Gombrich’s critique of Hauser’s Social History of Art

This article examines E.H. Gombrich’s critical appraisal of Arnold Hauser’s book, The Social History of Art. Hauser’s Social History of Art was published in 1951, a year after Gombrich’s bestseller, The Story of Art. Although written in Britain for an English-speaking public, both books had their origins in the intellectual history of Central Europe: Gombrich was an Austrian art historian and Hauser was Hungarian. Gombrich’s critique, published in The Art Bulletin in 1953, attacked Hauser’s dialectical materialism and his sociological interpretation of art history. Borrowing arguments from Karl Popper’s critique of historicism, Gombrich described Hauser’s work as collectivist and deterministic, tendencies at odds with his own conception of art history. However, in his readiness to label Hauser a proponent of historical materialism, Gombrich failed to recognize Hauser’s own criticism of deterministic theories of art, especially formalism. This article investigates Gombrich’s reasons for rejecting Hauser’s sociology of art. It argues Gombrich used Hauser as an ideological counterpoint to his own version of art history, avowedly liberal and individualist in outlook.     

Tocqueville’s Dual Theory of Revolution

Alexis de Tocqueville’s political thought is often seen as inconsistent for offering two apparently dissimilar theories of revolution. The first is universal democratisation, understood as a social phenomenon and a grand revolutionary change; the second sees revolution as the logical continuation and radicalisation of the preceding regime. The following question arises: was Tocqueville inconsistent in his principal works? I argue that this was not the case and that the two processes are complementary elements in Tocqueville’s model, which combines the ancient cyclical science of regime change with modern theories of revolutionary progress. What Tocqueville offers is a powerful political theory with considerable predictive power. Tocqueville, I consequently claim, should be viewed as a theorist of revolution rather than as a theorist of democracy per se.     

The Romance of Grime’s Graves

Abstract

The sculptures of the chapter house at York Minster are important examples of medieval art which hitherto have received little attention from scholars. Two problems posed by the sculptures are examined: the extent of restoration, and the iconography.

Some of the chapter house sculptures were mutilated and later restored; medieval and modern work contrast in stone preservation and in methods of attachment to the canopy. Fortunately the figures, which are full-length sculptures rather than heads, for the most part escaped destruction or later attempts at improvement.

The sculptures probably symbolise moral virtues and vices. Individual sculptors differed in their portrayal of allegorical subjects to illustrate this theme. A progressive group chose ordinary animals and attempted a realistic depiction. A conventional group opted for the more stylised, fantastical monsters of an archaic tradition.

Finally, Dr Eric Gee's identification of ‘toothache’ figures is reconsidered.     

The date of Marvell’s Hortus

A post-Restoration dating of Marvell’s poem The Garden and its Latin companion piece “Hortus” to around 1668 has been generally accepted in recent criticism, despite some counter-arguments from those who defend the traditional dating to Marvell’s period at Nun Appleton (1650–2). None of these analyses, however, have attempted to date the Latin rather than the English poem. This article offers a new dating of “Hortus” to around 1654, during Marvell’s time at Eton as tutor to John Dutton. The argument is based on a series of parallels and allusions to Latin poetry either dating from, or demonstrably particularly fashionable in, the period between 1646 and 1654, as well as close attention to the political resonance and contemporary understanding of the poem’s classical sources. As such, it is also a case study in the dating of neo-Latin verse, of which many thousands of examples survive from seventeenth-century England.     

Ismail Kadere’s Idea of Europe

The aim of this article is to reconstruct and pinpoint the peculiarities of Ismail Kadare’s idea of Europe. Kadare’s idea of Europe, it is argued, differs from the ideas of Europe embraced or presumed by intellectuals like Paul Valéry, Georg Simmel, Danilo Ki?, Václav Havel, Adam Michnik, or Milan Kundera, or from that of the European Union. For Kadare it is literature rather than the polis or its particular ideology that is the guardian of European values. Thus the European legacy, in his view, is primarily Homeric rather than Socratic. I suggest first that the persecution of writers and the repression of literature in totalitarian regimes underlies Kadare’s idea of Europe. I then further characterize Kadare’s theme of persecution as a dialectic between regime and culture. Finally, I reconstruct Kadare’s narrative of Albania’s “return to Europe” as the struggle for recognizing Albania as the birthplace of European culture.     

