TOWARDS A BIOPOLITICS OF THE VICTIMIZED BODY

This article discusses the creation of assault as a crime against health and life as this discursive process is expressed through Swedish laws, legislative discussions, and legal practice from 1945 to 1965. Inspired by Michel Foucault’s theoretical reflections on biopolitics and sociologist Thomas Lemke’s outline to a analytics of biopolitics, the article argues that a most central component in the genealogy of assault as a crime against health and life was a shift in the first post-war decades, from a predominant legal idealistic paradigm within Swedish jurisprudence, by which assault was defined as a crime against bodily integrity, to a legal realistic epistemology, imbued with the scientific knowledge and empirical ‘truth’-producing practices of modern medicine. As an effect, new discourses around the victimized body emerged, through which prevailing knowledges and ‘truths’ around violent crime and its effects were challenged and marginalized. In this discursive process, the 19th-century legal-moral category of violent crimes finally collapsed into the overarching legal category prescribed by Brottsbalken (1965) as ‘crimes against health and life’. Consequently, the victimized body was deprived of all meaning but ‘life’ and thus created as a biopolitical space, available to series of life-governing interventions and regulatory practices.     

How matter comes to matter in children's nature play: posthumanist approaches and children's geographies

In the present paper, a posthumanist approach is used to analyse children's play activities in natural environments. The aim is to analyse intra-actions between children, the material environment and discourses, with a focus on the material and embodied aspects of these intra-actions. Forty-two children between six and eight years and from two Swedish schools participated in the study. Video observations of play activities have been the most important data source. For the analysis of how matter ‘acts’, play with sensorimotor content has been distinguished from play with symbolic content. In sensorimotor play, matter seems to ‘talk’ more directly to children's hands and bodies. In play activities with symbolic content, matter works both directly and through discourses, when objects are given symbolic meaning. In both kinds of play, discursive practices in the peer groups are influential.     

The Burial of the Dead: the British Army on the Western Front, 1914–18

Abstract

This article examines the ‘war culture’ that developed within the British Army with regard to death and burial on the Western Front. Soldiers on the battle?elds responded to the presence of death and the bodies of the dead through a speci?c framework that was used to understand this perverse and violent landscape. This drew upon pre-war practices and emphasized the physicality of the corpse in the desire to ensure a ‘decent’ burial for a ‘pal’.     

‘So that we don't spoil them’: understanding children's everyday mobility through parents’ affective practices

ABSTRACT

Children's everyday mobility and freedom of movement have been closely linked to parental practices, or what has been referred to as parental ‘mobility permits’ or ‘mobility licences’. Most research tends to focus on parental restrictions, while this article explores the affective practices Swedish middle-class parents use in order to enhance their children's mobility, i.e. how emotions are perceived as enabling parents’ and children's spatial experiences and thus their feelings of safety and security; as well as how emotions are talked of as disabling or disrupting the potential for children's mobility. These affective practices are analysed in relation to the parents’ self-reflexive positioning on a continuum between ‘the helicopter parent’ and ‘the engaged and enabling parent’. The material for the article is comprised of 33 interviews with the children's parents, carried out within a larger ethnographic research project on children's everyday mobility in Sweden.     

Beyond ‘Culture’ as an explanation for intimate violence: the politics and possibilities of plural resistance

This article interrogates simplified culturalist explanations of gendered violence, which evoke timeless ‘tradition’ and religiosity to locate violence in racialized places and upon ‘othered’ bodies. I examine structural processes that shape women’s experiences of and vulnerability to intimate violence. My analysis complicates culturalist narratives, but engages critically with culture as one context within which violence is embedded. Drawing on field research within Muslim communities in Hyderabad, India, I discuss the complexities of interwoven experiences of structural, state, and intimate gender violence. I draw attention to how anti-violence organizations working in marginalized communities theorize these complexities, and practices of what I am calling ‘plural resistance,’ which these organizations enact through equally complex responses to such violences. Plural resistance describes community-based strategies that simultaneously reject both gender violence and other forms of systemic violence, such as poverty born of uneven development. Embodied resistance to gender violence provides a critical lens for understanding articulations between regional patriarchies, exclusionary state practices, uneven development, and Islamophobia.     

