The looting of the Iraq Museum: Thoughts on archaeology in a time of crisis

Abstract

The looting of the Iraq Museum has been widely proclaimed to be the worst cultural destruction since World War II; some have compared it to the decimation wrought by the Mongol invasion of Baghdad. Others have contended that the damage was wildly exaggerated. Any attempt at understanding the events surrounding the looting and destruction of the museum's collections must examine both what happened and how it was represented to a worldwide audience through the news media. I compare these events with the toppling of a statue of Saddam Hussein in Fardus Square and the burning of major libraries in Baghdad and suggest that their perceived significances for Western audiences stem in large measure from the extent and tone of press reporting. The long-standing coverage by major mainstream news media of Mesopotamian archaeology as foundational to Western civilization may be a prime reason why otherwise pro-(US) government reporting also included some critical coverage about the loss of the museum collections. Such circumstances challenge archaeologists to use media interest to convey more nuanced and ethically responsible views of archaeology to broader publics.     

Australian foreign policy and news media: national identity and the sale of uranium to India and China

This article explores the utility of a constructivist-media communications approach to understanding the production of national identity in Australia through a case study of the Australian Labor Party's 2011 decision to allow uranium sales to India. The decision came at a time when Australian foreign policy, political debate and news media discourse were increasingly concerned with India and China, as ‘rising’ superpowers whose prominence offered opportunities for economic prosperity even as it undermined settled regional power balances. This article finds that, rather than a matter of rational strategy, the decision was made in a context of considerable anxiety about the ‘Asian century’ as the Australian public, politicians and policymakers struggled to comprehend geopolitical change. It further argues that the constructivist project in international relations can benefit from engaging with insights from media and communications methodologies and by taking a less hierarchical approach to ‘elite’ and ‘non-elite’ discursive agency.     

广饶张郭造像头部失而复得记

山东东营博物馆陈列的张郭造像,因佛像头早几年被盗,故复制了佛首。在北京佛像研究人员的帮助下,该馆终于从北京找回了佛首,使分离多年的佛像首身得到了复合。     

Sense and sensitivity: Appraising the Titanic

Abstract

The first substantial exhibition of material retrieved from the wreck of the Titanic was mounted by the National Maritime Museum, Greenwich, in October 1994. Extended for a second six‐month run the following April, this was to be the most popular exhibition the museum had ever staged, helping to attract some 720,000 people through the turnstiles during the year. It also generated an unprecedented level of media attention, particularly in the period leading up to the opening, placing a wide ranging (but ultimately soft) focus on the museum's motivation for proceeding into the deep waters of apparently delicate subject matter. Indeed, the controversy of the exhibition —a phenomenon partly created, developed and sustained by the media itself — not only formed a backdrop to the planning, design and installation of the show; to some extent the displays, their effects and their meanings became dependent on the context of argument and rhetoric in which they were generated. In the curators’ attempts to reconcile appropriately the often‐competing demands of the museum market of professional ethics, economics, and contemporary standards of taste and morality, it may be asked whether the National Maritime Museum was passenger or pilot in the stormy waters it encountered through this project. Moreover, what was the true nature and consequence of the unrest: a minor local difficulty or a museological issue of some significance? This article is an attempt, despite the probable partisanship of its author, to explore with some of the objectivity of hindsight these questions and the circumstances in which they arose. ¹     

《国际博物馆协会博物馆职业道德准则》的法律意义

一个行业的职业道德准则对该行业秩序的发展及其法制的完善都具有重要意义。《国际博物馆协会博物馆职业道德准则》作为博物馆行业的最低道德标准和兼采各国经验总结而成的国际性道德准则,对博物馆行业国际秩序的发展发挥着重要影响,对于一国文物、博物馆法制的完善也有积极意义。当前我国尚未真正建立起切实有效的博物馆行业自律系统,现行法制也不能完全满足博物馆事业发展的需要。以《国际博物馆协会博物馆职业道德准则》为参照,完善博物馆行业治理体系,是我国博物馆事业发展的必要选择。     

Applied Anthropology and Interwar Internationalism: Felix and Marie Keesing and the (White) Future of the ‘Native’ Pan-Pacific

ABSTRACT

This paper concerns transnational and international debate about the function of education as a progressive force in modernising colonial and race relations. It focuses on aspects of the published work and careers of New Zealanders Felix and Marie Keesing in the interwar and early post-war years in order to investigate the role these debates played in imagining new processes of adaptation and cohabitation in the settler/colonial Pacific. The paper argues that transnational networks were crucial to that project: as internationally recognised anthropologists, during the interwar years the Keesings were involved in the Institute of Pacific Relations and the Pan-Pacific Women's Association, operating out of Honolulu. Through these communities of expertise, the couple sought to promote and ultimately popularise the contemporary idea that ‘applied anthropology’ would be essential to modernising the norms of governance between ‘native peoples’ and Western citizen-subjects.     

