Visual artists: counter‐urbanites in the Canadian countryside?

Professional visual artists have always enjoyed considerable latitude in the selection of a place of work and residence. Recent decades have witnessed their growing presence within the Canadian countryside. This paper seeks to provide an interpretation of this phenomenon by exploring two sub-objectives. First is to determine whether artists who establish themselves in rural communities can be considered to be part of the counter‐urbanisation movement, involving the relocation of urban residents down the settlement hierarchy. Second is to identify what types of migration are occurring and why. Our surveys of visual artists residing in the southern Ontario communities of Elora and Parry Sound reveal that most participants are part of a movement involving the decision to take up both residence and employment in a rural locale. We further find that the relocation of visual artists is driven to some extent by a strong attachment to natural landscapes. By way of conclusions, we briefly speculate about the broader population of urban residents. We remind ourselves that artists often have been harbingers of new movements and that today there are growing numbers of workers outside the artistic community who also have increasing latitude in regards to choosing where to live and work. Overall, our findings suggest that there is ongoing blurring of geographic boundaries—between space and place, between place of work and place of residence and, of course, between rural and urban.     

Trends in the residential mobility of seniors in Canada, 1961–2006

This article examines residential mobility for seniors 65 years of age and older in Canada using census data from 1961–2006. We addressed three questions. First, have seniors been increasingly likely to change their residential location within Canada or alternatively become increasingly likely to age‐in‐place? Second, has the in‐migration of seniors to Canada from other countries become more pronounced over the years? Third, does the residential mobility of seniors vary by age and sex? We used census data to calculate the percentages of seniors who changed their residence in the five‐year periods prior to each of the 1961–2006 censuses and the percentages of seniors who moved in the previous year for the 1991–2006 censuses. We calculated the percentages of seniors making local moves, longer distance moves within the same province, moves from one province to another, and moves to Canada from another country. We found that rates of residential mobility for seniors tended to increase in the 1961–1981 period but have been lower and relatively consistent from 1986–2006. We found no evidence to suggest a pattern of sustained increase in residential mobility of seniors. We conclude that Canadian seniors tend to age‐in‐place and that when seniors do change residence, the likelihood of residential mobility decreases with the distance of the move and decreases with age. Nevertheless, the likelihood of changing residence may increase for seniors 75+ years of age who need assistance and are at risk of institutionalization. We found that senior women were more likely to change residence locally than senior men. Finally, we found that from 1961 to 2006 between 0.8 percent and 1.4 percent of seniors had migrated to Canada in the five years prior to each census from other countries and that this pattern has fluctuated over the past half century with no clear trend.     

BEFORE THE DELUGE: CANADIANS ON FOREIGN OWNERSHIP, 1920–1955

More Americans now reside in Canada than at any time since the Vietnam War. This article documents and analyzes the migration, settlement, and identity of US-born residents in three Canadian cities. My work helps fill the gap in the scholarly literature on issues related to international migration at the Canadian–US borderlands. The article's overarching goal is to illustrate that transnationality, as exhibited by US immigrants in Canada, is far more complex than prior studies of transnational identity have indicated. Findings from this study indicate that transnational linkages and identities are geographically and temporally contingent and are, as such, a reflection of both time and place. My comparison of the shifting identities of American migrants who reside in three different metropolitan areas in Canada allows a more critical analysis of the ever-shifting terrain of transnational identities as they are expressed in different contexts. Data analyzed for this study were compiled from the Canadian census for the years 1961 through 2006, survey questionnaires, unstructured and structured interviews, and on-site field work.     

‘They'd Rather Go Play Footy’: an Exploratory Study of the Enjoyment and Benefits of the Arts in Western Australia's Remote Murchison Region

The role of the arts in the revitalisation and strengthening of Australia's rural, remote, and Indigenous communities has been of particular interest to Australian State and Federal Governments, as reflected through various policy and positioning documents. In order to understand the relationship between the arts and communities, it is important to explore why people engage in the arts and what might be some of the barriers to that engagement. For the rural, remote and Indigenous communities of the Murchison Region, the arts has been a useful way of reaching and engaging with residents to build a stronger sense of community, provide light relief and entertainment, and facilitate communication among community members, government, and industry. However, there are several barriers that impact on the viability of arts projects. These barriers are amplified in rural and remote areas, and particularly for the three case study communities of the Murchison Region for a number of reasons. These include the transient nature of the population, a lack of resources, isolation and remoteness, and local politics, culture and history. The arts can provide a context in which other non‐arts related outcomes, such as health, capacity building, income generation, and so on, are facilitated and achieved. It is important for policy makers to recognise and address the barriers which hinder activity and serve to lessen the impact of the arts on communities.     

