The Composition of Kwermin Design

This paper is about designs placed on house‐boards, shields and drums in the Min cultural sphere of Papua New Guinea. It is argued that the shields and drums can be understood as extensions of the Taro Mother ritual house built in the last of seven male initiation rituals performed in the area. The drum grows taro like the ritual house grows men, the shield attracts ancestral support to warriors like the façade of the ritual house attracts ancestral benevolence to the novices inside. In order to accomplish this the objects, and importantly their designs, are imbued with qualities considered agreeable to the ancestral spirits. It is suggested that as much as these qualities can be understood as part of the visual aspect of the designs, they are also, and importantly so, inherent in the substances used in their composition.     

祭祀仪式“反结构”的“不完整倒置性”——基于上果村壮族“祭太阳”仪式的讨论

云南西畴县上果村壮族"祭太阳"仪式在"反结构"阈限期内具有"不完整倒置性"现象。在上果村的传统文化和村民生活结构中,"祭太阳"仪式的"反结构"具有生活的逻辑性和合理性。"祭太阳"仪式中男性与女性"不完整倒置"的反结构现象蕴涵了上果村传统地方知识、壮族两性文化和仪式结构功能共同支配下的稳定性与流动性。     

Logging,Women and Submarines: Some Changes in Kamula Men's Access to Transformative Power

In this paper I describe how, for the Kamula, the productive elicitation of both familiar and modern things often requires access to the transformative capacities of ‘bush spirits’. The Kamula narratives I deal with outline how elements of modernity (such as money, logging, guns) are relocated into the domain of these spirits. By the mediation of these spirits, sometimes disturbing, even dangerous, aspects of modernity are transformed and then productively transferred to Kamula men such that they can apparently more effectively negotiate the new forces that now structure their lives. Through these narrative and magical definitions of agency, Kamula men become complicit in a modernity that is increasingly both the source and negation of their power.     

On the impossibility of invariant repetition: ritual,tradition and creativity among Sri Lankan ritual specialists

This article sets out to explore the strategic creativity that underlies supposedly invariant ritual performance. The ethnographic focus is on a group of Sri Lankan ritual specialists and the way they present the past in terms of mythical, historical and genealogical relationships that give power and legitimacy to their performances of healing rituals in the present. The analysis brings together local notions of “tradition” with ideas of performance and embodiment. The conclusion takes up the idea that, far from being the dead weight of tradition, invariance is a performative illusion of considerable ingenuity and persuasive power. Indeed, it is a fundamental means whereby the authority and power of ritual is maximized in performance.     

CONSUMING THE TOURIST GAZE: IMAGINATIVE GEOGRAPHIES AND THE REPRODUCTION OF SEXUALITY IN LUGU LAKE

Imaginative geographies engage with the understanding and experiencing of place and place‐based social and cultural specificities through a process of re‐creation and reproduction. In this article, we explore the imaginative geographies of Lugu Lake, a tourist destination in China's Yunnan Province, and of the Mosuo people, the local minority which practices a unique marriage system. We investigate how Mosuo society has been imagined in popular discourses and representations through two cultural labels: matriarchy and free sex. We also discuss how the imaginative geographies of Lugu Lake have restructured the encounters between the local people, especially the young men, and the incoming tourists in the context of tourism development. We interrogate the complex processes of identity formation in which both the tourists and the indigenous people renegotiate and reconstruct their cultural identities within various inside–outside connections and interactions. Our central argument is that the sex encounters between tourists and the local Mosuo are conditioned by popular imaginative geographies of the sexual practices of the Mosuo. But the encounter in tourism between the gazer and the gazed also accommodates complex identity formations and the renegotiation of social relations. The empirical observations are twofold: first, the locality of Lugu Lake has been reproduced with folk and tourist imaginative geographies into an erotic frontier of free sex; second, we also argue that the geographical imagination in this case is a reciprocal process which involves the local Mosuo's renegotiation of place‐based identity, in a pursuit of imagined progress and modernity.     

