‘A Wigwam to Westminster’: Performing Mohawk Identity in Imperial Britain, 1890s–1990s

This article examines the travels and appearances of Canadian Mohawk writers, lecturers, and performers E. Pauline Johnson and John Brant‐Sero, who appeared in Britain as self‐identified Mohawks, Canadians, and members of the British Empire during the late‐Victorian and Edwardian years of heightened imperial sentiment. The article draws upon feminist scholarship on performance, imperialism, and culture and consumption for the late‐Victorian and Edwardian period. It argues that, while Johnson and Brant‐Sero challenged stereotypes of Mohawk gender relations, they also were part of imperialist modernity; their gendered ‘performances’– on and off‐stage – must be analysed within the context of the gendered cultures of consumption and performance of late‐Victorian and Edwardian British society.     

‘Lady Austin’s Camp Boys’: Constituting the Queer Subject in 1930s London

In December 1932, police raided a private ballroom in Holland Park Avenue. They found almost sixty men dancing, many in female clothing and make–up. An ongoing encounter between the police and working–class queer social worlds drew the ballroom into a public domain within which masculine sexualities were contested, produced and consumed. The ensuing trial gripped metropolitan opinion, becoming the most notorious and widely reported ‘pansy case’ of the 1930s. This paper explores the complex nexus of spaces and practices that cohered in the case as a site at which the queer subject was definitionally produced. During the trial both legal authorities and newspapers and the defendants sought to produce a stable contradistinction between queer and normal, though the meanings they invested in that difference diverged radically. Yet focusing upon the intersecting sites through which this queer subject was constituted – the city, the body and the police/policed interface – suggests the unsettling ambiguities undermining the stability of that difference. Throughout the case, the difference between queer and normal often seemed anything but self–evident, and the arrested men appeared an electric threat to the metropolitan cultural landscape.     

‘He Likes Women More Than He Likes Drink and That Is Quite Unusual’: Working-Class Social Clubs,Male Culture,and Heterosocial Relations in the United States, 1920s–1930s

Throughout the early twentieth century working-class men spent much of their leisure time in their basement hangouts, known as social clubs. Social clubs usually formed out of the associational life of young working-class men and remained attached to a larger male culture. But they were also used for dances and other heterosocial interaction. This essay examines the organisation of these clubs and how members used them to negotiate homosocial and heterosocial leisure. In particular, it explores the struggles between men and women over the use of club space and how those struggles affected their relationships and male culture.     

Poverty,Dependence and ‘Women’: Reading Autobiography and Social Policy from 1930s New Zealand

This essay explores the construction of ‘women’ in New Zealand during the 1930s, when the social legislation of the First Labour Government was being formulated and enacted. It examines the documentation produced by the legislative process in relation to the autobiographical texts of John A. Lee and Mary Isabella Lee, arguing that there are parallel conflicts in each set of texts. There is a series of double movements: the offer of the state’s protection to women is at the same moment a gesture of defence; ‘women’ are simultaneously constructed as ‘helpless’ and—not so overtly—as needing to be controlled.     

‘It’s a man’s world’: Recent Studies of Male Representation of the Female in the Middle Ages

Blamires, Alcuin (ed.) Woman Defamed and Woman Defended. An Anthology of Medieval Texts Baldwin, John W. The Language of Sex: Five Voices from Northern France around 1200 Kay, Sarah and Rubin, Miri (eds) Framing Medieval Bodies Lomperis, Linda and Stanbury, Sarah (eds) Feminist Approaches to the Body in Medieval Literature Burns, E. Jane Bodytalk: When Women Speak in Old French Literature Krueger, Roberta L. Women Readers and the Ideology of Gender in Old French Verse Romance Cazelles, Brigitte The Lady as Saint: A Collection of French Hagiographic Romances of the Thirteenth Century Meale, Carol M. (ed.) Women and Literature in Britain, 1150–1500 Cherewatuk, Karen and Wiethaus, Ulrike (eds) Dear Sister: Medieval Women and the Epistology Genre     

Eliza’s Babes: Poetry ‘Proceeding from Divinity’ in Seventeenth–Century England

This article examines the poetry and prose meditations in the anonymous 1652 volume Eliza’s Babes: or The Virgins–offering. The article begins by reconsidering Liam Semler’s recent assertion that Eliza was a Parliamentarian and religiously radical, arguing instead that she was a centrist, loyalist Protestant. The article then examines the handbooks to devotion and meditation from this loyalist tradition that helped define Eliza’s understanding of public and private and how these concepts were gendered. In keeping with writers such as Joseph Hall and Daniel Featly, Eliza views her private devotion as on a continuum which leads to public worship, or ‘thanks’ as she terms it. Eliza uses this paradigm of public and private to justify both the printing of her poems and her very unusual theology of marriage, in which she considers Christ her only true husband. The final section of the article considers whether Eliza’s understanding of public and private offers her more ‘freedom’ than other women writers, and concludes that any judgement of her freedom must be carefully calibrated to the religious and political contexts of her book.     