New Boundaries of Influence in Highland Papua: ‘Culture’, Mining and Ritual Conversions

This article considers the new boundaries of influence among Fuyuge speakers in the Udabe Valley (Central Province, Papua New Guinea [PNG]). These new boundaries have arisen through the conjunction of epochal shifts implicating the PNG State, and local forms of ritual. On the one hand the PNG State's particular advocacy of widespread resource extraction is coupled with its need to comply to signed agreements of international bodies such as the World Trade Organization. Both have consequences for the way boundaries are newly conceived with respect to the ‘land’ (‘landowners’) and with respect to ‘culture’ (‘cultural property’). On the other hand, peoples such as the Fuyuge create and recreate local boundaries of influence through the performance of ritual conversions ‐ as regards persons, place names, or collective names. At the same time a local Fuyuge perspective on ‘culture’ suggests that its boundaries be delineated, analogous to the definitions of boundaries for ‘landowners’ compelled by mining operations. The article highlights connections between these local changes and the current concerns of PNG academic scholars to mandate the protection of localised PNG cultural property, an outgrowth of current epochal alterations.     

From Coombs to Crean: popular music and cultural policy in Australia

The many bodies administering Australian arts activity were incorporated within the Australia Council, established in 1973 by the Whitlam Labor Government to oversee Commonwealth arts policy under the direction of H.C. ‘Nugget’ Coombs. This article takes the establishment of the Australia Council as a starting point in tracing changing attitudes towards the practices and funding of popular music in Australia and accompanying policy discourses. This includes consideration of how funding models reinforce understandings of ‘high’ and ‘low’ art forms, the ‘cultural’/‘creative’ industries debates, and their effects upon local popular music policy. This article discusses the history of local music content debates as a central instrument of popular music policy and examines the implications for cultural nationalism in light of a recent series of media and cultural reports into industries and funding bodies. In documenting a broad shift from cultural to industrial policy narratives, the article examines a central question: What does the ‘national’ now mean in contemporary music and the rapid evolution of digital media technologies?     

SWEDEN AND THE LONG ‘1968’: BREAK OR CONTINUITY?

The first part gives a chronological overview of the Swedish ‘1968’, in this article defined as a phenomenon with its roots in the late 1950s and it's end around 1980. Three phases are identified: a ‘liberal’ until 1965, a ‘red’ in the late 1960s and the ‘diversified’ 1970s. Underlying this time schedule are two characteristics of the Swedish ‘1968’ in its extended form: the role of the social movements and the interaction between old and new movements; and the unique role of the intellectuals. The second part discusses the (late and limited) research so far on this topic in Sweden. The academic works are still few and the critical debate little developed. One of the topics discussed is to what extent ‘1968’ was something fundamentally new and to what extent it was influenced by older social movements.     

Complicating hetero-normative spaces at school formals in New Zealand

The school formal in New Zealand constitutes a rich site of analysis for researchers interested in gender and sexuality performances. As a social space, the formal both shapes bodies and is shaped by them. In this article, we explore the school formals of three different types of schools: a single sex girls’, a single sex boys’ and a co-ed. high school, all from an urban centre. Using the theoretical tools provided by poststructuralism and queer theory, we conducted a discourse analysis of observations conducted by the first author at two school formals, interviews with staff and students and interviews with peer researchers. We demonstrate how same-sex practices do not necessarily map onto queer bodies, masculinity onto ‘male’ bodies or femininity onto ‘female’ bodies. Such fluidity challenges the rigid heterosexual/homosexual and masculine/feminine binaries so that schools are more inclusive of gender and sexual diversity.     

