‘Mr Neville did all in [his] power to assist me’: A. P. Elkin,A. O. Neville and Anthropological Research in Northwest Western Australia, 1927–1928

From the commencement of his field research A. P. Elkin sought to bring a practical application to his work on Aborigines. He positioned anthropology as an enabling science which had the capacity to reduce conflict, violence and misunderstanding on the frontier. He stated that the ‘object of his mission [field work]’ was both ‘academic and practical’. He declared that the knowledge gained through anthropological field research would serve not only narrow academic aims but would also be put at the service of government. Anthropology's purpose was to inform and influence the formulation of government Aboriginal policy. This paper examines Elkin's first encounter and interaction with government through his relationship with A. O. Neville, chief protector of Aborigines in Western Australia. It illustrates the beginnings of what Gillian Cowlishaw has called a discourse of helping, that is Australian anthropologists in the 1930s constructed a discourse about their usefulness to government. It was a discourse which seemingly lacked critical distance from the policies of government. I argue that this discourse of helping government was heavily influenced by Elkin once he became professor of anthropology but it can be discovered in this earlier period. I conclude by discussing how the implications of this discourse were played out in the decade of the 1930s. The focus of this paper is on Elkin and his relationship with Neville and the consequences of this relationship for Elkin's later actions.     

Western plague literature,the Irish Famine and Anthony Trollope’s Castle Richmond

This article places Castle Richmond, Anthony Trollope’s controversial Irish Famine novel, within the context of Western plague narratives as outlined by recent plague narrative scholars and by René Girard in his seminal 1974 essay “The Plague in Literature and Myth”. By demonstrating Castle Richmond’s conformity to a very particular cluster of attributes found in Western plague literature, this article helps expand our reading of Trollope’s novel, a work that is otherwise often seen as an incoherent failure. This article proposes that Trollope used Western plague discourse to structure and organise his response to Ireland’s Great Hunger. I contend here that we see in his novel’s construction the scaffolding of Judaic, Greco-Roman, Medieval and Renaissance plague narrative traditions, traditions that follow a predictable pattern of transgression, punishment, near social collapse, atonement achieved by expelling or sacrificing a scapegoat or scapegoats, followed by the restoration of an improved social order. This line of reasoning encapsulates Castle Richmond’s overt logical structure. Yet, this article goes on to argue that there are numerous ways in which Trollope undermines the logical “inevitability” and the “divine ordination” of the Famine which his use of Western plague discourse implies.     

Sex,Fashion, Work: James Joyce and the Late-Victorian Actress

This article considers the presence of three late-Victorian actresses (Mrs Patrick Campbell, Eleonora Duse, and Sarah Bernhardt) in the work of James Joyce. The first appears in Joyce’s short story ‘A Mother’ (Dubliners). The strong influence of the other two is also detectable in the characterization of Ulysses’ heroines, Gerty MacDowell and Molly Bloom, and in a seminal text of late modernism, Finnegans Wake. In ‘A Mother’, Joyce’s attention to the importance of fashion on the stage and to poor working conditions for female performers calls to mind the career of Mrs Patrick Campbell. In Ulysses, Gerty’s performance in ‘Nausicaa’ recalls the techniques of the Ibsenian actress Eleonora Duse, known especially for her blushing; I argue that, given this famous skill and Joyce’s fascination with her, Duse directly informs Gerty’s characterization. Finally, Molly Bloom’s repertoire of dramatic references, including Trilby, Lillie Langtry, Sarah Bernhardt, publicity photographs, and Pineroticism, suggests Joyce’s immersion in a late-Victorian dramatic world. After sketching these connections in detail, I show that his interest in these actresses encourages scholars to continue to question the validity of traditional periodization boundaries. I end by arguing that the appearance of these actresses in these examples of early, high, and late modernism indicates the cultural richness of the long nineteenth century for Joyce, which continues throughout modernism’s successive phases.     

