War 2.0: an analytical framework

Media has always been a critical dimension of politics and of political violence. Information about violence and conflict is disseminated through the media. Media is also a mechanism through which the politics of violence is monitored, represented and interpreted. While the historical relationship between old media and political violence has long been the subject of research and debate, how this relationship is affected by the emergence of digital new media technology warrants further consideration. This development raises several important issues and questions for students of international relations, in particular with respect to how the reconfiguration of the role of media in conflict impacts more broadly on configurations of world politics. This article identifies four critical dimensions of world politics through which to explore this impact: the constitution of power, the configuration of agency, the nature and politics of representation, and the constitution of legitimacy. It argues that the concepts of power, agency, representation and legitimacy provide critical interfaces between media, conflict and world politics. In so doing, the article elucidates the conceptual framework that animates this special issue. Finally, it reflects on how these concepts are engaged in the articles to follow.     

Sex in the digital city: location-based dating apps and queer urban life

It is well established that digital technology and code mediate bodies in space. The collapse of any supposed physical/digital divide has been amply documented to the extent that everyday life is now widely theorised in terms of hybridisation. What is less clear is what comes next for those participating in this hybridisation. This article examines what Kitchin and Dodge term the ‘social contour of software’ via queer male locative media users who collectively negotiate digital hybridisation in their everyday lives. Using qualitative interviews with 36 non-heterosexual men using apps such as Grindr and Tinder in London, UK, I explore how locative media refigures conceptualisations of community, technological efficiency and boundaries between private and public space. The study finds that users express ambivalence about their membership of queer ‘communities’, and are also unconvinced by online sociality. Apps expedite searches for new partners but prove deceptively time-consuming. Public and private space are being hybridised by locative technology, but common codes of conduct are slower to develop, leaving users unsure of how to navigate physical encounter. This article concludes that schema for queer men’s lives are increasingly promulgated digitally but may be uneasily embodied in everyday practice.     

Between Horror and Obscene Beauty: The Passion of Photojournalism during the War on Drugs in Mexico (2006–2012)

This article examines a group of photographs bearing a strong violent content that were published in print and digital media as part of the coverage of the ‘war against drugs’ in Mexico: an armed conflict initiated by the central government in December 2006. This military action was the first step in a process of militarization affecting several states, in which an attempt was made to dismantle territorial pacts between cartels, to control the illegal traffic in drugs and, supposedly, to put an end to the use and production of drugs among the population. This war gave rise to one of the bloodiest episodes of contemporary Mexico in which drug cartels reproduced and invented new methods of torture that were used not only upon the gunmen of rival cartels but also on a significant number of civilians. In the coverage of these events, not all photojournalists reacted to this upsurge in violence in a ‘sensationalist’ manner; several set out to produce images from unusual points of view. In particular, I shall analyze how certain images represent violence in a tense relationship with artistic iconography, upsetting parameters of horror and beauty in the public sphere.     

Moral Spaces and Sexual Transgression: Understanding Rape in War and Post Conflict

When it comes to rape in war, evocative language describing rape as a ‘weapon of war’ has become commonplace. Although politically important, overemphasis on strategic aspects of wartime sexual violence can be misleading. Alternative explanations tend to understand rape either as exceptional — a departure from ‘normal’ sexual relationships — or as part of a continuum of gendered violence. This article shows how, even in war, norms are not suspended; nor do they simply continue. War changes the moral landscape. Drawing on ethnographic research over 10 years in northern Uganda, this article argues for a re‐sexualization of understandings of rape. It posits that sexual mores are central to explaining sexual violence, and that sexual norms — and hence transgressions — vary depending on the moral spaces in which they occur. In Acholi, moral spaces have temporal dimensions (‘olden times’, the ‘time of fighting’ and ‘these days’) and associated spatial dimensions (home, camp, bush, village, town). The dynamics of each help to explain the occurrence of some forms of sexual violence and the rarity of others. By reflecting on sexual norms and transgressions in these moral spaces, the article sheds light on the relationship between ‘event’ and ‘ordinary’, rape and war.     

Sport and society in Italy today

Summary

In ‘Itinerary’ Patrick McCarthy provides an introduction to the four articles that examine the connections between sport, politics, business and contemporary culture in Italy. Noting that mass participation in sport has been closely related to modernization, McCarthy argues that the forms of contemporary mass sport reflect the particular cultural, political and economic conditions of each European society. In Italy these made soccer and cycling the most popular mass sports by 1945.

