The Subject of the King and a Mercantile Ideology in Early Modern Spain

This article proposes an interpretation of Lope de Vega's El Brasil Restituido (1625) that points to the political, military, and economic crises of Spain in Europe as the underlying themes of the representation of the retaking of the Brazilian colony of Bahía from the Dutch. The Spanish monarchy faced a major challenge to its European supremacy during the first two decades of the seventeenth century. Not only was its military power being frontally contested at different sites of Europe, but its political and economic influence was rapidly deteriorating as well. One of the goals of the Count-Duke of Olivares, the powerful prime minister of Phillip IV, was to regain European leadership by mobilizing the mercantile segments of Spain. The play illustrates the confluence of two ideological systems during the transformation of Spanish feudal society. On the one hand, the dominant ideology of blood purity legitimizes the seigniorial structure of lineage; on the other hand, the representation of a new merchant as a good servant of the king discloses the important role that a mercantile enterprise and ethos had acquired in the formation of a subject to the monarchy.     

The After School Routines of Literature-Devoted Urban Children

This paper discusses the out of school routines of a group of ‘literature-devoted’ children of the city of Madrid (Spain). The children and families were recruited for the study at a library, a children's bookstore and a puppet show in a park. Participants provided information on their weekly routines through several procedures: surveys, photographs of their daily lives, interviews based on the photographs and interviews with parents. We develop a spatially based model that allows us to identify four styles of activity in children's out of school lives: homebound children, non-scheduled children, outdoor and scheduled children, and fully scheduled children. Our results suggest that there is significant diversity in the ways in which children's after-school time is organized, even within a middle-class and socially homogeneous sample as the one in this study. Also, the range of activities our participants engage in seems to contradict current portraits of Western urban children's lives as constrained.     

A Reply to the foregoing Criticism

This paper discusses the vetlatori dance performed on the occasion of a baptised infant's death in the Valencia region of Spain until about fifty years ago. Analyses of historical sources that emphasise the noble spirituality of the vetlatori dance are shown to be based on romantic views of traditional culture and emotions related to the loss of an infant, rather than on authentic information. Ethnographic and ethnomusicological data are presented to illustrate that the music and dances performed during the vetlatori dance were meant for entertainment rather than for spiritual impact. Recourse is also had to oral sources, particularly interviews carried out in the 1960s and 1980s with former infant wake participants who experienced the vetlatori dance, and who confirmed the popular nature of the music, song, and dances that were performed. Analysis of written sources and of the choreographic and musical characteristics of the dance also shows that the kind of music performed was typical of festive celebration in the Valencia region. Functional outcomes for such wakes are also proposed.     

Afinal,o que Querem as Mulheres?: Luiz Fernando Carvalho's Metafictional Critique of Brazilian Television Fiction

Although perhaps best known outside Brazil for the feature-length film Lavoura Arcaica (To the Left of the Father) (2001), the majority of Luiz Fernando Carvalho's professional activity has been in television, where he has directed a number of commercially successful and critically acclaimed telenovelas, mini, and microseries. In Afinal, o que Querem as Mulheres? (After All, What do Women Want?) (2010), the director's first original screenplay for television, Carvalho lays bare his assessment of the audiovisual field by constructing a work of metafiction that is simultaneously a critique of Brazilian television fiction and an example of what an artistically engaged alternative might look like. With the intention of synthesizing Carvalho's position and his aesthetic project as they pertain to the broader field of Brazilian television production, this article analyzes select aspects of Afinal, o que Querem as Mulheres?, highlighting instances of the director's use of non-traditional narrative devices and the microseries as a metafictional critique of standardized Brazilian television fiction.     

Noah’s Grandson and St. James: Rewriting the Past in Eighteenth-Century Spain

ABSTRACT

In the late seventeenth century, when Spain gradually emerged from the general crisis that had afflicted the country, several members of the cultural elite became acquainted with the new sophisticated theories and methods of modern science. This newly acquired knowledge inspired these novatores (innovators) to examine Spain’s history and historiography. They intended in the first place to integrate and align Spain with European culture at large, since the religious and ideological obstacles of the past were supposedly no longer in force. Their second purpose was to establish a scientifically based historical discourse focused on the genuine achievements of Spain over the centuries and its contribution to European civilization. They were thus willing to confront the long-standing distortions arising from propaganda, either from the outside—such as the “black legend” forged by the enemies of Spain—or from inside—such as the “fake glories” forged by earlier historians. Diverse circumstances, however, limited their enlightened endeavour, and whoever was eager to resume it in the eighteenth century came up against the restrictions imposed on modern culture by Enlightened despotism.     

