The domestic residue: feminist mobility and space in Simryn Gill's art

Feminism, now nearly half a century old, is still fractured by two divisive forms – the desire to emancipate women from masculinist power structures, and the affirmation of woman's sexual difference. However, as Teresa de Lauretis and Gillian Rose argue, for feminism to remain relevant, it must also be attentive to the fluid hegemonic conditions of power, and thus, strive to evolve new ‘forms’, which emphasize feminism's political mobility. Developing this proposition, this article discusses how a new critical feminist mobility may be detected in the work of Sydney-based Malaysian artist Simryn Gill. Born in Singapore in 1959, and hailing from a migrant Punjabi family who first settled in Malaya in the 1920s, Gill constantly travels between her home in Sydney and her family bungalow in Port Dickson, a small coastal town in Malaysia. I will discuss how Gill's feminist perspective may be mapped through the artist's shifting spatial contexts by looking at three spaces – the gallery, the domestic interior and the tropics. Through these spaces, I will explore how the artist occupies the dual roles of ‘woman’ and ‘women’, thus demonstrating the changing and fluid energy of a mobile feminist stance. Gill's art valorizes the domestic sphere as a recurring theme with this subject being central to her self-definition in the public sphere. Yet, her treatment of domesticity is distinct in its furtiveness, a tactic, which I argue, enables a feminist agency that is politically mobile, and capable of engaging issues of gender, sexuality, race, class and citizenship.     

Edna O'Brien and narrative diaspora space

Given the persistent presence of migration in the work of Edna O'Brien, it is surprising how marginal a theme it is in critiques of her work. This article explores how questions of diaspora have reached a renewed level of depth and intensity in her novel The Light of Evening (2006) and the related short story ‘My Two Mothers’ (2011). Looking, in particular, at how letters play a central role in the relationships of three generations of Irish women across three countries, it analyses how issues of mother(land), diaspora and belonging are mediated through migrant fiction. It draws on the work of Avtar Brah and Paul Ricoeur to argue that, along with related forms of textuality within O'Brien's oeuvre, letters represent a ‘narrative diaspora space’ which illuminates the relationship between mothers, daughters and writing in Irish migrant experience.     

The Battle of the Camel: Revolution,transition and tourism in Cairo

This article asks how the 25 January 2011 revolution in Egypt led to the entrenchment of existing forms of privilege and marginality. To answer this question, critical scholars have taken for granted the revolution's linear temporality and focused largely on institutional processes at the state level following the fall of President Hosni Mubarak. In contrast, I provide an original take on this question through extensive ethnographic engagement, focusing on moments of rupture and urban spaces of contestation at the time of the revolution and beyond. More specifically, I trace the significance of an understudied moment during the revolution: the ‘Battle of the Camel’, when horse/camel drivers who sell rides to tourists at the Pyramids charged at protestors in Tahrir Square. An ethnography of this moment allows me to draw out the complex temporalities of the revolution by recognizing diverse moments of contestation by marginalized subjects at its different ‘stages’. This article traces how these alternative temporalities were driven but also obscured by longer-term patterns of tourism and urban development. It finds that relations of power and marginality were reproduced through tourism and elite Egyptian visions of temporality and authenticity in the key urban spaces relevant to this battle – the Pyramids of Giza and Tahrir Square. These sites were positioned as spaces of Egypt's ‘authentic’ past and future respectively, reinforcing a colonial and neoliberal narrative of development that made possible the protection of tourism and elite priorities and the remarginalization of ‘underdeveloped’ camel drivers and street vendors in these sites.     

