Frühe Fälle der "Verwendung" von Analogien in der altgriechischen Medizin

Analogy in ancient Greek medical texts may be either explicit or implicit. Greek physicians of the fifth and fourth centuries B.C. often used explicit analogy, e.g. when trying to explain unobservable processes within the body by comparing them to observable processes in common objects. Such explicit analogies served several purposes: illustration, exemplification, confirmation, or a combination thereof. - Other analogies are implicit, particularly those originating in metaphors, i. e. in language. While explicit analogies were intended to support only marginal details of medical doctrines, analogies implicit in metaphors occasionally became the nuclei of comprehensive and therapeutically important doctrines, particularly with reference to the crisis of a disease. - Explicit and implicit analogies occur already very early (Homer, eighth century B. C.) and with characteristics which make it possible to assess the specific function of analogy in Greek medical texts of the fifth and fourth centuries B.C.     

Die Entdeckung des Unbewußten um 1900: Wissenschaftshistorische Anmerkungen zu Sigmund Freud

The Discovery of the Unconscious by Henri F. Ellenberger has become a common topic in the historiography of (dynamic) psychiatry. But many users of this term have still the opinion that Sigmund Freud was the unique discoverer. In reality there was a scientific context at the fin de siècle, which corresponded intensively with Freud's original concepts and formed their implications (e.g. Darwinism, Neurophysiology). Besides well-documented synchronic analogies Freud implanted diachronic traditions within his psychoanalytic theory. Especially, his main work The Interpretation of Dreams implies Greek mythology as well as natural philosophy of romanticism. Freuds special concepts like ‘transfer’ and ‘resistance’ have to be analysed as historical metaphors.     

Wildlife Visual Imagery: Do Pictures Used to Promote Destinations Online Match On‐site Species Visibility at Two Geographic Destinations?

Diverse photographic images (pictures) are used to promote wildlife tours on the Internet. But what pictures are used and are they likely to accurately reflect what visitors might see, and hence create realistic expectations for tourists? The relative importance of wildlife and the prevalence of iconic species were assessed for pictures on the Internet used by six English tour companies offering wildlife tours to very different destinations: Southern Africa and Australia. These were then compared with the likely visibility of wildlife at the destination. The content of 926 Southern African pictures representing 1316 different subjects, and 228 pictures representing 307 different subjects from Australia were classified into four themes (wildlife, landscapes/vegetation, activities, accommodation). Wildlife, particularly large mammals, was more frequently used for Southern African tours (43%) whereas pictures for Australian tours were often of landscapes (45%). Large, social mammals active during the day and hence highly visible (e.g. elephant, n= 64) were often used, while iconic, but cryptic, species such as koalas (n= 7), Tasmanian devil (n= 1), leopards (n= 12), and black rhinos (n= 2) were seldom used. Therefore, online pictures used for wildlife tours appear to merge well with what tourists are likely to see at the destination, but appear to diverge somewhat from established destination images for these two regions, particularly Australia.     

Getting Acquainted With Alfonso Hernández-Catá

Traditionally it has been considered that Castilian cancionero poetry has hardly preserved diálogos interestróficos, such as the primitive tensón. However, the Cancionero de Palacio contains a very significant sample of the different possibilities of the cancioneril dialogic mold: beyond poetic dialogue forms more common in Fifteenth Century Spanish poetry, through whole texts juxtaposed, the Cancionero de Palacio contains several other more original forms, and as a result it serves as a codex unicus. This article offers, for the first time, an analysis of all the diálogos interestróficos collected in this Cancionero. This analysis contradicts the widely held view about the rarity and scarcity of these texts and confirms the originality of the dialogic schemes and the strong presence of polyphonic texts in this colectánea. The article presents a list of twelve compositions—a very significant number—in which the dialogue articulates all the text, with voices alternating stanza to stanza or even within each stanza. After establishing this body of work, the study centers on a typological analysis based on the voices found in these poems.     

