American Ascendance and British Retreat in the Persian Gulf Region

On 18 February 1946 a mutiny broke out in HMIS Talwar, a Royal Indian Navy signals school in Bombay. Over the following days the disturbance spread to over 10,000 men, 66 ships and shore establishments, while there was civilian rioting in several major cities. The causes of the mutiny have traditionally been attributed to discontent over service conditions, racial abuse and the influence of Indian nationalism, firmly framing the ‘strike’ as part of India's anti-colonial struggle. Such explanations have been applied uniformly across the force, regardless of the wide-scale nature of the disturbances, and with little focus on those who remained loyal. By examining the experiences of units other than Talwar, this article challenges the predominant nationalist narrative of the mutiny, questioning the notion that overarching causes existed across the navy, and demonstrating how motives and reactions were more fractured and complex. It will also reconsider the connection between the mutiny and civilian rioting in Bombay, introducing organised crime as a notable influence, and examine the role of the preceding RAF ‘strikes’ and political discourses in framing the actions of the naval ratings.     

The BBC and decentralisation: the pilgrimage to Manchester

This research critically analyses the decentralisation of the BBC’s Department of Religion and Ethics, from its base in London to the office of BBC Manchester in 1994. It examines the rationale behind the BBC’s decision to move this production unit, and analyses the long-term impact of this policy on both the logistics and programme-making culture of the unit. Using interviews with staff working within the department at the time of the move, this research demonstrates how policy decisions such as this are negotiated by professionals within the Corporation and the conflicts which arise around efficiency and equality. The case of the Department of Religion and Ethics also provides important lessons for the future decentralisation of BBC departments to Salford Quays which is due to be implemented in 2011.     

The Village in Contemporary Persian Poetry

This paper explores the ever-shifting symbiosis between the village motif, social justice and populist politics in Iran over the past three decades. The village has remained a recurring motif in Persian literature, employed by a variety of writers and state institutions for a range of means. As a symbol, it has been a conduit into which any ideology can be poured; the village allegory can be manipulated to both condemn and support the official policies of the state. A comparison of Iran’s pre- and post-revolutionary literature sheds light on the ways the state literati perpetuated an idealized picture of the village as an authentic, sacred space, increasingly associated with religious nationalism during the 1980s. The paper examines the key socio-political influences on the evolution of the pastoral motif, the work of state-sponsored official poets, and the impact of the village on the cultural doctrine of the Islamic Republic.     

The Persian Presence in Nineteenth-Century English Poetry: A Taxonomy

This study employs keyword searches of literary databases such as Literature Online (LION) in an attempt to map the image of “Persia” in nineteenth-century English poetry as it was molded by a proliferation of thoughts and ideas in a variety of contexts. Completeness is not possible, of course, but the article aims to identify and explore some of the major categories within which the image of Persia was formed and disseminated in the nineteenth-century. The scope of the study is not confined to a corpus of poetic works that were written specifically on or about “Persia,” but takes account of a broader range of poems, and attends to the structure, texture and variations of the presence of “Persia” in nineteenth-century English poetry.