How to picture race?

The purpose of the Swedish State Institute for Race Biology, SIRB, was to survey the Swedish people according to its race criteria. In this research process photographs were used to document and portray the different races living in Sweden. This article examines how the photographs were used in this process: What pictorial rhetoric did they use and what did the photographs bring to the research process? The result shows that SIRB did not succeeded in developing consistent methods of portraying race. The style and formula of the portraits varied; sometimes environmental aspects came in to focus, sometimes bodily aspects. These methodological shortcomings must be attributed not only to the fact that the institution was working with a new and immature scientific medium – photography – but also that it operated inside an immature scientific discipline. The race scientific community had no joint theories and methods to work with, and did not know how to affiliate with other disciplines – such as anthropology, focusing on environmental factors, or medicine, focusing on bodily aspects. But the lack of methodological consistency was not just a shortcoming; it could also be used to bias the material in a way that served the ideas of eugenics.     

Earthworks: The geopolitical visions of climate change cartoons

This paper asks how climate change cartoons work to communicate geopolitical visions of time, space and power. I make the argument that visuality is integral to climate change communication in ways that are frequently paradoxical. Dominant visual forms of evidence and iconic images help to make climate change real while simultaneously impeding full understanding of the debates and issues around climate change. In this context, at a time when visuality and climate change discourse have become co-constitutive, the paper explores the capacity of political cartoons to effectively represent the geopolitics of climate change. The empirical focus is the data set of cartoons submitted in 2008 to an international political cartoon competition called Earthworks. The entries collectively represent different geopolitical visions of climate change. They also suggest a critical role for cartoons in climate change communication – not as purveyors of visual evidence of climate change but as effective forms of visual commentary on the relations of power and knowledge within which climate change communication and debates are located.     

Popular culture,post-truth and emotional framings of world politics

ABSTRACT

With the election of US President Donald Trump, the separation between high and low politics and the line between fiction and reality has become fundamentally blurred. Yet popular culture offers an important vector through which we might make sense of this political turmoil. The purpose of this essay is two-fold: conceptually, I examine how television provides opportunities for the insight into the visual and emotional registers of the post-truth era. I illustrate this empirically by examining two popular television series – Homeland and The Good Fight. I argue that the power of popular culture is derived from its visuality as the intersection of image and sound, through which emotional registers related to anxiety and outrage can be elicited and visually narrated. Even more so, the visual nature of popular culture has a strong affective component that shapes how we experience representations of reality and reveals the power and political significance of popular culture.     

Perilous Journeys: Visualising the Racialised “Refugee Crisis”

This article explores the benign and malignant power of the visual in the racialised framing of the ongoing “European refugee crisis”. Bringing together literatures on racial discourses, visuality, storytelling and decoloniality for the first time, this paper breaks new ground in our understandings of the political possibilities that visual storytelling offers in shifting “lines of sight” in an increasingly vitriolic anti‐refugee climate. It does this by analysing prominent graphic narratives created by the non‐profit organisation PositiveNegatives, animating the refugee experiences of Syrian men in Scandinavia. We consider the affective engagements that such progressive storytelling promotes and the decolonial potential invested in it, arguing that the modality and content of narratives of this genre offer important scope to provoke encounter and empathy. Contributing to geographies of race, migration, visuality and decoloniality, we suggest that these narratives allow new and gently radical ways of resisting the dehumanising impetus of mainstream media discourses.     

Visualising everyday geographies: practices of vision through travel-time

Responding to recent debates in human geography on the need to explore more complex renderings of everyday visuality, this paper explores some of the fluid relationships between everyday visuality, materiality and mobility through practices of contemporary railway travel in Britain. Based on extensive empirical research, this paper explores three different but related visual practices experienced during the course of a railway journey. First, it looks at how sublime forms of vision emerge to produce a variety of passive embodied effects. Second, it looks at how more attentive visual practices are implicated in the temporal organisation of the journey and have the capacity to activate changes to routine. Third, it looks at how the physical materiality of the carriage interior serves to mediate the visual field in particular ways and gives rise to a series of freedoms and constraints. Whilst the visual consumption of landscapes viewed through a window is often taken to be an axiomatic part of the travelling experience, this paper demonstrates the importance of apprehending how a multiplicity of visual practices affect how perceptions of time, space and location unfold over the course of a journey.     