Reading with the Occultists: Arthur Machen,A. E. Waite,and the Ecstasies of Popular Fiction

My article recovers a forgotten moment in the history of popular fiction criticism – the late Victorian advent of what I term occultic literary criticism – to challenge the persistent anxiety thesis that continues to dominate fin-de-siècle studies. In the late 1890s, the close friends, writers, bibliophiles, and, for varying amounts of time, practising occultists Arthur Machen and A. E. Waite used their literary criticism to champion the ecstatic occult potential of mass-circulated popular fiction, insisting that the penny dreadful, the newspaper story, and the popular picaresque as exemplified in Charles Dickens’s The Pickwick Papers (1836–37) represented coded versions of ancient mystery tradition rituals. The cheap popular texts could offer to readers, writers, and collectors the kind of joyous direct encounter with the unseen world that sacred texts no longer could. The pair’s conviction that ecstatic occult initiation was just as, if not more, attainable through popular exoteric texts as through their restricted esoteric counterparts offers an important corrective to contemporary understandings of both the late-Victorian reception of popular fiction and of the reach and constituency of the occult revival.     

Constantine,Helena, Maximus: on the appropriation of Roman history in medieval Wales,c.800–1250

This article explores the ways in which the three fourth-century figures, Constantine the Great (d. 337), St Helena (d. c.330) and Magnus Maximus (d. 388), were represented in texts produced in, or connected with, medieval Wales. The texts concerned may be described as genealogical, hagiographical or literary, and were written in either Latin or Welsh between about 800 and 1250. They include, amongst others, the ninth-century Historia Brittonum, Geoffrey of Monmouth's De gestis Britonum, and the vernacular prose tale Breudwyt Maxen Wledic. It is argued that the appropriation of the fourth-century figures occurred in a more limited number of contexts than has previously been supposed. Moreover, the evidence indicates that writers responsible for composing or redacting texts about these figures were far more likely to turn to earlier written texts for information on their subjects than to any contemporary oral traditions.     

“Bao wei quan” 保位權, Chapter 20 of the Chunqiu fanlu 春秋繁露

This work provides an annotated translation, together with a brief commentary, of the “Bao Wei Quan” chapter, the 20th chapter of the Chunqiu fanlu. The Chunqiu fanlu is an important Chinese Confucian text. It is ascribed to a pivotal Former Han (206 BCE – 9 CE) scholar, an exegete of the Gongyang zhuan 公羊傳, Dong Zhongshu 董仲舒 (ca. 195–115 BCE). This text offered to readers an ideal of rulership that remained highly relevant to the development of the ethical and political discourse of Chinese Confucianism. Despite its importance, the Chunqiu fanlu has only very recently been fully translated into a Western language, ¹1 See Luxuriant Gems of the Spring and Autumn, attributed to Dong Zhongshu. Edited and translated by Sarah A. Queen and John S. Major (New York: Columbia University Press, [December] 2015).View all notes and is one of the rare major classical Chinese texts which still lacks a full Japanese translation. Thus, the purpose of this work is to contribute to the ongoing Chunqiu fanlu translation project and to present to the reader some of the form and content of this influential work.     

Briefe im 19. Jahrhundert als wissenschaftshistorische Quelle. Dargestellt am Beispiel des Briefwechsels des Apothekers A. P. J. Du Menil (1777–1852)

The aim of this article is to demonstrate the importance of scientific communication of pharmacists in the 19th century. 89 letters were analysed both written received by August Peter Julius Du Menil (1777–1852). In the paper also a summary is given about the importance of extensive activity of the pharmacist Du Menil. He was be in correspondence with 39 scientists, for instance 13 physicans and 12 pharmacists. The letters are an interesting document about scientific community in the 19th century.     