Tendzin Phuntso＇s Chemistry of Salts

An examination of large quantities of Tibetan data for a project entitled “Alchemy and Alchemic Medicines of Tibet revealed that ancient Tibetan terminology for and classification of inorganic salts have much in common with modern chemistry. This is particularly true of research conducted by Tendzin Phuntso (born in 1672 in Gongjo Count, Chamdo, Tibet) and his representative work, “gso rig gcesb dus rin chen phreng ba bzugs so“. This work summarizes Tibetan recognition of inorganic salts in chemistry over the course of 1000 years or more, and is of great significance in the world history of science and technolgy.     

The Neurophysiological Aspects of Pavlov’s Theory of Higher Nervous Activity: In Honor of the 150th Anniversary of Pavlov’s Birth

Whereas Ivan P. Pavlov (1849-1936) is well-known for his work on classical conditioning, his contribution to neuroscience, particularly his interest in the function of neural centers in the central nervous system, is not as widely known. During the last three decades of his life, Pavlov explored cortical processes by salivary reflex conditioning, a method he used to develop his theory of higher nervous activity. This theory outlined the function of the brain in higher organisms in their interaction with the changing environmental contingencies. As early as 1908, Pavlov outlined a neurophysiological theory as the physiological basis of his theory of higher nervous activity. He maintained that the neural processes of excitation and inhibition irradiate and concentrate among the cortical neural centers. Most of all, he emphasized the plasticity of the cortex in higher organisms’ in the Darwinian struggle for existence.     

The Analysis of Lin Yutang’s Humor

Lin Yutang is called the master humorist in China.He advocates humor and spiritual literature in his magazine Lun Yu(Analects)which attracts essays and readership.His informal but polished style in both Chinese and English makes him one of the most influential writers of his generation,and his compilations and translations of classic Chinese texts into English are bestsellers in the West.Humor is a distinctive feature in his works.In his book,he uses humor as he sees appropriate,and through humor he criticizes social realities,depicts characters and introduces original expressions,etc.His humor can be related to some aspects in his life.In this paper,I will briefly analysis Lin’s sense of humor and how Lin’applies humor in his works.     

William Alexander’s Image of Qing China

William Alexander was the official draughtsman of the Macartney Embassy. His pictures of China covered a wide range of themes. Each theme represented a certain purpose. Landscapes, architectural drawings, and portraits constituted the majority of the drawings, which reveal the Embassy’s enthusiasm for obtaining visual knowledge of a variety of aspects in the society of China. The drawings of still life, costume, native species, and religious ceremony occupied the remainder, and provided the audience with a more intricate impression of China. In comparison with other European and some earlier generation artists’ works, Alexander’s pictures convey a peculiar British idea of China at the time, and hint at the potential crisis between the two countries.     

15-Year Chronicle of China＇s Tibet

The year 2004 marks the 15^th birthday of our magazine. In that time,we have worked for the goal of showing our readers throughout the world the real Tibet. During the period, we have published 212 issues (Chinese, Tibetan and English editions), containing stories running to hundreds of thousands of words and thousands of photographs. They have told of the     

The Politics of Hella Wuolijoki’s Autobiography

This article approaches the Finnish-Estonian Jill-of-all-trades, Hella Wuolijoki (1886–1954), through her autobiographical writings. She was active in business, politics, science and culture during a turbulent time in Finnish history, and her radical political stance and unorthodox methods made her a controversial person. The article revisits the concept of persona, as it has been used in history of science, in order to analyse how Wuolijoki used her autobiographical writings to expand the field of acceptable actions for women, and to justify her own life choices.     

Gladstone’s Land: the changing face of Edinburgh’s Royal Mile

SUMMARY: This paper presents the results of recent archaeological research into the building known as Gladstone’s Land on Edinburgh’s Royal Mile. The aim of the research was to examine to what extent historical fabric had survived in light of extensive historical intervention. The building is a surviving example of Edinburgh’s Old Town urban architecture, which is characterized by tall structures with a shop front and densely occupied residential spaces. The paper presents evidence of the development of the building from the 16th century to its conservation in the 20th century. This development involved the replacement of formerly timber elements in stone and the creation of ornate painted interiors. The history of the building and the archaeological evidence embedded within it offer evidence of the life and changing architectural trends of Scotland’s capital. It also adds to our current understanding of heritage practice in the 20th century, raising issues of authenticity and the social construction of visitor-oriented heritage.