Patrizia Dogliani’s article ‘Sport and Fascism’ examines the development of mass sport in Italy from the late nineteenth century, showing the critical role played by the Fascist regime, which rapidly expanded public sports facilities while the language of politics and combat permeated the vocabulary of sport in Italy in the 1920s and 1930s. Initially the emphasis was on international competition as a symbol of national virility, but following the success of Germany and the USA in the 1936 Olympics the regime’s search for consensus placed new emphasis on recreational aspects. The institutional and administrative organization of sport established in the 1930s remained in place in Italy, however, until more recendy.

In ‘Itinerary 2’ McCarthy examines the roles of the boxer Carnera from Friuli and the racing driver Tazio Nuvolari as sporting heroes of Mussolini’s Italy and in ‘Itinerary 3’ shows how the struggles between Catholic Italy and Communist Italy were personified in the rivalry between the cyclists Gino Bartali and Fausto Coppi in the post-war period.

In ‘Itinerary 4’ he asks why soccer had by the 1970s overtaken cycling as Italy’s most popular sport. That theme is examined in greater detail by Nicola Porro and Pippa Russo, whose article reconstructs the ‘hybridization of sport, mass media and politics’ in Italy in the 1990s. Its central focus is Silvio Berlusconi, the self-made media tycoon who founded Fininvest in the 1970s, acquired AC Milan in 1986, and by 1994 controlled a media empire that enabled him to found a new political party (Forza Italia) and become Italy’s Prime Minister albeit for less than a year. Porro and Russo examine the ways in which Berlusconi’s roles in the world of the media and professional soccer have changed both Italian politics and Italian sport.

In ‘Itinerary 5’ McCarthy sets the example of Berlusconi in the context of the integration of soccer and mass media, the commercialization and politicization of sport at a global level in the last decade. These issues are developed in greater detail in Emanuela Poli’s article, ‘The revolution in the televised soccer market’, which emphasizes the critical role that has been played by soccer and soccer clubs in the development of the new media empires based on digital pay-per-view TV and the sale of sporting events in the 1990s. This has left control of the sport (in terms of who can watch and when) in the hands of major international communications moguls like Berlusconi and Rupert Murdoch.

‘Itinerary 6’ links the fragmentation of collective myths like the national soccer championships to the decline of the nation state, and surveys the situation of other sports in Italy (the Americas Cup, skiing, rugby football. Formula 1 motor racing and the gymnasium). The latter is the subject of the final article by Roberta Sassatelli on ‘The commercialization of discipline: keep-fit culture and its values’ which explores the social and cultural meanings attached to the growing vogue for fitness clubs and the shaping of the ideal body in contemporary Italy.     

The ‘natures’ of planning: evolving conceptualizations of nature as expressed in urban planning theory and practice

Over the course of the past century, the idea of nature in the city has become increasingly intricate, evolving from being viewed as a refuge separate from the city to being understood as an essential component of dynamic urban systems. As such, attempts are currently being made to ‘re-nature’ cities to support local and global ecosystems, increase human well-being and address environmental issues such as climate change. While the literature has examined changing assumptions about society–nature relationships in planning, a dearth of knowledge exists relating to the changing conceptualization of nature’s relationship with the ‘city’ and how this has influenced how urban planning with respect to ‘nature’ has evolved in both theory ‘and’ practice. In this paper, we address this lacuna by tracing the history of the entwined relationship between nature and city planning. The conceptual framework developed from this review is subsequently employed as an analytical lens through which to investigate an illustrative case study of planning for nature in Dublin City, Ireland. The paper concludes by reflecting on how exploring the natures of planning provides scope for greater critical attention to what we do as planners when we seek to address the challenge of safeguarding nature through policy.     

From War 2.0 to quantum war: the superpositionality of global violence

As information networks catalyse local incidents into international crises, as global events appear and disappear on multiple screens at an accelerated pace and as a war of images displaces the image of war, it becomes increasingly difficult to understand the rapidly changing nature of global violence within the confines of security studies. Phase-shifting with each media intervention from states to sub-states, local to global, public to private, organised to chaotic and virtual to real—and back again—global violence superpositions into a quantum war that requires new transdisciplinary, transnational and transmedial approaches.     