Das Werden des Kosmos Von der Erfahrung der zeitlichen Dimension astronomischer Objekte im 18. Jahrhundert

The Permanent ‘Becoming’ of the Cosmos: On Experiencing the Time Dimension of Astronomical Entities in the 18th Century. - This paper deals with two of the initial stages through which the dimension of time, in the sense of an irreversible development, found its way into astronomical-cosmological thinking. The one resulted from the first consequental application of Newtonian principles and laws to cosmic entities outside of our solar system found in the General Natural History or Theory of the Heavens of Immanuel Kant (1755): Endeavoring to explain through natural causes first the peculiarities of the solar system, no longer naturally explainable through the celestial mechanics of Isaac Newton (such as the common orbital plane and rotational direction of all the members of the solar system and the distribution of the masses) - which, however, had been deducible in Johannes Keplers Weltharmonik -, and endeavoring secondly to explain above all the beginning of the inertial movement of all discrete heavenly bodies - which, however, could have been derived from René Descartes's vortex theory - without using arbitrary acts of God as Newton had done, Kant had to introduce an initial state in which matter in the form of atoms was equally and almost homogeneously distributed over the whole space (similar to the permanent state in Descartes's theory). Thereupon, according to Kant, the initial movements of the slowly growing masses resulted from the effect of gravitational forces. The parameters within the solar system which had to be explained, could then be easily deduced from the process of mass concentration at different points and from the resulting vortex movements. - The other initial stage is found in the classification of ‘nebulae’ by William Herschel who introduced the historical time factor, in the above-mentioned sense, as a principle of order in addition to the outward shape, which had become common for all the different elements in natural history during the second half of the 18th century. Thereupon the different shapes of the nebulae could be interpreted as stages of development from the primordial nebular state to multiple or single stars. (Herschel had not yet considered them to be accumulations of stars for lack of a suitable telescope.) Both initial stages, which arose out of the thinking of the second half of the 18th century, were still premature for astronomy and cosmology; they have only been taken up again since the end of the 19th century as a result of the emergence of astrophysics, which provided the empirical data for the earlier speculations and conclusions from analogy.     

„On employera les meilleurs Graveurs pour les Figures”︁. Zeichner und Stecher der Berliner Akademie der Wissenschaften, 1700–1806

“We will employ the best engravers for the figures” – Draughtsmen and Engravers of the Berlin Academy of Sciences, 1700–1809. – Although barely mentioned in accounts of its history of the Berlin Academy of Sciences, draughtsmen and engravers were, from the very inception, essential collaborators. Based on previously overlooked archival sources, this paper investigates the strategies that scientists used to select the most appropriate candidates during the first hundred years of the academy's existence. These included: (1) the engaging of artists already known to the scientists or those who had been recommendaded to them; (2) maintaining long‐term relationships with a number of artists, and later with their offspring (who had frequently been trained by their fathers); in 1768 this strategy culminated in the creation of a permanent position for one academic draughtsman; and (3) hiring draughtsmen who specialised in the subject matter in question, which entailed, for example, employing different people to carry out anatomical and botanical illustrations.     

J.S. Bach’s St. Matthew Passion and intellectual history

ABSTRACT

Recent thinking about Intellectual History has moved beyond studying only verbal texts, to encompass other kinds of visual and aural texts that can be vehicles for generative thought. Where might music fit into this expanded conception? If ideas are defined purely as concepts that can be expressed in words, music can be no more than an “epiphenomenon”, a consequence or representation of ideas that lie behind it, but not capable of embodying those ideas in itself. Yet to many musicians, it seems obvious that music can function as a way in which ideas are developed and worked out. What kinds of knowledge might be embodied in music, then, and how do its meanings change over time? In this paper, I examine some of these issues through consideration of one of the key texts of Western art music, J.S. Bach’s St. Matthew Passion, exploring how it was conceived in a liturgical context in Bach’s time, how its meaning changed when transposed to the very different milieus of concert performance in nineteenth-century Berlin and colonial Sydney, and as it has been re-imagined in a variety of recent staged and recorded versions.     

