Charity and Political Protest in French Popular Music

This article explores the cultural assumptions expressed in the self-proclaimed ‘alternative’ and ‘protest’ sector of French popular music, and how these become problematic when leading a charity concert. Liberté de circulation (1999) is a small-scale concert set up for the benefit of the Groupe d'Information et de Soutien des Travailleurs Immigrés (GISTI) in support of illegal immigrants, and its participants (artists and organisers) have a confused relationship with contestation and media exposure. While they convincingly wrap their pro-migration discourse in notions of solidarity and universality, they often confine themselves in artistic and production terms to a certain marginality, which fails the objective of raising funds and public awareness for the charity targeted. Drawing on a comparison between Liberté de Circulation and Les Enfoirés, a high-profile, televised charity show supporting the destitute, the article observes the problematic articulation of charity to political commitment and, in so doing, contributes to debate about the formation of cultural identities around the concept of ‘resistance’ in contemporary France. This discussion follows the pluridisciplinary method of popular music studies and includes an analysis of song lyrics, orchestration, artists' declarations in interviews and the media reception of charity concerts.     

Negotiating Post‐Socialist Property and State: Struggles over Forests in Albania and Romania

Since the demise of socialism, countries of Central and Eastern Europe have experienced intense negotiations over access and property. This article uses four case studies on struggles over forest in Albania and Romania to examine how these negotiations intersect with processes constituting authority. The cases demonstrate significant variations in the configurations of property and authority regarding forest, but they also reflect the influence of national politics in the two countries. In Albania, custom not only competes with the state as an institution sanctioning rights to forest but actually emerges as an alternative politico‐legal institution contesting state authority more broadly. In Romania, local struggles over forests play out the contestations between personalized and law‐based exercises of state authority at the national level. These insights suggest that due to their radical nature and simultaneous occurrence, negotiations over property and authority have challenged the position of post‐socialist states as primary politico‐legal institutions and have generated different exercises of state authority.     

Place and Innovation in Popular Music: The Bebop Revolution in Jazz

This paper explores the relationship between place and processes of innovation in popular music, focusing on the example of the bebop style of jazz. Bebop emerged during the 1940s both as a reaction against older jazz styles and as an expression of artistic innovation within a community of younger jazz musicians. The process of its creation and early development was situated in a set of "nested'' locales centered in New York City. This analysis examines the diverse nature of these locales and the distinctive ways in which they fostered interactions among bebop's creators and their various audiences. The analysis reveals that different locales played dissimilar roles during specific stages in bebop's emergence, as it evolved into an increasingly coherent form of cultural expression. Most importantly, certain jazz clubs in Harlem provided a setting for the early experimentation that culminated in the bebop style, but the style's subsequent formalization and popularization depended on its exposure in jazz clubs in midtown Manhattan, at first along 52nd Street and later on nearby sections of Broadway. These findings confirm the importance of place in understanding the dynamic nature of popular music and the processes of innovation integral to it.     

Sexual Politics and Socialist Housing: Building Homes in Revolutionary Cuba

This article examines the interconnectedness of home and housing in oral history interviews with Cubans about their lives since the revolution of 1959. Historians and other scholars of the Cuban Revolution usually treat housing and home as separate issues. This article historicises the relationship between housing policy and the politics of home and family in revolutionary Cuba, drawing on feminist critiques of socialist housing policy as well as feminist and queer theorisations of sexuality and space. I conclude by making the case for comparative histories of sexuality and housing, arguing that an analysis of housing highlights intersections of class, race, gender and sexuality.     

Representations of 1968 in French Popular Music: The Case of Dominique Grange

Focusing on the songs written during 1968–69 presented on the album L'Utopie toujours…(2004) by Dominique Grange, this article discusses some of the representations of key themes of 1968 in song. Grange is a politically engaged singer-songwriter who, whilst enjoying limited commercial success, was very much involved with the 1968 protest movement in Paris and was subsequently linked with various Maoist organisations throughout the 1970s. Her songs constitute an immediate response to the events of 1968 and reflect many of the key themes of the period as identified by Kristin Ross, whose seminal work on May ’68 provides the starting point for the article. The themes of disruption, displacement and reappropriation that Ross identifies in the movement generally are analysed within the context of Grange's songs. In particular the representations of these themes in the context of political contestation, the occupation of space and the seizing of speech are considered. This analysis will ultimately show how Grange's songs highlight the complex nature of the cultural construction that is 1968.     

The Politics of Insurgency in Collapsing States

The phenomenon of failed states might be expected to lead to the development of mass–based social movements to address the typically ensuing social problems. This article explores the general failure of reformist insurgencies to develop in failed states, using analyses of Nigeria’s Bakassi Boys and Oodua People’s Congress, and references to other armed groups. The cause of this failure is found in the legacy of patronage politics, especially the strategies of rulers who monopolized economic opportunities as a way of controlling people. As centralized patronage networks fragment, popular movements develop to challenge this control. Local political entrepreneurs, however, continue to dominate local markets, including clandestine ones, and use this social domination to buy off members of mass movements. As their new patrons give them access to weapons and protection against rivals, the organizational position of members who pursue individual economic interests is enhanced, while the people with more overt ideological agendas are marginalized.     

New World States and Empires: Politics, Religion, and Urbanism

The past decade has seen a veritable explosion in archaeological research on complex societies in Latin America. In 1993, Smith published an overview of research to that date; this article is one of two bringing that summary up to the present. Our first article, New World states and empires: Economic and social organization (Smith and Schreiber, 2005), dealt with issues regarding economic and social organization. The present article tackles political organization and dynamics, religion, urbanism, and settlement patterns. We also review recent research in the context of various theoretical perspectives, some traditional, some more contemporary, including approaches to history and process, cultural evolution, agency-based models, linguistic prehistory, migration theory, and the relationship between environmental change and cultural events. Our discussion blends empirical findings, methodological advances, and theoretical perspectives.     

茶馆、戏园与通俗教育——晚清民国时期成都的娱乐与休闲政治

晚清民国时期的茶馆戏园,作为公共空间为大众提供娱乐,从中除了可以了解人们在茶馆戏园的日常生活外,还可以看到改良精英和地方政府竭力改革戏曲作为控制大众娱乐的一部分,把他们的政治灌输在表演的节目之中,把他们所认为的"新的"、"进步的"情节加入到传统戏曲中,以"教育"民众.精英和国家对茶馆戏园的改良和控制揭示了大众文化与精英文化之间、地方文化的独特性与国家文化的同一模式之间的斗争.在国家权力及其文化霸权之下,大众娱乐不可避免地被改变了.但国家要达到控制的目的远非轻而易举,从晚清改革到国民政府的崩溃,成都地方文化和习惯堡垒顽固地坚守着它们的防线,充分显示了近代中国文化变化与持续性同时并存这样一个重要的历史现象.     

The Politics of HDTV in the United States

Policies adopted by the United States government between 1987 and 1993 regarding high definition television (HDTV) were made primarily by the Federal Communications Commission (FCC). A brief effort by members of Congress and their bureaucratic and industrial allies to link HDTV to broader industrial policies was thwarted by the George Bush Administration between 1988 and 1990. The FCC's policies with respect to simulcasting and digital signals reflected the concern of that agency to protect the interests of consumers, broadcasters, and electronics manufacturers. The first two interests traditionally were protected by the FCC, whereas the protection of electronics was somewhat unusual and was influenced by perceptions of declining United States competitiveness. In addition, United States policymaking in this area depended strongly on the framing effect of policies adopted in Japan and Western Europe.