The role of fluctuating soundscapes in shaping the emotional geographies of individuals living with Ménière’s disease

Abstract

The potential for everyday soundscapes to evoke diverse emotions amongst different cultural and acoustic communities is increasingly recognised within the literature. However, few studies have examined how these soundscapes can shift with the onset and progression of specific hearing impairments. This paper explores such shifts, drawing on a series of in-depth narrative interviews conducted in the south west of England with individuals diagnosed with Ménière’s disease; a long-term progressive vestibular disorder characterised by episodes of vertigo, tinnitus, sensorineural hearing loss and, for some people, hyperacusis (high sensitivity to sudden irregular sounds). Located in the subfield of ‘emotional geographies’, the paper discusses how participants were forced to connect with and attune to previously unremarkable aspects of their everyday soundscapes in ways that were both emotionally and socially challenging. Four aspects of participants’ embodied, emotional soundscapes are critically explored: hearing life in ‘2D’; corporeal and environmental ‘sonic intruders’; corporeal sound ‘symbols’; and seeking to regain a semblance of control through soundscape (re)-negotiations. Such insights are important to inform conscious acoustic design efforts that respect the ‘ears and voice’ of people living with varying levels of auditory sensitivity, rather than urban and community planning policies that continue to prioritise vision and transit.     

Public folklore dialogism and critical heritage studies

Abstract

Public folklore’s dialogic engagement with communities incorporates methodologies for sharing representational and interpretive authority, collaborative programme development, mutually constructed modes of presentation and stakeholder participation in policy-making. While recognising that heritage interventions inevitably involve power asymmetries, public folklore seeks to mitigate and diminish these imbalances as it develops approaches to enable communities to present their culture on their own terms. This paper explores dialogic public folklore practice through community self-documentation projects, folklife festivals, government folk arts funding programmes and a project promoting places of local cultural significance. It provides examples of the integration of multiple roles of public folklorists as scholars, administrators, producers of folklore presentations and government heritage officers. Public folklore praxis achieved through the integration of these roles is seen as a potential model for critical heritage studies praxis for scholars who are advisors and researchers in intangible cultural heritage (ICH) initiatives. Critical heritage scholars involved with ICH can learn from how public folklorists engage with communities and foster cultural self-determination. For public folklorists, collaboration and increased dialogue with critical heritage scholars could foster greater awareness of hegemonic discourses, reconceptualisation of the social base of ICH and recognition of the pitfalls of fostering economic development through heritage.     

Sound and identity explored through the Indian Tamil diaspora and Tamil Nadu

Sound is very much a part of identity. While identities are neither singular nor stable, they can be expressed through sound in daily life. Scholars have used soundscapes in geography to understand urban environments within cities, rural national park systems, and provide musical insights into cultural landscapes. However, furthering discussion on the role of sound in identity can move concepts of soundscape and cultural landscape forward. The goal of this paper is to investigate how identity and culture, though they are dynamic, can be performed and stabilized through sound in particular moments and yet also exist banally. Soundscapes through both spoken language and music can give geographers further insights on identity and place. Sound can also show how non-dominant identities distinguish themselves from larger national identities. With research in Tamil Nadu, India and Cleveland, OH, this paper examines sound’s role in identity, belonging, and community through lived experience and performance. Focusing on intersections and tensions between soundscapes, this paper investigates how the Tamil soundscape is used to assert and perform identity.     

Incidental heritage: difficult intangible heritages as collateral damage

Within the context of ‘negative’ and ‘intangible heritage,’ this paper explores Burström and Gelderblom’s proposition of ‘difficult heritage,’ with respect to Bückeberg, the site of the Third Reich Harvest Festival, as a site where collective moments of cultural shame occur. The paper then considers homelessness within this theoretical framework to ask whether those aspects of our inherited and contemporary culture, which are difficult and culturally shameful, are able to be accommodated within the framework of intangible heritage. It proposes homelessness as difficult intangible heritage which is produced as ‘collateral damage,’ an indirect byproduct of other pro-active cultural processes and community values.     

International intangible cultural heritage policy in the neighbourhood: an assessment and case study of Indonesia

UNESCO’s heritage policies are one of the most extensive global drivers of landscape and cultural transformation and investment. In response to complaints about Western and object-focussed bias in World Heritage, a push within UNESCO generated a new convention and a new category of heritage: intangible cultural heritage (ICH). Maligned by academic critics, it has nonetheless been an incredibly widespread program internationally with over 170 states signed up to its convention and subject to its obligations. This article provides an assessment of the geographical reach and impact of UNESCO’s ICH program, and, through a case study in Indonesia, analysis of its most successful (according to the Indonesian Directorate of Culture) program for the production of batik cloth. Through the case study, I assess the impact of the ICH policy in Indonesia at different levels and for different groups, the scales it has enabled, and its impact on historical batik landscapes.     