TEXTS AND TRADITIONS IN CHINESE AND COMPARATIVE PHILOSOPHY

This article considers Quentin Skinner's critique and methodology in his seminal essay “Meaning and Understanding in the History of Ideas” vis-à-vis the current methodological debates in Chinese and comparative philosophy. It surveys the different ways in which philosophers who work with ancient Chinese texts in those related fields deal with the tension between textual contexts and autonomy and how some of the errors criticized by Skinner under the mythology of coherence, mythology of doctrines, mythology of parochialism, and mythology of prolepsis might apply to those fields. It argues that Skinner's insistence that understanding a text requires recovering its author's intended meaning by studying its linguistic context has limited application to Chinese and comparative philosophy because those fields’ most important texts are not best understood as means of communication by specific historical authors with intended messages to convey to readers. These texts are instead the means by which Chinese traditions perpetuate their respective beliefs and practices. Instead of being circumscribed by authorial intent, the meanings of traditional texts are dynamic and co-created in the process of producing, reproducing, and consuming texts as well as in the evolution of practices that also constitute each tradition. The meanings received by the audience are never exactly what authors or transmitters intended but have been transformed by each audience's own concerns and interests, even if the audience attempts to grasp what the former intended. Using the Five Classics and the Analects as examples, this article illustrates how such texts’ purposes to teach and perpetuate the practices that constitute a way of life determine their meanings. Understanding is not merely cognitive but practical as well. The meanings of such texts are not static but dynamic as traditions evolve. The debates about methods of reading and interpreting ancient Chinese texts are also debates about the nature of Chinese traditions and struggles over their futures.     

The strategic anthropologist

Ken Booth's Strategy and ethnocentrism, published in 1979, deserves to be promoted in scholars' esteem to the very small category of works regarded as classics about strategy. Three reasons serve to explain why, over the years, it never received the acclaim it merits: the relatively undistinguished publisher; ironically, the subsequent debate over more than a quarter of a century about culture as a factor necessary for the understanding of strategy; and the attractively accessible style in which Booth expressed himself. Strategy and ethnocentrism is witty and even occasionally amusing—characteristics apt to trigger a response of some disdain from over‐serious scholars. We can now assess Booth's book in its proper context, which is the long if very thinly populated history of strategic ideas, largely free of unduly distorting ‘presentist’ concerns. The fact that Strategy and ethnocentrism was written in the context of the Cold War really does not matter for the quality of its argument. This work is a classic because it speaks to all periods and about all participants in strategic history. The originality of Booth's treatment of culture does not lie so much in the realm of his grasp of its relative strategic significance, but rather in his relentless unwrapping of the actual, or certainly potential, harm, including unanticipated self‐harm, of ethnocentricity. Today, studies of culture and strategy are not in short supply, but works that compel readers to attempt to take due account of their own ethnocentric frailties are in desperately short supply.     

Laughing at a saint? Miracle and irony in the Vita Gangulfi prima

This article examines the Vita Gangulfi prima, a text which was frequently copied and widely circulated in the Middle Ages. It argues that the text can be understood as an ironic discourse on miracle stories in hagiographical texts: the central message of the Vita is that meek and penitential living leads to sanctity, and not the enjoyment of stories about miracles. At the same time, the Vita presents the reader to some extent with a performance of this idea. The reader who sees through to the Vita's ironic intent is encouraged to laugh at the saint and thereby comes to comprehend the very sin for which the various characters in the Vita are punished, while the text simultaneously depicts penitence as the way out of this sinfulness. The Vita's critique of miracle stories made an eccentric contribution to a discourse which was also carried on in a number of other hagiographical texts of the early tenth century.     

Die bewertung des ungeborenen lebens im alten israel und im alten orient

Abstract

First, how does Haggai “construct” the temple, i.e. what view does he hold of it, its function and its significance? The answer here is that, whatever the Second Temple actually was, Haggai does not construct it as a place of sacrifice, a house of prayer, a location of the presence of God, a pivot of the economic system of Judah, a focus of ethnic identity, etc., but as a treasury. It must be rebuilt because it is a shame (not “glory") for Yahweh not to have a “house” in which treasures of silver and gold belonging to him can be stored and exhibited (2,7–9). And this temple must be rebuilt quickly because of the imminent political‐military upheaval ("shaking") of the earth that will result in booty in large quantities arriving in Jerusalem.

