Planting Islands: Marshall Islanders Shaping Land,Power, and History

This paper reframes encounters between ri-aelōñ-kein (Marshall Islanders) and ri-pālle (outsiders) between the 16th and 19th centuries through a ri-aelōñ-kein cultural lens. It applies a deep ethnographic approach and frameworks of cross-cultural exchange and mutual possession to re-present ri-aelōñ-kein engagements across the beach as purposeful attempts to ‘plant’ ri-pālle on land and within genealogies. It argues that, in addition to violence, ri-aelōñ-kein used ‘gifts’ of land and other exchanges to ‘plant’ ri-pālle within their realms and, in turn, augment their social status. While deployed most often by irooj (chiefs), kajoor (commoner) men and women used similar tactics with some success. Throughout, ri-aelōñ-kein made history by deploying aspects of culture to advance local ambitions through engagements with ri-pālle.     

‘The miserable remnant of this ill-used people’: colonial genocide and the Moriori of New Zealand's Chatham Islands

Genocide scholars have not engaged with the killing of the Moriori people of New Zealand's Chatham Islands by two Māori iwi (tribes). New Zealand historians who have discussed Moriori have not used the paradigms and language of genocide studies. This article argues that Moriori were victims of genocide, and that their experience both challenges and deepens how colonial genocide is understood. Narratives of colonial genocides that assume the destruction of an indigenous people by a colonizing power are inadequate for understanding events on the Chathams, as are genocidal frameworks that assume perpetrators must be state actors. The colonial role was important but indirect: the encounter of Māori with Britain and Australia provided the physical and ideological tools that made the Moriori genocide possible. Māori behaviour on the Chathams diverged from tradition, with the racial tropes, destructive behaviours and justification for invading the Chathams all acquired through the colonial spread of British people into Polynesia. More recently, the use of imported imagery and politicization of the Moriori experience has revealed the consequences of successive generations’ failure to properly remember or even identify the genocide.     

On Skin and Bone: Samoan Coconut Oil in Indigenous Practice

ABSTRACT

International promotional material on coconut oil commonly references its centuries of use as a beauty and health aid by Pacific Islanders. However, this gesture towards Indigenous Pacific use of coconut oil is rarely accompanied by substantive information. This paper explores the topical application of coconut oil in three Indigenous Samoan practices: fofō, or massage by taulāsea and other forms of customary healers or medical attendants; samaga, the anointing with coconut oil of the newly inked pe‘a or malu to mark the completion of these customary tattoos; and liutofaga, the ritual ‘washing’ of the bones of a deceased relative with coconut oil prior to reinterment. This paper argues that there are interrelated practical, medicinal, and spiritual dimensions to Samoan uses of coconut oil, and that these are usefully understood through reference to Samoan conceptions of sociospatial relationship, or vā.     

On Language Distribution in Ilam Province,Iran

As is still the case in many parts of Iran, the distribution of languages and dialects in Ilam Province, western Iran, is unevenly documented. There have been several studies on specific language varieties spoken throughout the province but, in large part because of conflicting perspectives on the relationship between language and ethnicity, the situation for the region as a whole has until now remained unclear. The present study first of all brings together existing sociolinguistic and demographic data on language distribution and highlight areas of uncertainty. The main part of the study provides an overview of local perceptions of language distribution and language use based on field research and interviews conducted in each of the province's ten regions (shahrestān) and their twenty-five districts (bakhsh). Here, respondents' assessments of the geographic extent of the province's four main languages—Kurdish, Luri, Laki and Arabic—as well as more minor languages spoken by immigrants from elsewhere in Iran are summarized. For Kurdish in particular, which is the major of the four languages, the article shows the perceived geographic distribution of each major dialect and its affiliation within one of two major Kurdish dialect groups: Ilāmi (or “Feyli”) and Kalhōri. This analysis is followed by a brief discussion of multilingualism. The results of the study are brought together in a map of the province's languages.     

The Politics of Zoroastrian Philanthropy and the Case of Qasr-e Firuzeh

In Iran and India religious philanthropy has been a feature of Zoroastrian piety as well as providing the means by which both communities have prospered throughout their respective histories. In Iran an elaborate structure for the regulation of charitable donations was already in place during the Sasanian period and laid the foundation for the laws governing pious foundations, awqāf, after the Islamic conquest. The increased interaction between Iranian Zoroastrians and Parsis from the mid-nineteenth century onwards led to the expansion of the Tehran Zoroastrian community and the rise of a wealthy merchant class which in turn enabled philanthropic activity to flourish. This development will be discussed here with reference to a particular vaqf, that of the first ārāmgāh or Zoroastrian cemetery to be established in Tehran in the early twentieth century. The case of Qasr-e Firuzeh spans three successive governments in Iran and gives an insight into the management of a charitable endowment within different political contexts.     