‘Homes’ and being ‘at home’ in New Zealand: women's place-making in internationalised higher education

Research on students' experiences in internationalised higher education largely assumes students' autonomy and privileges their public selves. New Zealand research is no exception. Little attention has been paid to students' lives beyond classroom contexts; how national policy and institutional practices shape students' everyday experiences and ‘home’ lives similarly and differently. In addition, gender is afforded scant attention or considered only as a secondary concern, and people whose partners or family members are international students are invisible. This article endeavours to address the relative inattention to gender in international education research and the invisibility of women whose partners are international students. It draws on data from interviews with 17 women involved in a broader doctoral research project during 2005 and 2006. The women were either migrant or international students or had partners enrolled as international students. The article uses ‘home’ as a lens for examining women's situated and transnational place-making and factors that promoted or precluded a sense of belonging in New Zealand. It draws connections between women's accounts of ‘home’ and feeling ‘at home’, and broader politics, policies and institutional practices in New Zealand higher education.     

‘Shades of grey’: spaces in and beyond trafficking for Thai Women involved in commercial sexual labour in Sydney and Singapore

In this article I explore the migration trajectories of some Thai women trafficked internationally for commercial sexual exploitation, suggesting that many figuratively ‘cross the border’ between coerced and consensual existence in volatile migrant sex industries during the course of their migration experiences, thus complicating debates around the notion of choice in ‘sex’ trafficking. In exploring these women's transitions I seek to understand why women who had either never previously been sex workers or who were sex workers operating without duress, but who were then trafficked for commercial sexual exploitation remain in, or re-enter volatile forms of migrant sex work at a later point under voluntary arrangements. In answering this question I focus on the temporal and spatial aspects of individual women's experiences in migrant sex industries drawing in detail on the narratives of two Thai women trafficked to Sydney, Australia and Singapore. I make some suggestions about methodologies used in trafficking research that can assist in bringing to light some of these complex time–space dimensions of women's experiences through their shifting positions in commercial sexual labour. The article also reflects on the implications of these women's trajectories for the ‘prostitution debate’ as it relates to trafficking for commercial sexual exploitation by suggesting that many trafficked women occupy ambiguous or in-between positions in migrant sex industries, neither easily distinguishable by the label of victim of trafficking or migrant sex worker.     

Andreas Kalvos and the Eighteenth-Century Ethos

Abstract

In the space of a few years the small isle of Zante, one of the Ionian group, produced three important poets: Hugo Foscolo, Dionysios Solomos, and the subject of this present study, Andreas Kalvos. Kalvos was born in 1792, fourteen years after Foscolo and six years before Solomos. His father's family may originally have come from Crete. His mother's family was one of the aristocratic families of Zante—the family name had been inscribed ever since the Venetian occupation of the island in the Gold Book of the island nobility. The marriage of the poet's parents does not seem to have been a success, for not many years after the birth of his younger brother in 1794, the father, taking the two children with him, left Zante for Leghorn, where his brother was consul for the Ionian Islands, and where there was a considerable Greek colony. In 1805 Andreas' mother obtained a divorce fron her husband on the grounds of desertion, and shortly afterwards she married for the second time. She died in 1815, never having seen her children again after their departure from Zante.     

Trans objects: materializing queer time in US transmasculine homes

Emerging from a participatory research project, this article draws on in-depth, semi-structured interviews, and home tours with trans masculine individuals and couples in the US Northeast to examine how homes come to function as spaces of both grounding and disidentification for transmasculine participants. In this article we argue that photographs and items of décor–particular, meaningful objects in trans homes–function to materialize the queerness of transition, and thus constitute a material expression of queer time. They provide a means for trans folks to acknowledge the queerness of the multiple life course temporalities co-present in the intimacy of private space, and we suggest that through these objects trans bodies engage in a process of becoming through moments of ‘co-substancing’ with the objects that are cherished, displayed, or hidden, in trans homespaces. In this article we suggest that objects on display in the home allow not just for a stretching of normative temporalities of the self, but also for the performance of home space as trans. We argue that more scholarly attention needs to be paid to the everyday, mundane geographies of transgender lives.     