The Strange Case of Dr. Bucaille: Notes for a Re‐examination

The present essay focuses on the figure of Maurice Bucaille and on his contribution to the discourse on Islam and science. Its purpose is twofold. First of all, it aims to provide the reader with a concise map of the ideas of the French author, reconstructing their core and their interrelations. Furthermore, it aims to question what I define as “the apparent naivety” of Bucaille's work, a reason why he can sometimes be too easily dismissed, by pinpointing a number of original features of his intellectual activity. My argument is that Bucaille deserves more attention for two good reasons: firstly, because of the influence that he de facto exerts on Muslim societies, secondly, because of some highly specific characteristics of his discourse. Such features not only distinguish his contribution from analogous ones, but also give rise to interpretative questions, which have as yet been either overlooked or unsatisfactorily addressed. Closely connected to this thesis is the idea that Bucaille's work constitutes a good starting point for a discussion amongst scholars of different disciplines and from different cultural backgrounds. The first section reconstructs Bucaille's life and works. The second section focuses on his method and ideas regarding science. The third section is devoted to Bucaille's conclusions following his study of the Bible and the Qur'an, and therefore deals more closely with the core of his ideas. The fourth section covers Bucaille's complementary criticism of the theory of evolution. In the fifth section I examine the possible reasons behind the scant scholarly attention concerning Bucaille. In the final section I propose an interpretative model of Bucaille's figure conceived as a system of concentric spheres and I raise, for each one of them, several questions, which have so far been, in my view, insufficiently investigated, thus setting an agenda for further scholarly work.     

The political logic of discourse: a neo-Gramscian view

This article contrasts Mark Bevir's approach to the history of ideas with a neo-Gramscian theory of discourse. Bevir puts the case for an ‘anti-foundationalist’ approach to understanding ideas, yet he defends a weak rationalism centred on individual intentions as the original source of all meanings. Discourse theorists—specifically Ernesto Laclau and Chantal Mouffe—also adopt an anti-foundationalist perspective but pursue its implications beyond any rationalism. The advantages of discourse theory are argued to lie in its emphasis on power and conflict in the consitution and transformation of social meanings and identity. Laclau and Mouffe's work, it is claimed, alerts us to a political logic of discourse that Bevir's more rationalist approach to ‘ideas’ sidesteps.     

The political logic of discourse: a neo-Gramscian view

This article contrasts Mark Bevir's approach to the history of ideas with a neo-Gramscian theory of discourse. Bevir puts the case for an ‘anti-foundationalist’ approach to understanding ideas, yet he defends a weak rationalism centred on individual intentions as the original source of all meanings. Discourse theorists—specifically Ernesto Laclau and Chantal Mouffe—also adopt an anti-foundationalist perspective but pursue its implications beyond any rationalism. The advantages of discourse theory are argued to lie in its emphasis on power and conflict in the consitution and transformation of social meanings and identity. Laclau and Mouffe's work, it is claimed, alerts us to a political logic of discourse that Bevir's more rationalist approach to ‘ideas’ sidesteps.     

Culture and Truth: Nietzsche and Classical Philology

Several recent studies have returned to the famous controversy over the reception of Nietzsche’s Birth of Tragedy from the Spirit of Music (1872). By reinterpreting it within the immediate context of Germany in the early 1870s, James Whitman understands this controversy as a Methodenstreit within Classical Philology and James I. Porter claims that, through this controversy, Nietzsche developed an extensive critique of modern culture. I contend that Nietzsche’s reaction to the scholarly rejection of his first publication resulted in no immediate response on his behalf; rather, it led to three years of intense rethinking and strengthening of the position he took in The Birth of Tragedy. This is evidenced in his early published essays and notebooks of 1872–1875. From the first readers of these early notebooks, Karl Schlechta and Anni Anders, to its most recent interpreters, Richard T. Grey and Alexander Nehamas, these scholars are unanimous in understanding them as Nietzsche’s attempt to work through a number of conventional philosophical problems. I argue that Nietzsche developed in these essays and notebooks a type of criticism that broke away from all traditional philosophical problems and creatively introduced such notions as cultural horizon, background phenomena, and life as a philosophical measure — all of which would be further refined in his mature texts of the 1880s and underpin his innovative concepts of the will to power and eternal recurrence.     