Geopolitics and visuality: Sighting the Darfur conflict

In the many considerations of visual culture in geography, there are few works concerned with the visual culture of contemporary geopolitics. In seeking to rectify this lacuna, this paper outlines elements of a research project to consider the way visuality is a pivotal assemblage in the production of contemporary geopolitics. Signalling the need for a conceptual exploration of the importance of vision and visuality to all forms of knowledge (rather than just those associated with or manifested in specific visual artefacts like pictures), the paper argues that understanding the significance of visuality for geopolitics involves recasting visual culture as visual economy. This enables the constitutive relations of geopolitics and visuality to shift from the social construction of the visual field to the visual performance of the social field. This argument is illustrated through an examination of some of the documentary photography and photojournalism covering the most recent outbreak of war in Darfur, Sudan, beginning in the summer of 2003. Exploring the tension in these pictures between the established disaster iconography of ‘Africa’ and the desire to image genocidal violence and war crimes, considering in particular the way photography captures identity, the argument concludes with reflections on the way the visual performance of the social field that is Darfur structures our encounters with others.     

Over two centuries: Black people in nineteenth-century Hawaiʻi

ABSTRACT

This article charts the history of Black people in nineteenth-century Hawai?i, an Indigenous and non-White society that prohibited slavery. Far from the Black Atlantic, African-descended people in the Pacific found acceptance and refuge. Since the late 1700s, Black mariners and notable figures – including former slaves from the US as well as Cape Verdeans – arrived in a non-slave society which was in the process of adopting race. Largely unrecognized, they worked in concert with Native Hawaiians – as spouses, educators, attorneys, and advisors to the monarchs – to influence and resist the development of American racial ideologies. Combining Hawaiian language sources, missionary journals, and ship logs with the scant existing historiography, this article accounts for Black people in the Hawaiian Islands during its tumultuous shift from an independent nation to a US Territory – a period and people neglected in twentieth-century scholarship on the Black Pacific.     

Imag(in)ing ‘good’ Swedish meat: gender,sexuality, race and nation in the sale of higher welfare chicken

Abstract

This article attends to the ways that meat from higher welfare chicken is sold in supermarkets in Sweden. Recognising that the ‘welfare-friendly chicken body is an achievement between the market, the animal and publics’, this article continues these discussions to show how gender, sexuality, race and nation operate within these markets and publics by looking at how welfare is marketed in chicken meat sales, particularly higher welfare chicken, compared to other meat. By attending to the images used to sell chicken, we examine how ideas about ‘the farm’ and ‘the family’ are mobilised in the supermarket. Using images of specific families, they position chicken both in the Swedish rural landscape and in intersecting social categories. These two narratives intertwine and operate as a device in the sale of high welfare chicken meat. This, we argue, hides the dependency on global supply chains and workforce, but also (re)produces ideas about what high welfare is, who cares, and how we should care. Throughout the article, we demonstrate how the narratives of farm, family, and nation operate in relation to species and welfare, as the ‘Swedish family farm’ is imag(in)ed to sell high welfare chicken in ways that contrast with meat from other animals.     

The Right to a Nice Home: housing inspection in 1930s Stockholm

This article deals with how the authorities taught the Swedes to live and how Swedish citizens came to accept such an intimate encroachment in their private lives. Why did people accept these social experts of everyday life? The answer tells us something about modern society and modernity itself.

Around the turn of the 20th century, Stockholm had one of Europe's worst housing conditions, according to Swedish experts of the time. One-room apartments were the norm, even for large families. Not all buildings had running water and often several families shared one outhouse. At the same time, the idea that the home was the place in which the conscientious citizens of the future would be raised was introduced – in Sweden as elsewhere. Dwellings became part of the social question. Many people believed that a well-functioning home would improve other aspects of life as well: men would stay at home in the evening instead of going to pubs; women would do a better job of raising the children; and public health would improve. A neglected home was seen as a sign of the exact opposite; the right to a nice home turned into a duty to live well. As an extension of this idea, housing inspections became important processes in the effort to improve the lives of citizens. The inspections were carried out by municipal employees, who were expected to monitor people's everyday lives. They functioned as housing experts, but what did these social engineers actually do? How did they become housing experts? And was their encroachment into people's daily lives accepted by ordinary citizens?     