Making digital heritage about people’s life stories

Abstract

Actively creating new digital heritage content about people’s life histories is part of the democratisation of heritage engagement with the public. The approach of documenting unofficial histories is supported by a growing literature. Unofficial stories contribute new perspectives on the heritage identity of a region. The case study of the ‘Local People’ exhibition, curated by the author in 2013 in the North West of Ireland, is used to discuss the methodology of a digital curatorial process, www.localpeopleireland.com. This article argues that gathering and presenting unofficial histories of individuals' life experiences, can disrupt official narratives of The Troubles and challenge a regional identity based on conflict and division. The making of digital history is analysed as a curatorial process, rather than the ease of use of technology. The methods used included: filmed interviews, new portrait photography and the digitisation of family photograph albums. A virtual exhibition was produced and new digital historical sources were created that transform intangible heritage by crystallising people’s voices and images into ‘tangible’ digital objects. ‘Local People’ utilised Facebook https://www.facebook.com/localpeopleproject/?fref=ts and Vimeo https://vimeo.com/album/2518991. It is argued that the digital space provides a ‘virtual contact zone’ in which diverse, unofficial and personal narratives can be presented together.     

Whom does heritage empower,and whom does it silence? Intangible cultural heritage at the Jemaa el Fnaa,Marrakech

Since the 2001–2005 Proclamations of Masterpieces and the highly successful 2003 Convention, the UNESCO paradigms of intangible cultural heritage (ICH) and safeguarding have become influential concepts in international, national and local cultural policy. But the thinking employed in the ICH model – where practitioners are ‘bearers’ of reified, bounded heritage practices – neglects the lived realities of practitioners, ultimately safeguarding little and potentially exacerbating existing inequalities. While the ICH model contains promises of community empowerment, its actual execution can in fact disempower many, merely replicating existing inequalities in the new context of ICH management. While existing literature addresses the theoretical shortcomings of UNESCO’s approach, the purpose of this article was to examine the ways in which they unfold in real life. As a practical case study, it is based on fieldwork among the performers at the Jemaa el Fnaa Square in Marrakech, a site addressed in the earliest rounds of the UNESCO ICH project. Using this case study, I discuss ways in which the issues of power inherent in the ICH paradigm have real consequences for those affected and implications for the success of the projects developed under its umbrella.     

On not being Dubai: infrastructures of urban cultural policy in Istanbul & Beirut

ABSTRACT

This paper compares how Istanbul and Beirut both attempt to underline their cultural and developmental uniqueness today in contrast to a metonymic menace – Dubai, standing in for spectacular yet supposedly cultureless Gulf cities. Even amid their own speculative construction frenzies that threaten local heritage, Turkish and Lebanese city-shapers assert theirs are ‘real’ cities because they have ‘civilization’ and ‘history.’ By addressing their own efforts to build, defend, or oppose physical infrastructures related to local urban culture, Istanbullus and Beirutis rely on and reassert strategic, phatic discourses that frequently reference Gulf cities as counterpoint. Analysis focuses on how each city crafts a distinctive urban profile via civilizational appeals to historic senses of culture, inflecting infrastructural developments related to bridging (Istanbul) and bordering (Beirut). Historical truisms are deployed with marked flexibility to showcase these cities as ‘not Dubai.’ This study offers lessons on the particular worlding of Middle Eastern cities and the role of discourses in the material-symbolic infrastructure of implicit urban cultural policy.     

The Istanbul Modern Art Museum: An Urban Regeneration Project?

Abstract

In the 2000s, contemporary art institutions have flourished in Istanbul. New museums (mostly private) and art galleries have been created; biennials and fairs of contemporary art have attracted a growing number of visitors. To what extent could this fostering of culture be linked with the “Bilbao effect”? To what extent are the promoters of these cultural investments betting on economic development and urban regeneration through these projects? Focusing on the Istanbul Modern Art Museum (IM), this article analyses the process of its creation and its potential impact on its environment. It argues that the development of culture investments in modern arts in Turkey is mainly due to the private initiatives of large industrial groups and the wealthiest families, most of the time with political support. More than the expected economic impact of cultural investments, the main reason for these public–private collaborations is the symbolic dimension that contemporary art provides to a country which strives to be perceived as modern, developed and European. From the IM to Istanbul European Capital of Culture 2010, cultural investments are a means of strengthening an international image in the context of the “membership” negotiations between “Turkey and the European Union”.     