Gender relations in Bedouin communities in Israel: local government as a site of ambivalent modernity

In this article, we examine the perceptions towards women and gender relations maintained by male, local authority officials within two Bedouin towns in Israel. As such, the current research lies at the intersection of local politics, gender, space and culture. We argue that analysis of these perspectives provides insights into the ambivalent nature of modernity: into the tension between the desire to preserve the traditional role of women in maintaining the family, and the recognition of the powerful potential of women to act as agents of change. Based on an analysis of personal interviews, the study traces the ways in which both power and vulnerability impact the attitudes and perspectives of these men officials. By applying narrative analysis, gendered power structures are examined within Bedouin society in the context of the local authority – zooming in on the narratives provided by the male authority officials. The findings reveal that the officials maintain a series of ambivalent and conflictual attitudes towards the role of women. Bearing in mind their potential impact on the quality of women's daily lives in local public spaces, it seems vitally important to account for the entire matrix of tensions and vulnerabilities that impact the municipal policy instruments at their disposal. The findings are relevant beyond the Bedouin communities in Israel and may serve as a platform for a wider discussion of the dilemmas of minority women in rapidly changing cultural environments, and ambivalent modernity.     

Hume,Bishop Butler,and the Revival of Ritual in Anglophone Protestantism

A sweeping reassessment of the role of ritual, ceremony, and aesthetics took place in anglophone Protestantism between the late eighteenth and the late nineteenth centuries. While the nineteenth‐century developments themselves have been extensively studied, little scholarly attention has been paid to the importance of the earlier emergence of philosophical language capable of explaining and justifying, in a Protestant context, the ritual and aesthetic dimensions of religious practice. I argue that this language, paradoxically, grew out of a symbiosis of sceptical modernity, traditional religious apologetics, and the religious “enthusiasm” of the early eighteenth century. I approach the topic through the interconnected oeuvres (and careers) of David Hume and Joseph Butler, presenting the first synoptic account of their ideas about the psychological underpinnings of religious worship, and the use made of their ideas by later generations of anglophone Protestants. As mainstream Anglicans, Episcopalians, and Presbyterians confronted the challenges presented by Methodism and Evangelicalism, they found support in a synthesis of Butler's and Hume's ideas. Eventually, the beneficial role of ritual and aesthetics in religious worship came to be widely accepted throughout the anglophone Protestant world.     

Malay women as discerning viewers: Asian soap operas,consumer culture and negotiating modernity

This article examines how Malay women in remote Malaysian villages engage with images of transnational modernity shown in popular soap operas imported from other Asian countries. While the government promoted these Asian soap operas at first as appropriate vehicles for the cultural project of modernising the mindsets and attitudes of the masses, authorities have now expressed some discomfort and ambivalence about the excessive representation of consumer culture in these soaps, which they fear will compromise the cultural values of Malay women. However, I argue that Malay women are discerning viewers who are able to critically negotiate the images of consumer culture in these soaps without necessarily ignoring their cultural values or social responsibilities. This debate about whether these soaps broaden the mindsets of Malay women viewers or teach them degenerate values of consumerist culture is part of an ongoing contestation over the cultural ramifications of modernity in Malaysia. This television genre of Asian soaps can be conceptualised as a site for negotiating modernity, where Malay women derive pleasure from the consumerist modernity depicted in the Asian soap operas while remaining mindful of the strictures posed by local culture.     

Anthropology,Festival, and Spectacle

This article weaves together analyses of three recent books which, despite their being compiled primarily by scholars outside of the discipline of anthropology, make theoretical and methodological contributions useful to the anthropology of festivals and ritual, both religious and secular. These works demonstrate that spectacle has been ritualized into festive practices of modernity and identity in multiple places, times, and cultural contexts. Greater attention to how this works from a general anthropological perspective is needed.     

Black man's Burden: some South African parallels with North America

ABSTRACT

Muthi, intelezi and associated rituals have played an important role in the lives of Africans for many centuries. For almost everything they do, muthi and rituals are applied, more so during times of war. Controversy around the use of intelezi, muthi, ritual killing and the role of izinyanga in, prior to and during the colonial period, is well documented. This paper, first, challenges the Comaroffian analysis of the subject which purports to contextualise the ‘deployment, real or imagined, of magical means for material ends’. They add that the discourse is entirely about ‘modernity’ and ‘neoliberalism’. Here I fundamentally disagree with this explanation; I indicate that it is a cultural continuity. The paper contends that ritual killing and muthi use continues into the present and was prevalent during the political violence in KwaZulu-Natal during the 1980s and 1990s. Secondly, the paper will discuss the centrality of the use of muthi during the violence. I reason that izinyanga played a clandestine but powerful role in this violence. In this, they were at the core of the violence and of the rise of warlords to power in the region. In this paper, I will also present reasons (or offer recommendations) why historians should pay attention to these practices in the recent past, as well as in colonial times. For one thing, they are a means of understanding the present. However, in many ways, because of its reliance on oral histories and insider content, this paper is neither history nor ethnography, but could be described as historical ethnography.     