Male ‘Providers’ and Female ‘Housewives’: A Gendered Co‐performance in Rural North India

Problems of measuring and public recognition of women's work are not merely statistical. This article highlights the co‐performance of stereotypical gender roles, where men and women jointly seek to establish the status of women as housewives rather than as farmers and of men as providers, thereby upholding a particular social order and simultaneously reinterpreting the meanings of existing norms to include new realities. Evidence from rural north India demonstrates the discernable disjunctures between social norms, narratives and action. Conscious of the growing insecurities faced by their husbands in the context of a rapidly changing economy, women try to allay rather than aggravate them. Instead of asserting their identities as ‘workers’, their strategies for gaining recognition and reciprocity from their husbands focus on reconstituting gender relations in the household, by expanding individual spaces and making incremental gains within the existing social order, rather than struggling for wider transformative changes.     

From ‘Relief’ to ‘Justice and Protection’: The Maintenance of Deserted Wives,British Masculinity and Imperial Citizenship, 1870–1920

In the early twentieth century, local British poor law guardians’ concerns with the maintenance of deserted and neglected families were transformed into imperial, and later transnational, policy promoting justice for abandoned wives and children. Both local court cases concerning maintenance and policy debates at the national and imperial levels reveal the ways in which a breadwinner model of masculinity shaped maintenance policy and practice. Although the maintenance problem was framed differently by local welfare providers and imperial heads of state, concerns about welfare costs and human rights intersected in the figure of the irresponsible male citizen, who challenged the dominant model of British/imperial masculinity by refusing to maintain his wife.     

‘The Men Have Come’: Gender and Militarisation in Kampala, 1966–86

This article explores the gender implications of the militarisation of the Mengo neighbourhood of Kampala. It analyses how the hyper‐militarisation under post‐colonial regimes, particularly those of Milton Obote and Idi Amin, marked a significant gender reversal. The military presence in Mengo emasculated civilian men, who were attacked and abused by soldiers, and led women to assume the roles of ‘protectors’ who safeguarded men, children and their homes. Women volunteered for the most dangerous tasks at the household and community levels and faced constant dangers, including rape, violence and other forms of abuse. Using oral histories collected from the residents in Mengo in 2014, I examine this reconfiguration of gender roles and its reverberations in contemporary Mengo. Interviews with the women and men from Kampala describe the various ways women protected people and spaces and at the same time stress men's vulnerability. This article therefore challenges popular conceptions of women as weak and vulnerable and in need of men's protection in militarised situations.     

Ng,Michael H.K.Legal Transplantation in Early Twentieth-Century China:Practicing Law in Republican Beijing (1910s-1930s)

In Legal Transplantation in Early Twentieth-Century China: Practicing Law in Republican Beijing(1910s-1930s), Michael H.K.Ng explores the process through which the new legal institutions, practices, and ideas of Western countries and Japan were introduced to late Qing and early Republican China and negotiatedwith older imperial traditions of policing and law.     

‘Anti–Mini Militants Meet Modern Misses’: Urban Style,Gender and the Politics of ‘National Culture’ in 1960s Dar es Salaam,Tanzania

This essay examines a 1968–9 campaign by Tanzania’s ruling party Youth League to outlaw mini–skirts and other ‘indecent’ fashions as ‘decadent’ affronts to Tanzanian ‘national culture’. It situates the intense, public debate on the campaign both in terms of the state’s contested national cultural project, and in relation to intersecting anxieties about shifts in women’s work and mobility in urban space, and the politics of sex in postcolonial Dar es Salaam. Arguing that ‘the city’ ndash; both as an imagined space and as the site of particular, gendered social struggles – is central to understanding the campaign, the essay charts attempts by the ban’s opponents to fashion viable personas and notes the limits of these attempts.     

Gendered Archetypes of Wartime Occupation: ‘New Women’ in Occupied North China, 1937–40

This article examines the creation and use of gendered archetypes by the Provisional Government of the Republic of China (PGROC), the first collaborationist government established in China following the Japanese invasion of 1937. Drawing on a wide range of visual sources, it traces how this regime's messages about where women ‘belonged’ in an occupied China resulted in the creation of unique and complex archetypes which were deployed to convince Chinese women of the advantages of PGROC rule. Chief among these archetypes was the figure of the ‘PGROC new woman’. I show how this figure developed in PGROC poster art and propaganda, and eventually in film, as well as how it evolved out of early wartime and pre‐war precedents. In addition to detailing the uses and meanings of this (and other) archetypes, the article suggests that comparative analyses of gendered archetypes of collaboration developed in cognate regimes during the same period can help shed light on the extent to which the peculiar circumstances of wartime collaboration often resulted in specific ideas by male collaborationist leaders about the roles women were expected to play under occupation.