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1.
Hydraulic building composites, such as mortars and plasters, produced with artificial pozzolanic materials, became widely popular thanks to the Romans. Reports on earlier uses of such composites can also be found, mainly in archaeological and historic documents. These date back as far as the time of Minoan and Mycenaean civilizations. Here, we present a holistic analytical investigation of Late Bronze Age mortars from various archaeological sites of Cyprus. We focus on petrographic observations of thin sections, scanning electron microscopy and energy dispersive X-ray microanalyses and we investigate the microstructure and texture of the samples and the chemical composition and interface of their binders. Results of powder X-ray diffraction analyses are also presented, alongside a series of measurements using mercury intrusion porosimetry and vacuum saturation, aiming to estimate the pore size distribution and the physical properties (i.e. open porosity and bulk density) of the specimens under investigation. We also report on tests carried out to assess the drilling resistance of the mortars using a novel, portable system. The results thoroughly confirm, for the first time, the earliest intentional use of crushed brick as an artificial hydraulic additive in lime mortars in Cyprus, in order to enhance their performance and longevity in the absence of natural pozzolanas.  相似文献   

2.
    
The current interdisciplinary study of a funerary portrait has provided the first identification of a blue pigment on Palmyrene sculpture. The exceptional attestation of lapis lazuli on the examined portrait confirms the use of this highly valuable semiprecious stone in ancient polychromy, which was previously thought to be a later addition to the painter's palette. Considering that the archaeological record contains numerous minor objects carved from lapis lazuli, there are astonishingly few known instances of its use as a pigment. This Palmyrene discovery is only the third known example from Antiquity.  相似文献   

3.
    
M. S. Gill  Th. Rehren 《Archaeometry》2014,56(6):1009-1023
We describe the historical appearance, composition and texture of a little‐known orange pigment in 17th‐century northern India. The pigment shares similarities with lead–tin yellow type II, but has between 6 and 7 wt% zinc oxide instead of silica as a minor element in its structure, in addition to the dominant lead and tin oxide. The consistency of its occurrence and composition across several important and highly decorated monuments and relatively wide chronological and geographical ranges of use indicate the controlled and intentional production of this pigment. We propose to use the name lead–tin orange for this material, indicating its similarity to lead–tin yellow but highlighting its independent character and distinct colour.  相似文献   

4.
Ancient mosaic tesserae are a range of materials of very varied and complex nature, including pottery, stone and glass. Raman spectroscopy is a powerful tool for the analysis of all these kinds of materials. In the particular case of glasses, this technique can be used both for a study of surface weathering and for the characterization of bulk structure, but it has not yet been extensively used for the characterization of mosaic glass tesserae. We carried out Raman analyses on a set of Roman and Late Antiquity period mosaic glass samples, which allowed a good characterization of both the glass matrix and the crystalline inclusions. All the samples show the typical Raman signatures of soda-lime-silicate glasses. Several crystalline phases were also identified, being relics of raw materials used during the glass manufacturing process, such as quartz and feldspars, or linked to the glass color/opacification, such as bindheimite and cuprite. The analyses also led to the identification in some blue, turquoise and green tesserae of calcium antimonate, whose Raman signature has only recently been recognized in the scientific literature on mosaic glasses. Some emphasis is given to the analysis of red lead-containing tesserae, colored with Cu+ ions or even Cu0 (or Au0) metal nanoparticles. Samples with peculiar compositions, as well as “modern” (and restoration) samples, could quite easily be distinguished from the ancient ones by their Raman spectra.  相似文献   

5.
The paper refers to the analytical characterization of Roman painted plasters dating back to the second century ad . The following techniques were used: optical microscopy (OM), scanning electron microscopy (SEM–EDS), micro‐Raman and Fourier transform infrared spectroscopies (µ‐Raman and FT–IR), X‐ray diffraction (XRPD), colorimetry and thermal analyses (TG/DTA). The investigation analysed the chemical composition and structure of the plasters, the chemical composition of the pigment layers, the use of binders and any chemical alteration of pigments as well as deterioration of the samples. Stratigraphic analysis of plasters allowed identification of their individual components, which proved helpful in finding out more about the mural painting technique employed.  相似文献   

6.
    
