Eavesdropper on the Past: John W. Burrow (1935–2009), Intellectual History and Its Future

Summary

Focused on the much-debated historiographical and academic status of intellectual history, this article addresses for the first time and in detail the methodological views of the British historian John Wyon Burrow (1935–2009). Making use both of his published works and of unpublished material left to the University of Sussex Library (including lectures, letters, academic projects and biographical sketches), its goal is to provide a thorough account of an original and eclectic intellectual historian and, at the same time, cast new light on the role of the discipline in the scholarly context of the last few decades in Europe and the US. More specifically, the following pages will illustrate Burrow's work and career, with particular attention being paid to his insistence on narrative, imagination, irony and style; present his writings as an original instance of the anti-methodological practice of intellectual history; and study his opinions of what it means to carry out the métier d'historien. Finally, by examining Burrow's idea of the intellectual historian as a creative ‘eavesdropper’ on the ‘conversations of the past’ and as a ‘translator’ of past dialogues, this article will both pose some central questions and advance some proposals concerning the future of intellectual history.     

The Unhelpful Notion of ‘Renaissance man’

The current journalistic use of the term ‘Renaissance man’ to describe someone whose work straddles boundaries between today's specialisms is a hindrance to understanding almost any aspect of the culture of the Renaissance — a culture within which both ‘art’ and ‘science’ had meanings different from those they have now, the most significant intellectual division being between the learned and the practical traditions. We look first at the learned tradition of the universities (where teaching was in Latin). The people considered include William Harvey, Johannes Kepler, Galileo Galilei, Nicolaus Copernicus, Regiomontanus and (very briefly) Isaac Newton. Within the practical tradition, centred on workshops, we consider the state shipyards in Venice (where Galileo claimed to have learned much), workshop practices in general and the emergence of the notion of ‘Fine Arts’. The individuals considered include Piero della Francesca, Leonardo da Vinci, Michelangelo Buonarroti and Raphael, as well as the famous clockmaker Jost Bürgi (who taught Kepler about algebra). We conclude by considering the transfer of skills between these two traditions. There are several areas of overlap, but here we concentrate attention on the story of algebra. Algebra was invented by al-Khwarizmi (whose name gives us the term ‘algorithm’) in the ninth century, within learned mathematics, in Baghdad. In the West, elementary algebra, derived from al-Khwarizmi's work but in the simplified form of problems, became part of ‘practical mathematics’. Slowly, from the fifteenth to the eighteenth centuries, developed forms of algebra crossed over into the learned tradition. This is as much a matter of crossing social barriers as of crossing intellectual ones. Eventually, the practical tradition as a whole became absorbed as an elementary part of the learned one.     

Bernard Mandeville as Moralist and Materialist

Today remembered primarily as an eighteenth-century predecessor of laissez-faire economics, Bernard Mandeville's notorious Fable of the Bees marks the intersection of two modes of thought. On the one hand, Mandeville was a ‘moralist’ heir to the French Augustinianism of the previous century, viewing sociability as a mere mask for vanity and pride. On the other, he was a ‘materialist’ forerunner of economics, concerned to demonstrate the universality of human appetites for corporeal pleasures. The tension between these two modes of thought results in ambivalences and contradictions—concerning the relative power of norms and interests, the relationship between motives and behaviours, and the historical variability of human cultures—that run throughout the Fable. Both traditions, with their attendant difficulties, have a long afterlife in the later history of the social sciences; understanding their origins in Mandeville's thought can help us get a firmer grip on problems that still trouble us today.     

Cronies,economic crime and capitalism in Putin's sistema

The books included in this review article are essential for the understanding of what I call Putin's sistema—the governance model that originated in the Soviet system but has transformed and adapted to global change. Each book tackles, from a different angle, the issues of Russia's transition and suggests ways to describe its political consequences. The books all attempt to identify some underlying logic or organizing force in a Russian society that has emerged through weak institutions. Although I join the authors in their criticisms of the ‘transition paradigm’ and its ‘opening‐breakthrough‐consolidation of democracy’ formula, transformations of the Soviet sistema seem to resonate with the ‘opening‐breakthrough‐consolidation of capitalism’. Perestroika can be seen as an ‘opening’ in shaking the foundations of sistema; Yeltsin's era as a ‘breakthrough’; and Putin's regime as the ‘consolidation’ of capitalism but with its distinct characteristics.     

