Labour Geography of the National Question in Times of Decolonisation: Sharecropper Politics in Western Punjab,c. 1945–1953

This article examines the labour geographies of nationalism through sharecropper “articulations” of anti-colonialism. I study the Punjab Kisan (peasant) Committee at the eve and dawn of Pakistan’s independence from British colonialism. I analyse their actions and claims through newsletters, activist memoirs, and colonial reports. I situate them in relation to other social and political forces: the state, landlords, and Muslim nationalists. Whereas labour geography has often ignored nationalism, I outline an approach for the sub-field to address this gap. First, subaltern nationalisms re-articulate labour, land, gender, and religion in place-specific ways. Second, exclusionary and liberatory nationalisms are variegated responses to the dynamics of being integrated to an imperialist world-economy. This study found these multi-religious peasant committees articulated sovereignty over labour, land, and social reproduction with the national question. Further, this article contributes to the subaltern and labour historiography of Pakistan.     

Luis Simarro Lacabra [1851–1921]: From Golgi to Cajal Through Simarro,via Ranvier

Knowledge of cerebral structure and function in its modern form can be traced to the neurone doctrine based largely on the work of Santiago Ramón y Cajal [1852–1934] and his lifelong exploitation of the Golgi method. Cajal openly acknowledged his debt to the neuropsychiatrist Luis Simarro Lacabra [1851–1921] who introduced him to the method in 1887, and recalled that the sight of the silver-impregnated nerve cells was the turning point which led him to abandon general anatomy and concentrate on neurohistology. Simarro, who dissipated his free time in trying to improve not only the scientific but also the political world around him, was able to produce exciting Golgi preparations of the cerebral cortex after he returned from voluntary exile in Paris from 1880 to 1885. Certainly it was there that he learned the methods of experimental histology from Louis-Antoine Ranvier [1835–1922] whose laboratory exercises, in the guise of lectures, he attended assiduously.     

Representations of the Outbreak of World War II in Polish Film, 1945–67: From Partial Recognition to a Component of National Memory

In September 1939, Poland was invaded by Nazi Germany and the Soviet Union, starting World War II. The war’s end in 1945 marked not the true liberation of the country, but the beginning of a period of Soviet domination that ended only in 1989. As a result, for forty-five years of Polish history, the alliance made by the Hitler with Stalin in 1939 and its tragic consequences for Poland were taboo across society. Polish filmmakers presenting the beginning of World War II were constrained by realities of the Communist state and its own historical narratives. These films reflect what happened to their country in 1939 and highlight the political changes that occurred within Poland under Communist rule, as well as the impact of shifts in the regime itself. The most significant period in this regard was 1945–67, when the outbreak of war was first presented following the end of Stalinism, emerging as a component of national memory both generally and for the Communist authorities.