‘My voice counts because I’m handsome.’ Democratising the museum: the power of museum participation

Abstract

Participation – where visitors are invited to leave a comment, co-create, or contribute to exhibitions – has been hailed as an opportunity to democratise the museum experience. New qualitative data from on-site and follow up interviews with museum visitors and practitioners at the experimental exhibition Power of 1 at the Museum of Australian Democracy has been used as a case study to determine if the rhetoric of the highly interactive, audience-centred approach of the participatory museum is meeting its aims. This paper argues that participation has the potential to democratise the museum experience for visitors, particularly when a more expansive definition is applied which acknowledges the benefits of participation beyond simply leaving a comment. Participation can provoke conversations and forge connections with real and imagined communities within the museum and beyond; however this potential is hampered by the often unacknowledged undemocratic practices within institutions by professionals who devalue visitor participation and power-sharing in order to uphold traditional museum practices.     

They think it’s all over. The face of victory on the British frontier

Abstract

The re-conquest of southern Scotland by the army of the Emperor Antoninus Pius was a political act intended to secure his position on the throne. For this event, he took the acclamation ‘Conqueror’. His soldiers erected large stone slabs to mark their construction of the new frontier and decorated several with triumphal scenes. In these sculptures the soldiers portrayed themselves not only as victorious conquerors but also engineers and builders, celebrating not only the success of their emperor but their own community of soldiers.     

‘The vandals at home’: Antonio Cederna’s denunciation of the devastation of Italian cities in the postwar period

Writing for the influential magazine Il Mondo, Antonio Cederna relentlessly denounced the projects and works that endangered Italy’s historical and landscape heritage in a period – the 1950s and 1960s – characterized by processes of change that were as intense as they were disordered and contradictory. The battles he waged against the danger of Italian cities being tampered with by those whom he called ‘the vandals at home’ had a significant impact on urban development. In addition, his discourse left a deep and enduring trace in Italian journalism, urban planning and historiography. This article focuses on the early period of Cederna’s journalistic activity: it delineates the core features of his denunciation, paying as much attention to its contents as to the form and manner in which it was expressed, and it assesses the outcome and legacy of his press campaigns both on a material and a political-cultural level.     

The ‘Prentice’s Bracket’ at Gloucester Cathedral

The 14th-century ‘Prentice’s bracket’ in the south transept of Gloucester cathedral has usually been thought to represent the fatal plunge of a young mason, watched by an older colleague. The implicit parallel is with Icarus and Daedalus, which suggests a moral lesson about the risks of Pride for artisans who worked at dangerous heights. However, this reading of the imagery may not be correct. In light of what is actually shown — the younger man is clearly attached to a vault — it seems more likely to represent a rescue through supernatural intervention. Numerous parallels for such rescues exist in medieval sources, particularly in the praise literature dedicated to the Virgin Mary.     

‘‘The Acceptable Face of the Unintelligible’: Intermediality and the Science Play’

Abstract

The limitations of the ‘science-in-theatre’ genre is explored and the concept of the intermedial science play is introduced as an alternative to conventional science plays. How the science-in-theatre play dampens the mediality of the stage in order to establish a specific contract with its audience in order to realize what Carl Djerassi calls ‘didactic realism’ is considered. By virtue of the dramatic form and the didacticism it establishes, the science-in-theatre play limits the means by which audiences may encounter and enjoy responding to science. In particular, when staging concepts from the postclassical sciences, the intermedial science play offers artists and spectators new approaches to the sciences of infinities, complexity and emergence whilst also establishing a new, interactive contract with the audience based on forms of pedagogy associated with the thinking of Jacques Rancière. Using the media theory of Peter Boenisch and others, intermediality is identified as more than the mere presence of multimedia, but in terms of the effects it produce on the sensorium of the spectator.     

The ‘Rebalancing’ of New Caledonia’s Economy

This article assesses the impact of ‘rebalancing’ (ré-équilibrage) policies implemented in New Caledonia following the Noumea Accord in 1998. These policies were designed to redress the disadvantages of the Indigenous Kanak population (both at the political and at the socio-economic level) and to foster Kanak support for a post-Noumea Accord deal with the non-Indigenous population. It outlines the institutional framework of the Noumea Accord and its impact on development policy, exploring the structural dynamics of the New Caledonian economy and the extent of achievements in reducing inequalities. Conventional indicators demonstrate some accomplishments as regards reducing provincial inequalities but this article argues that the goals of rebalancing remain far from achieved and it explores the reasons for those shortcomings. I argue that most difficulties stem from the lack of structural reforms and absence of a shared vision of development. Nevertheless, scope does exist in New Caledonia for fostering balanced development that is environmentally and socially sustainable and better adapted to local specificities.     

Foucault and museum geographies: a case study of the English ‘Renaissance in the Regions’

This paper explores the subject of museum geographies, focusing particularly on the development of museum policies in a changing political context. The empirical focus is the emergence and transformation of the museum programme Renaissance in the Region, which is linked to the concepts of primary, secondary and tertiary spatialisations presented by Michel Foucault. The paper discusses the development of the programme and how it transformed aspects of the primary, secondary and tertiary spatialisations of museums in England, before focusing attention on the geography of school visits to museums. The results of two extensive studies of school visits to museums in the programme suggest that large numbers of visits come from schools located in areas with high indices of multiple deprivation and income deprivation affecting children. It is argued that this social geography reflects the tertiary spatialisation of museums linked to their emergence in areas of past industrial development, although practices linked to reconfigurations of the primary and secondary spatialisation as part of the Renaissance in the Regions programme may also have played some role. The paper concludes by discussing recent changes in government policy and the degree to which the ‘New Renaissance’ policy may signify reductions in the social reach of museums into areas of social deprivation and exclusion.     

The ‘Sleepiness’ of George Sarawia: The Impact of Disease on the Melanesian Mission at Mota,c. 1870–1900

George Sarawia, ordained in 1873 as the Melanesian Mission’s first Indigenous priest, was a pioneering figure in the mission’s plans for an Indigenous-led Anglican Church in the region. Sarawia founded Kohimarama, a mission station on Mota in the Banks Islands, Vanuatu, where he taught Mota Islanders and hosted visiting teachers and clergy. By the 1890s, some of the European missionaries had become critical of Sarawia and his flock on Mota, underlining their ‘natural, sleepy condition’ and recommending more intensive European supervision. This article will explore the role of epidemic and endemic disease, as well as the shortage of water on Mota, in creating substantial challenges for Sarawia and his mission. As he grew more incapacitated in later life, these challenges were insufficiently acknowledged by Sarawia’s critics.     

Born of fire: The pursuit of the ‘white gold’

For more than 300 years, scores of historians and researchers have vigorously argued about the question who might have been the genuine inventor of European porcelain of Meissen fame: Johann Friedrich Böttger or Ehrenfried Walther von Tschirnhaus. Although the story of the invention of porcelain has been told countless times, the exact circumstances of its discovery are still shrouded in mystery. For a very long time the palm has been awarded to Böttger, but today, the scale is increasingly tilting toward Tschirnhaus. In this contribution, ancient letters and laboratory notes, and modern phase diagrams and microstructural investigation are being used to paint a picture of royal desire, efficient research organization, arduous labor, ingenious reasoning, but also treason, camouflage, bald lies, and perfidy.