“SEEING” THE PAST: TEXT AND QUESTIONS OF HISTORY IN THE RĀJATARAṄGIṆĪ

Traditional scholarly opinion has regarded Kalha?a's Rājatara?gi?ī, the twelfth‐century Sanskrit chronicle of Kashmiri kings, as a work of history. This essay proposes a reinvestigation of the nature of the iconic text from outside the shadow of that label. It first closely critiques the positivist “history hypothesis,” exposing its internal contradictions over questions of chronology, causality, and objectivity as attributed to the text. It then argues that more than an empiricist historical account that modern historians like to believe it is—in the process bracketing out integral rhetorical, mythic, and didactic parts of the text—the Rājatara?gi?ī should be viewed in totality for the kāvya (epic poem) that it is, which is to say, as representing a specific language practice that sought to produce meaning and articulated the poet's vision of the land and its lineages. The essay thus urges momentarily reclaiming the text from the hegemonic but troubled understanding of it as history—only to restore it ultimately to a more cohesive notion of historicality that is consistent with its contents. Toward this end, it highlights the concrete claim to epistemic authority that is asserted both by the genre of Sanskrit kāvya generally and by the Rājatara?gi?ī in particular, and their conception of the poetic “production” of the past that bears a striking resonance with constructivist historiography. It then traces the intensely intertextual and value‐laden nature of the epistemology that frames the Rājatara?gi?ī into a narrative discourse on power and ethical governance. It is in its narrativity and discursivity—its meaningful representation of what constitutes “true” knowledge of time and human action—that the salience of the Rājatara?gi?ī may lie.     

The Material Nature of the Radiance of YHWH and its Theological Implications

Abstract

Kābôd-YHWH is a technical term designating the radiance of the god of Israel. Such a phenomenon is specifically identified in the Bible with three physical realities: volcanic lava, solar activity and molten metal. The antique representation of the sun as molten metal, and the volcanic symbolism of the furnace reveal that these three expressions of kābôd-YHWH are interrelated. Among them, it appears here that kābôd-YHWH refers first of all to molten metal. This introduces a fundamental difference between radiance, specifically related to YHWH through molten metal, and brilliance (and by extension glory, wealth, strength and vitality) of gods and mortals derived from properties of solid state metals. Beyond the status and powers of supreme deity conferred by this metallurgical radiance, identification of kābôd-YHWH as shapeless molten metal also clarifies the origin of one of the most singular characteristic of ancient Yahwism: the strict interdiction of figuration of the god.     

Signs from Above: Towards a Comparative Symbology of Bird Imagery in Medieval Near Eastern Popular Prose

This article presents excerpts from two near-contemporary works of popular prose from the medieval Near East: the Persian Dārāb-nāmeh and the Arabic Sīrat Banī Hilāl. In each, birds or birdlike characters (the sīmorgh and the crow, respectively) that share in having had theriomorphic, mythic significance in regional pre-Islamic traditions dispense premonitory wisdom to Muslim characters. Comparing these passages, the article contends that the characterization of these birds brokers a pietistic shift in symbolism between the pre-Islamic and Islamic context, while still maintaining the birds’ mystical significance and sustaining the trope of birds as winged, heaven-sent messengers. This modified association between birds and divine ministry is not only prominent in these two texts, but also in the Qur?ān and varied bestiaries, poetry, and belletristic works that comprise these texts’ cultural network.     

The Perpetually Wedded Wife of God: A Study of Shaykh Musa “Sadā Suhāg” as the Founder of Sadā Suhāgiyya Silsilah

Some of the sufis have conceptualised the relationship of human beings with God in gendered terms, and identified themselves with the feminine while imagining God in masculine terms. Such a characterisation can be found in sufi poetry, but it also finds manifestation in certain sufi practices as well, such as the male sufis dressing up as women. A fifteenth‐century South Asian sufi, Shaykh Musa “Sadā Suhāg” of Gujarat — the founder of Sadā Suhāgiyya Silsilah — dressed up like a married woman or a bride. His androgynous appearance, soubriquet, and the name of the sufi silsilah he founded, indicate that he ingeniously indigenised the sufi idea of God's bride keeping in view the Indian cultural ethos and social conventions.     