The Evolution of the Contemporary Blackening

‘The blackening’ is a pre-nuptial rite of passage for men and women that takes the form of capturing, dirtying, and cleansing the bride and groom. I show that it evolved from an older ritual called the feet-washing. Scottish in origin, widespread as a feet-washing ritual, both in urban and rural settings, the blackening is now a predominantly rural tradition. Although it can and does occur for men anywhere in the country, it is mainly confined to northern and, particularly, north-east Scotland for women, and it is women who are the main focus of this article. I describe the contemporary blackening, before tracing its evolution. I then consider the form and function of blackening’s predecessor, the feet-washing, before discussing how and why it evolved to become the ritual it is today.     

Technology, Modernity and the Restructuring of the Present in Historical Geographies

The following essay attempts to illuminate the production of "presences" in the course of European modernity. It argues that the disintegration of a stable and local presence is one of the defining, albeit largely ignored, characteristics of modernity. The consequences of what could rightly be called an "exploded" presence are then examined with the help of particularly illustrative innovations which originated within European modernity: paper money, iron and glass architecture and photography. In conclusion, the essays attempts an outline for a new geography of technology.     

Mobility and modernity in Luang Prabang,Laos: re-thinking heritage and tourism

Numerous studies of tourism in Luang Prabang World Heritage site in Lao Peoples’ Democratic Republic are critical of the perceived impacts on heritage values of the city. Criticisms relate to the incursion of new buildings into the historic core, the loss of older dwellings, increases in foreigners renting and restoring properties as guest houses and restaurants and the movement of locals out of the historic core. Other criticisms relate to the effects on community support for the monastic communities that create the sacred and ritual geography of the city, the loss of community diversity within the World Heritage boundaries and increasing uniformity as the development of tourism continues apace. While our research does not challenge these observations it raises questions about the type of analyses and conclusions reached. Too often ‘heritage’, ‘tourism’ and ‘community’ are considered self-evident and bounded entities, with tourism something faintly alien that causes disruption to the urban fabric of Luang Prabang and, consequently, to the values for which it was inscribed. We propose a different way of conceptualising the relationship between heritage, community and tourism by examining the interaction between global, regional and local mobilities in the context of globalisation and under the aegis of modernity.     

Caught between extremes: the culture and economics of traditional mask art in contemporary Sri Lanka

In contemporary Sri Lanka, the commodification of local mask production resulting from cultural tourism has caught the traditional mask artisan in a tight spot between “tradition” and “modernity”. The impacts of tourism are diversely received and interpreted within the local mask artisan community, with tourism simultaneously resulting in what can be called a “cultural discovery” and “cultural decline”. Within this cultural debate, this paper is an attempt to understand how the traditional mask artisan arrives at a balance between “tradition” and “modernity”, and culture and commerce. Qualitative research conducted in southern Sri Lanka shows that tradition and modernity are shifting conceptions. Negotiating a balance between tradition and modernity is, therefore, largely a matter of meaning and interpretation. When cultural commodification occurs, tradition and modernity are continuously redefined and reinvented by both the traditional mask artisan and cultural consumer to fit their own needs and agendas. Cultural commodification contributes to the survival and revival of Sri Lanka's mask tradition, a strategy that is simultaneously welcomed and contested within the local mask artisan community.     

The Golden Code of the Bird‐Men: Iconographic and Social Interpretation of the Moñes I Diadem‐Belt (Asturias,North‐west Iberian Peninsula,First Century BC)

If there is one piece of the Castro culture goldwork that stands out above the rest, it is the set of figurative gold diadem‐belt fragments from Moñes (Piloña, Asturias, Spain). Its uniqueness lies in its combination of local technological tradition with exogenous practices, like figurative representation. The figures that appear are armed characters, occasionally on horseback, and sometimes zoomorphic in appearance (especially as bird‐men), together with different kinds of animals, especially those from an aquatic environment. This iconography has been interpreted as emphasizing the warlike character of Celtic symbolism as expressed through an aquatic funerary ritual. My argument here, however, provides an alternative interpretation based on a context of dramatic social change, which warranted the reformulation of creation mythology such as that depicted on the diadem‐belt. This context must be viewed in relation to different social responses which developed during the first century BC, both before and immediately after the Roman conquest.     

Prestigious Afanasyevo Wooden Metal-bound Ware from the Sayan-altai

Metal plates, which probably decorated wooden vessels from Afanasyevo burials, are described. The plates bear punched designs and were clearly related to female symbolism, implying that they were probably used for ritual purposes. Their expansive distribution area from the lower Katun in Gorny Altai to the middle Yenisei in Khakassia points to the similarity between the two local variants of the Afanasyevo culture across the Altai-Sayan region. These vessels might have marked the high social status of the women in whose graves they were placed.     

