Erotic Attachment,Identity Formation and the Body Politic: The Woman‐as‐nation in Canadian Graphic Satire, 1867–1914

Using depictions of ‘Miss Canada’ in editorial cartoons and political campaign posters published in English Canada between 1867 and 1914 as a case study, this article argues that the repetitive deployment of feminised and eroticised images of the nation summoned particular gender, sexual and political identities into being and entangled viewers’ psychic investments in masculine, heterosexual and nationalist subjectivities. It also considers how Miss Canada's normative representation as white conflated racial whiteness and Canadian‐ness, and how images hailed viewers into racial subjectivities that were leashed to national identity. Rather than querying how or why the woman‐as‐nation trope elicited nationalist sentiment in an already‐constituted subject, this analysis examines how imagery provoked viewers’ identification with subject positions that were co‐constituted with nationalism. Impassioned and even violent nationalism becomes more comprehensible when we consider that the woman‐as‐nation was capable of producing attachments to national identity that, for some, were inseparable from and tantamount to psychic investments in gender, sexual and racial identities. While Canadian scholars have recognised that Miss Canada was a significant popular culture icon during the long nineteenth century and acknowledged this icon's embeddedness in gender, sexual and national discourses, studies have tended to describe Miss Canada's role in consolidating hegemonic ideologies and power relations and underestimate visual culture's constitutive capacities. The extent of Miss Canada's hetero‐erotic coding has also largely escaped historians’ notice. Although a few scholars have explored visual culture's role in Canadian national identity formation during this era, this study makes a unique contribution by foregrounding the productive work of popular imagery in co‐constituting and entwining national and sexual subjectivities.     

Models of urban change: Sydney 1820–1870

Established models of urban change do not adequately allow for the complex interactions between the forces and relations of production and the effects of changes in these factors on urban settlements. A proposed, extended model includes a transition stage which can best be described as the mercantile or early capitalist city which hadnot yet adopted the modern technology developed in the Industrial Revolution. Sydney and its growth and development between 1820 and 1870, a crucial period, is viewed against this suggested framework. During this period, Sydney was clearly going through such a transitional phase.     

Horror,hubris and humanity: the international engagement with Africa, 1914–2014

This article examines the international engagement with Africa from the First World War and the apex of colonial rule through to the present day. It is argued that there have been dramatic shifts throughout this period—from increasing interventionism on the part of the colonial state, to decolonization and the emergence of nation‐states with independent foreign policy programmes, to the predations and influences of the Cold War, to the developmentalism and humanitarianism of the contemporary era. Yet, there has also been marked continuity in terms of policy, perception and practice. In particular, Africa has long been seen in terms of economic opportunity—a place where markets and raw materials abound—and of military and political threat, a place in which intrinsic instability makes external intervention both desirable and inevitable. While immediate contexts have changed over time, the international engagement with the continent remains essentially economic and military. A concern for democratization and development represents a relatively new element, although even this can be traced to the paternalistic humanitarianism of the colonial era and, earlier still, moral stances toward Africa in the nineteenth century.