Grief as method: topographies of grief,care, and fieldwork from Northwest Arkansas to New York and the Marshall Islands

Abstract

When we grieve during fieldwork, our grief forms new geographies of knowledge production and emotion. In this article, I use autoethnography to theorize my grief during fieldwork following the death of my sister. I examine grief’s methodological implications using the concept of ‘grief as method,’ an emotionally-inflected practice that accounts for the vulnerability produced by grief. By centering vulnerability, ‘grief as method’ also urges researchers to consider the practices and politics of ‘caring with’ our research subjects and caring for ourselves, raising larger questions about the role of care in research. Furthermore, this article demonstrates how grief’s geographical features—its mobility, its emergence in new sites and landscapes, and its manifestation as both proximity and distance—shape ‘grief as method’ profoundly. I examine grief’s spatial implications by building on Katz’s ‘topography’ to theorize a ‘topography of grief’ that stitches together the emotional geographies of researchers, blurring both spatial divisions (‘the field’ vs. ‘the not-field’) and methodological ones (the ‘researcher-self’ vs. the ‘personal-self’). If we see grief as having a topography, then the relationships between places darkened by grief come into focus. Moreover, by approaching grief methodologically, we can better understand how field encounters—relationships between people—are forged through grief. ‘Grief as method,’ in offering a spatial analysis of grief’s impact on fieldwork, envisions a broader definition of what engaged research looks like and where it takes place.     

Conceptual Mediation: Philosophy between the History of Physiology and Contemporary Neuroscience

Summary

In the 1780s the anatomist Vincenzo Malacarne discussed the possibility of testing experimentally whether experience can induce significant changes in the brain. Malacarne imagined taking two littermate animals and giving intensive training to one while the other received none, then dissecting their brains to see whether the trained animal had more folds in the cerebellum than the untrained one. This experimental design somewhat anticipated one used 180 years later by Mark R. Rosenzweig at the University of California, Berkeley. This paper explores some methodological aspects of the case study just outlined by pointing out that our grounds for being interested in it are neither merely neuroscientific (for, strictly speaking, Malacarne's proposal was false) nor narrowly historical (for there is no causal chain linking Malacarne's ideas to Rosenzweig's experiment). Rather, the really interesting point here is to what extent Malacarne's ideas are similar to Rosenzweig's, a point that we can better investigate by employing certain conceptual tools borrowed typically (but not exclusively) from (a certain kind of) philosophy. If we do not handle the analogy with care, we run the risk of ‘discovering’ nothing but void platitudes or anachronistically misleading common features.     

The religious politics of prophecy: Or,Richard Brothers's Revealed Knowledge confuted

The messianic messages delivered to Londoners by the self-styled prophet, Richard Brothers, were regarded by many sceptical observers and pamphleteers as eccentric or, worse still, the embarrassing utterances of someone wishing to reprise the political turmoil of a by-gone era marred by religious ‘fanaticism’. This article shows the extent to which Brothers's messages, as set down in his Revealed Knowledge of the Prophecies and Times (1794–1795), were absolutely central to the religious politics and culture of the 1790s—or what one contemporary critic mockingly referred to as the ‘age of prophecy’. Brothers's prophecies came to the attention of the British government, which culminated in his arrest for treasonable practices in March 1795 when he became a cause célèbre, before being confined to an asylum for eleven years. He was deemed a criminal lunatic but, as this article seeks to demonstrate, his ‘prophetic imagination’ arose out of the same rich theological, political and cultural context that spurred ‘radicals’ like Tom Paine, whilst inspiring poets and artists such as William Blake. If the content of his prophecies were regarded by contemporary sceptics for having no validity, it remains true to say that Richard Brothers, as an educated gentleman and naval officer, dramatically altered 18th-century expectations and perceptions of what prophets were and the nature of prophecy itself.     