Digital harm and addiction: An anthropological view

A broad trend of anti-tech rhetoric has raised fears about the dangers of digital overuse and reliance and suggests that technology is addictive, unnatural or harmful. Some people have limited their hours of ‘screen time’ or resorted to the practice of ‘digital detoxing’ – a catch-all term to describe temporarily ‘leaving’ the digital world. Using her ethnographic work in a North American digital detox retreat, the author considers an anthropological approach to digital harm and addiction that emphasizes their socially constructed nature. Following Horst and Miller (2012) and the view that digital harms are socially constructed, she argues that digital technology will be removed in different places for different reasons, and that geographically bound cultural values are vital to understanding how digital harms come to be imagined and counteracted. Whether or not digital use will ever be proven to be clinically harmful, digital harm is best viewed as a ‘social fact’.     

Tyrtaeus and the Civilian Poet of the Crimean War

Recent scholarship has delved into the impact of newspaper press upon Crimean War poetry and highlighted the challenges of war representation facing non-combatant poets. The Crimean conflict (1854–56), this essay will show, was not only a ‘media war’ but also a ‘literary’ one, during which mid-Victorian commentators and poets consciously reworked an array of established traditions of war poetry, especially those of Tyrtaeus, the Greek martial poet of the seventh century, to negotiate the duties and artistic endeavours of the civilian poet. Tracing the construction of a ‘Tyrtaean’ tradition from the Revolutionary and Napoleonic Wars (1793–1815), it explores how a Romantic reworking of Tyrtaeus’ war songs served as a precedent for the civilian poets of the Crimean conflict, and how newspaper reports of the suffering of soldiers intensified a widespread scepticism of the civilian’s knowledge and bodily experience of war, which in turn instigated a reconfiguration of the ‘Tyrtaean’ poet. It argues that whilst the poetic efforts of Tom Taylor, Louisa Shore, and Alfred Tennyson to refashion the figure of the civilian manifest Crimean War poets’ anxiety about their non-combatant status and the use of poetry, they evacuated the ‘Tyrtaean mode’, a poetic mode intended to arouse people’s patriotic sentiment and exhort them to military action, forging a new image of war poet within their work marked by the civilian’s detachment from the spectacle of war and critical engagement with distant suffering.     

Digitally Mediated Iconoclasm: the Islamic State and the war on cultural heritage

This paper puts forward the new analytical framework of ‘Digitally Mediated Iconoclasm’ (DMI) to analyse and interpret iconoclastic acts that are experienced through the propaganda (videos, social media, photographs, and other media) that the actor perpetrating the destruction makes available in global information networks for its consumption, duplication, and distribution. DMI captures three stages of the destruction (before, during and after the event) as both evidence of that destruction and as a perdurable digital archive. To demonstrate the relevance of DMI, we focus on an analysis of the videos and photographs depicting heritage destruction at pre-monotheistic sites targeted by the Islamic State (IS), such as Palmyra in Syria, the Mosul Cultural Museum, Nineveh and Nimrud in Iraq. The analysis focuses on the three stages that DMI comprises, showing the different photographic and audio-visual production techniques that the IS uses to enhance the tension that is built up leading to the destruction of cultural heritage while allocating material and human resources to produce digital propaganda. This analysis demonstrates how the analytical framework of DMI can be used to advance important work in heritage and media studies.     

Seeing Farmers' Markets: Theoretical and Media Perspectives on New Sites of Exchange in New Zealand

In this paper we explore the extent to which a reciprocal relationship exists between contemporary theorisation about farmers' markets in geography and the rapidly expanding public discourse surrounding these sites of exchange in New Zealand. Activities branded as farmers' markets are seen widely as local phenomena of systemic significance for the understanding of evolving geographies of production, consumption and exchange. As something ‘new’ on the landscape, farmers' markets also attract attention in the media. An electronic database of significant print media contributions over the period 1995 to 2007 provides the empirical basis for an assessment of the extent to which theorisation and the public discourse address common themes. Our analysis indicates that, while the economic and social constructions in both the research literature and the media database share common themes, strong contrasts in ways of ‘seeing’ farmers' markets are apparent. We note the predilection in the print media to present the nature and purpose of farmers' markets through the personal experiences and ‘stories’ of participants. There is a tendency to focus on the appeal of markets to the consumers who form the readership base. The theorised alterity of the farmers' market, either in terms of production methods or motivations for consumption, is not reflected strongly in media reports, and this raises questions about ‘over-theorisation’ in the academic literature. Our aim is to promote reflection in both the editorial offices of the media and in the academy by documenting the nature of these contrasting views.     