Zeitpfeile,Zeitfaltungen und Diskursanalyse: zu Kontinuitäten der Imaginationslehre

Time Lines, Folded Time, and Discourse Analysis: Continuities of Maternal Imagination. Focusing on a discourse‐oriented history of knowledge, this article deals with the relation between continuity and time. It will discuss concepts of linear and homogenous time and problematize a one‐sided focus on discontinuity and rupture in discourse analyses. After examining notions of continuity, discontinuity, and temporality in the work of Michel Foucault, I will ask how continuous elements can be theorized both as instruments and objects of research, without adopting a linear concept of time. Thus, Michel Serres' concept of folded time will be presented, because it implies a multiple, heterogenous and non‐linear temporality and entails both continuous and discontinuous entities. Thereby relations of power should be considered as factors influencing the shape of the folding. In this way, folded time can serve as a useful tool for discourse analysis, enabling to examine specific and local continuities that vary in different discursive formations. To give an example, I will briefly turn to the concept of women's imagination in pregnancy. According to most historical analyses, this concept declined in the middle of the 18^th century and persisted afterwards only as an outdated remainder in folk knowledge. Nevertheless, a closer examination reveals that knowledge on imagination was actively produced in medical advice literature and some scientific discourses until the first decades of the 20^th century. This demonstrates that an overemphasis both on rupture and on the timeline of academic medicine might conceal continuous elements and the folded time of specific knowledge formations.     

Nietzsche's magnum opus

Nietzsche did not write a completed magnum opus, a ‘Hauptwerk’, but he planned to do so during at least the last 5 years of his active life. I will show that during and after the writing of Also sprach Zarathustra this was his main aim and ambition. The projected work passed through a number of related phases, of which the much discussed and controversial ‘Will to Power’ was merely one. This intention to write a magnum opus has been denied or almost completely ignored by almost all commentators (and even the many writers of Nietzsche biographies). I will bring attention to this intention, discuss why it has been ignored and show that an awareness of it is important for our understanding of the late Nietzsche's thinking and for determining the value and originality of his late notes. It has been a failure of historians of philosophy, intellectual historians and Nietzsche scholars not to have taken this into consideration and account.     

Sermons,Preaching, and Liturgy: Practices,Research Methods,and the Case of Giordano da Pisa

This article analyses the relationship between sermons, preaching, and liturgy within the Order of the Friars Preachers in late thirteenth- and early fourteenth-century Italy. It provides an account of a specific method for the study of the medieval ‘modern sermon’ by investigating the reportationes of the sermons given by Giordano da Pisa, a Dominican friar who preached in Florence and Pisa between 1302 and 1309. The investigation using this method shows that the sermons’ subjects and arguments, often considered by historians to be a direct consequence and reflection of Florence’s social and economic reality, had in fact also much to do with the evangelical story or epistolary passage assigned to the specific date of the liturgical calendar: there are thus two principal influences rather than just one. This approach to Giordano’s sermons provides a new perspective on his work as a preacher by being more attentive to the internal construction mechanisms of sermon discourse.     

Said,Auerbach, and the Return to Philological Hermeneutics

ABSTRACT

This essay explores the relationship between Edward Said’s well-known contrapuntal reading of history and Erich Auerbach’s Ansatzpunkt, or point of departure, as a means of entering a given hermeneutic circle. Although Auerbach occupied an increasingly prominent place in Said’s critical thought, his engagement with the work of the German philologist has been largely ignored or downplayed. In this essay I take the figure of exile, which is so central to Said’s scholarship and which he explicitly links with the intellectual mission of critique, as a point of departure for a deepened exploration of Said’s critical method—a method developed in critical dialogue with Auerbach’s work. Building on the existing literature, I argue that Auerbach offers more than simply a way for Said to problematize identity politics and to challenge the dogmatism of received notions of home and political belonging. More than this, I argue that the German philologist provides Said with a way to reconfigure the dialectic between history and literature; to develop his contrapuntal approach to reading history; and to rethink the parameters of a historicist humanism that, in turn, enables him to reactivate the critical potential of philological hermeneutics.     

Is ‘child placement’ trafficking?: Questioning the validity of an accepted discourse (Respond to this article at http://www.therai.org.uk/at/debate)

Within the discursive‐institutional space occupied by organisations working on child protection, child trafficking is often assumed to represent a direct outgrowth of the socio‐cultural custom of ‘child placement’, whereby parents send their children to live (and work) within other households. In Benin, where research for this paper was conducted, the narrative of ‘placement corrupted’ has become so well established that the country's anti‐trafficking law is in fact a law regulating the movement (including placement) of minors, and has in practice resulted in a de facto criminalisation of the intra‐familial mobility that has long formed a normal component of child‐rearing and socialisation within the region. In this paper, I offer a brief overview of this situation, and attempt to question the validity of the discourse on which the anti‐placement law and its attendant policies are based. I will employ the Foucauldian techniques of discursive archaeology and genealogy to unravel the origins of the discourse, and will draw on my own and related empirical research to problematize its conclusions.     