Stewart,Kant, and the Reworking of Common Sense

Summary

Dugald Stewart was the first metaphysician of any significance in Britain who attempted to take account of Kantian philosophy, although his analysis appears generally dismissive. Traditionally this has been imputed to Stewart's poor understanding of Kant and to his efforts to defend the orthodoxy of common sense. This paper argues that, notwithstanding Stewart's reading, Kant's philosophy helped him in a reconsideration and reassessment of common sense philosophy. In his mature works—the Philosophical Essays (1810), the second volume of the Elements of the Philosophy of the Human Mind (1814), and the second part of his historical ‘Dissertation? (1815–1821)—Stewart's analysis of Kantian philosophy is far from being uniform. In the first two works, he takes a cautious approach to transcendentalism, showing some interest in the challenge it might represent for common sense; in the last, he turns to rash criticism. This change may appear confusing and inconsistent unless considered in the light of a precise ‘nationalistic’ strategy. In fact, once Stewart had taken from Kantian philosophy what he deemed useful for his own aims, he eventually dismissed it in order to show that his reworked version of common sense was the most original and most consistent outcome of the whole Anglo-Scottish philosophical tradition.     

The ‘Cultural Turn’ in Australian Regional Economic Development Discourse: Neoliberalising Creativity?

Regional economic policy‐makers are increasingly interested in the contribution of creativity to the economic performance of regions and, more generally, in its power to transform the images and identities of places. This has constituted a ‘cultural turn’, of sorts, away from an emphasis on macro‐scale projects and employment schemes, towards an interest in the creative industries, entrepreneurial culture and innovation. This paper discusses how recent discourses of the role of ‘creativity’ in regions have drawn upon, and contributed to, particular forms of neoliberalisation. Its focus is the recent application of a statistical measure — Richard Florida's (2002) ‘creativity index’— to quantify spatial variations in creativity between Australia's regions. Our critique is not of the creativity index per se, but of its role in subsuming creativity within a neoliberal regional economic development discourse. In this discourse, creativity is linked to the primacy of global markets, and is a factor in place competition, attracting footloose capital and ‘creative class’ migrants to struggling regions. Creativity is positioned as a central determinant of regional ‘success’ and forms a remedy for those places, and subjects, that currently ‘lack’ innovation. Our paper critiques these interpretations, and concludes by suggesting that neoliberal discourses ignore the varied ways in which ‘alternative creativities’ might underpin other articulations of the future of Australia's regions.     

‘Queen’s Day – TV’s Day’: the British monarchy and the media industries

In contemporary British history, Elizabeth II’s coronation in 1953 is typically imagined and narrated as the moment where television was anchored as a national cultural form. In addition, it is well documented by commentators and scholars that during preparation for the coronation, politicians and the palace had reservations that live television might fracture the carefully constructed mystique of monarchy. This article revisits the coronation to consider why and how television was perceived as a watershed moment for both monarchy and television, and what difference this has made to royal representations since. Using the work of Michael Warner, it argues that the mediated intimacies facilitated by television as a new cultural form encouraged viewers to enact participatory and active processes of spectatorship as royal ‘publics’, who are brought into being through being addressed. That is, it was the act of emphasising the centrality of television’s role in the coronation, and in reinforcing the apparent distance between monarchy and (popular) media, that these ‘meanings’ of the coronation were constructed in the public and historical imaginary.     

The Australian ballot: Not the secret ballot

Australian historical and political science academic accounts of the ‘secret ballot’ often describe it as being designed in Australia and first applied in Victoria in 1856. Narratives often focus on Chartists and radicals finding fertile ground in the New World for ideas that had met insurmountable resistance in the Mother Country. But this concentration on the ‘British story’ has led to a misconception in this country: that the secret ballot was first tried in Australia. This comes from conflating the ‘Australian ballot’ with the ‘secret ballot’. Voting by ballot, in ‘secret’—that is, not by a show of hands, on the voices or signed voting paper—was in use in America and Europe well before being implemented in Australia. This was the secret ballot many demanded for Australia, but they got something else: the Australian ballot, wholly original, with identifying features—such as the government printed ballot paper—previously unimagined. The Australian ballot was not the world's first secret ballot; it was much more important than that.     