Insecure bodies/selves: introduction to theme section

This short piece introduces a three-paper theme section on the theme of ‘Insecure bodies/selves’, growing out of a conference session held in 2012. Using the brief example of a brain-injured soldier's ‘shattered world’, creating a thoroughly ‘unsecured’ self/body, attention is given to how contemporary human geography has gradually opened itself to engaging with the multiple spaces of insecure bodies/selves. The three papers are then formally outlined and situated within these new currents of geographical and trans-disciplinary scholarship.     

Factory ‘nuns’: the ethnicization of migrant labor in the making of Tibetan carpets

Many debates over migrant labor politics in contemporary China rely upon essentialist notions of ethnic identity. In contrast, I identify migrant labor politics as transnational processes through which women migrants from rural Tibet become ethnic workers. Drawing on post-colonial theories of ethnicity and on feminist literature on global capitalism, this article analyzes the uses of migrant laborers in a globalizing Tibetan carpet industry. First, I investigate the making of Tibetan carpets and the essentialist construction of ‘carpet weavers’ employed by Tibetan–Nepalese carpet factory owners, carpet dealers in New York City, and various participants in Lhasa, including party cadres, international non-government organizations (NGOs), and overseas investors. I argue that the functioning of the international carpet business relies upon the ethnicization of migrant labor, in which labor subjugation involves creating ethnic subjects and ethnicized boundaries. This form of labor commodification is driven by both an economic logic and a moral imperative for preserving or regenerating ‘ethnic culture.’ Second, through the lens of gender, I look closely at the ethnicization of migrant labor in post-socialist Lhasa, analyzing its significance for the labor force in the carpet industry. The women carpet weavers, who mostly come from Tibet's rural areas, I found, strive to reconcile their desires for female autonomy with labor positions that reduce them to strangers in the city. Some women attempt to overcome their experiences of alienation while actively engaging in the reproduction of the patriarchal family as well as in labor hierarchies at work.     

Cartographies of Globalisation,Technologies of Gendered Subjectivities: The Dub Poetry of Jean ‘Binta’ Breeze

By locating the current usage of ‘diaspora’ within today's cultures, I make a case for the unacknowledged subject of Paul Gilroy's black Atlantic world being Western, urban and male. In order to consider the black Atlantic as the site of multiple and heterogeneouslyproduced subjectivities, I turn to the Jamaican performance poet, Jean ‘Binta’ Breeze, whose work stages modern black subjectivities that are Third World, rural, domestic and female. Her poems depict black female subjectivities that are both local and global, articulated more through dancehall culture and radio technology than a ‘cut‐and‐mix’ music style that tends to be male‐identified.     

Photos in Wiradjuri Biscuit Tins: Negotiating Relatedness and Validating Colonial Histories

Tins, cardboard boxes and albums hold one of the most prized and jealously guarded of all Wiradjuri Aboriginal ‘material’ possessions, the family photos. They are used to tell and recall stories, introduce people to kin, as items of exchange and as important statements of identity and belonging in the spatial and temporal politics of kinship. In this ethnographic study of Indigenous photo collections in south‐east Australia, I argue that photos have the capacity to extend the face‐to‐face nature of kin‐relatedness through time and space; they are important in negotiations of sociality; and they validate the past in contexts in which recourse to both myth and history have been constrained.     

Calls for educating girls in the Third World: futurity,girls and the ‘Third World Woman’

In this article I examine three calls for Western support for girls' education in the ‘developing world’. Using transnational feminist theory and discourse analysis I look at three examples of these calls; Three Cups of Tea, ‘Because I Am a Girl’ and the United National Girls Education Initiative. I suggest that what Mohanty (1988) terms the ‘Third World Woman’ – a homogeneous, static image of women in the third world – is the spectre used to motivate Western support. Through representations of girls, Western viewers/readers are hailed to invest in order to save the girl-child from the haunting ‘Third World Woman’. The girl-child, through her particularity as a girl, her future womanhood as motherhood and her neoliberal potential, becomes presented as emblems of a better future with the investment of Westerners.     