‘A Just and Liberal Landlord’: Manliness,Work, and the Landed Gentleman in the Brontës’ Novels

The Brontës’ many striking depictions of landowners are rife with ambiguities, particularly as these characters are seldom presented at work in their traditional roles as landlord and magistrate. While the Victorian landed gentleman’s status was partially predicated on not having to work for money, both the new Victorian professional ideal and traditional conceptions of paternalist care affected the ways this class was viewed by middle-class commentators at mid-century. In the Brontës’ novels, traditional paternalist responsibilities are fused with aspects of the professional ideal in depictions of reformed landed gentlemen, but even this new, ideal figure is represented as unsatisfactory. In this article, I consider how landowners were written about in contemporary periodicals and how the Brontës engage with these expectations. The Irish tenant and landlord problem, which was covered extensively in the periodical press, shaped Emily Brontë’s Wuthering Heights in a profound way, as the novel serves as an important, but until now overlooked, reworking of Maria Edgeworth’s representations of landowning masculinity in Castle Rackrent (1800). The Brontës repeatedly depict landowners retreating into the domestic sphere, which I argue forms an implicit narrative challenge to this figure’s social authority. This article opens up new ground for the examination of Victorian discourse on professionalization in relation to the Brontës’ works and a consideration of the ways in which this discourse was applied to landowners both in the periodical press and the Victorian novel.     

2. THE PUBLIC RELEVANCE OF HISTORICAL STUDIES: A REPLY TO DIRK MOSES

I am grateful to Dirk Moses for taking the time to study my work so assiduously and to comment on it so perspicuously. His essay is eminently well‐informed and even‐handed, and I have little to add to or correct of his characterization of my many, long on‐going, and admittedly flawed attempts to deconstruct modern historical discourse. He understands me well enough and I think that I understand his objections to my position(s). We do not disagree on matters of fact, I think, but we have different notions about the nature of historical discourse and the uses to which historical knowledge can properly be put.     

“Machiavellian” Instruction: Why Hesiod’s Ainos Has No Moral

Hesiod’s fable (ainos) of the hawk and the nightingale, addressed to kings, notoriously has no moral. Its depiction of a hawk carrying off a nightingale, preaching the futility of either resistance or pleading, appears to communicate the counsel, commonly designated as “Machiavellian,” that a ruler must know how to imitate a beast as well as a man. Such instruction—which advises that unjust actions are justifiable and necessary for a ruler—is clearly at odds with Hesiod’s explicit exhortations to his brother Perses to work hard and avoid hubris, and his caution that unjust kings or lords (basileis) will be punished by Zeus. I argue that Hesiod’s addressing the fable to kings “who themselves have understanding” explains the lack of a moral. To substantiate my claim I compare Hesiod’s and Machiavelli’s ranking of intellects, and illuminate Hesiod’s position with particular reference to and comparison with Machiavelli’s Prince, and examples drawn from the Old Testament and Old Irish law.     

HUME,HISTORY, AND THE USES OF SYMPATHY

This article focuses on the role of sympathy and antipathy in David Hume's History of England (1754–1762) in relation to the broader place of sympathy in Hume's moral philosophy. Hume, in his earlier philosophical work, argues that sympathy is a naturally occurring responsiveness to others’ feelings, similar to the resonance between musical strings. In his History, however, he carefully curates his readers’ emotional responses, inviting sympathy with figures of suffering—such as King Charles I and Mary Queen of Scots—while also, often almost simultaneously, stirring intense antipathy for those whose religious extremism he regards as socially dangerous and beyond comprehension. After first situating the emergence of Hume's theory of sympathy in its early eighteenth-century context, this article explores in detail the techniques of sentimental management that appear across the six volumes of the History of England. The elaborate deployment of emotions in Hume's historiography is shown to be in tension both with some aspects of his philosophy of natural human sympathy and with his brief reflections on the writing of history. Hume channeled his readers’ sympathies toward particular targets and against others. A careful analysis of this usefully sheds light on the management of sympathy in modern historiography, on which Hume has had an enduring influence.     