Children's perceptions of the natural environment: a South African perspective

This qualitative study explored the ways in which adolescents perceive the natural environment. Focus group interviews were conducted with 32 participants between the ages of 13 and 14 attending a school in a low-income area in the Western Cape Province of South Africa. The findings revealed five key meanings which emerged from the themes the participants discussed, i.e. nature as a threatened place, ‘culture of inconsideration’ towards nature, nature as external to the self, nature as the dangerous other, and intrinsic care for nature. Nature as the dangerous other persisted as an overarching meaning which emerged from the participants' responses. Thus, the participants perceived the natural environment through the lens of safety as natural areas in their community are characterised by crime, violence, and pollution.     

Brazilian boys riding Indonesian waves: orientalism and fratriarchy in a recent Brazilian surf movie

In this article, I discuss the 2016 Brazilian surf movie Um Filme de Surfe by Bruno Zanin and Leandro Dora, featuring surfers Yago Dora, Yuri Gonçalves and Lucas Silveira. This small group of Brazilian surfers and their camera crew travel on a chartered boat to an island in the Indian Ocean to catch an incoming swell, where they pretend to find an unknown surf paradise. While doing so, they orientalise the local Indonesian culture as an exotic, pre-modern ‘other’ who they, the ‘translocal’ modern surfers, encounter and teach about modernity. I will also examine how they perform a ‘bro’ masculinity that forms a ‘fratriarchy’ based on hijinks and pranks. In Um Filme de Surfe, the Brazilian surfers neglect to establish a dialogue with the local Indonesian islanders. They do not represent themselves as postcolonial subjects visiting a fellow culture from the global South; they are the cosmopolitan translocal surfers and the locals are mistaken for Polynesian islanders. I will then discuss how this film broadly reflects the challenge of representing non-white, non-Western surfers in the genre of surf films.     

A new Late Ordovician microdomatid gastropod genus from Seville,south west Spain,with a revision of Ordovician Microdomatoidea

A new microdomatid gastropod, Eopagodea sevillana gen. and sp. nov., is described from the Late Ordovician (pre-Hirnantian Ashgill) limestones of Seville, Ossa Morena Zone, Spain. Palaeozoic microdomatids lived in shallow-water environments and were restricted to warm-water regions. Occurrence of microdomatid gastropods in the pre-Hirnantian Ashgill limestones of the Cerrón del Hornillo syncline (Ossa Morena Zone, Spain) is interpreted as an example of an influx of warm-water faunal elements into the otherwise cool to cold climate of the Mediterranean region during a short-termed, pre-Hirnantian increase of palaeotemperatures. The Late Ordovician microdomatid genus Daidia Wilson, 1951, is revised and two new Late Ordovician (Ashgill) subspecies of Daidia cerithioides (Salter, 1859) are described: Daidia cerithioides sewardensis n. subsp. from the Don River area of the York Mountains, Seward Peninsula, western Alaska, and Daidia cerithioides wilsonae n. subsp. from the Little East Lake Formation of northwestern Maine.     

Defending Byzantine Spain: frontiers and diplomacy

The centrality of the Reconquista in the historiography of medieval Spain has meant that there has been little examination of the evidence for interaction on and across political boundaries in pre‐Islamic Spain. This article re‐examines existing theories about the defence of the Byzantine province of Spania that had been established by Justinian in the 550s and was taken by the Visigoths in 625. The two existing and opposing models for the extent, defence, and – therefore – the importance of the province to the empire do not explain the evidence convincingly. Rather, a fluid zone of interaction was established in which diplomacy and ‘propaganda’ was the primary means by which opposition was articulated.     

Conciencia nacional y devoción jacobea en el Poema de Fernán González

Jacobean devotion and national awareness are closely related in the Poema de Fernán González (PFG). The great advance of the Reconquest in the thirteenth century and the reevaluation of the past that it caused enabled the broad Hispanic perspective of the PFG. Spain is not only a distant and longed-for reality (“regnum Gothorum”) but a current political concept. This is the frame of the PFG's intense Castilian sentiment. Castile is the bastion of the Visigothic monarchy, which did not yield to the Muslims and was the foundation for the recovery of Spain. The territorial diversity becomes the outstanding feature of this country, in which the “Montaña” takes an important role. Confronting the proposal of the cult of Saint Millán by the Monastery of San Millán de la Cogolla, the author of the PFG, aware of the damages that such a cult was causing to his monastery, clings to the Jacobean devotion that achieved a broad Hispanic scope.     