‘Operation Restore Public Hope’: Youth and the Magic of Modernity in Vanuatu

ABSTRACT This paper explores the measures known as ‘Operation Restore Public Hope,’ which were authorized during the State of Emergency in January 1998 in Port Vila, Vanuatu, after rioting and looting erupted over the alleged government mismanagement of the mandatory workers' savings fund. The excessive police violence associated with these ‘clean‐up measures’, I argue, undermined the state's claim ‘to restore public hope’ and illuminated the changing relationship between kastomary leaders and the state as well as their competing strategies to define and maintain social order. The extraordinary events of the State of Emergency point to the confluence of sorcery practices and police violence; underline the contested nature of everyday life, and draw attention to the disciplining of young bodies in new urban spaces. Exploring the deployment of a sorcery technique to counter police violence highlights the landscapes of modern power in Vanuatu where magical and state practices coexist with regimes of violence.     

THE BUSINESS OF WELFARE

A common narrative in welfare state research is that Sweden exemplifies a specific model of welfare, ‘the Swedish model’, or ‘the Social democratic welfare regime’. From this perspective the emerging welfare state left little room for private initiatives – the stage was set for the development of an encompassing welfare state in the 1950s. In this article I argue that this, virtually hegemonic, perspective has hindered an analysis of how private insurance co-existed and thrived within the emerging Swedish welfare state. As an alternative approach to ‘modelling’ – the concept of welfare-formation is developed to analyse mutually sustaining practices of welfare. I show how the insurance business and its protagonists influenced the settings of public pension schemes in a way that underpinned their own interests. A close cooperation with the state apparatus was fundamental for creating a trustworthy insurance market and legitimizing the business claim of fulfilling a social mission. The business adaptability in the shifting landscape of social policy also influenced perceptions of security and welfare in general. Commercial ideals became an essential dimension of the welfare state. By exploring this marginalized history – the business of welfare – the study deepens our understanding of modern welfare societies.     

Home sounds: experiential practices and performativities of hearing and listening

We argue that a closer attention to the everyday visceral experiences of hearing and listening offers new insights into geographies of home and practices of sustainability. We suggest that this approach is significant to understanding how sound helps to assemble and reassemble the relationships that comprise home. We concentrate on a group of 10 amenity-led migrants in their ‘new coastal home’ in Bermagui, New South Wales, Australia. Each participant recorded a sound diary composed of their everyday sounds. Our interpretation explores the visceral connections in the processes of making bodies feel ‘at home’. First, we discuss how the rhythmic affordances of both human and non-human sounds help configure and reconfigure the spatiality and temporality of home. Second, our interpretation explores how sound is bound up with sustainability politics of homemaking. We investigate experiential practices and performativities of listening and hearing that may help constitute and reconstitute ‘a’ subject. This approach extends current thinking that encourages engagement with the corporeal, affective and emotional dimensions of home.     

Crafting heritage: artisans and the making of Indigenous heritage in contemporary Taiwan

Since the 1990s, Indigenous groups in Taiwan have been increasingly engaged in retrieving and reviving cultural practices that are considered ‘traditional’ and markers of Indigenous identities. This article takes such recent and ongoing revival of cultural practices and connected material culture amongst Taiwanese Indigenous groups as the departure point to argue that the idea of a ‘contemporary Indigenous heritage’ is constructed (notably by Indigenous artists and artisans) through the conflation of ‘tradition’, ‘value’, ‘authenticity’ and ‘indigeneity’, as well as creativity and innovation. In the article, I endeavour to explain this process. To this end, I identify and illustrate a set of strategies and discourses through which Indigenous artists and artisans in Taiwan construct their work as both ‘Indigenous’ and ‘heritage’. I suggest that such strategies and discourses revolve around the following: (i) materiality, (ii) visual display and performance, (iii) Indigenous cultural research and (iv) knowledge transmission. Building on the Taiwanese case study, this article furthers scholarly enquiries into the making of heritage by generating an enhanced understanding of the role of artists and artisans in the creation, renewal, authentication and transmission of ‘Indigenous heritage’.     

