Renewing the Countryside: Wisconsin

New York's junior senator Hillary Clinton, around this timelast decade, gave a speech entitled "It Takes a Village to Raisea Child," which became a book, It Takes a Village and OtherLessons Children Teach Us (1994). As I read Renewing the CountrysideWisconsin—both the profiles of the local, regional, andcommunity businesses and organizations and the afterword explaininghow Wisconsin's contribution to the      

The Dark Tree: Jazz and the Community Arts in Los Angeles

In her 2005 article, "The Long Civil Rights Movement and thePolitical Uses of the Past," Jacquelyn Dowd Hall called on scholarsto complicate the story of civil rights by looking beyond atraditional narrative that begins in 1954, ends in 1965, focuseson the South, and features Martin Luther King, Jr. as the leaderof a single-voiced chorus of interracial activists who overcameracial barriers nonviolently. The recent wave of histories aboutarts movements in African-American communities (e.g., Pointfrom Which Creation Begins: The Black Artists’ Group ofSt. Louis, by Benjamin Looker, 2004,     

Surviving Justice: America's Wrongfully Convicted and Exonerated

On Independence Day 2008, the Associated Press distributed astory about a Texas man released from prison after serving fifteenyears. He was the nineteenth Dallas County man since 2001 shownto be innocent by DNA evidence ("DNA Clears Texan," Iowa CityPress-Citizen, July 4, 2008: 7A). This was the highest numberof any county in the nation. Wrongful conviction is, however,not limited to Dallas County, TX, nor is exoneration alwaysthe result of DNA tests. Just five days earlier, The Des MoinesRegister had published a front-page story about a man spendinghis twelfth year in an Iowa prison. He had been convicted inDes Moines's Polk County of a 1996 murder, but the many redflags in the case finally warranted a hearing and a possiblereversal of     

The Embers of Hiroshima: From Author to Subject in a Transnational Oral History Collaboration

This paper examines an international oral history collaborationinvolving the "translation" of the American book, Atomic Fragments:A Daughter's Questions, by Mary Palevsky, into the Japanesedocumentary film, Memories of the Trinity Bomb, directed byYoshihiko Muraki. The author utilized oral history and personalnarrative to chronicle her inquiry into the legacy of the atomicbomb in the lives of its creators. Japanese scholar, KayokoYoshida, translated Palevsky's summary of Atomic Fragments intoJapanese for Muraki, working with the filmmaker throughout theprocess. For the film, the author conducted interviews withManhattan Project scientists and was interviewed in sites ofpersonal and historical significance. This paper explores themethodological challenges underlying three essential featuresof this transnational project: the transformation of audience,from American to Japanese; the transformation of medium, frombook to film; the transformation of identity,from researcherand author of a book to subject of a film.     

Finding Our Place: Reconstructing Community through Oral History

Abstract "Finding Our Place: Reconstructing Community throughOral History," analyzes how oral histories not only give newmeaning to places, but play a significant role in locating sitesspecific in the development of the Spanish-language music industry.These oral histories chronicle the emergence and growth of businesses,particularly their role in maintaining the economic and socialinfrastructure of Mexican American communities throughout southTexas. The use of oral history interviews proved the only avenueof documenting Mexican American rural communities, singers,and businesswomen finding that culture means turning our attentionto parks, church halls, cantinas, and dance halls. These placesgather significance when an experience is attached, and embodya sense of communal or shared space. Focusing on women in themusic industry, cantantes [singers] and businesswomen illustratedhow they negotiated travel, interaction with audiences, andexperiences on the stage. Though many of the interviewees expressedtheir distrust of the oral historian initially, stemming frompoor treatment in the music industry, their reluctance gaveway after hours of interviewing by the oral historian. Importantto this study, their narratives pinpointed the existence ofpopular socializing spots in south Texas small towns and surroundingcommunities.     

Inconstant Companions: Archaeology and North American Indian Oral Traditions

As an historian of the American West, I find myself in the unusualposition of writing a review of a book, written by an archaeologist,for an audience of oral historians. But Ronald J. Mason's elegantlyprovocative Inconstant Companions: Archaeology and North AmericanIndian Oral Traditions cries out for interdisciplinary linkagesand understandings. Mason spent his professional years as anarchaeologist among anthropologists and is the author of thehighly acclaimed Great Lakes Archaeology (1981). In InconstantCompanions, Mason "addresses a fundamental historiographicalproblem in archaeology, history, and anthropology":     

The Face of Decline: the Pennsylvania Anthracite Region in the Twentieth Century

The term "deindustrialization" did not come into popular usageuntil the late 1970s as American heavy industry went into aprecipitous decline and the industrial heartland became the"rust belt." For the people of the anthracite coal mining regionof eastern Pennsylvania, deindustrialization came much earlieras Thomas Dublin and Walter Licht graphically demonstrate inThe Face of Decline: The Pennsylvania Anthracite Region in theTwentieth Century (2005). This work joins a growing body ofliterature that examines the rise, decline, and fall of communitiesimpacted by the slow erosion of heavy industry. Recent workssuch as Industrial Sunset: The Making of North America's RustBelt (2003) by Steven High,     