Alternative Radio: exhibiting radio and music heritage after the Christchurch earthquakes

This article examines the representation of Christchurch, New Zealand, student radio station RDU in the exhibition Alternative Radio at the Canterbury Museum in 2016. With the intention of ‘making visible what is invisible’ about radio broadcasting, the exhibition articulated RDU as a point of interconnection between the technical elements of broadcasting, the social and musical culture of station staff and volunteers, and the broader local and national music scenes. This paper is grounded in observations of the exhibitions and associated public programmes, and interviews with the key participants in the exhibition including the museum’s exhibition manager and staff from RDU, who acted as independent practitioners in collaboration with the museum. Alternative Radio also addressed the aftermath of the major earthquake of 22 February 2011, when RDU moved into a customised horse truck after losing its broadcast studio. The exhibition came about because of the cultural resonance of the post-quake story, but also emphasised the long history of the station before that event, and located this small student radio station in the broader heritage discourse of the Canterbury museum, activating the historical, cultural, and personal memories of the station’s participants and audiences.     

Analysing international nuclear order

William Walker's article, ‘Nuclear enlightenment and counter‐enlightenment’, raises fundamental questions about the history of efforts to construct order in international politics in relation to nuclear arms and weapons‐related capabilities. However, Walker's ‘enlightenment’ and ‘counter‐enlightenment’ tropes are clumsy and unsatisfactory tools for analysing contemporary policies concerning nuclear deterrence, non‐proliferation and disarmament. Walker holds that in the 1960s and 1970s most of the governments of the world came together in pursuit of ‘a grand enlightenment project’. This thesis cannot withstand empirical scrutiny with regard to its three main themes—a supposed US‐Soviet consensus on doctrines of stabilizing nuclear deterrence through mutual vulnerability, a notion that the NPT derived from ‘concerted efforts to construct an international nuclear order meriting that title’, and the view that the NPT embodied a commitment to achieve nuclear disarmament. Walker's criticisms of US nuclear policies since the late 1990s are in several cases overstated or ill‐founded. Walker also exaggerates the potential influence of the United States over the policies of other countries. It is partly for this reason that the challenges at hand—both analytical and practical—are more complicated and dif cult than his article implies. His work nonetheless has the great merit of raising fundamental questions about international political order.     

Front and Back Covers,Volume 27, Number 6. Decemver 2011

Front and back cover caption, volume 27 issue 6 Front cover ANTHROPOLOGY IN CHINA China has its own anthropology ancestors, revered today well beyond the discipline. In this photograph, former Vice Chairman of the Standing Committee of the National People's Congress Gu Xiulian and former Finance Minister Xiang Huaicheng jointly unveil a statue built to commemorate the centenary of the birth of Fei Xiaotong, China's most celebrated anthropologist. Official sources declared that the statue was intended to highlight the academic achievements of this nationally celebrated anthropologist. The Wujiang Municipal Party Committee and the Wujiang municipal government also dedicated a ‘Cultural Garden’ to ‘further expand the popularity’ and ‘enhance the influence’ of Kaixiangong village, the village in which Fei did most of his fieldwork. The Culture Garden is made up of an Exhibition Hall of the History and Culture of the Village, built in memory of Fei Xiaotong's sister, Fei Dasheng, and the Fei Xiaotong Museum. The museum explores the anthropologist's extraordinary life, highlighting in particular Fei's 26 visits to Kaixiangong. However, many Kaixiangong residents, and some government officials, were not enamoured of the commemorative statue that was erected on 23 October 2010. In his official standing pose, Fei Xiaotong was deemed ‘too distant’, and unlikely to ‘find repose’. Wu Weishan who had carried out the original official commission (and whose 31‐foot statue of Confucius was inexplicably removed from Tiananmen Square earlier this year), then visited Kaixiangong village and consulted its residents, after which he sculpted free of charge what was generally felt to be a more fitting replacement. The new statue depicts Fei relaxed and smiling in an armchair, echoing the Chinese ‘big‐tummy Maitreya Buddha’. Villagers believe this statue to be a more apt tribute to Fei's memory, and have expressed the hope that it will bring happiness to their village. Back cover BACK TO ‘CIVILIZATION’? Civilization is the name of a successful series of computer games (more than nine million units sold globally: see http://www.civilization.com ). Over the past two decades, the games have become increasingly sophisticated, not only in terms of programming, but also with respect to the background history, sociology and economics. For example, irrigation can increase food production, and granaries enable surpluses to be stored and populations to increase. The moods of the citizens matter too: ‘If a city has more happy citizens than content ones, and no unhappy ones, the city will throw a celebration for the ruler called “We Love the King Day”, and economic benefits ensue.’ Featured civilizations range from the Aztecs to the Zulu. It is not known whether Sid Meier (‘the father of computer gaming’) and his fellow game designers have ever studied anthropology. Even if they had, it is unlikely, as Chris Hann points out in his editorial in this issue, that the concept of civilization would have figured prominently in their curriculum. Civilizational analysis is a lively subfield of sociology and has never really gone away in archaeology, but it largely disappeared from anthropology in the second half of the twentieth century. Hann discusses some of the reasons for this, and lends his support to recent efforts to revive anthropologists’ interest in the concept. For all its variation, Sid Meier's addictive gameplay exemplifies the fiercely competitive, often violent ethos of today's capitalist civilization. The aim of each game is to rule the world in the name of just one civilization. Hann sees affinities with recent popular books engaging with world history, which rely heavily on contemporary readers’ familiarity with IT. The big question is whether ‘killer apps’ (Niall Ferguson) and the rise of silicon intelligence at the expense of carbon (Ian Morris) will eventually eliminate civilizational pluralism.     