Early Holocene land snail exploitation in northern spain: the case of La Fragua cave

Abstract

The question of the anthropic or natural origin of land snail deposits within the archaeological record is the subject of debate all over the world. In the Cantabrian region of northern Spain land snail middens are routinely identified in the early Holocene archaeological record. La Fragua Cave (Cantabria, Spain), which contains an early Holocene layer dated to 9600±140 BP (10,932±196 cal BP), offers the opportunity to address this debate through the examination of Cepaea nemoralis (Linnaeus) land snails recovered in direct association with mammal bones, charcoal, lithic artefacts and other materials. It is therefore believed that their presence at the site is clearly anthropic in origin. In addition, the exploitation patterns indicate an occasional collection and consumption of land snails, which confirms the complementary character of these resources in the diet of hunter-gatherers in Cantabrian Spain during the Pleistocene-Holocene transition.     

The early roman imperial AES coinage II: Tracing the copper sources by analysis of lead and copper isotopes—copper coins of Augustus and Tiberius*

Lead and copper isotopes of Roman Imperial copper coins (denominations as and quadrans) were analysed by MC–ICP–MS. We concentrated on well‐dated coins minted at the official mint of Rome under the Emperors Augustus and Tiberius (between 16 bc and ad 37). The lead isotope results were compared with published lead isotope data of ore bodies from the Aegaean, Cyprus, Italy and Spain, in order to fingerprint the sources of Roman copper. During the Augustan period the main copper supply, as judged from the copper coins, is from Sardinia and south‐east Spain, with minor contributions from Tuscany. Except for Tuscany, this continued into the Tiberian period, when Cypriot copper also appears. Augustan quadrantes and late Tiberian asses came solely from the Rio Tinto area in south‐west Spain. Copper isotopes were applied here for the first time to systematic archaeometric studies. They are supplementary to lead isotopes and allow further grouping and classification of the copper coins.     

The “indignant” pilgrim: Cultural narratives of crisis and renewal in the 15M movement in Spain

ABSTRACT

On Saturday July 23, 2011, Guillermo, a young student from Lleida (Catalonia, Spain), who had been camping out since the beginning of the 15M movement, arrived in Madrid after walking over 450 kilometers, in one of the six columns that had crossed the Iberian Peninsula during the previous weeks. The “Popular Indignant March” had been conceived as an original way of rounding off the occupations of hundreds of squares throughout Spain, their objective being Puerta del Sol in Madrid, the first square to be occupied. On the way, which was from the urban periphery toward the center, passing by the rural Spanish plateau, the population's claims and complaints were to be gathered and taken to the agora of the participatory democracy. The experience of having groups of people walking from different origins with a common destination evokes the classical anthropological experience of the religious pilgrimage. Spain's best example is the Camino de Santiago, which has attracted thousands of pilgrims from all over Europe since the Middle Ages. When we ask Guillermo about this parallelism, he denies any spiritual content, although his account of Camino de Sol is like the fulfillment of a civic promise, the ritualization of a festive and revindicative appropriation of the territory, the colonization of a terra incognita that they had taken over two months before, on 15M, when the hashtag #spanishrevolution became a trending topic within the social networks. The article relates this experience to the narratives of the 15M movement and to the situation of young people in Spain in times of crisis.     

After thought. Devotion,Teresa de Jesús,and Miguel de Cervantes

ABSTRACT

This article explores the complex landscape of devotion in sixteenth- and seventeenth-century Spain, comparing the legislated Christian-only history of Counter-Reformation with the various alternative strands of belief, faith, and devotion present in a variety of areas of cultural production. The article first examines representations of devotion—and methodologies of reading such representations—in areas of production such as architecture, dictionaries, literature, and the arts; at the end of this first section, it coins the concept of “After Thought” as a reading tool to better comprehend and possibly experience devotion in ways particular to early modern Spain, not merely en cristiano but in multiconfessional forms. “After Thought,” both the tool and the article, follow intellectual engagements with Andalusi (not merely Andalusian) past, present, and future environments in early modern Spain. They also engage alternative somatic dimensions of a different “entendimiento” of Christianity, as described by Teresa de Jesús and practiced by both her and Cervantes. Finally, in reviewing the six ducal chapters of the second part of Don Quijote as a rewriting of Castillo interior, the apocryphal condition of this segment of the novel mobilizes yet another wheel in the Trojan horse of fiction, one that exposes the way in which Cervantes refigures Teresa de Jesús, thus yielding two interactive models of “After Thought” in early modern Spain's arts, religion, and spirituality.     