Cardinal Markers of Finland's Identity Politics and National Identity

This paper analyzes geopolitical themes prevailing in dominant sectors of the Finnish government and society that have shaped Finland's national identity from the early 19th century to the present. The focus is on the ways cardinal markers (compass directions) have become geopolitical and identity markers. Notions of "West," "Between East and West," "Neither West nor East," and "North" have been used both to position Finland on the world political map and to forge a Finnish national identity. The influence of Russia and Karelians are examined at some length as part of the eastern dimension of Finnish identity. Journal of Economic Literature, Classification Numbers: O52, Z13. 1 figure, 1 table, 94 references.     

The Italian American Experience In New Haven: Images and Oral Histories

Anthony V. Riccio's lavish new coffee table book, The ItalianAmerican Experience in New Haven: Images and Oral Histories,provides a fascinating look at the experiences of Italian immigrantsand their children in one east coast community. The field ofimmigration history has certainly benefited from the wealthof oral histories collected from immigrants and their descendants.Ranging from Al Santoli's New Americans, an Oral History: Immigrantsand Refugees in the U. S. Today (1988) to works such as La Merica:Images of Italian Greenhorn Experience (1985)     

Southern Farmers and Their Stories: Memory and Meaning in Oral History

Melissa Walker, an associate professor of history at ConverseCollege, author of All We Knew Was To Farm: Rural Women in theUpcountry South, 1919–1941 (Baltimore, MD: Johns HopkinsUniversity Press, 2000), winner of the Willie Lee Rose Prizefrom the Southern Association for Women Historians, presentsan intellectual tour de force in Southern Farmers and TheirStories: Memory and Meaning in Oral History, part of the NewDirections in Southern History Series from the University ofKentucky     

Le modèle des petites filles: structure familiale dans l'œuvre de la comtesse de Ségur

This article discusses how Petrarch's self-portrayal as a spokesman for peace, armed with quill and inkpot, is brought forward in the canzone "Italia mia benché 'l parlar sia indarno" and in his epistles of the 1350s. The poet's activity as peace mediator appears in this famous canzone dedicated to Italy well before the epistles were written. Dated to 1344, the poem's thematic kernel seems to have been subsequently unfolded and broken down into the epistles that Petrarch later sent to the political leaders of his day. Petrarch's cry for peace in the Rerum vulgarium fragmenta is threefold: he invokes spiritual, societal, and teleological peace. The different faces of this threefold pining for harmonic conciliation find an outlet in the invocations of, respectively, Chiare fresche e dolci acque, "Italia mia," and the Canzone alla Vergine. "Italia mia," his most distinctly political text as well as heartfelt plea to the lords of Italy, marks Petrarch's last attempt to recompose the political fractures of Italy within the peninsula itself; from the 1350s onward, Petrarch addresses his political appeals solely to foreign rulers, a sign of the waning independence of Italian states.     

Innovative Trends in Women's and Gender Studies of the National Socialist Era

The text is less a review of the new literature than a reflectionon significant and innovative current trends in the historiographyon women and gender in the National Socialist era. The firstpart deals with various women's activities within milieus andprofessions, including their room for manoeuvre: midwives, socialworkers, female Nazi functionaries, and female auxiliary workersof the Nazi Wehrmacht. The second part of the article addressesspecific features of biopolitics, targeted not only againstJews but also against asocial women, homosexuals and prostitutes.It also looks at visual images of bodies. Although the Nazistried to create strongly determined binaries to categorize ‘we’and ‘the others’ in the arts and other propagandamaterial, there existed, in fact, a broad spectrum of body images,especially among media stars. A third trend in the history ofthe Third Reich deals not only with the politics of exclusionbut also of inclusion, as found in the concept of Volksgemeinschaft(national community), a concept that had many facets, such asthe Volksfamilie, comradeship and home front. And it was themedia that had the task of ‘translating’ this conceptto the people in many appealing ways. The fourth part considersthe gendering of memories after 1945 and the dominance of malenarratives and points of view. The four parts of the articleare intended to contribute to intersectional history and thehistory of social engineering.     