The medieval pavement found in its original state and place at the Breton castle of Suscinio is an interesting case study for answering questions about the origin of the tin‐glazed earthenware technique in France. Twenty‐eight decorated tiles (with transparent and tin‐opacified glazes) and eight clayey raw materials were examined using chemical and microstructural approaches involving petrographic, SEM–EDS and XRD analyses. By combining the results of provenance and technological studies with historical and archaeological data, it was possible to conclude that the pavement was a local product, made with imported technological skills, rather than an imported product or the result of local experimentation.  相似文献   

7.
唐张臣和墓彩绘陶质文物的拉曼光谱和X衍射分析   总被引:1,自引:0,他引:1  
杨景龙 《文博》2009,(6):407-411
利用拉曼光谱和X衍射方法,对张臣和墓彩绘陶质文物颜料及胎体进行分析,结果表明各种颜料保存基本完好,为以后科学保护修复这批彩绘陶质文物提供了科学依据。同时也证明,在样品量极少的情况下,利用拉曼光谱和X衍射等方法可有效鉴别古代颜料的种类及文物胎体的成分。  相似文献   

8.
    
This paper describes a ceramic assemblage from a Post‐Lapita site on Tetepare, a geologically distinct island on the periphery of the New Georgia group, Solomon Islands. Previous studies of ceramic assemblages in the region have found evidence of exotic sherds and patterns of pottery transfer indicating population mobility during a colonisation phase establishment of new communities in coastal lagoon settings. Here, a geochemical and petrographic comparison of the Tetepare assemblage to samples from similarly‐aged sites in nearby Roviana Lagoon and Kolombangara establishes a pattern of predominantly local production, with equivocal support for exotic transfers. This leads us to refine a model of increasing environmental knowledge, access and social connectivity, during the early phase dispersal of ceramic technologies into the region. We argue that our results clearly discriminate the Tetepare sherds from other assemblages and connect this observation to inferences about the variable character of regional interaction patterns. In addition, the environmental setting of the Tetepare site supplies further context for assessing the role of post‐depositional taphonomic processes and sea‐level change in structuring the visibility of intertidal pottery assemblages in the region.  相似文献   

9.
    
The so‐called Venetian enamelled coppers are a group of objects produced in Italy during the 15th century. Up to now, about 300 objects have been recognized in private collections and in European and US museums. At the end of 19th century, a Venetian origin was suggested, but their provenance is still debated. In this study, the enamel compositions from 22 enamelled copper products from Italian and French collections have been analysed by invasive and non‐invasive techniques. A comparison of the results with Tuscan and Venetian glass databases reinforces the suggestion of a Tuscan (most probably Florentine) origin for these works of art.  相似文献   

10.
    
This study characterizes the opacifiers and colouring agents used in the glazed bricks of Persepolis (mid‐first millennium bc ) and the Mannean site of Tepe Rabat in north‐western Iran (eighth to seventh centuries bc ). Various analytical studies show that lead antimonate and brizziite (NaSbO3) were used as the yellow and white opacifiers in the glazes of Persepolis and Tepe Rabat. Brizziite is shown to be incorporated in the white, green and turquoise glazes, and is also associated with lead antimonate and CaSb2O6 in some yellow and white opacifiers. The simultaneous formation of these opacifiers in one glaze might have been accidental. A possible connection between the Achaemenid glaze industry and the Mannean glaze production at Tepe Rabat is discussed.  相似文献   

11.
    
Blue‐on‐blue (‘berettino’) sherds have appeared in numerous production and consumption archaeological excavations in Lisbon and other archaeological sites in Portugal (dated from the mid‐16th century to the beginning of the 17th century). The abundance of this interesting faience led us to compare it with similar pottery from other well‐known production centres in Italy, namely Liguria (Savona and Albisola), Spain (the Triana kilns) and the Low Countries. Differences in the diffraction patterns of the sherds' pastes from the four countries were observed. In most samples, cobalt blue silicate (cobalt olivine) was identified in the dark blue or light blue glazes through the use of micro‐Raman spectroscopy and diffuse reflectance spectra. A remarkable difference in the calcite contents of the Lisbon and Seville pottery sherds was observed, in accordance with previous observations of high calcite contents of Seville ceramics. A comparison was also made for all of the blue‐on‐blue sherds studied here with many other 16th–17th century sherds from Lisbon using bivariate plots of K/Si versus Ca/Si. Lisbon and Seville pottery behave very differently, whereas sherds from Italy and the Low Countries occupy intermediate positions.  相似文献   

12.
The central church of the monastery of Christ Antiphonitis near Kalogrea, within the district of Kyrenia in Cyprus, is decorated with wall paintings that date from the last decades of fifteenth century. Two large and elaborate scenes, the Last Judgement and the Root of Jesse, had been preserved in the church until the Turkish invasion (1974) after which they were cut into tetragonal pieces, separated, and sent by looters to Germany for selling at illicit markets. The German Police returned thirty-two of the pieces to the Archbishop Makarios Foundation in Nicosia.  相似文献   

13.
    