Chopsticks,phone bells and farms: Fuyuko Taira's diasporic spatial practice

In this article, I revisit my earlier project on local poetry practices by Japanese ‘war brides’ from the Second World War and explore a creative, transnational home-making activity by focusing on one of my informants, Fuyuko Taira's senryu poetry. Drawing on theories of global space and diasporic home-making practices, I suggest that her engagement in senryu involves a transnational spatial practice through the use of familiar everyday language. While the experience of displacement among Taira and other so-called ‘war brides’ cannot be understood without a consideration of socio-historical and economic constraints that characterized their emigration, my aim here is not to analyse how Taira's senryu simply reflects her diasporic victimhood but to explore how she exercises her creative agency to make her new home familiar and habitable by engaging with the everyday poetry practice of alternation between ‘pause’ and ‘move’ in the midst of changing landscapes. I argue that to a member of the Japanese diaspora like Taira senryu can be thought of as a different mode of experiencing at once the local and the global in an organic way.     

What the drone saw: the cultural optics of the unmanned war

The dramatic growth of drone warfare in the last decade has meant the arrival of a new kind of war imagery in civilian life: the view through the drone camera. As such, the drone is not simply a weapon, but also an emerging medium for representing conflict. This article explores the ways this imagery has been selected, interpreted, framed and put to use in public and popular culture. In addition to exploring how these practices of looking fit within the larger history of war imagery, two prominent features of ‘drone vision’ are identified: the promotion of consumer interactivity in the drone war and the militarising of domestic space.     

From terrorism to dispossession: Pakistan's Anti‐Terrorism Act as a means of eviction

The discourse of the ‘war on terror’ fails to address the complex and multifaceted structural violence of landlessness, food insecurity and environmental degradation that afflicts the world. Pakistan, for instance, has been a subject of great discussion and geopolitical analysis as the ground zero in the war against terror. However, the scholarship on terrorism in Pakistan analyzes militant and jihadi groups as discrete agents of primordial conflicts, spy agencies and sectarian rivalries with little analysis of the history of the cold war and the effects of the Afghan war. In this article, the author analyzes how the global ‘war on terror’ has proliferated into seemingly unrelated domains of life, and specifically how anti‐terror security legislation has pulled the rug out from under the most successful peasant land rights movement in Pakistan.     

The conventional campaign of an extraordinary election

While the prediction of an exceptional victory of populist forces was shared by analysts at the closing of the parliamentary term, and accordingly a harsh electoral competition was expected, albeit with the aura of uncertainty raised by the new electoral law (‘Rosatellum’), the actual campaign has not proved at all ‘exceptional’. The leaders, the issues and the media coverage were rather a follow-up of the 2013 campaign. That campaign was truly a departure from the campaigning patterns of previous Italian electoral contests, both those of the ‘majoritarian’ (‘Mattarellum’) years and of the ‘proportional’ (‘Porcellum’) ones. What has marked significantly the 2018 campaign has been instead the intensive use of the social media     

“Security,mobility, and the body – Syrian insurgent groups’ infrastructures and their geopolitical contestations through/by/in legal institutions”

Political geographers have repeatedly demonstrated how the ‘global war on/of terror’ has led to repressive and unjust international and domestic policies. Nevertheless, little has been said about the multifold intertwinements between such ‘Western’ perceptions and their shaping of anti-terrorism efforts within. To this end, this paper draws on recent feminist understandings of scale, global/local processes, and geopolitics, suggesting how these might be combined with current European participations in Syria, and its legal prosecution as ‘state-endangering actions.’ By visiting the sites where issues on security, mobility, and their interrelated body actions have been negotiated, I deploy an intersectional and multi-scalar analysis of how a layered system of gender-rendered and racialized patterns intersects with/in Germany's legal institutions combating terrorism wherever it may occur as well as the way multifold and different modes of support and logistics have been carried out through the European Schengen Area to Syria. Combining both feminist geopolitics and the vibrant work of (feminist) geolegalities, I offer another way of redressing Hyndman's call (2019) for expanding the tent of feminist geopolitics by not reversing the former, but through refocusing on embodied and material power-geometries and (legally) interconnected sites of an Islam-rendered, Western state-defined ‘war on/of terrorism’ simultaneously.     