Buddhist temples and ancestral halls: The reconstruction of native official rituals in western Yunnan

Abstract

In the process of abolishing the native officialdoms of southwest China, the Ming court justified its actions by citing violations of ethical and ritual principles. During the Zhengtong 正統 period, offices of native officials in Heqing 鶴慶 were abolished and replaced with an office for centrally appointed imperial officials. These imperial officials turned Buddhist temples into Confucian schools and attacked local beliefs regarding living Buddhas. At the same time, local Confucian scholars advocated orthodox ritual in the name of doing away with improper ritual practice. In response, nearby native officials began cautiously handling political issues, and sought to legitimize the foundations for their status by conducting rituals in the classical Confucian tradition. The author examines the history of Lijiang 麗江 and Menghua 蒙化 Prefectures in Yunnan 雲南 and discusses how their native officials used the statuses of ancient nobles as they sought to establish Confucian rituals and temples corresponding to their status within the Ming bureaucracy. Several strategies are identified, including (a) building Buddhist temples, ancestral halls, and official shrines; (b) transforming mythical figures into protective deities by creating mountain and river rituals that conformed to ritual orthodoxy; and (c) establishing official genealogies and using textual methods to incorporate clan myths and legendary lineages into orthodox historical narratives, thereby strengthening the superiority of border native official lineages. By analyzing a series of actions of native officials in this process, the author explores the cultural strategies adopted by native officials to safeguard their prestige and local interests.     

The Discourse of Maendeleo and the Politics of Women’s Participation on Mount Kilimanjaro

Studies of participatory development and empowerment often fail to place people’s actions and motivations within their wider cultural, social, political and economic context. Drawing on fieldwork which looked at village‐based women’s groups on Mount Kilimanjaro, Tanzania, this article deconstructs the dominant discourse of development on the mountain (maendeleo) to show how women’s participation in their local organizations is used as a strategy to boost their social status and financial gains. Local, national and global discourses on development, modernity and gender are reappropriated by Chagga men and women to produce a normative Chagga developmental subjectivity which women can demonstrate by participating in women’s groups. The over‐representation of better‐off and higher‐status women in these groups suggests that, in excluding the poorest women, participation in women’s groups is serving to legitimate, and perpetuate, existing inequalities within Chagga society.     

Pollapese Catholicism as Strategy

Indigenous groups creatively incorporate outside institutions, including Christianity, for local purposes. Furthermore, people who see themselves as observing tradition may also construe themselves as being Christian and citizens of a nation. Despite the original external origins of Christianity, meaning becomes locally constructed and asserted for local purposes so that religion as practiced is about local, regional, or national concerns rather than commitment to particular dogmas, institutions, and hierarchy. A case in point are the people of Pollap in the Caroline Islands of Micronesia, who converted to Christianity in the middle of the twentieth century through the efforts of a Catholic catechist. Today the islanders practice a vibrant version of Catholicism in which local symbols and beliefs infuse imported Catholic ritual, and in which biblical verses and imagery support secular, political strategies. Pollapese seem less concerned with theology and more with behavior that demonstrates good character. As they attempt to exploit and reconcile potentially conflicting guides for behavior from the realms of religion, tradition, and government, they make strategic use of their understandings of Catholicism's dictates for political and social purposes.     

Have sex will travel: romantic ‘sex tourism’ and women negotiating modernity in the Sinai

Since the 1970s, studies on western women's ethnosexual tourist–local relationships have tended to focus on the beaches of the Caribbean and have come to one of two main conclusions – either they are no different from the overtly exploitative relationships of heterosexual male sex tourists or they are different because they involve a softer, caring element of romance. This article proposes that both positions have led to constrictive, circular research that highlights the racialised and economically disparate nature of these exchanges but mostly ignores the importance of imaginative and emotional geographies caught up in such relationships. Based on fieldwork interviews with men and women in the resorts of the South Sinai, Egypt, I argue that these encounters can be seen as examples of a modern subjectivity that are defined by and take place within imagined (fixed) constructions of landscapes, native third world masculinity (in this case Arab/Bedouin), femininity (white, heterosexual, western), freedom and love (spiritual and physical): all presented in some form of opposition to a particularist idea of modernity and viewed through a filter of selective (and spatially circumscribed) histories. By adding a geographical dimension, this article aims to open up the current debate on female sex tourism to a wider range of issues and reveal more of the conflicts, tensions and imaginations that make up these encounters.