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This article endeavours to bring to the English reader unpublished historical sources about Frankish figuers in the fourteenth century biographical dictionary al-Wāfī bil-wafayāt. This work, one of the largest biographical dictionaries in the history of the genre in Arabic, was written by Khalīl b. Aibak ?alā? al-Dīn, al-?afadī who was born in 1297 to a Mamluk father and a respected amir of the Mamluk military troops in ?afad. This article analyse nine biographies of Frankish historical figures and endeavours to answer the question: how original were al-?afadī’s biographies on Frankish princes?  相似文献   

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This paper has two purposes. One is to look carefully at the way that the stories of Sālih and Samson are told in the Edinburgh fragment of Rashīd al-Dīn’s World History and its accompanying illustrations, and the messages that these convey. The second is to explore the interplay of text and image in what might be termed “the Moses cycle” and to consider the motivation for the unusual textual and pictorial emphasis on Moses. Several aspects of the cycle are analyzed: Moses as an antetype of Rashīd al-Dīn himself, the impact of the Qur’anic text and Moses as a precursor of the Prophet Muhammad.  相似文献   

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This article re-examines the most celebrated, and most controversial, of the Cordoban ivories, the al-Mughīra pyxis, from a perspective of gender and kinship relations within the court hierarchy. It proposes an alternative patron for this object, namely al-Mughīra's mother al-Mushtaq, a consort of the Cordoban Umayyad caliph ?Abd al-Rahmān III (r. 929–61) in the latter years of his life, and a patron of architecture. The article suggests astronomical and astrological possibilities for interpreting the pyxis’ unusual iconography, which arise from considering al-Mushtaq as a potential patron of the al-Mughīra pyxis. Key to the argument is the notion that women in the Cordoban court were ‘makers’ of art and architecture, in that they could and did exercise authority through artistic patronage.  相似文献   

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In the first decade of the fourteenth century, Rashiīd al-Dīn Fazl Allāh penned a remarkable endowment deed in which he meticulously detailed his plans for the creation of a utopian community. He named it the Rab‘-i Rashīdī. In this document, he provides socio-economic data concerning the day-to-day operations of this settlement unparalleled in comparable texts. This article focuses on the hospital ward of the Rab‘-i Rashīdī, and provides a broader historical context for this medieval hospital and its personnel by examining the financial and monetary information in the endowment deed in order to piece together the inner workings of this community. In so doing, we are granted a rare opportunity to explore the daily lives of ordinary people whose endeavors, however significant, often went unnoticed.  相似文献   

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Modern scholarship on Arabs in the pre-Islamic period has focused on Rome's Arab allies—the so-called “Jafnids” or “Ghassānids,” with much less attention paid to Persia's Arab allies, the so-called “Na?rid” or “Lakhmid” dynasty of Arab leaders at al-?īrah in Iraq. This article examines select pre-Islamic sources for the Persian Arabs, showing that even with the meager evidence available to us, and the lack of archaeological material, it is possible to draw a relatively complex portrait of the Persian Arabs. This article situates the Persian Arabs as important figures in some key themes and phenomena of late antiquity, such as the growth of Christian communities, the conflict between Rome and Persia, and the struggle for influence in the Arabian peninsula.  相似文献   

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Drawing on a rich tradition of anacreontic poetry and taking inspiration from works by Nizāmī and Hāfiz, the sāqī-nāma or “cupbearer's song” emerged as an independent genre in the early sixteenth century and flourished throughout the Persian literary world for the next 250 years. Looking back on the development of the genre, the early seventeenth-century literary historians ‘Abd al-Nabī Qazvīnī and Awhadī Balyānī give contrasting accounts of its formation, but both agree on the significance of the work of Hakīm Partuvī Shīrāzī (d. 928/1520–21). An examination of his sāqī-nāma, together with two other early representatives of the genre by Sidqī Astarābādī (d. 952/1545) and Sharaf Jahān Qazvīnī (d. 968/1561), shows how closely this new genre was tied to the politics and ideology of the new Safavid state and reveals profound structural similarities to the preeminent panegyric genre of the Islamicate world, the qasīda. But once the basic components of the sāqī-nāmā were distilled and taken up by poets outside this socio-political environment, the genre proved to be as protean as the wine symbolism at its core. Cupbearer songs from the end of the century, particularly those of Muhammad Sūfī Māzandarānī (d. 1035/1625–26) and Sanjar Kāshānī (d. 1021/1612), show how the basic elements of the genre could be reconfigured to serve a variety of more personal interests.  相似文献   

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A rare anthology of nice Sanskrit verses: r-Sktval  相似文献   

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In the shop-lease contract with sar-qoflī, which is a widely practiced form of lease contract in today's Iran, a lessor of a shop sells to a hirer a right called sar-qoflī which amounts to almost as much as the entire value of the shop's ownership, while obtaining a monthly rent of only small value. This peculiar form of contract was brought into existence based on a new right called “haqq-e kasb o pīshe o tejārat,” that emerged as a result of the blending of traditional customary practice relating to real estate leasing with Anglo-American value concepts. The adoption of this right, causing as it did the lessor's responsibility for compensation for the value of the usufructuary right, drastically changed the relationship between lessors and hirers in Iran.  相似文献   

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THE WIDE alluvial plain in the centre of Yorkshire, dividing the sub-Pennine uplands from the Cleveland plateau and the Wolds, was well forested in medieval times and supplied timber for the buildings in the City of York. Timber houses in the Vale itself have until now been unrecorded. They can be compared in certain respects with some groups of buildings in western Yorkshire, but are much less like the structures in the City of York than might be expected.  相似文献   

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