Intangible heritage embodied and Intangible heritage

Over the past decade, intangible cultural heritage (hereafter, ICH), the significance which it possesses and the continuation of its myriad manifestations have reached unprecedented levels of recognition and attention on international and national policy agendas. Traditional Medicine (hereafter, TM) has long been included under the vast umbrella of ICH, yet there have been few attempts to explore that relationship. This paper examines the practical implications of applying the UNESCO Convention for the Safeguarding of Intangible Heritage to TM, alongside the relationship of traditional medicine to the fields of human rights, public health and development. It considers, and reaches the conclusion that the cultural significance of traditional medicine combined with the fundamental principles of the Convention render the Convention significant in safeguarding traditional medicine for the future.     

Folklore without a folk: questions in the preservation of the Marinduque Moriones heritage

Since the 1870s, the Moriones festival has been part of the Lenten celebrations in Marinduque, located at the heart of the Philippines. Inventoried by the Philippine government, the National Commission for Culture and Arts (NCCA) and the Intangible Cultural Heritage in the Asia-Pacific Region (ICHCAP) as one of the Philippines’ intangible cultural heritage, the Moriones festival has exhibited various problems regarding a decreasing historical value, political intervention and increasing detachment from the Marinduque community. This study raises questions on regional inventorying of ICH, especially in light of what needs to be tackled before, during and after the incorporation of traditions and practices as ICH.     

非物质文化遗产的主体与保护主体之解析

非物质文化遗产保护是一项全人类、全社会卷入的公共文化事业,需要各方面主动扮演相应的角色、发挥各自的优势、承担特定的责任。把各个方面建构成积极有为的身份,就成为非遗保护的一项颇有建设价值的理论工作。其中,以"主体"身份看待相关的各个方面,是一项有益的尝试。界定非遗的主体与非遗保护的主体,实际上也是探索建立非遗保护这项公共文化事业的分工合作的身份框架。     

对贵州非物质文化遗产的认识与思考

保护和利用好非物质文化遗产,对于继承和发扬优秀民族文化传统,增进民族团结和维护国家统一,增强民族自信心和凝聚力,促进社会主义精神文明建设,有着重要而深远的意义。贵州非物质文化遗产及其丰富,被列入国家非物质文化遗产名录的共有62项,101处,在全国居于重要地位。     

21世纪前20年非物质文化遗产保护的中国理念、实践与经验

现代非物质文化遗产保护运动的兴起,是人类珍贵的文化自觉和重要的行为选择。中国21世纪前20年的非物质文化遗产保护,既秉持了《保护非物质文化遗产公约》的理念与精神,亦进行了独具特色的创造性实践,构建了文化多样、整体、科学、人本、文化再生产等理念,进行了涵盖面较广、涉及人数较多、影响意义较大、成效卓著的实践与探索,形成了系统完备、富有活力的措施体系,积累了独特、宝贵的经验,走在了世界非物质文化遗产保护的前列,并为之提供了智慧启迪。     

Safeguarding intangible cultural heritage in an ethnic theme park setting – the case of Binglanggu in Hainan Province,China

Since 2003, safeguarding intangible cultural heritage (ICH) has become a priority of China’s cultural heritage safeguarding policies at all levels. Despite this, academic research has paid limited attention to the safeguarding of ICH in a theme park setting. This paper examines the opportunities and challenges of safeguarding ICH in an ethnic theme park in China. It investigates how the Binglanggu theme park in Hainan aims to contribute to the safeguarding of Li minority heritage. The study is based on qualitative data consisting of interviews with Li minority members working at Binglanggu, the Vice-Manager of the theme park and interviews with heritage and tourism experts in Hainan, as well as observation at the theme park. The findings indicate that, when concentrating on certain ICH expressions that align with the state’s ethnic minority narrative, the theme park makes an important contribution to the research and documentation of Li minority heritage. However, the park struggles to transmit ICH expressions to the younger generations. The research concludes that essential criteria to contribute to the safeguarding of ICH are to include the ethnic minority group in the safeguarding process, for example by employing them in management positions, and to concentrate more strongly on education and transmission.     