IS THE MACROSCOPIC CLASSIFICATION OF FLINT USEFUL? A PETROARCHAEOLOGICAL ANALYSIS AND CHARACTERIZATION OF FLINT RAW MATERIALS FROM THE IBERIAN NEOLITHIC MINE OF CASA MONTERO*

Casa Montero is a mining complex located outside Madrid (Spain), dated from the Early Neolithic (c. 5400–5000 cal bc ). An area of some 4 ha has been investigated and some 4000 shafts recorded, of which 324 have been excavated. The characterization of its raw flint materials and the establishment of its diagnostic features are indispensable in the reconstruction of the distribution of the mine's products beyond the immediate site. This work reports the geological study of the mine's Miocene flint layers and their petrological characterization. Archaeological samples from the mine's shafts were classified according to macroscopic features and petrological characteristics.     

Index To Volume 42

Traditionally, realism has been considered as a naive attempt to copy reality objectively. This article refutes this assertion by demonstrating that Benito Pérez Galdós's narrative aesthetics do not construct any reality organically; instead, his novels deconstruct it. Using the notion of the suppléer by Jacques Derrida and reflections on the emergence of modernity in Spain, the author proposes that the constant formal and thematic reconsiderations found in La incógnita and both versions of Realidad question the possibility of presenting a coherent and conclusive reality. Rather, they are symptoms of the crisis brought forth by the inauguration of modernity in Spain.     

Gendered politics of empire: the female explorateur and natural histories of the Amazon basin 1899–1901

At the turn of the twentieth century, the Brazilian Amazon was experiencing a moment of heightened exploration, mapping, border creation, and contestation. This article examines the production of the French explorateur and geographer Octavie Coudreau through analysis of the natural history/travel narrative, Voyage au Trombetas (1899), and her subsequent narrative Voyage au Cuminá (1901). Octavie Coudreau initially went to Amazonia to travel with her husband, Henri Coudreau, already a renowned explorer of the French and Brazilian Amazon. After Henri Coudreau’s death on their first voyage, Octavie Coudreau continued working under contract for the Brazilian state and published natural history narratives after each of her four exploratory and mapping missions. These travel narratives include suggestions for increased colonization along with observation of local populaces, supported by a multitude of maps and photographs. Using feminist approaches to the historiography of travel, empire, and geographical work, I look at the female European explorer’s view of imperialism during this significant period in Amazonian history and development. I examine the unfixing of gender identity as it relates to movement within a liminal space. I think of this as the in-between place in which Octavie finds herself – as a grieving widow, thrust into a position of power abroad, while still dealing with the limitations of her gender during this time period, and the space of the Amazon itself, a region in flux where multiple races and imperial powers interact in a contact zone.     

Landschaft,pueblo and altepetl: a consideration of landscape in sixteenth-century Central Mexico

In 1521, the Spanish conquistadors defeated the Nahuas of Central Mexico. Spain was ruled at the time by the House of Habsburg, and its administrators became familiar with the German concept of Landschaft. By 1570, they used this concept to prepare and launch a survey of the indigenous communities which called themselves—and their lands—altepetl. The purpose of this paper is to show to what extent the terms Landschaft and altepetl are equivalent since modern scholars have described both as organized “communities” subject to a customary “law” and possessing a specific piece of “land”. The main obstacle for this comparison is that in the sixteenth century the Spaniards did not have a word equivalent to landscape, and they used words like pueblo, pago and pintura instead, depending on the context. This paper describes the general characteristics of the altepetl in Central Mexico and focuses on its representation by analysing some maps made after the conquest in the area of Cholula, current State of Puebla. The comparison of Landschaft, pueblo and altepetl in historical context is pertinent for cultural geographers since it was during the sixteenth century that the concept of landscape, as we know it today, was taking shape.