Outsiders? A sociological study of Norwegian artists with minority background

Why are there relatively few successful artists from a migrant background in Norway? Based on a study of artists of known migrant backgrounds, we explore this question from the artists’ points of view. We analyze both their social and cultural background, and the mechanisms of exclusion and inclusion at work in Norway’s art world, and especially the interaction between the two. We have concentrated on the dramatic arts: theater and dance. The article presents a theoretically informed analysis of the qualitative material using the sociology of art on the one hand and the sociology of migration and ethnic relations on the other. Further, the empirical analyses are in constant dialog with other Norwegian studies of the art field and the artists themselves. The article presents original findings on the relationship between barriers in young migrants’ backgrounds and impediments to entering and navigating at the field of dramatic arts.     

Measuring potential spatial access to primary health care physicians using a modified gravity model

Ensuring equity of access to primary health care (PHC) across Canada is a continuing challenge, especially in rural and remote regions. Despite considerable attention recently by the World Health Organization, Health Canada and other health policy bodies, there has been no nation-wide study of potential (versus realized) spatial access to PHC. This knowledge gap is partly attributable to the difficulty of conducting the analysis required to accurately measure and represent spatial access to PHC. The traditional epidemiological method uses a simple ratio of PHC physicians to the denominator population to measure geographical access. We argue, however, that this measure fails to capture relative access. For instance, a person who lives 90 minutes from the nearest PHC physician is unlikely to be as well cared for as the individual who lives more proximate and potentially has a range of choice with respect to PHC providers. In this article, we discuss spatial analytical techniques to measure potential spatial access. We consider the relative merits of kernel density estimation and a gravity model. Ultimately, a modified version of the gravity model is developed for this article and used to calculate potential spatial access to PHC physicians in the Canadian province of Nova Scotia. This model incorporates a distance decay function that better represents relative spatial access to PHC. The results of the modified gravity model demonstrate greater nuance with respect to potential access scores. While variability in access to PHC physicians across the test province of Nova Scotia is evident, the gravity model better accounts for real access by assuming that people can travel across artificial census boundaries. We argue that this is an important innovation in measuring potential spatial access to PHC physicians in Canada. It contributes more broadly to assessing the success of policy mandates to enhance the equitability of PHC provisioning in Canadian provinces.     

Crown, corporation and church: the role of institutions in the stability of pioneer settlements in the Canadian West, 1870–1914

The agricultural settlement of western Canada took place within the framework of a complex socio-economic system produced by Canadian national institutions: the Crown, corporations and churches. The interaction of these Canadian institutions with institutions introduced to western Canada by immigrants played an important role in determining the long-term stability of immigrant rural communities. Whether an immigrant group achieved long-term stability or suffered social disintegration depended on the degree to which immigrant and host institutions werecongruentordissonant. The interaction of social and economic institutions is examined through the settlement experiences of five diverse groups that settled in western Canada before 1914: the Mennonites, Doukhobors, Jews, Mormons and Ukrainians.     

Claiming and Controlling Space: Combining heterosexual fatherhood with artistic practice

This article is structured around nine short vignettes that explore the complex and embedded gendered relations of fatherhood for heterosexual male contemporary Canadian visual artists at different stages of life. In contributing to the geographical literature on work, gender, and identities, this article answers the questions: What form does hegemonic masculinity take in the visual arts? How do male artists organize and conceptualize work life and family life? What impact does fatherhood have on artistic identity construction? In formulating answers to these questions, I argue that dominant discourses of masculinity have left some men feeling illegitimate as both artists and fathers, and reliant on spatial control as a mechanism to ‘fix’ their artistic identities.     

Spatial/temporal mismatch: a conflation protocol for Canada Census spatial files

The Canada census is one of the chief sources of demographic and socio-economic data for researchers in this country. Census variables are linked to geography files that allow researchers using geographic information systems (GIS) to view and analyze spatial data. Some of the most useful analysis, however, is based on changes in attribute values over time and space. Analysis of spatio- temporal events such as shifting migration patterns or changes in the distribution of health status permits a more dimensioned perspective than the viewing of static spatial phenomena. The analysis of spatio-temporal phenomena is limited by major changes in the spatial framework (e.g., location of road networks and other spatial entities) between national censuses. This paper addresses this limitation by (i) illustrating the extent of spatial mismatch between the 1996 and the 2001 census; (ii) examining attempts to rectify this problem in other jurisdictions and (iii) presenting a 'made-in-Canada' solution for conflation of census geometries. We believe that this solution will enhance the ability of Canadian researchers to describe and analyze socio-economic, health and demographic shifts across time and space. The research is supported by an ftp site for downloading the census geography rectification software presented in this paper.     

