Hornell,Hasslöf and Boatbuilding Sequences

Hornell's publications on ‘native watercraft’ form a unique ‘library’ dealing with boatbuilding and boat use. His quest for the origins of water transport, on the other hand, was unsuccessful. In a clarification of the issues involved, Hasslöf criticized Hornell's use of the term ‘carvel’ and proposed ‘shell‐first’ and ‘skeleton‐first’ as best able to characterize boatbuilding traditions. Those terms subsequently gave way to ‘plank‐first’ and ‘frame‐first’. Certain north‐west European vessels, each built in both those sequences, were identified by Hasslöf as a link between ‘plank‐first’ and ‘frame‐first’. Such a transition would have been facilitated by the use of ‘framing‐first’, a building sequence used in north‐west Europe and in the eastern Mediterranean from the early 1st millennia AD.     

Memory,history and the classical tradition

‘Memory’ is often confused and mistaken for myth; this is in turn connected with the widespread use of mistaking collective mythology and common myth for the idea of a ‘collective memory’. This essay discusses memory and history terminology in the context of the generic concept ‘classical tradition’. The case study explored here – the nineteenth-century Walhalla ‘temple’ near Regensburg in Southern Germany – is an attempt to discuss the classical tradition, focusing on archaeology and architecture rather than philology), within the parameters of the memory and history debate in contemporary historiography. The essay aims to develop the position of the iconic and symbolic importance of antiquity and the classical tradition in the memory and history debate as well as in historical writing. The concluding remarks emphasise the necessity of historicising tradition and its genealogies, conceptualised here as a tradition of legacies.     

Eight Byzantine Shipwrecks from the Theodosian Harbour Excavations at Yenikapı in Istanbul,Turkey: an introduction

Excavations at Yenikap? in Istanbul, Turkey, related to the Marmaray Project, have unearthed remains of Constantinople's Theodosian Harbour, including 37 Byzantine shipwrecks of 5th‐ to 11th‐century date. Eight of these shipwrecks, six round ships and two of the first long ships, or galleys, to be excavated from the Byzantine period, were studied by archaeologists from the Institute of Nautical Archaeology. These well‐preserved shipwrecks are an important new source of information on the maritime commerce of Constantinople and the gradual shift from shell‐based to skeleton‐based shipbuilding in the Mediterranean during the second half of the first millennium AD.     

Huygens’ stargazing scientists: the idea of science in Cosmotheoros

This paper deals with the book Cosmotheoros (1698), in which Christiaan Huygens presented his concept of a universe made up of many inhabited planets. Recent interpreters of this work have focused especially on cosmological issues presented in the book. Cosmotheoros, however, comprises also various philosophical ideas. In this paper I want to focus on the concept contemplator coeli – stargazer. The stargazer was the embodiment of the philosophical ideal of the contemplative way of life that appeared in classical philosophy and astronomy. I want to argue that Huygens followed on from the idea of the stargazer and used it in his hypothetical construction of extra-terrestrial life. At the same time, however, he altered this idea in such a way that it corresponded better to the ideals of science at the end of the seventeenth century. In Huygens’ concept, the noble contemplator coeli turned into the modern scientist who works with other scientists on the advancement of mankind’s knowledge of nature. Huygens’ stargazers are a good example of how strikingly the basic assumptions of knowledge of nature in the early modern period changed with regard to classical antiquity.     

Mauna Kea: Two Cultures and the 'Imiloa Astronomy Center

When Snow wrote delivered his lecture on ‘The Two Cultures’ in 1959, he considered this to be a phenomenon that had British, Western and global significance. This article looks at how Snow's ideas play out in the setting of Hawai'i from the early contact with Western navigators through to current disputes over the building of the Thirty Meter Telescope (TMT) atop Mauna Kea. ‘Mutual incomprehension’, identified by Snow as the chief characteristics of his two cultures are clearly seen to be at play in Western-Hawai'ian encounters.

This article places the TMT disputes in the setting of the Hawai'ian Renaissance, a movement that has gathered pace since the 1960s. It looks Gieryn's notions of ‘boundary work’ and that of Star and Griesemer on ‘boundary objects’ as ways of framing the discussion. The final focus of the article is the 'Imiloa Astronomy Center in Hilo as a ‘place of safe disagreement’.     