Liminality in nature-based tourism experiences as mediated through social media

Abstract

The intersection between social media, liminality and nature-based tourism experiences hasn’t been the focus of previous tourism research. Such intersection, on the other hand, is illustrative of how social media relate to the constitution and performance of tourism spatialities, tourist identities, storytelling and place-making, and can lead to relevant theoretical contributes. We aim to investigate how liminality is expressed in relation to nature-based experiences by tourists on social media, and what role social media plays in mediating liminality during nature-based tourism experiences. The analysis is based on a participatory netnography of images and text posts, as well as online interviews with users of the popular social media Instagram. Findings show that the expression of tourism experiences in nature is closely related to specific notions of liminal otherness as opposed to the urban life and the everyday, where nature and wilderness are expressed as related to the genuine, the authentic and a true inner self. Creative combinations of pictures, captions and hashtags make it easier for tourists to express the contrast between the natural landscape and the everyday landscape once they returned home. These combinations also relate closely to performances of resistant and alternative selves and communities. At the same time, such performances are mediated and contested between freedom of self-expression, surveillance and social norms, an aspect that makes their liminal nature ambiguous.     

‘R.I.P. Nature Island’: the threat of a proposed oil refinery on Dominica's identity

Dominica is a small island nation in the eastern Caribbean Sea that has long struggled with issues of poverty and development. To improve these conditions, the government formed a preliminary agreement with Venezuela to build a multimillion dollar oil refinery on the island. Some discussion about this proposal took place in local forums, such as radio talk shows, but additional discussion took place online. Internet-based media, including online reproductions of traditional media and new types of media such as interactive discussion forums and weblogs, were used not only to continue the discussion but also to raise awareness among a wider audience. The framework for appealing to such a disparate set of interests both locally and abroad was already in place: the island's ‘nature island’ identity. The project was perceived as a threat to quality and aesthetic appearance of the nature island as well as a threat to the concept of Dominica as the ‘nature island’. This paper examines the role of Dominica's identity at the heart of this perceived threat in the construction of environmental discourses through internet-based media, such as online newspapers with associated discussion forums and blogs.     

The ‘new home front’ and the war on terror: ethical and political reframing of national and international politics

This article adopts the notion of the ‘new home front’ to consider the spatial complexity of the war on terror and the blurring of domestic and foreign policy divides. It considers the politics and ethics of the war in three main areas: new media and everyday life; liberalism under strain; and citizens’ lives, multiculturalism and gender. It discusses the increasing role of horizontal (bottom up) influences alongside vertical (top down) ones, not least in the context of new media, which adds the sociospatial (virtual) realm of online communications to the familiar geospatial (physical) world of politics. Implications of the extended nature of the war on terror are assessed, as well as the potential for developments that have been part of it to impact on the broader sphere of liberal international politics in the future.     

The desert of the real and the simulacrum of war

As the global war on terror bogged down in Iraq and Afghanistan, a new inter‐and intra‐service struggle emerged within the military, between what we might call the ‘transformationists’ and the ‘neotraditionalists’. The transformationists put their faith in network‐centric warfare and precision munitions to resolve the intractable political, civil and religious conflicts of the twenty‐first century. The neotraditionalists, in contrast, go back to the future for lessons, to the ‘low‐intensity conflicts’ of Malaya and Vietnam, the ‘small wars’ that Marines fought in Central America in the interwar period, and even the instructions given to American servicemen deployed to assist the British occupation of Iraq during the Second World War. Lumped together under the rubric of ‘irregular warfare’, two new watchwords have had emerged from the neotraditionalist camp: ‘counter‐insurgency’ and ‘cultural awareness’. As the neotraditionalists reach out to social scientists to assist them in their efforts, a secondary civil war has erupted in the universities over whether academics should become involved in the new war efforts. Based on a week spent embedded with the 1/25th Marines at 29 Palms and extensive interviews with key proponents and critics, this article maps (and reflexively questions the practice of mapping) the future of warfare as it is planned, taught, gamed and operationalized by the US military.