‘The problem with permanence is that you’re stuck with it’: the public arts centre building in the twenty-first century

Dedicated arts centres were a common outcome of the great expansion of the public sphere in the nineteenth and twentieth centuries. In the early twenty-first century, however, many of our arts centres present a challenge to cultural policy-making. Expensive to maintain and operate, they are often ill-equipped to host the increasingly diverse range of communities and arts practices that have emerged with each generation. The article outlines the difficulties that the presence of such arts centres present to cultural policy-makers, using case studies of four Australian centres. It argues that the ‘mobilities turn’ in sociology provides a useful framework for considering the challenges posed by a static building and its array of highly mobile stakeholders. The study focuses on the perceptions of arts centre managers as cultural intermediaries – giving voice to the opportunities and constraints for the arts centre building and to the needs and interests of public policy-makers, artists and audiences, and juggling the tensions between the ideological, political, demographic and cultural forces that define the field in which they routinely operate. The managers negotiate distinctive challenges that arts centres face within the context of decentralised and fluid understandings of creative spaces for contemporary leisure practices.     

A HISTORIC NEIGHBOURHOOD AS ARTS SPACE: THE LITTLE INDIA EXPERIENCE

Many cities around the world are redeveloping their neighbourhoods as arts and cultural precincts. Urban industrial zones and lower‐income residential areas have taken on new life as arts neighbourhoods in a bid to attract high‐yield visitors, propel their creative industry and brand themselves as attractive to investors and residents. This article has two aims. Conceptually it explores the notion of arts urbanization – the creation of arts spaces in cities and the socio‐spatial dynamics which they embody. Empirically, the concept is tested using the case of Singapore's Arts Housing Scheme. Under this scheme, historic ethnic precincts take on new roles as arts and creative belts. While the scheme has yielded some success by way of fostering spaces of identity and inspiration for artists, it has also generated social concerns and spatial challenges. Singapore's Little India offers an empirical setting to explore this concept. The paper argues that geography matters to the arts and that arts‐led urbanization creates distinct spatial configurations in cities. For this reason, a greater understanding of and research into arts neighbourhoods and their socio‐spatial dynamics are essential if we are to aspire to sustainable and sensitive development of cities and their creative communities.     

Valuing the Arts: Theorising and Realising Cultural Capital in an Australian City

For those who make and admire artistic works, there is no question of their value. However, for others interested in economic development, the value of the arts is often more tangential, contested and questionable. While the post‐modern world of consumption and spectacle suggests to some academics and governments that the arts and cultural industries are the way of the future, others remain sceptical about their social and economic value. This is a theoretical as well as a practical issue this paper explores by offering a reconceptualisation of Pierre Bourdieu's concept of cultural capital as a way of re‐assessing the value of the arts. The paper then applies this framework to quantify and qualify the value of the arts in one regional city in Australia – Geelong in Victoria – focusing on the work of two artists. The aim is to describe the interconnected processes by which the arts generate cultural capital in the form of confidence, image, individual well‐being, social cohesion and economic viability. The analysis also highlights the ongoing power relations which prescribe artistic production, circulation and valuation. The implications of such a rethinking and application go well beyond one city and region to other places grappling with the relationship between artistic production and urban well being. By focusing on the broad‐ranging process by which artistic value is created for individuals, groups, professionals, communities and governments, a model becomes available for other places to use in realising their cultural capital.     

Ghettos in Canada's cities? Racial segregation,ethnic enclaves and poverty concentration in Canadian urban areas

Recent literature suggests a growing relationship between the clustering of certain visible minority groups in urban neighbourhoods and the spatial concentration of poverty in Canadian cities, raising the spectre of ghettoization. This paper examines whether urban ghettos along the U.S. model are forming in Canadian cities, using census data for 1991 and 2001 and borrowing a neighbourhood classification system specifically designed for comparing neighbourhoods in other countries to the U.S. situation. Ecological analysis is then performed in order to compare the importance of minority concentration, neighbourhood classification and housing stock attributes in improving our understanding of the spatial patterning of low-income populations in Canadian cities in 2001. The findings suggest that ghettoization along U.S. lines is not a factor in Canadian cities and that a high degree of racial concentration is not necessarily associated with greater neighbourhood poverty. On the other hand, the concentration of apartment housing, of visible minorities in general, and of a high level of racial diversity in particular, do help in accounting for the neighbourhood patterning of low income. We suggest that these findings result as much from growing income inequality within as between each visible minority group. This increases the odds of poor visible minorities of each group ending up in the lowest-cost, least-desirable neighbourhoods from which they cannot afford to escape (including social housing in the inner suburbs). By contrast, wealthier members of minority groups are more mobile and able to self-select into higher-status 'ethnic communities'. This research thus reinforces pleas for a more nuanced interpretation of segregation, ghettoization and neighbourhood dynamics.     