‘The Stupidest Tea-Party in All My Life’: Lewis Carroll and Victorian Psychiatric Practice

An analysis of the numerous connections of Lewis Carroll to the Victorian psychiatric profession reveals their influence on the portrayal of insanity in Carroll’s fiction. Through examining his relationship with his uncle Robert Wilfred Skeffington Lutwidge, a Commissioner in Lunacy, and collating Carroll’s personal recollections from diaries and letters with correspondences of the Lunacy Commission, this article offers a comprehensive picture of Carroll’s intellectual engagement with Victorian psychiatry. Combining these insights with his literary writings illuminates the psychiatric origins of the ‘Mad Tea-Party’ and characters such as the Hatter in Alice’s Adventures in Wonderland in the organization and methods of mid-Victorian pauper lunatic asylums and their treatment of impoverished workers. Likewise, the illustrations of Carroll’s works stood in dialogue with popular imagery of insanity as well as ideas of physiognomy and their diagnostic application in asylum photography by Hugh Welch Diamond. This piece will argue that the framework of Victorian psychiatry provided Carroll with imagery he utilizes to satirize aspects of Victorian moral values. It thus aims to highlight the benefits of re-framing the works of Lewis Carroll beyond the genre children’s literature, and considering them as part of the wider Victorian discourse of the sciences of the mind.     

Ultra-modern thoughts: political theology in Leo Strauss’s Philosophy and Law

A primary theme in Leo Strauss’s early work is how medieval Jewish and Islamic political philosophy, while influenced by Plato, differs from him in crucial ways. This theme is central to Strauss’s 1935 book Philosophy and Law. Philosophy and Law concerns the medieval ‘philosophic foundation of the law,’ which provides a rational justification of revelation. For Strauss, the foundation provides this justification by virtue of some difference it has from Plato. In this paper, I offer a new interpretation of Strauss’s view of this difference. I suggest that, for Strauss, whereas Plato conceived of the legislator and his legislation, the foundation conceives of the sovereign and his sovereign laws. On this basis, I also suggest a solution to a perennial mystery of Philosophy and Law: Strauss claims that the medieval foundation reveals ‘ultra-modern thoughts,’ yet does not explicitly state the identity of these thoughts. I suggest that their author is Carl Schmitt.     

Constructing Gendered Workplace ‘Types’: The weaver–millworker distinction in Dundee's jute industry,c. 1880–1910

Victorian and Edwardian Dundee was labelled a ‘woman's town’ due to the high proportion of women who worked in the city's staple jute industry. In this article, drawing on a range of contemporary sources, I use the work of feminist historians and Foucauldian notions of discourse to interrogate this label and explore why and how working women came to be marked as particularly problematic. Further, in questioning this label, I demonstrate how two specific workplace ‘types’—the weaver and millworker—were identified and constructed in contrast to one another. This article probes the processes through which these two ‘types’ were created, contested and performed in relation to the segregations and working conditions of their respective workplaces, and argues for a markedly spatial interrogation of gender identities and the category ‘working woman’.     

Superstitionis Malleus: John Toland,Cicero, and the War on Priestcraft in Early Enlightenment England

Summary

This paper explores the role of the Ciceronian tradition in the radical religious discourse of John Toland (1670–1722). Toland produced numerous works seeking to challenge the authority of the clergy, condemning their ‘priestcraft’ as a significant threat to the integrity of the Commonwealth. Throughout these anticlerical writings, Toland repeatedly invoked Cicero as an enemy to superstition and as a religious sceptic, particularly citing the theological dialogues De Natura Deorum and De Divinatione. This paper argues that Toland adapted the Ciceronian tradition so that it could function as an active influence on the construction of his radical discourse. First, it shows that Toland championed a particular interpretation of Cicero's works which legitimised his use of Cicero in this rational context. Then, it shows the practical manifestations of this interpretation, examining the ramifications for how Toland formed three important facets of his campaign against priestcraft: his identification of priestcraft as a superstition; his argument for a rational religion in which priestcraft could play no role; and his portrayal of anticlericalism as a service to the Commonwealth.