Geo-strategy and the persistence of antiquity: surveying mythical hydrographies in the eastern Mediterranean, 1784–1869

This paper explores late eighteenth-century and nineteenth-century mappings of three strategic sites in the Eastern Mediterranean, each with a notable ancient history: the Straits of the Dardanelles, and the isthmuses of Suez and Mount Athos. Considering mapping as a culturally and historically situated cognitive practice, the paper focuses on the rhetorical use of Classical antiquity (the Persian Wars) in the geopolitical discourse of that period and in the legitimization of great hydraulic projects, like the Suez Canal. At the same time, it also seeks to re-evaluate Mediterranean straits and isthmuses in their geographical specificity, as physical and imaginative ‘gateways’ to the Orient, as ‘connecting points’ and boundaries between the Self and the Other.     

Migrations and militant research? Some brief considerations

Abstract

The first part of the essay raises some doubts about the possibility of understanding research on migrations as ‘militant research’. A brief analysis of the discourse where research work is confined allows to glimpse at the deferral of two moments, that of militancy and of research. In such deferral a temporal dimension is at stake: first, the researcher wanders in the world or ‘wanders through the texts’, then he/she lingers on for a while in order to produce a discourse. It is necessary to interrogate this deferred dimension, not to elude it hence running the risk of reproducing the classical philosophical gesture of placing the speaking (and thinking or researching) subject at a ‘theoretical distance’. In the second part of the essay, the deferral between militancy and research is developed with reference to the struggle of the mothers and the families of Tunisian migrants, who left towards Italy and Europe right after the Tunisian revolution and who are ‘missing’ in the Mediterranean. The stubbornness of Tunisian mothers' struggle, which interrupts the path of virtualization of their sons, is countered to the oscillating ontology that migration policies enact, oscillating between the being and the not-being there of persons, dealing with the physicality of people, produced as migrants and rendering the bodies not completely adhering to space and as fantoms. The essay closes with a few considerations on the topic of a politics of testimony and its risks.     

Italian cultural geography,or the history of a prolific absence

This article focuses on a group of buildings that form the site for a Steiner school in Pembrokeshire, West Wales. It examines the ways in which an environmentally friendly, ‘ecological’ structure was (and is) constructed such that the building and its accompanying practices might be seen as ‘performed art’. By more critically examining the school's geographies through ethnographic material, the paper moves away from the buildings' symbolic meanings to demonstrate how art and nature intersect in various ways, in the school's life. Art and nature were crucial to the type of education there, the physical process of building the school, and daily uses of the buildings. The paper also explores how the art-nature intersection is involved in the construction of ethical discourses and practices constitutive of ‘childhood’ and ‘education’.     

‘A Wagner for the Jews’: Moses Pergament,Richard Wagner and anti-Semitism in Swedish cultural life in the interwar period

This article deals with the Finnish-Swedish, Jewish composer and author Moses Pergament and his relationship with Wagner's theories, anti-Semitism in particular, and their influence on the development of modern Swedish classical music during the interwar period. The author emphasizes the importance of recognizing that Pergament's reaction to Wagner's cultural theories was part and parcel of his struggle for assimilation. The basis of Pergament's interpretation of Wagner was the notion that it is possible to separate life and belief: the anti-Semitism and enthusiastic lechery were part of Wagner's life, to which it was not necessary to attach much importance. The beliefs, on the other hand, were there to be analysed. Furthermore, an explicit and public critique of Wagner's anti-Semitism was inconsistent with an attempt to gain a foothold in Swedish cultural life. As Wagner's anti-Semitism was well known but was deemed either acceptable or irrelevant, paying attention to it was by definition proof of a Jewish identification. To be accepted as a Swedish music critic, Pergament had to follow the unwritten rules of the game, amongst them the requirement not to exhibit his ‘Jewishness’ openly. The actions of certain members of Föreningen Svenska Tonsättare (FST, the Association of Swedish Composers) indicate that Pergament's work was not thought to indicate a Swedish identification. On the contrary, his reviews were seen as a threat to ‘Swedish music’, and with implicit references to Wagner this was attributed to Pergament's supposed lack of feeling for the ‘spirit of the Swedish people’.     