HOW THE VISUAL IS SPATIAL: CONTEMPORARY SPATIAL HISTORY,NEO-MARXISM,AND THE GHOST OF BRAUDEL

Contemporary spatial history is founded on the potential for maps and other visualizations to show the historical constructedness of space, usually in broadly neo-Marxist terms, yet neo-Marxist geographical theory is famously critical of visual representation, especially mapping. At stake in this contradiction isn't just the relationship between digital enthusiasm and spatial theory (or the wider spatial turn), but the theoretical status of the visual itself in spatial scholarship. It raises a crucial question: how does visual material—everything from today's statistical maps and cutting-edge data graphics to the broader use of primary-source photographs or drawings—in fact shape our understanding of space, and what theoretical work does it do? By extension, how can humanists make critical theoretical interventions through their own visual production? This article proposes an analytic vocabulary of “visual argument” grounded in an image-focused rereading of two canonical bodies of work: the neo-Marxist theory most cited by spatial history (Henri Lefebvre, David Harvey, Doreen Massey, and Edward Soja) and the conspicuously uncited work of Fernand Braudel. By focusing on how these authors’ illustrations make claims about spatial subjectivity and the historicity of space—especially through visual relationships of background and foreground—I argue for a new way of understanding and responding to this work and to the visual project of spatial history today. A visual analysis highlights not only the limitations of neo-Marxism but also the pervasiveness of certain assumptions—shared across the neo-Marxists, Braudel, and digital visualization—about temporality, the natural/human dichotomy, and the methodological tensions between argument and visualization. I present my own mapping of Phoenix as one possibility for an argument-driven rethinking of familiar visual commitments, which also suggests a broader meditation on the relationship between visual and textual scholarship.     

Poster power: rural electrification,visualization, and legibility in the United States

This article examines graphic visualization and visuality in Lester Beall’s 1937 series of posters for the United States Rural Electrification Administration. The posters are commonly thought of as raising public awareness of the benefits of electricity in the rural America, but what was meant by public and awareness in 1937 in terms of rural reform in the United States has remained unclear until now. This article posits that to understand how these posters were seen in 1937 requires an acknowledgment of how Beall’s posters graphically visualized the complexities of rural electrification, and how graphic visualization was contiguous with bureaucratic communication and the visual sensitivity of a public.     

Invisible colour: Landscapes of whiteness and racial identity in international development

Racialized identity in relation to international development is a surprisingly unanalyzed theme within anthropology, even though extensively explored in connection with contemporary western multi-cultural societies and historical relations between different parts of the world. In the paper I explore race and whiteness in relation to international development, emphasizing the importance of analyzing how the historical construction of racial identity continues to inform actual lived relationships of people belonging to different geographical spaces. In order to capture the importance of development in visual and everyday lives of people in different parts of the world, I use the term "developscape", adapting Arjun Appadurai's (1996) idea of globalization consisting of different "scapes", furhtermore, as asking how this "developscape" is racialized.     

Estonian Swedish Ethnic Survival – Examples from Nuckö in the Interwar Period

Abstract

A long-term perspective is important in studies of ethnic groups and their opportunities for survival. This case study deals with the Swedish population in Nuckö (Noarootsi), Estonia, during the interwar period. Even though the Swedish population declined as a whole, some villages succeeded in maintaining their Swedish affiliation. Settlement patterns and varying opportunities to own land are important factors behind these differences. The Estonian–Swedish cultural awakening in the interwar period made it easier for people to show their Swedish ethnic identity more openly. Inhabitants in villages that already at the end of the nineteenth century had a large proportion of Estonians in their population, reacted more positively to the state's request that people change their surname as part of the assimilation policy of the 1930s. Even though people in some villages chose to register a change in ethnic status, a change of surname, and even changed their use of language, they may nonetheless have remained committed to their former Swedish ethnicity on a private level. It is crucial to combine different kinds of data, such as church records, censuses and interviews, in order to illustrate the complexities of ethnic identity from a variety of different angles.     