Second, is there anything in the text of the book that undermines this “construction” of the temple? Yes, there is an underlying conflict in the text (amounting to a deconstruction) over the issue of honour Yahweh is dishonoured by the ruined state of the temple, but it is not the rebuilding of the temple that will bring him honour. Further, the designation of the Judaeans and the “work of their hands” as “unclean” (2,14) deconstructs the text's placing responsibility for the rebuilding in their hands. Further still, the sudden narrowing of focus to Zerubbabel in the closing verses of the book (2,20–23), and the unprepared designation of him as an eschatological king, deconstructs the prophecy's professed concern with the temple.

Third, can these deconstructionists be deployed in the service of a reconstruction? Here I use the axiom that texts exist in order to repress social conflicts. Yes, we can first reconstitute the social reality implied by the text: from the deconstruction over the issue of honour we can reconstruct the conflict between enthusiasts for temple rebuilding and resisters. From the deconstruction over cleanness and uncleanness we can reconstruct the conflict between the leadership and the proletariat. From the deconstruction regarding Zerubbabel we can reconstruct the political conflict over the governorship.

And yes, we can secondly “construct” the social reality created by the reading of the text today. Here we can see how the reading of the text by biblical scholars functions as a repression of conflicts of interest and ideology among different groups of readers, and how the deconstructability of the text can serve to bring such conflict to consciousness.     

Death at St Bernard's: Anti-vivisection,Medicine and the Gothic

Displaying a Gothic fascination with the misapplication of science, Edward Berdoe's St Bernard's: The Romance of a Medical Student (1887) was one of a number of novels in the 1880s that repackaged the horrors of vivisection for public consumption. Although the novel can be dismissed as derivative, it departed from standard themes found in other anti-vivisection texts. Through the device of a hero struggling with the moral implications of science and the reckless treatment of patients, St Bernard's challenged the legitimacy of the teaching hospital. The present article moves debate about the Gothic, literature and science beyond well-known texts by Stevenson and Wells to examine how St Bernard's combined ‘the methods of science with the methods of romance’ and shifted the anti-vivisection narrative into the hospital. In locating the novel within anti-vivisectionist uses of fiction and late-Victorian anxieties about experimental medicine and the teaching hospital, the article explores the novel's relationship with other anti-vivisection texts and Gothic fiction, and examines what it says about scientific practices and mentalities. St Bernard's fashioned a very different hospital from existing representations to warn readers of how brutish students and cruel doctors tortured patients. In doing so, the novel recast the teaching hospital as an uncanny and dangerous place.     

Lao-Zhuang in the vernacular: two evolutionary readings

This article examines evolutionary thinking in Yan Fu and Hu Shi’s readings of the Laozi and the Zhuangzi. While Yan Fu employed a traditional exegetical form and Hu Shi wrote in journals and textbooks, both scholars employed a new, vernacular mode of reading classical texts. This new mode of reading is characterized by four primary features: commensurability, comprehensibility, fallibility, and contemporaneity. Unlike scholars of earlier generations, Yan and Hu treated classical Chinese texts as commensurable with Western thought and readily comprehensible in terms of modern ideas. Yan and Hu approached the Laozi and Zhuangzi as fallible texts subject to evaluation in light of Western ideas and contemporary conditions. Yan argued that the sages should be subjected to the same scrutiny as morally neutral modern scientists, while Hu urged readers to evaluate texts in terms of their pragmatic effects. Both writers highlighted areas of evolutionary thinking in the Laozi and the Zhuangzi, while evaluating the texts in terms of their potential to aid or hinder the evolution of the modernizing Chinese nation-state.     

Wenceslao Fernández Flórez: The Evolution of His Technique in his Novels

The widely divergent and sometimes hostile reactions to literary texts whose writers use irony signal the complexity of this type of interaction between writer, reader, and text. Particularly when there is also an ironic main character, varied understandings of these texts can reveal a shifting network of discursive communities. Linda Hutcheon's Irony's Edge: The Theory and Politics of Irony analyzes how and why these communities are formed or disrupted. Maryse Condé's Hérémakhonon and Mongo Beti's Mission terminée are examples of texts whose writers were criticized for reasons that appear to be related to the ways in which the irony of both writer and narrator led to a disruption of the discursive communities whose shared contexts make irony possible.