Bridging the cultures: architecture,models and computers in 1960s Cambridge

ABSTRACT

In the 1960s a unique research centre was founded in the Department of Architecture at the University of Cambridge. Before that date research in architecture was fragmentary and consisted largely of individual studies of topics in architectural history. Under the direction of Sir Leslie Martin, who had been appointed Professor of Architecture in 1956, a group of young architecture graduates embarked on a programme of research in the newly established centre for Land Use and Built Form Studies. Informed by the interest in the idea of the ‘model’ that was prevalent across the disciplines in Cambridge at this time and by using the power of the University Mathematical Laboratory’s ‘Titan’ mainframe computer, the group developed conceptual and mathematical models that operated across the range of architectural scales from building to city. This paper describes that work and sets it in the context of Leslie Martin’s role in reshaping architectural education in Britain.     

Collingwood's New Leviathan and classical elite theory

R. G. Collingwood's New Leviathan (1942) presents an account of two ‘dialectical’ political processes that are ongoing in any body politic. Existing scholarship has already covered the first: a dialectic between a ‘social’ and a ‘non-social’ element, which Collingwood identifies in Hobbes. This essay elucidates a second: a dialectic between Liberals and Conservatives, which regulates the ‘percolation’ of liberty and the rate of recruitment into what Collingwood calls ‘the ruling class’. The details of this second dialectic are to be found not in Hobbes, but in the work of Vilfredo Pareto and Gaetano Mosca, yet Collingwood's connections to these fathers of ‘classical elite theory’ have not previously been discussed.     

Die Embryologie im Spannungsfeld zwischen Tradition und Empirie

Already in classical antiquity people dealt with the principle of formation, developing different theories. Researchers in the renaissance, working in the conflict zone between tradition and experience, tried to prove one or the other of these theories by the means of new observations, especially of chicken development. Aldrovandi was the first to see the real principle of formation of the hen's egg, i. e. the blastodisc, but he didn't recognize the importance of his discovery due to his close adherence to Aristotle in the theoretical field. Fabricius even thought that traditional knowledge was of more importance than his own excellent observations. Parisano was the first to succeed in making a correct interpretation of the function of the blastodisc, but only by holding to a ‘false’ classical theory. Harvey combined his attempt to restore the developmental theory of Aristotle with a religious interpretation postulating God's intervention in all development. Subsequent to atomism, Highmore evolved a two seed theory of development, which in his view made a permanent engagement of God superfluous. Also the first observations using the microscope did not contribute to any improvement in developmental theory. Malpighi used them to confirm the theory of epigenesis, whereas Croone attributed to a piece of blastoderm the proportion of a whole embryo to demonstrate his ovistic theory of preformation. The founder of animalculism Leeuwenhoek, an amateur researcher, was at first not influenced by the trends of the scientific community. He postulated that the spermatozoa, which he discovered, contained perfect miniature animals. His investigations are a good example of where prejudices can lead, even when the observations are excellent. In the 17th century the tension between experience and tradition shifted in favour of experience, but a final solution had not by any means been reached.     

Was Fichte a Remonstrant?

On reading Fichte's Addresses to the German Nation (1806–7), one is struck by the numerous references to religion it contains. The religious aspect of Fichte's writing is interesting in itself as it touches upon wider issues of theology and political thought, but it is also surprising given that Fichte had been labeled an atheist. The purpose of this article is to explore the ‘religious’ aspect of the Addresses looking specifically at the relationship between Fichte's work and the idea of ‘a chosen people.’ I argue that though not restricted to Reformed theology or even to the Christian faith, the idea of a chosen people can be found in Fichte's work but that it cannot be understood in a Lutheran nor Calvinistic manner but rather through the teachings of Jacob Arminius and the Remonstrants.     