Seven fragments of atypical proto-majolica from the archaeological site of Siponto (Manfredonia, Foggia) were analysed by chemical and physical methods. All fragments have blue, brown and yellow painted decorations. Raman microscopy and Scanning Electron Microscopy–Energy Dispersed Spectroscopy (SEM–EDS) investigations identified the blue pigment to lapis lazuli. We previously identified this mineral in the blue coloration of the tin–lead glaze of proto-majolica finds at other Medieval sites in Apulia (Castel Fiorentino and Lucera). The discovery of the fragments from Siponto, in spite of their peculiar technological-decorative features, proves that the use of lapis lazuli as a ceramic pigment was not an isolated occurrence, but was quite common in the Middle Ages in the production of typologically heterogeneous ceramics in Southern Italy.  相似文献   

14.
The tradition of using lime as a binder has been in practice over the centuries and is cited in the architectural feats of all kinds of civilizations. Besides the basic ingredients of lime, sand and water, organic admixtures were also mixed into the mortars to modify fresh and hardened state properties as well as to enhance its durability. The motivation of the present study was to develop a replacement of synthetic admixtures by the bio-admixtures. The plant extract of Cissus glauca Roxb (CGR) which is being used in ancient temples and monuments in Kerala has been tested as admixture in varying concentrations and fermentation periods in lime mortar mix. The admixture is polysaccharide rich and a moisturizing agent.

Tests were conducted to measure changes in microstructure of the mortar; fresh state properties such as setting time and workability, mechanical properties such as compressive strength and flexural strength. Also, physical characteristics of admixture modified mortars such as bulk density, porosity and water absorption were also determined. Morphological analysis using SEM with EDX, mineralogical analysis using XRD and organic analysis adopting FT- IR have been done to validate the results of mechanical and physical tests. Capillary water and salt absorption by suction and resistance to salt crystallization cycles were measured as an indicator of durability properties.

The admixture modified mortar resulted in increased mechanical properties and reduced water absorption. It also limits the capillary rise of water and salt intrusion through the hydrophobic nature. The admixture modified mortar have also offered better resistance against the damaging action of deteriorating salts such as sodium chloride and sodium sulphate crystallization cycles. Polysaccharides and proteins in the plant extract interact with the calcium hydroxide of slaked lime and forms complexes. Hence the, natural polymer has increased the durability of hydraulic lime mortars used for repair and it could be a natural alternative to synthetic admixture.  相似文献   


15.
    
Micro‐bead manufacture is geographically widespread from the fifth millennium bc . Previous studies of comparable micro‐beads from sites in the Indus Valley region and the Near East suggest that many of these beads were formed from synthetic enstatite. Characterization of micro‐beads from the Late Chalcolithic site of Çaml?bel Tarlas? was carried out by optical microscopy (OM), scanning electron microscopy (SEM) and microanalysis with energy‐dispersive X‐ray spectroscopy (EDS), and X‐ray diffraction analysis (XRD). The chemical composition of the micro‐beads analysed indicated that they were made from three distinctive materials; namely, bulk talc (i.e., synthetic enstatite precursor), apatite and mineral‐rich clay pastes.  相似文献   

16.
    