Reassessing the ‘Crisis of Faith’ in the Victorian Age: Eclecticism and the Spirit of Moral Inquiry

This article examines both recent scholarship in the field of Victorian religion and conviction alongside new research on secularization that have cast doubt on an older historical narrative about the ‘crisis of faith’ and the ‘triumph’ of the secular. My discussion challenges the emergence of an alternative narrative of crisis that focuses on the ‘crisis of doubt’ rather than the ‘crisis of faith’. In particular, it answers the recent work of Timothy Larsen who argues that many past (and some present) approaches to Victorian religious culture have overemphasized doubt at the expense of considering enduring forms of Christian religiosity. By reappraising the career histories of the radical secularists (notably, Annie Besant) that Larsen uses to support his thesis, I test some of the key assumptions and conclusions of his influential account. My analysis questions the positioning of faith and scepticism as polar opposites and the usefulness of the idea of ‘crisis’ when examining either belief or doubt. Changes in individuals' convictions and practices might be better seen as part of their life-long quest for an all-embracing morality.     

‘The meat market’: production and regulation of masculinities on the Grindr grid in Newcastle-upon-Tyne,UK

This article explores the regulatory practices that shape the production of embodied masculinities in profile pictures in the online dating app, Grindr. Mobile dating applications are becoming increasingly enmeshed in everyday socio-sexual lives, providing ‘new’ spaces for construction, embodiment and performance of gender and sexuality. I draw on 31 semi-structured interviews and four participant research diaries with men who use Grindr in Newcastle-upon-Tyne, a post-industrial city in North East England. Exploring the ways men display, expose and place their bodies in online profile pictures, revealed the production of two forms of masculinity – hypersexualised masculinity and lifestyle masculinity. I argue that the regulatory practices that shape men’s bodies in everyday spaces work to produce these masculinities. I take a visual approach that pays attention to the spatial practices that produce pictures, but that also pays attention to other senses, particularly touch. Paying attention to the visuality of the Grindr grid enables an understanding of the instability of online/offline dichotomies, as it is the interactions of online and offline spaces that enable the production of digital masculinities.     

Losing it in Hawai‘i: Weight Watchers and the paradoxical nature of weight gain and loss

In Hawai‘i, bodies may be big, successful, widely accepted, and revered by their public, yet some subjects may simultaneously be seeking a thinner body even with what appears to be ‘fat acceptance’ by many state residents. This article analyses weight and weight loss narratives of two prominent public and nonwhite men, Israel Kamakawiwo‘ole and Sam Choy. We connect these narratives to Weight Watchers International discourses of slimming as these apply to ‘nonwhite’ subjects in Hawai‘i. We suggest that Weight Watchers normalizes thinness through discourses of whiteness inherent in particular foods. Hawai‘i's regional cuisine known as ‘Local Food’ is framed as ‘exotic,’ which is distinct from what the organization proposes is ‘good’ food that produces ‘healthy’ bodies. Weight Watchers narrates slim bodies and health while normalizing ‘white’ cuisine and the bodies who consume it thereby excluding Local brown bodies in Hawai‘i.     

How Civilized Were the Victorians?

Abstract

This article addresses the role of the ‘civilizing process’ in the historiography of the Victorian period. The author develops a critique of perspectives that deem the nineteenth century to be an era of discipline and self-restraint, arguing that these result from the hegemonic position of literary perspectives within Victorian Studies and their frequent reliance on Foucauldian-inspired techniques of discourse analysis. In response, he outlines and illustrates the potential for alternative research agendas and approaches that move away from representational sources in order that the Victorian period can be viewed in a new light. These include the study of vernacular photography, cultures of leisure, and the subcultures of groups where the importance of ‘nonverbal’ practices and the cultures inherent in bodily experiences are highlighted – forms of expression that reach beyond established discourse. It is argued that the failure of scholars of the Victorian period to consider this ‘nonverbal’ culture means that the theoretical frameworks of comprehension that currently characterize Victorian Studies are underdeveloped. The essay calls for Victorianists to broaden their theoretical perspectives, engage with new sources, and embrace new methodologies in order to enlarge our understanding of nineteenth-century culture.     