El purgatorio de un dictador: Crisis,memoria y narrativas iconoclastas

ABSTRACT

In the autumn of 2005, the museum of Vilafranca del Penedès (Catalonia, Spain) programmed a cycle of cultural events in order to commemorate the thirtieth anniversary of Francisco Franco's death. Among them, the performative one-piece exhibition Listen, Franco! The Purgatory for a Dictator showed a bronze sculpted bust of the dictator (belonging to the museum collection) and invited citizens to freely participate and “tell to him” all they would have liked to say if they had had the opportunity to. The unusual shape of the event and the high level of participation made the exhibition become a media success. However, a last-day surprising performance experience—as a result of which the bust was “vandalized” or, should I better say, “re-signified”—became a source of reflection about the boundaries between preservation and transmission of cultural heritage, as well as about museums as places for collective elaboration of public memory. This case appears as a catalyzer of a cultural crisis that exploded after 2008, and a prefiguration a new exhibition around another sculpture of the dictator, which took place in Barcelona in 2016.     

Sport and society in Italy today

Summary

In ‘Itinerary’ Patrick McCarthy provides an introduction to the four articles that examine the connections between sport, politics, business and contemporary culture in Italy. Noting that mass participation in sport has been closely related to modernization, McCarthy argues that the forms of contemporary mass sport reflect the particular cultural, political and economic conditions of each European society. In Italy these made soccer and cycling the most popular mass sports by 1945.

Patrizia Dogliani’s article ‘Sport and Fascism’ examines the development of mass sport in Italy from the late nineteenth century, showing the critical role played by the Fascist regime, which rapidly expanded public sports facilities while the language of politics and combat permeated the vocabulary of sport in Italy in the 1920s and 1930s. Initially the emphasis was on international competition as a symbol of national virility, but following the success of Germany and the USA in the 1936 Olympics the regime’s search for consensus placed new emphasis on recreational aspects. The institutional and administrative organization of sport established in the 1930s remained in place in Italy, however, until more recendy.

In ‘Itinerary 2’ McCarthy examines the roles of the boxer Carnera from Friuli and the racing driver Tazio Nuvolari as sporting heroes of Mussolini’s Italy and in ‘Itinerary 3’ shows how the struggles between Catholic Italy and Communist Italy were personified in the rivalry between the cyclists Gino Bartali and Fausto Coppi in the post-war period.

In ‘Itinerary 4’ he asks why soccer had by the 1970s overtaken cycling as Italy’s most popular sport. That theme is examined in greater detail by Nicola Porro and Pippa Russo, whose article reconstructs the ‘hybridization of sport, mass media and politics’ in Italy in the 1990s. Its central focus is Silvio Berlusconi, the self-made media tycoon who founded Fininvest in the 1970s, acquired AC Milan in 1986, and by 1994 controlled a media empire that enabled him to found a new political party (Forza Italia) and become Italy’s Prime Minister albeit for less than a year. Porro and Russo examine the ways in which Berlusconi’s roles in the world of the media and professional soccer have changed both Italian politics and Italian sport.