For the first time, Hispano‐Moresque glazed tiles from Portuguese and Spanish collections were studied together and compared. This work is included in a wider study tackling the technology of Hispano‐Moresque tile production from several collections in the Iberian Peninsula. While showing many similarities, differences were identified between collections, regarding both chemical and morphological characteristics. The collection from the Mosteiro de Santa Clara‐a‐Velha (Coimbra) stands out from the other collections, with higher SnO2 content (up to 14 wt%), the highest Fe2O3 contents in amber glazes and a Ca‐rich interface layer (mostly comprised of wollastonite, CaSiO3). Samples from Palácio Nacional de Sintra (near Lisbon) and Seville‐attributed samples (from the Instituto Valencia de Don Juan) are chemically similar, except that most Sintra's samples display a K‐rich glaze/ceramic interface, whereas the ones from Seville exhibit both K‐rich and Ca‐rich inclusions. The samples attributed to Toledo show glazes with many inclusions, contrasting with the homogeneous glazes in most Hispano‐Moresque tiles. From these results, we identify differences that can be used as markers in future studies on Hispano‐Moresque tiles.  相似文献   

17.
    
This paper presents the results of the analysis carried out on a polychrome wood mask from Papua New Guinea during conservation work at Pigorini Museum's restoration laboratory. The significance of this study is that no prior work has characterized the painting materials of Papua New Guinea masks both with spectroscopic and internal microstratigraphic analysis. In fact, these objects were studied especially from an anthropological or conservative point of view and the wood was wrongly defined by its visual appearance. Microstratigraphic and spectroscopic investigations discovered a refined execution technique that up to now has not been demonstrated. The stratigraphy of the painted layers demonstrates a deep knowledge of the materials and of the application techniques on the part of the Papua New Guinea people, together with the ability to foresee the aesthetic result for the artefact. The analysis of the constitutive materials and of the stylistic features supplied valid results in favour of provenance of the mask from Papua New Guinea.  相似文献   

18.
    
The work focuses on the potential of structural and chemical examinations by scanning electron microscopy based methods for archaeometric studies on ceramics. Achieved by a single preparation technique (polished block sections), the feasibility and benefits of electron backscatter diffraction are demonstrated as case studies using polychrome examples of pre‐Columbian pottery (Wari, Moche and Cajamarca). Elemental and phase maps allow for separate consideration of clay and temper. Identification of mineral phases and intergrowths of temper particles provide information for clarifying clay procurement and firing techniques with respect to local versus non‐local pottery to enlighten trade relations, technological transfer and shared heritage of pre‐Columbian cultures.  相似文献   

19.
    
This paper presents the results of analyses carried out on three decorative phases of the presbytery of the church of Santa Maria Antiqua al Foro Romano in Rome: the fourth‐century ad mosaics setting bed; the Adoration of the Cross, dated to the papacy of John VII (ad 705–7); and the paintings in the apse of the Pope Paul I (ad 757–68) phase. The research allowed the characterization of the painting techniques, pigments, organic compounds and degradation products by means of a video microscope, optical microscopy, and μ‐Raman and FT–IR spectroscopy, contributing to a better understanding of the changes in the techniques and materials used throughout the centuries in one of the most relevant medieval Christian monuments in Western Europe.  相似文献   

20.
The present paper reports the chemical data obtained on samples of pigmenting materials contained in 31 miniature vessels found in a burial found in Teopancazco, a multiethnic neighborhood center located in the southeastern sector of the archaeological site of Teotihuacan (Central Mexico) and the analytical protocol established for the complete characterization of these archaeological materials. For this purpose a multi-technique approach based on the combination of several non destructive and micro-destructive instrumental techniques, namely, light microscopy (LM), scanning electron microscopy-X-ray microanalysis (SEM-EDX), transmission electron microscopy (TEM), voltammetry of microparticles (VMP), X-ray microdiffraction (μXRD), X-ray diffraction (XRD), UV-Vis spectrophotometry, FTIR spectroscopy and gas chromatography-mass spectrometry (GC-MS) has been developed in an attempt to completely characterize these materials. These instrumental techniques provide reliable and complementary data including elemental and mineralogical composition, identification of functional groups as well as speciation studies of electroactive species. Among the most relevant findings, volcanic pyroclastic rocks and clayey soils, most probably, from the Teotihuacan valley as well as galena, jarosite and mica from other provenances in Mesoamerica, have been identified. Charcoal and Ocote resin have also been identified. The chemical composition of the samples is discussed with a view to the possible function as cosmetic materials and their use in funerary rites. The results have been critically compared with those others obtained in other ancient civilizations. The study carried out on the materials found in the burial 105 is especially relevant insofar it represents the first evidence, scientifically characterized, of the use of cosmetics in Mesoamerica at this early period (AD 200-550).  相似文献   

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