South–South? Culture Talk and Labour Relations at a Chinese‐owned Factory in Hungary

In 2011, a large Hungarian chemical factory was acquired by a Chinese competitor. The resulting encounter between Chinese managers and Hungarian staff — which took place in the context of a harsh retrenchment that has curtailed the powers of organized labour in Hungary — highlights the inadequacy of dichotomies such as North/South, East/West and socialist/capitalist. As with other corporate acquisitions in Europe, Chinese managers expected to ‘learn’ from ‘advanced Western management practices’; instead, they found what they interpreted as a backward, ‘socialist’ work culture in need of modernization. For their part, Hungarian staff feared the imposition of a culturally inappropriate ‘Asian labour discipline’, but have come to see at least some of the changes as part of a necessary modernization. ‘Asian’, ‘European’, ‘Western’ and ‘socialist’ are floating signifiers used by both Chinese and Hungarian staff at the factory in various, often contradictory ways to justify management choices, staff resistance or individual preferences. As a result of their analysis, the authors suggest that discussions about the impact of Chinese investment on labour practices should recognize a wider range of contexts, including the presence of precarious socioeconomic environments within the so‐called ‘advanced economies’.     

Getting comfortable to feel at home: clothing practices of black muslim women in Britain

This article explores the role of comfort as an affective encounter across bodies, objects (namely clothing) and spaces. I focus on how bodies that are marked as strange and a source of society’s discomfort negotiate this positioning through the presentation of one’s body. What does it mean for these bodies to be comfortable or uncomfortable? This question is answered through work done with Black Muslim women in Britain. By exploring how comfort is felt in relation to racially marked bodies, this article develops work on emotional geographies. Comfort is understood as both an emotional product and process that changes as bodies move across different spaces. In noting this movement, I also explore how boundaries around the body (enacted through e.g. the multi-dimensional hijab) presents a particular form of territorialisation that facilitates comfort as we present our bodies across different spaces. These boundaries can be both a source of comfort and discomfort through their positioning as deviant from social norms. In understanding the different roles of boundaries, I explore the social processes that construct comfort (or discomfort) as we move through different spaces. This is intertwined with furthering work on Muslim geographies by challenging the overwhelming focus placed on ‘public’ facing garments like the headscarf and abaya. Such a focus limits an understanding of the fluidity of Black Muslim women’s identities, and how these changes in our clothing practices affect and are affected by the relationships built across spaces.     

‘Looking alright,feeling alright’: emotions,sizing and the geographies of women's experiences of clothing consumption

Recent work within geographies of consumption has focused on the practices of consumption as a means to find out ‘what people do when they go shopping’. This paper argues that few of these accounts of consumption have considered the significance of emotions in understanding the intricacies of consumer experience. Drawing on material from research about women's experiences of clothes shopping this paper, therefore, utilizes recent work in the social sciences which understands emotions not as inherent or as induced by practices or commodities and instead emphasizes the intersubjective nature of emotions whereby emotions ‘are self‐reflective, involving active perception, identification and management on the part of individuals’ (Lupton : 16). In short, this view posits that the consumer has the capacity to ‘manage’ or to experience and re‐experience emotions in particular consumption moments. Such an understanding offers a conceptualization which does not conceive of women's engagements with consumer culture within a victim/resistance dichotomy, instead uncovering geographies of consumption in which women may feel uncomfortable or depressed in a particular moment but then engage in practices through which they experience that moment differently. These emotional experiences are explored through considering the significance of the spatialities of the changing room, shop floor and the corporeal space of the ‘sized’ body, and the consumption practices of cheating, coping and connecting.