In ‘Itinerary 5’ McCarthy sets the example of Berlusconi in the context of the integration of soccer and mass media, the commercialization and politicization of sport at a global level in the last decade. These issues are developed in greater detail in Emanuela Poli’s article, ‘The revolution in the televised soccer market’, which emphasizes the critical role that has been played by soccer and soccer clubs in the development of the new media empires based on digital pay-per-view TV and the sale of sporting events in the 1990s. This has left control of the sport (in terms of who can watch and when) in the hands of major international communications moguls like Berlusconi and Rupert Murdoch.

‘Itinerary 6’ links the fragmentation of collective myths like the national soccer championships to the decline of the nation state, and surveys the situation of other sports in Italy (the Americas Cup, skiing, rugby football. Formula 1 motor racing and the gymnasium). The latter is the subject of the final article by Roberta Sassatelli on ‘The commercialization of discipline: keep-fit culture and its values’ which explores the social and cultural meanings attached to the growing vogue for fitness clubs and the shaping of the ideal body in contemporary Italy.     

Kakadu National Park World Heritage Site: Deconstructing the Debate, 1997–2003

The case of Kakadu National Park has had an unusually large amount of time and expense devoted to it in meetings of the World Heritage Bureau and the World Heritage Committee since 1997. Major controversy arose following the announcement that a new uranium mine would be developed at Jabiluka, located in an enclave surrounded by the World Heritage property, but not legally part of it. The explosive juxtaposition of issues concerning the trio of conservation of heritage values, uranium mining, and Aboriginal land rights inevitably led to strong reactions against the Federal Government's decision to allow mining, not least on the part of Australian and international non‐government organisations. It was felt that the mining development would jeopardise the integrity of the key values for which Kakadu had been inscribed on the World Heritage List. This paper attempts to unravel some of the strands of the ensuing debate — to at least begin to deconstruct the debate — that saw Kakadu almost placed on the List of World Heritage in Danger. This is an important task to attempt because there were many undercurrents to the publicly reported debate, and a large degree of ‘reading between the lines’ is needed to interpret official records of meetings adequately. The paper also attempts to throw some light on the forceful opposition to such a move on the part of the Australian Government, based in large part on its underlying developmentalist philosophy, and at a time when it was giving less than wholehearted support to many international agreements to which Australia is a signatory. Finally, it is hoped that an insight into the workings of the World Heritage Convention and its supporting bodies will be gained.     

Issues in improving geography and earth science teacher education: results of the #IPGESTE 2016 conference

Earth Science and Geography teacher preparation has developed to some degree along different lines, despite sharing many of the same issues, especially with regard to challenges in teacher education. The conference “International Perspectives on Geography and Earth Science Teacher Education 2016” wanted to bring together educators from both sciences from around the world together to move the debate about these challenges forward. From the research presentations and the discussion during and after the conference, several issues emerged: (1) the importance of the two subjects not losing sight of each other; (2) the need to overcome language barriers; (3) the question of standards/objectives for geography teacher education (e.g. with regard to teachers’ (P)CK); (4) media used in teacher education (including ways to improve them); (5) ways to improve learners’ geography and earth science content knowledge; and (6) strategies to increase teachers’ professionalism. We already suggest some specific steps teacher educators in the two fields can take to improve teacher education. Yet, it also became clear that more research and strengthening international collaborations are needed, as well as better communication of the results of these efforts to practitioners.     

The ALP and the union movement: ‘Catch‐all’ party or maintaining tradition?

Considerable debate continues over whether the Hawke government has been loyal to or betrayed the ‘Labor tradition’. This article argues that two important ideological influences upon Labor are ‘labourism’ and ‘social democracy'; both depend upon the union movement for ideas and practical support While labourism explains much about the accord process and suggests that the ‘Labor tradition’ was not betrayed by the Hawke‐Keating axis, it cannot capture the complete ideological landscape of the contemporary labour movement Labourism fails to explain the more social democratic aims of the Australian Council of Trade Union's objective of ‘strategic unionism’. Yet, ironically, strategic unionism may well fail due to the steady decline in union membership over the last fifteen years. The influence of social democracy and labourism upon the Australian Labor Party (ALP) would diminish should unions’ coverage of the work force continue to decline and with it arguably, so would the'Labor tradition’.     