Plain lives in a golden age. Popular culture,religion and society in 17th-century Holland

Though it has rarely been the subject of academic criticism, there is a philosophy of truth that animates Jean-Jacques Rousseau's broader philosophical system. This philosophy of truth was unique for its time—in the same way as the whole of Rousseau's thought—in its emphasis on feeling over reason, the heart over the mind, the simple over the sophisticated, the useful over the demonstrable, the personal over the systematic. Rousseau's philosophy of truth might be more accurately called a ‘philosophy of truthseeking’ or an ‘ethics of truthseeking’, because its focus is on the pursuit and acquisition of truth rather than on the nature of truth itself. What was needed, Rousseau believed, was a guide back to the simple truths of human happiness—truths that were immediately apparent to us in our natural state but have become opaque in society. This article describes Rousseau's normative philosophy of truthseeking, of what human beings must do if they hope to (re)discover the truths of human happiness. This philosophy can be summarised as utility, autonomy, immediacy and simplicity in pursuit of what Rousseau called the ‘truths that pertain to the happiness of mankind’.     

Book Reviews

Letters from the Dust Bowl by Caroline Henderson Alvin O. Turner (Ed.), 2001 Norman, OK, University of Oklahoma Press 320 pp., $34.90 hardback ISBN 0-8061-33-3 hardback The American ‘Dust Bowl’ landscape of the 1930s has been etched into the global imagination through powerful narratives: Farm Security Administration photography (1935-43), Per Loretz's film, The Plow that Broke the Plains (1936), and John Steinbeck's Grapes of Wrath (1939). In the last quarter of the twentieth century, historians such as Donald Worster (1979) have constructed their own narratives of this time and place. Caroline Henderson's Letters from the Dust Bowl, edited by Alvin O. Turner, provides a counterpoint, in the form of a first-hand account and a woman's voice, to the news stories, government propaganda, and historians' analyses that construct our understanding of the Dust Bowl. Henderson's letters reveal not only the ‘real’ experience of living in that place during a particularly difficult time, but also the ‘before’ and ‘after’–what led these individuals to the Great Plains and what became of them afterward. Educated at Mt Holyoke, Caroline Henderson ventured out onto the panhandle of Oklahoma to homestead in 1907 as a single woman, who ‘hungered and thirsted for something away from it all and for the out-of-doors’ (p. 33). She met her future husband Will when she hired a crew to dig a well on her land. Letters from the Dust Bowl captures Caroline's transformation from an idealistic young woman to a woman ‘worn by years of struggle with land and life’. Caroline's ‘letters’ are an amalgamation of letters to family and friends, and letters and essays written for publications such as the Atlantic Monthly. Letters begins with Henderson's optimism and delight in both life and landscape. Caroline's early writings capture the excitement of homesteading, of marriage, of being a young mother. Her writings eventually shift from purely personal letters to family and friends to being a source of additional income. Drought and failed crops led Caroline to begin writing for publication in 1913; her first published article was on her first years homesteading. She became a regular contributor to Ladies' World magazine, as their ‘Homestead Lady’, until its demise in 1918.     

Australia's relationship with the United States: the case for greater independence

A number of recent events—especially attempts to negotiate a bilateral trade agreement and Australia's participation in the conflicts in Afghanistan and Iraq—have thrown Australia's relationship with the United States into sharp relief. While this relationship has historically enjoyed strong bilateral endorsement, such uncritical support is beginning to unravel. At the very least, the relationship is being subjected to a renewed, more critical scrutiny. This paper argues that a dispassionate analysis of the relationship is appropriate and overdue. Not only are the benefits that accrue to ‘Australia’ from the relationship debateable, even when judged within the limited calculus of the ‘national interest’, but Australia's uncritical support for US foreign policy is also helping to entrench potentially damaging aspects of American foreign policy and— somewhat ironically—undermining the legitimacy of its pre-eminent ‘hege monic’ position.     