Four Pathways to Aboriginal Self-Government in Canada

Abstract

Recent decades have seen the rising of a vital, multifaceted politics in Canada, focused on the future relations between Aboriginal peoples and the Canadian state. While there are many debates about specific arrangements, there is consensus that the negotiated establishment of Aboriginal self-government constitutes a major piece of unfinished business for the Canadian federation. This essay seeks to contribute more structure and focus to contemporary debates by examining four different models of Aboriginal government: “mini-municipalities,” a third order of government institutions, the public government federal option, and nation-to-nation relations. Each form has different implications for the relationship between Aboriginal and Canadian political communities, and each has different implications for the institutions and practices of Canadian federalism. We argue that further concurrency of powers and greater asymmetries in intergovernmental relations are likely to be notable features of the Canadian federation, and that no single model or pathway is likely to emerge as the dominant one in the near and medium term.     

Artists and policy-making: the English case

The 1980 UNESCO Recommendation concerning the Status of the Artist emphasised the importance of including artists in the policy-making process. However, 30 years later, evidence suggests that artists often have only marginal involvement in the policy-making of UNESCO member states. This paper explores how visual artists in England relate to arts policy-making. An overview is provided of how artists fared in arts policy during the 50 years following the creation of the Arts Council of Great Britain (ACGB) in 1946. A more detailed account is then given of how visual artists featured in the policy-making of Arts Council England (ACE) and the Department for Culture Media and Sport (DCMS) during the period of the New Labour government, 1997–2010. The conclusion is drawn that, despite an official rhetoric which claimed artists occupied a priority position within English arts policy during this period, in reality artists continued to lack visibility and influence.     

Linking cultural policy from Great Britain to Canada

The Canada Council marks its fiftieth anniversary in 2007. The third national arts council to be established after the Arts Council of Great Britain in 1946, it was created on the recommendation of a Royal Commission chaired by Vincent Massey, a Canadian philanthropist and diplomat. While it differed from the ACGB in its early scope and organization, it was and is an arm’s‐length body. Using unpublished and published sources, I track Massey’s social contacts during his tenure as High Commissioner to London from 1935 to 1946, where he served on the war‐time boards of the National Gallery and the Tate. This work put him in social contact with Samuel Courtauld, J. M. Keynes, and Kenneth Clark, who were engaged in the governance of British national arts organizations. My findings illustrate the influence that friendships and social networks played in arts policy formulation in these early years of the arts council model.     

DIRECT PERCEPTION AND PICTORIAL PERCEPTION OF THE PRAIRIE

Reply to "Images of the Prairie: Landscape Painting and Perception in the Western Interior of Canada," an article by Ronald Rees in The Canadian Geographer , xx (1976), 259–78.
R onald R ees has suggested that insight into the history of pioneer settlements might be gained by studying the paintings of some artists who depicted the prairie. Pointing out that his essay is actually "a study of the perception of artists only," he surveys briefly a number of prairie landscape painters active during the nineteenth and twentieth centuries, with the intention of demonstrating possible changes in the "perceptual environment" on the basis of depictions of the prairie made during the last two centuries.     

Germans from Russia in Saskatchewan: An Oral History

The Germans from Russia are a prominent settlement group in the rural landscape of Saskatchewan. Perhaps because they came incrementally, by chain migration, rather than by organized group colonization, they compose an ethnic group little noticed by historians. Also, their immediate origins are divided, inasmuch as earlier German-Russian immigrants came directly from Russia, whereas many twentieth-century German-Russian immigrants came to Canada from the United States, mainly from North Dakota and South Dakota. This article offers the first focused, scholarly historical treatment of German-Russian immigration and life in Saskatchewan. Drawing on oral histories collected with the support of the Faculty Research Program of the Canadian Embassy, it focuses particularly on growing up German-Russian on the prairies, positing a German-Russian ethnic identity distinct both from neighbor immigrant groups in Saskatchewan and from origin communities in the United States.