Hien's shed: (re)framing images of female immigrant home-based clothing workers

Campaigns in support of home-based clothing workers (or ‘outworkers’ as they are more commonly known in Australia) deploy powerful images of the exploitative underside of fashion. The migrant woman huddled over her machine has become the quintessential image of campaigns directed against this exploitation. This article engages critically with the politics of such image-making. By examining how frames simultaneously shrink and magnify the image produced it raises questions about what these images exclude or expel and whether and how this matters. It also offers an alternative frame of the female immigrant outworker – an up-close portrait of Hien, a Vietnamese woman who works at home sewing clothes in her suburban shed. The article introduces Hien through a condensed collection of her self-narratives, before moving on to consider how a trade union and community-based movement against outworker exploitation mobilised images of suffering and injured Vietnamese women to promote its cause. It asks how these images speak for and represent women like Hien and suggests that their political ‘success’ relies to some extent on the women being ‘unseen’ and made to ‘unspeak’. Finally, through the metaphor of space, it proffers an expanded dimension to the already framed images invoking Hien's shed as a space that both produces and disciplines her: ultimately, a ‘transitional space’ between the external and internal worlds that shape and constrain her.     

Power and Historical Figuring: Rachael Pringle Polgreen's Troubled Archive

Rachael Pringle Polgreen, a freed‘mulatto’ woman who owned an infamous brothel/hotel in Bridgetown, Barbados during the 1770s and 1780s became known to her contemporaries through her role in the (sexual) entertainment of transient naval officers and the visits of Prince William of England. Piecing together ‘evidence’ from her will, estate inventory, a nineteenth‐century novel, a lithograph and an interview with a British officer, I engage Polgreen's complicated and fragmented archive, revealing how Polgreen represents an example of the problems with sources depicting women of African descent who lived in a slave society and the silences that inundate their archive. The first part of this article critically re‐examines pieces of her archive, through which an image of Polgreen emerges incommensurable with narratives of her triumphs. Next, through an analysis of the processes by which Polgreen is historically confined by powerful archival and subsequent historical representations, I challenge previous assumptions about her life. Finally, introducing material from the British parliamentary debates in which an incident involving Polgreen is described and new material from Barbados deeds left by Polgreen's former slave, I expose the nuances of Polgreen's ‘agency’ in a slave society – that which depended upon her sexual subjugation of other women of African descent.     

Ambition and temporal sovereignty in recent Scottish cultural policy

ABSTRACT

This paper is a study of the figure of ‘ambition’ in Scottish cultural policy since about 2010. The argument of the paper is established through the development of the concept of ‘temporal sovereignty’. Through ‘ambition’ cultural policy attempts to subject culture and cultural agents to the formation of the Scottish government’s temporal regime, and in particular the relation between creative industries and the effects of economic temporality. The study examines the temporal properties of ‘partnerships’ as a key strategic mechanism in that project. The focus of the study is an analysis of authoritative Scottish cultural policy texts which show that the subject of culture becomes the organisation of temporal sovereignty. The paper explains the conditions for the emergence of the problem of ‘temporal sovereignty’ and discusses its consequences for structures of rule and logics of cultural policy formation. It concludes by indicating the location of culture in a politics of temporalities.     

Negotiating gender dynamics in heteronormativity: extramarital intimacy among migrant Filipino workers in South Korea

This article examines the liminal space that exists both as a structural condition engendered by transnational migration and as a state that is self-consciously carved out by migrants. It demonstrates that this space provides the grounds for migrants to develop ‘deviant heterosexuality’, such as extramarital relationships while simultaneously causing dilemmas and contestation of gender dynamics in conjugal and familial relationships. Drawing on ethnographic research and in-depth interviews, I elucidate the extramarital relationships among migrant Filipino workers in South Korea. By incorporating discussions of ‘queer heterosexualities’ and Hubbard's geographical engagement of sexuality into analysis, I argue that migrants' extramarital practices are shaped not only by dominant discourse, but also through the particular social and spatial positioning of individuals. First, I demonstrate that the liminal space gives migrant Filipino workers a certain degree of autonomy from the power and ideological interventions of both sending and host societies. Second, I highlight the liminal space that is extended by migrants themselves, especially through the increasing economic ability and mobility of migrant women, which can reconfigure the modes of heteronormativity and gender structure in conjugal, familial and extramarital relationships. In the end, I argue that transnational migration results not only in provisional liminality but also prolonged liminality through migrants' initiative in pursuing their desired heterosexuality and their endeavour to convert extramarital relationships into long-term intimacy. This study contributes to the discussion of the interplay between heterosexuality/heteronormativity and gender in recent human migration.     

