Ireland1

Since the Good Friday Agreement (1988) issues of migration, racism and social difference beyond the ‘two traditions’ have become increasingly prominent in Northern Ireland. This paper investigates the difficulty, the ‘awkwardness’, of multiculturalism and anti-racism as models for negotiating these emerging differences in a society historically grounded in sectarian division. It is argued that multicultural practices, which offer opportunities for the recognition of diverse groups and identities, remain structured by on-going sectarian division in the wider society. Texts produced by anti-racist groups in West Belfast show how racialized ‘Others’ are often incorporated within dominant sectarian narratives. Despite this awkwardness, cultural diversity is fundamentally changing Northern Irish society and helping to denaturalise practices grounded in, and reproductive of sectarianism. In conclusion, it is suggested that Northern Ireland needs an inclusive, polyvocal anti-racism which connects all forms of discrimination, including racism and sectarianism.     

MIGRATION AND NARRATION: HOW EUROPEAN HISTORIANS IN THE NINETEENTH AND EARLY TWENTIETH CENTURIES TOLD THE HISTORY OF HUMAN MASS MIGRATIONS OR VÖLKERWANDERUNGEN

Historians’ interest in the history of human migrations is not limited to recent years. Migrations had already figured as explanatory factors in connection with cultural and historical change in the work of classical and ancient studies scholars of the late nineteenth and early twentieth centuries. In the writings of these scholars, migrations acted as historical landmarks or epochal thresholds and played a key role in the construction of geo-historical areas. This model has been called “migrationism” and cannot be explained simply on the basis of the history of individual disciplines, but must be seen in its complex interaction with scientific and historical contexts. However, “migrationism” does not relate to fixed political and scientific positions or movements. For this reason, it cannot be explained adequately by using a historically or ideologically based approach. Relying on narratological approaches, this article examines migration narratives that historians of this period used to explain the rise and fall of ancient civilizations. Referring to contemporary historiographical representations of the ancient Near East, it distinguishes three main narratives that are still common today: narratives of foundation, narratives of destruction, and narratives of mixtures. In this sense, analyzing older migration narratives helps us to sharpen the critical view on the genealogy of our own views on the history—and present—of human migrations.     

'Dare the boist'rous main': The role of the Belfast News Letter in the process of emigration from Ulster to North America, 1760–1800

Before the mass migrations from Ireland in the nineteenth century, earlier waves of migration in the eighteenth century saw significant numbers of people leave Ireland, predominantly from Ulster, to settle in North America. This article, using as its principal data source the Belfast News Letter ( BNL) , its letters, advertisements and reports, focuses firstly on reconstructing the late eighteenth-century migration process and voyage, highlighting the barriers represented by the Atlantic Ocean. In addition to the challenges of the sea, there were problems with the ships, the ever-present danger of disease and also threats from other vessels, from privateers to press gangs. The voyage was recognized as a 'universal dread', and the risks taken to 'dare the boist'rous main' were perhaps not minimized in the pages of the BNL , whose editorial stance was antipathetic to the migration for the potential harm it caused to Ulster by removing so many of its industrious young. The second part of this article goes on to consider the newspaper's and others' vested interests in the emigration process, demonstrates how these were manifested in the press and sets the coverage of this very significant early emigration flow within the context of contemporary religious and colonial discourses at a period of very lively transatlantic interactions.     

Intersectionality and the Construction of Cultural Heritage Management

From an intersectional perspective, this article will identify, critically analyse and deepen the understanding of how the social categories gender, class, ethnicity and nationality are inscribed and interlinked in the official narratives performed by the public actors in the field of cultural heritage management. This article will analyse the contemporary discourse of the official institutional cultural heritage management actors, with special emphasis on Protection Orders made by the Directorate for Cultural Heritage in Norway. It is important to analyse this kind of material because it can bring new knowledge and raise the level of awareness of the construction of identities that are present at a structural national level of representation. This has the potential to increase the understanding of how the societal feeling of being Norwegian is created, which in a strange way seems to have striking similarities to the representations of national identities in other Western countries.     

Multiculturalism and the immigrant “Irish woman” after the Celtic Tiger: marginalisation,gender-based violence and family dysfunction in Ebun Akpoveta’s Trapped: Prison Without Walls

This article breaks new ground in examining how “new Irish” immigrant women have responded to the collapse of Ireland’s Celtic Tiger economy and the different forms of gender discrimination and marginalisation they face both within their minority ethnic communities and the Irish host society. It approaches Ebun Akpoveta’s Trapped: Prison Without Walls (2013) as an exemplary work of fiction which exposes unresolved injustices and inequalities suffered by immigrant women. Akpoveta creates a narrative that complicates previous representations of cultural encounters between newcomers and long-established members of Ireland’s host society, not least because her Nigerian female protagonist arrives as a postgraduate student rather than an asylum seeker or refugee. She fictionalises female experiences of marginalisation, gender-based violence and family dysfunction within an all-Nigerian family that outwardly appears to be a model of integration and social inclusion in an open and welcoming Irish multicultural society.     

Exploring cultural geography field course using story maps

This article explores the use of Story Maps in a cultural geography field course that uses a place-based approach to understand the Delta Blue’s culture. In this study, Story Maps was used to capture and map student experiences as they engaged in a field study. Student experiences are captured by incorporating different data mediums such as narratives, personal reflections, digital photos, videos and website. Such a project has the potential to challenge students to work collectively and present a coherent story of their field experiences. This, in turn, can be used to improve the design and experience of a field course. The study demonstrates that the availability of simple web-based mapping platform such as Story maps provides students the ability to harness technology to create geocoded narratives, visual representations and spatial documentation to map their field course experience.     

Intersectional solidarity? The Armagh women,the British left and women’s liberation

In 1980, three Republican women prisoners held in Armagh prison in Northern Ireland joined the hunger strike being conducted by male Republican prisoners in Maze Prison. Overshadowed by the fatal 1981 strike, the 1980 strike involved these women in Armagh, who challenged the traditional nationalist notion of the strong male warrior, while generating sympathy and solidarity across the globe, including with the far left and the women’s liberation movement in Britain. This article will look at how the left and the women’s liberation movement in both Britain and Ireland looked to portray these women within their competing narratives.     

Discourses of nation among migrants from Northern Ireland: Irishness,Britishness and the spaces in‐between

Narratives of nation and identity are highly contested in Northern Ireland, with allegiance usually given to an Irish nation or a British nation, or located somewhere along a continuum between the two. The negotiation of one's identity along this continuum can become particularly complex once one migrates outside Northern Ireland. Adopting a sense of belonging to or exclusion from an Irish diasporic community is part of this process of negotiation. This paper explores these negotiations of identity among both Catholic and Protestant migrants from Northern Ireland to England. It utilises an oral history archive of interviews with individuals who migrated in the latter half of the 20th century, and focuses on narratives of nation and identity among these migrants. Drawing on the notion of England as a diaspora space, in order to make sense of these narratives, the intersections between diasporic Irishness and different British identities are untangled in an attempt to draw out the spaces ‘in‐between’ two, often polarised, narratives of nation.