Conceptualising the subjective authenticity of intangible cultural heritage

Authenticity is a significant concept in the heritage field. However, the connotations of authenticity and its relevance to Intangible Cultural Heritage (ICH) need further consideration. This paper ascertains the function of authenticity in the heritage field and reconceptualises authenticity so as to relate it to ICH. The subjectivities of ICH practitioners, as well as their subjective perspectives and experiences are privileged in this research, in line with the general aims of Critical Heritage Studies. Drawing on the idea of ‘existential authenticity’, which was developed in tourism studies, this paper presents a concept of ‘subjective authenticity’ with which to describe the ability of ICH practitioners to convey the dynamic, subjective and developing ICH values in both intrapersonal and interpersonal embodiments. Using case studies of ICH from Lijiang, China, the idea of subjective authenticity is evidenced and illustrated. Meanwhile, the materialist or ‘objective’ authenticity that exists in the Chinese Authorised Heritage Discourse is critiqued as inappropriate. Theoretically, this paper investigates people’s subjectivities and experiences in the process of ICH value-making, as well as identity-making. The results contribute not only to the establishment of an inclusive concept of authenticity in heritage studies, but also to the theorisation of existential authenticity in tourism studies.     

文化生态保护区建设的时间性和空间性研究

文化生态保护区建设是基于非物质文化遗产整体性特征,借鉴吸收西方文化生态学的理论,根据中国具体国情而实施的一项重要文化工程。对文化生态保护区建设的时间性和空间性予以综合探讨,既关乎学理,也是一个重要的现实实践问题。从时间性上来说,应尊重区域历史文化发展脉络、贴近民众当下生活,在当代生活时间中维护传统的连续性;从空间性上而言,应基于文化空间的完整性、行政管理的有效性而划定合理边界,并鼓励在维护文化特色的同时促进交流互鉴。文化生态保护的核心是人,文化生态保护区通过建设历史文化底蕴深厚、特色鲜明的自然人文空间,实现人与自然、人与社会、人与历史、人与自身关系的构建。     

The end of cultural policy?1

ABSTRACT

The article discusses whether we are approaching the end of public cultural policy in Western democracies, because contemporary cultural policy is not adapted to major transformation processes in contemporary societies. I discuss seven different challenges/scenarios that public cultural policy has to confront today: (1) It appears to be very difficult to democratise culture. (2) Public authorities consistently continue to support cultural institutions that may be obsolete. (3) Professional artists are still poor, despite public support schemes. (4) Public cultural policy is still predominantly national, despite the globalisation of cultural production and distribution. (5) Public authorities increasingly justify subsidies to culture with reference to the beneficial effects that art and culture could have outside the cultural field. Therefore, one might argue that other public bodies could take better care of cultural affairs. (6) A specific public cultural sector may appear to ‘imprison’ culture in a bureaucratic ‘iron cage’. (7) Finally, one might argue that a public cultural policy has no sense in a period of stagnating public finances. In addition, I discuss several counterarguments to these challenges, without coming to a definite conclusion. I have based the analysis on available comparative research about the public cultural policies of Western democracies, predominantly Norwegian cultural policy.     

汝城非物质文化遗产的景观基因识别——以香火龙为例

以汝城香火龙为例,论文结合传统聚落景观基因理论开展非物质文化遗产的景观基因识别研究。论文首先提出了分析比较法、资料记录法和观察法三种非物质文化遗产的景观基因识别方法,认为可以从传承载体、表现形式、文化信仰和意象特征四种途径识别出非物质文化遗产的特征基因并构建了相关的识别指标。结合收集的研究资料,论文进行了汝城香火龙的景观基因识别。本文的相关研究工作可以为今后开展区域性非物质文化遗产的文化基因详查、建立相关数据库并促进其保护与传承等具有一定的参考价值。     

Istanbul’s intangible cultural heritage as embodied by street animals

ABSTRACT

Green, marginal, and sacred spaces in Istanbul host dogs, cats, and wild birds. In this essay, I argue that citizens enact embodied memories from the Ottoman era by caring for these animals. While birds are iconic representatives of the modern city, and street cats have become media denizens, the lives of street dogs are sadder. Animal rights activists are mobilized by the history of Ottoman administration efforts at eradicating them. Unlike actions inspired by this history, enactments of embodied memory are less conscious, such as residents cooking and distributing food to street cats. However, I argue that these are enacted social memories of compassion and charity and are an embodied form of intangible cultural heritage. Ottoman-era social practices of caring for street animals create an historical and legal foundation for justifying the right of street animals to live in the city.