Chopsticks,phone bells and farms: Fuyuko Taira's diasporic spatial practice

In this article, I revisit my earlier project on local poetry practices by Japanese ‘war brides’ from the Second World War and explore a creative, transnational home-making activity by focusing on one of my informants, Fuyuko Taira's senryu poetry. Drawing on theories of global space and diasporic home-making practices, I suggest that her engagement in senryu involves a transnational spatial practice through the use of familiar everyday language. While the experience of displacement among Taira and other so-called ‘war brides’ cannot be understood without a consideration of socio-historical and economic constraints that characterized their emigration, my aim here is not to analyse how Taira's senryu simply reflects her diasporic victimhood but to explore how she exercises her creative agency to make her new home familiar and habitable by engaging with the everyday poetry practice of alternation between ‘pause’ and ‘move’ in the midst of changing landscapes. I argue that to a member of the Japanese diaspora like Taira senryu can be thought of as a different mode of experiencing at once the local and the global in an organic way.     

‘Just looking’: domestic workers' consumption practices and a latent geography of Beijing

The post-socialist Chinese city has been an important site to explore the formation of modernity in its everyday shape and manifestations. A common way of understanding urban experiences is through the prism of consumption. Rural migrants in the city cannot compare with urban residents in terms of their consumption level, but they are seen to be equally enthusiastic in partaking in consumption, and their identities are also believed to be (re)shaped by consumption practices. Drawing on several years' extensive ethnographic research in Beijing, this article suggests that these scenarios cannot adequately account for the diversity and complexity of rural migrants' experience in the consuming city. In this article, I put forward a methodological argument for considering the lived spatiality of ethnographic subjects in conceiving and considering consumption. Then, through an investigation of how migrant domestic workers use urban spaces, I consider the ‘dialectic of freedom and constraint’ which marks their agency and their individual choices and decisions. Finally, I explore the social production of space by considering migrant domestic workers' ‘subversive’ behaviours within rather than in opposition to the capitalist commercial logic and space. This discussion demonstrates that consumption practices are at the same time spatial practices, and despite the many obstacles and constraints, migrant domestic workers are actively availing themselves of the opportunities that the city has to offer. This creative process is crucial if we are to gain a new and more nuanced understanding of consumption as a social practice. I further argue that it is also a process by which rural migrants hold on to their sense of dignity and self-respect in an environment of exclusion and discrimination.     

Chinese migrant women as boundary markers in Singapore: unrespectable,un-middle-class and un-Chinese

This article argues that the intersection of ethnicity, class and gender foregrounds the contestation of Chinese-ness in a context of migration in Singapore. I argue that the presence of co-ethnic mainland Chinese migrant women has heightened Chinese-Singaporean women’s anxieties. In lieu of ‘convenient markers’ of language and ethnicity, Chinese-Singaporean women have had to look elsewhere for the production of difference. This article argues that the Chinese-Singaporean woman favourably contrasts herself with the newly arrived mainland Chinese migrant woman in regards to the notion of respectable femininity – the latter being a key marker of middle-classness. Specifically, Chinese migrant women are perceived as unrespectable through charges of excessive materialism and of transgressing the Asian/Chinese family. By emphasising Chinese migrant women’s perceived lack of respectability, Chinese-Singaporean women can (re)establish their own respectable femininity, middle-classness and Chinese-ness.