CONTRASTS MARRIAGE AND IDENTITY IN WESTERN FIJI

You see how people get married here, how much work it involves. The mats, the drums, the animals, it's murder! If it's a woman, that's all right, you just go and eat. But if you've got a young man, you have to start raising cattle. With you foreigners, it's easy. You have a small party and that's it. It's better that way, here it is just too much. You know how the Indians get married, Niko? The man goes to the woman's father and says, ‘Here's a thousand dollars. How about it?’ He says, ‘That's not much.’ Then the man offers fifteen hundred, he says ‘Ummm.’ Then when the man offers two thousand, he says, ‘All right.’ Different customs, say!     

Landscape Construction and Long-Term Economic Practices: an Example from the Spanish Mediterranean Uplands Through Rock Art Archaeology

We argue in this paper that Levantine rock art in the Spanish Mediterranean basin allows us to ‘map’ the economic landscape of its makers. Rock art would be the ‘monumental’ side of a dual process of landscape construction: on the one hand, rock art is the first ‘cultural’ action on the landscape beginning in the Early Neolithic; on the other hand, the first evidence of active modification of the Mediterranean vegetation comes from this period. But this evidence as well as other kinds of archaeological remains are still relatively scarce in the uplands; rock art is therefore the most complete type of evidence we can use to support an early use of the Mediterranean upland environment. We use statistical and geographical analysis, together with archaeological, ethnohistorical, and ethnographic sources and pollen data, in order to support the idea of early use and exploitation of the Mediterranean uplands since the Neolithic, and into contemporary times.     

Derrida and fidelity to history

In the first part of this paper Hugh Rayment-Pickard challenges Mark Bevir's assumption that Derrida does not care about historical or other kinds of truth. A consideration of Derrida's early work on Husserl shows deconstruction to be a kind of skepsis or epoche launched in search of the truth. Yet deconstruction reveals the truth as ‘undecidable’, which means that Derrida's commitment to the truth must take the form of ‘faith’. The second part of the paper considers an example of definite intentional meaning given in Mark Bevir's Logic: Petrarch's ascent of Mont Ventoux. On examination, Petrach's motivation can be seen to be radically divided between secular and religious concerns, a split vividly illustrated in his imaginary dialogue with St Augustine: The Secret. Finally, Rayment-Pickard looks briefly at Derrida's own dialogue with St Augustine, ‘Circumfession’, which also argues that human intentions are irreducibly complex and plural.     

Derrida and fidelity to history

In the first part of this paper Hugh Rayment-Pickard challenges Mark Bevir's assumption that Derrida does not care about historical or other kinds of truth. A consideration of Derrida's early work on Husserl shows deconstruction to be a kind of skepsis or epoche launched in search of the truth. Yet deconstruction reveals the truth as ‘undecidable’, which means that Derrida's commitment to the truth must take the form of ‘faith’. The second part of the paper considers an example of definite intentional meaning given in Mark Bevir's Logic: Petrarch's ascent of Mont Ventoux. On examination, Petrach's motivation can be seen to be radically divided between secular and religious concerns, a split vividly illustrated in his imaginary dialogue with St Augustine: The Secret. Finally, Rayment-Pickard looks briefly at Derrida's own dialogue with St Augustine, ‘Circumfession’, which also argues that human intentions are irreducibly complex and plural.     

‘The invisible chain’: Jeremy Bentham and neo-liberalism

ABSTRACT

Bentham's thought cannot be reduced to the usual oppositions between ‘natural freedom’ and government interference. For Bentham, freedom in a political society is determined by the existence of a legal system that creates obligations for some people and rights for others. The government's task does not directly consist in respecting a sacred natural right, but aims at producing the ‘arrangements’ that are to direct the interests of the greatest number towards beneficial goals for the community as a whole. The legislator is to know, form and guide the individual interests. For this purpose, he has to summon public opinion in order to control individual action. On this point, we should reiterate, contrary to what Michel Foucault contended, that the main form of power in modern society is not exerted by a central state, but by each individual on others. That is the meaning of a very important idea in Bentham's theory, which appears in his writings on indirect legislation under the metaphor of the ‘invisible chain’. The habit of watching and judging others in the permanent Public Opinion Tribunal is the best way to learn self-discipline. Bentham's ideal is the self-government of individuals by the calculation of pleasures and pains.