By the People,for the People. The Case of a Community Museum of Traumatic Greek Heritage

Abstract

This article will delineate the history and activities of the Museum of Political Exiles of Ai Stratis in Greece. The museum was founded in the 1980s by a group of former inmates who were banished in the North Aegean island of Ai Stratis, a site of political confinement between 1920s and 1960s. Since its inception, the museum has aspired to be a platform of communication, a place of healing that is by the people for the people. The aim here is to examine how this was achieved and what lessons have been learned from the endeavours of an organization that deals with a rather traumatic chapter of modern Greek history. Emphasis will be placed especially on what role the subjects of history have assumed in the design of the permanent exhibition and the educational and cultural activities.     

The bodies of others in Swedish feminism

Abstract

The body – or, more specifically, women’s bodies – has long been one of feminism’s central topics. This discussion has ranged from explorations of the cultural meaning of biology to the challenging of classification systems regulating bodies not only culturally coded as female or male but also understood through race regimes. This article seeks to explore the location of bodies within Swedish feminism, examining how women’s bodies are understood, designated and acted upon in feminist agendas. Our focus is on the location that bodies take in political conflicts among and between feminists. In particular, we explore the impact of the presence of black bodies within the field of Swedish feminism. On a theoretical level, this article bridges decolonial feminist contributions of Black, Chicano and Latin American feminist thought on the body. The research methodology combined autoethnography with feminist ethnography, including an analysis of 25 narratives of young feminist activists engaged in public resistance against, and confrontation with, the growing presence of right-wing xenophobic social movements and political parties in the public sphere.     

The Literature of English Post-Medieval Pottery

Abstract

A modern construction management technique—the Gantt chart—is used to examine how builders organized the erection of four surviving farm buildings for Sir Daniel Fleming of Rydal Hall between 1659 and 1688. His accounts allow detailed bar charts to be drawn to show the number of men employed on each trade and the duration and succession of their work.

As considerable savings could accrue from selling oak bark for tanning, tree felling was delayed until late Spring to ease bark peeling. Thus the use of unseasoned timber was encouraged, for barns had to be weather-tight by harvest time. These dual constraints imposed on builders a need to schedule their work carefully, however informally, if they were to meet their target dates.     

敦煌壁画色卡数字成像色彩管理应用研究

敦煌壁画高保真数字化采集是其数字保护工作的重要基础。依据前期研究及自主研制的敦煌壁画色卡,对敦煌壁画高保真复制品数字采集工作中图像的色彩管理性能进行了研究,并与标准色卡Macbeth ColorChecker的色彩管理效果进行了主观对比评价。研究结果表明,相同拍摄条件下,自主研制的敦煌壁画色卡的色彩管理主观视觉评价结果优于标准色卡,且对于不同类型照明光源和不同偏色设定条件,自主研制的敦煌壁画色卡可以对偏色图像颜色进行有效校正。     

From universal homogeneity to essential heterogeneity: On the visual construction of “the Lappish race”

During the second half of the nineteenth century, a radical change took place in the representation of the Saami. Whereas physical variation earlier was insignificant to cultural representation, from then on it became the very essence of their otherness. In this paper I relate the change in the representation of the Saami to the emergence of a modern discourse in which the concept of ‘race’ became central to the organization of knowledge and social practices as well as to the understanding of cultural difference. Moreover, I try to demonstrate how the “success” of the racial discourse was conditioned by new visual technologies.     

THE GOVERNMENT’S BUSINESS?

The engagement of Swedish industry in the Liberian American–Swedish Minerals Company (LAMCO), which mined iron in Liberia between 1963 and 1989, was the largest Swedish commercial investment in Africa during the Cold War. In this paper I investigate how political and administrative actors of the Swedish government conceptualized the link between private and public interests in the context of LAMCO’s operations, and how this shaped Swedish government policy towards the company and Liberia. I identify two phases: a phase of almost unanimous political support for LAMCO and close Swedish–Liberian relations from ca. 1955 to 1965, and a more fragmented phase following 1965, during which LAMCO was increasingly understood as a political liability. My findings show how business interests could figure into Swedish foreign policy during the Cold War, highlighting the coherence with which Swedish industry and government acted in relation to the commercial interests in Liberia before ca. 1965, but also the lack of coherence – between government and industry as well as within the state apparatus – that followed the turn to a more activist policy after the mid-1960s.