Situating (Young) teenagers in geographies of children and youth

The past decade has been an exciting and productive period in the study of children's and young people's geographies. The principal aim of this paper is to contribute to this field of research by presenting the arguments for a more substantive focus on teenagers' geographies. Firstly, the terms ‘children’ and ‘young people’ are constructed as synonymous and used interchangeably and the complex transitional positioning of young teenagers—situated between childhood, youth and adulthood—has been relatively neglected. Secondly, many researchers have been engaged in developing methods, which aim to challenge unequal power relations between adult researchers and young participants but little focus has been placed on utilizing participants' own constructions of themselves. The final argument for a more coherent focus on teenagers' geographies rests on the contribution that geographers can make to challenging negative stereotypes of teenagers within policy and the media. The paper concludes by outlining what form an emphasis on teenagers' geographies may take.     

Symbolism and Irony in Three Novels by Kosmas Politis

Abstract

In a recent book, Mario Vitti has described Kosmas Politis as ‘emotionally the most highly charged novelist’ of the Generation of 1930. Vitti also points out that Eroica is ‘compositely organized down to the minutest detail’, despite the author's assertion that he wrote each instalment ‘on the presses’. In an attempt to account for the ‘magical’, ‘Poetic' quality of Politis’ writing as pointed out by Greek critics, Vitti investigates Politis' use of irony and of the interior monologue. My purpose in this article is to examine further Politis' ironical approach and to make some preliminary remarks about his use of symbols and imagery (a subject on which far more work has to be done), in the hope that, in so doing, I shall shed some light on the ‘emotionally charged’ and ‘highly organized’ nature of Politis' writing. For reasons of space and time I must confine myself to his first three novels, Lemonodasos (1930), Hekate (1933) and Eroica (1937).     

From the ‘spirit of capital’ to the “spirit” of capitalism: The transition in German economic thought between Lujo Brentano and Max Weber

I dedicate this essay to the memory of the late Wolfgang Mommsen—the subject would have been congenial to him. It is one of a series of offshoots from a central project: a scholarly edition of Max Weber's Protestant Ethic with commentary. When I first told Prof. Mommsen of my plan in 1994 he looked me full in the face and gave a characteristic growl: “All that work!” Here was a man who knew what he was about. My thanks to Ross McKibbin and Keith Tribe for reading this paper in draft.

The article begins by examining Max Weber's relations with Lujo Brentano, much the most important “precursor” to Weber in the field of economics. In particular, Brentano conducted a form of parallel inquiry into the rise of ‘the spirit of capital’ in England 35 years before Weber looked for the origins of “spirit” of capitalism there, and the contrast between these two ideas casts much light both on Brentano and on Weber's Protestant Ethic. This personal history leads into a broader history of the transition in German economic thought between the 1860s – the formative decade for Brentano but also the era of Marx's Capital – and that of Weber's generation coming to maturity c.1890. Marx and Weber remain the two great canonical thinkers and original minds; but any authentic historical comparison between Marx and Weber must take in Brentano. The essence of the contrast between the generations is that between Weber's novel conception of an ethical ‘capitalism’, and the materialism and naturalism underpinning Brentano's and Marx's ‘capital’, although Weber and Brentano are alike as liberals, democrats and bourgeois.     

Fallout from the thunder: poetry and politics in Seamus Heaney's District and Circle

This article examines Heaney's preoccupation in District and Circle (2006) with international political events during this ‘new age of anxiety’, and how he initially approaches these circuitously through a return to originary, boyhood experiences. Such momentous acts as the attacks of 9/ll, the ‘War on Terror’ and the London bombings are filtered through, juxtaposed with and illuminated by episodes both from the ancient past and Heaney's family history. In attendance, as always, throughout the latest volume is the poet's diverse literary ancestry, a reminder of how his work exemplifies core claims made in ‘Tradition and the Individual Talent’ (1919), where Eliot argues that ‘what makes the writer most acutely conscious of his own place in time’ is ‘the historical sense’, ‘a feeling for the whole of literature’ from Homer onwards. Thus, alongside its detailed address to politics and such crucial literary matters as structure, form and metaphor, the essay repeatedly returns to the intertextual ‘presences’ which haunt and animate Heaney's continuing creative project.