Cross-cultural interaction on Wuvulu Island,Papua New Guinea: the perspective from use-wear and residue analyses of turtle bone artifacts

Recent studies have emphasized the importance of Indigenous producers and traders in the formation of ethnographic museum collections, but have found difficulty in finding concrete evidence for their active roles. A use-wear and residue study of turtle bone cleavers from Wuvulu Island, Papua New Guinea provides the opportunity to test whether objects that comprise a significant component of early collections were made specifically for sale, as hypothesized by contemporary observers in the late 19th century. Comparative studies of used and unused turtle bone artifacts from the Caroline Islands and Papua New Guinea identified differences between wear traces resulting from manufacture and use. Analyses of the Wuvulu turtle bone cleavers showed they had been heavily used prior to sale. Rather than produce artifacts to meet the high demand from German traders, the local people sold old, worn-out objects, many of which had been repaired. The study demonstrates that archaeological approaches to ethnographic museum collections can trace Indigenous agency within cross-cultural interaction. It also showcases the potential of use-wear and residue analytical techniques for the analysis of bone tools and the utility of digital, hand-held microscopes for the analysis of large artifacts.     

‘A house for dead people’: memory and spatial transformation in Red Location,South Africa

One of several new South African post-apartheid memory projects, the Red Location Museum in New Brighton, Port Elizabeth opened in 2006, in a century-old informal settlement with strong histories of resistance. The museum was intended to acknowledge the area’s contribution to the liberation struggle, and contribute to dismantling apartheid urban geographies by producing a tourist and cultural economy. However, the project was highly contested from its inception by residents who felt that the priority for the neighbourhood should be housing and service delivery. Major housing-related protests erupted on the museum’s doorstep between 2003 and 2005, and in late 2013 the new cultural precinct was closed down indefinitely. This paper examines the politics and controversies surrounding the Red Location developments between 1997 and 2013, using this case study to consider the ways in which the protests around the museum are rooted in historical and political histories made visible through residents’ radical claiming of ownership of the museum building. The Red Location example offers a useful consideration of the complexities of applying notions of ‘participation’ and ‘community ownership’ in practice in fraught situations where major change is needed, and makes a case for the thorough historicisation of contemporary conflicts over development and spatial change.     

Shared heritage,shared authority,shared accountability? Co-generating museum performance criteria as a means of embedding ‘shared authority’

Abstract

This New Zealand case study presents insights from the perspectives of Māori and non-Māori museum stakeholders. It aimed to understand which activities and responsibilities mattered to stakeholders, in order to develop more meaningful accountability for their shared heritage. Using a participatory mixed method, the research explored how museum stakeholders assess their museum’s performance. Māori and non-Māori generated, sorted and rated 'possible performance statements’. A cultural analysis, using proprietary software, produced concept maps which illustrate differently nuanced museum constructs with different relative importance for constituent elements. Pattern-matching revealed divergent priority accorded certain museum activities, but also commonalities. Both cultural groups prioritised factors not generally featured in compliance-driven approaches to accountability reporting. For Māori, greatest importance was placed on care of taonga (‘treasures’), Māori-specific practice and engagement with Māori, while collections and staff were the key assessment factors for non-Māori. Incorporating stakeholder perspectives in a museum performance framework provides opportunities to report performance on dimensions which matter to wider communities. Where shared authority is taken seriously and stakeholders are involved, accountability becomes meaningful. This collaborative approach to performance framework development offers a tool for embedding the realities of shared authority into planning and delivering the museum’s activities and responsibilities.     

‘Time of Troubles’: Arnold J. Toynbee's twentieth century

Arnold J. Toynbee (1889–1975) has long been neglected or discounted by scholars of international relations and historians of international thought. Yet his contributions to International Affairs, as well as his Surveys of international affairs and his A study of history demonstrate both his capacity for acute interpretation of contemporary events and the depth of his learning about past international societies. This article examines his analysis of mid‐twentieth century international relations, that ‘Time of Troubles’ which he believed would only be escaped through a recovery of ‘creativity’ and profound change in the ways in which world politics were practised. It explores the foundations of his approach to the field, demonstrated both in his Surveys of international affairs and his twelve volume magnum opus, A study of history, as well as his essays in journals. It analyses his diagnosis of the causes of our contemporary ‘Time of Troubles’, in the light of past episodes in world history Toynbee thought analogous to that present condition of international relations. And it traces his retreat from political solutions to the challenges faced in the twentieth century and his movement towards religious responses as a putative alternative. It concludes by arguing that Toynbee deserves recognition, not simply as a pioneering world historian or a controversial interpreter of the politics of the Middle East, but as an acute commentator on the international relations of a troubled age.     

元嘉金铜佛像试析

本文介绍了山东莒县博物馆所藏的一尊元嘉二十一年金铜佛像,并就其造型艺术与海外现存同类金铜佛像进行了比较。