Southeast Asian Lives: Personal Narratives and Historical Experience

Intellectual cross-pollination between oral history and anthropologyis a long tradition. Editor and contributor Waterson arguesthat the influence of oral history on life narrative researchin anthropology intensified during the 1980s but needs freshemphasis. A primary goal in Southeast Asian Lives is to promotethe thoughtful use of oral history life narratives, especiallyto explore the influence of twentieth-century dramatic historicalchanges on individual lives and cultures. Her "Introduction:Analyzing Personal Narratives" is a useful and thought-provokingsurvey of theoretical issues on oral narratives, especiallyfor anyone doing cross-cultural     

Red Brick in the Land of Steady Habits: Creating the Univeristy of Connecticut, 1881-2006

At first blush, the opportunity to read the history of a universityfrom which you did not graduate, for which you do not work,or near which you do not live, may not sound all that appealing.However, to dismiss Bruce M. Stave's Red Brick in the Land ofSteady Habits: Creating the University of Connecticut, 1881–2006would be a mistake of considerable proportions, for not onlyis the volume enlightening with regard to higher education inthe United States over the course of the twentieth century,it is also the proverbial "good read." Stave,     

Touch and Go

"Oh, to be remembered—isn’t that what this is allabout?" (216). This, claims historian, actor, radio and televisionpioneer Terkel, is the source of his success as an oral historian:logorrhea—the inability to stop talking. And yet Terkel'smemoir, written in collaboration with his longtime friend andassociate Lewis, is nothing short of incredible in its representationas The Oral History of The Oral Historian. Terkel's mesmerizingrecollection of everything from the history of silent filmsto Chicago politics and the impact of reality television, writtenat the age of ninety-four, is a unique and pioneering text. Touch and Go is in effect the     

Portrait of America: A Cultural History of the Federal Writers' Project

With the seventy-fifth anniversary of the New Deal in 2008,Portrait of America: A Cultural History of the Federal Writers’Project takes on a meaningful and significant role in the recoveryand interpretation of the Federal Writers’ Project. Itprovides an opportunity for us to think about the historiographyof oral history. Hirsch's essential question deserves an answer:"Who do oral historians want for ancestors? And why?" (142). Seventy-five years ago, in 1933, the newly elected presidentFranklin D. Roosevelt and his administration addressed the nationalcrisis of the Great Depression by creating the innovative "alphabetagencies" and programs, a series of     

In Our Own Voices: a Guide to Conducting Life History Interviews with American Jewish Women

The valuable oral history guidebook, In Our Own Voices: A Guideto Conducting Life History Interviews with American Jewish Women,opens with this quote by Nen Lederkremen, "Without roots wecannot grow." The Jewish Women's Archive, an organization thatwas founded in 1995, has done an excellent job in enabling AmericanJewish women to record their roots. The Jewish Women's Archivefelt that women's contributions had been missing from the accountof the American Jewish experience. To rectify this, they pioneeredthe use of community-based oral history projects with Jewishwomen in Boston,     

George V and Repulicanism, 1917-1919

This article is a study of the British monarchy's reaction towhat it saw as a republican threat at the end of the First WorldWar. It challenges the widely received view that the most importantrepublican moment in modern British history was in the early1870s. Written from previously unused material in the RoyalArchives, it chronicles the emergence of Palace worries aboutthe rise of militant socialism, which the royal family equatedwith republicanism; and it illuminates the tactics designedby the King and his advisers to take the republican edge offthe labour movement and to deal with the immediate social andeconomic crisis. Lord Esher summed up Palace policy in the phrase‘the "democratization" of the monarchy’. In practice,this meant expanding the royal family's social and charitablepurposes to ensure the Crown's survival. The policy would havean enduring influence on royal thinking and behaviour. ¹ This article was written for the Visiting Fellows' Colloquium,All Souls College, Oxford. It expands a line of argument thatwas put more tentatively and with far less documentation inChapter 6 of my book Royal Bounty: The Making of a Welfare Monarchy(London, 1995). By gracious permission of Her Majesty the Queen,I have been able to make use of material from the Royal Archivesat Windsor.     

'We've never had a voice': memory construction and the children of the harkis (1962-1991)

When riots broke out in the Bias Camp east of Bordeaux in May1975, few in France had heard of the harkis, the Algerian auxiliarieswho fought for the French during the Algerian War of Independence(1954–62). This began to change, however, as the rapidlyspreading protests instigated by their children garnered increasingmedia coverage. Seeking to end their status as les oubliésde l'histoire, the children of the harkis sought recognitionfor the history of their parents, particularly the sacrificesthey had made for France and the suffering endured as a consequence.What is particularly interesting about this campaign is thatthe children of the harkis were not alone in this desire andin fact were relative latecomers to the harki activist scene.The years since the end of the Algerian War had witnessed arange of representations offered by a series of self-appointedspokespersons who, in the absence of direct testimony from withinthe harki community, and often serving their own objectives,took it upon themselves to speak on behalf of the harkis. Thisarticle seeks to analyse the relationship between these externalnarratives, put forward by actors including the Algerian andFrench governments, the former Muslim elite of colonial Algeria,French veterans and the pied-noir community and those offeredby the children of the harkis in order to illustrate some ofthe issues pertaining to the mobilization and transmission ofFrance's colonial past in a postcolonial context.