Al-Fārābī’s Cave: Aristotle’s Logic and the Ways of Socrates and Thrasymachus

In his commentary on Aristotle’s Rhetoric al-Fārābī harmonizes Plato and Aristotle in terms of philosophic education by ordering Aristotle’s eight logical works onto Plato’s famous image of the cave. He represents the way out of the cave with Aristotle’s four logical works of ascent (Categories, On Interpretation, Prior Analytics, and Posterior Analytics) and the return into the cave through Aristotle’s four logical works of the descent (Topics, Sophistical Refutations, Rhetoric, and Poetics). Al-Fārābī’s image of ascent and descent also alludes to Socrates’ conception of protreptic education in Book VII of the Republic. In essence, protreptic education consists in the Socratic art that freely turns the soul from the images and political interpretations of things to being itself. In this essay I argue that for al-Fārābī the four logical works of ascent guide the soul to free itself from its habituations so as to contemplate real beings, particularly the good of one’s own soul and the souls of one’s fellow citizens. Yet the ruler needs to use the arts of “descent,” as demonstrated by Thrasymachus, in order to rule the city well. The way of Socrates consists of the logical methods used to come to possess knowledge of being, while the way of Thrasymachus comprises the methods of persuasion to habituate citizens and protect the philosophic quest for the truth. Al-Fārābī, I conclude, combines the way of Socrates and the way of Thrasymachus in order to show that both ways are useful and necessary for good governance.     

Pākehā Women and Māori Protocol: The Politics of Criticising Other Cultures

Feminists have fiercely debated whether it is wrong for outsiders to criticise gendered customs and practices identified with cultural minorities. This article explores the ethics of criticising other cultures by analysing the reaction to public criticism of Māori ceremonial protocol by two Pākehā women. It argues that the response to outsiders' criticism does not depend in a simple and direct way on whether insiders have resisted the criticised practice. There is a history of Māori women formulating critiques of the gender roles in Māori ceremonies, but the public response from Māori women to the Pākehā women's criticism was overwhelmingly negative. The outsiders' criticism was understood as an attack on the incorporation of Māori cultural expression into the public sector, rather than as a gesture of support or solidarity.     

Rainforests,Agriculture and Aboriginal Fire‐Regimes in Wet Tropical Queensland,Australia

This paper challenges the hypothesis that Aboriginal fire‐regimes in the coastal wet tropics of north Queensland have been responsible for significant rainforest decline in the past, and rejects the narrative that recent rainforest expansion is the result of the disappearance of Aboriginal people and their fire practices from the area. Mapping of vegetation in the Mossman district in c. 1890 from surveyors’ plans, and in 1945 and 1991 from aerial photography demonstrates that the expansion of rainforest since 1945 represents a recovery following extensive rainforest destruction associated with sugar cane cultivation in the first 70 years of European occupation. Kuku‐Yalanji Aboriginal people continued to occupy their traditional lands, and participated in the sugar industry, throughout this period. They adapted their fire management practices to the changed economic and social circumstances. Management of fire by the Kuku‐Yalanji people prior to European occupation ensured the presence of extensive rainforest cover, whilst also providing access to fire‐prone forests and their cultural resources.     

English and Scotch Fairy Tales

The subject of this article is a zār song about a female character, Umm al-Ghulam (‘mother of the boy’), recorded in a Lower Egyptian village in 1980. The song is short and ambiguous. There is a zār spirit by that name, but there is also a Cairene saint who carries the same name. Zār songs in Egypt invoke both zār spirits and saints; so who are we dealing with in this song?     

Vintages of the Sāqī-nāma: Fermenting and Blending the Cupbearer's Song in the Sixteenth Century

Drawing on a rich tradition of anacreontic poetry and taking inspiration from works by Nizāmī and Hāfiz, the sāqī-nāma or “cupbearer's song” emerged as an independent genre in the early sixteenth century and flourished throughout the Persian literary world for the next 250 years. Looking back on the development of the genre, the early seventeenth-century literary historians ‘Abd al-Nabī Qazvīnī and Awhadī Balyānī give contrasting accounts of its formation, but both agree on the significance of the work of Hakīm Partuvī Shīrāzī (d. 928/1520–21). An examination of his sāqī-nāma, together with two other early representatives of the genre by Sidqī Astarābādī (d. 952/1545) and Sharaf Jahān Qazvīnī (d. 968/1561), shows how closely this new genre was tied to the politics and ideology of the new Safavid state and reveals profound structural similarities to the preeminent panegyric genre of the Islamicate world, the qasīda. But once the basic components of the sāqī-nāmā were distilled and taken up by poets outside this socio-political environment, the genre proved to be as protean as the wine symbolism at its core. Cupbearer songs from the end of the century, particularly those of Muhammad Sūfī Māzandarānī (d. 1035/1625–26) and Sanjar Kāshānī (d. 1021/1612), show how the basic elements of the genre could be reconfigured to serve a variety of more personal interests.     

Visions of Muhammad in Bukhara and Tabaristan: Dreams and Their Uses in Persian Local Histories

Persian authors couched claims to the religio-political authority and legitimacy of their cities through dream narratives in local histories written between the tenth and thirteenth centuries. Persians did not always fit neatly into genealogical claims to legitimacy like the Arab descendants of Mu?ammad and his clan, and dreams form alternate avenues that sanctify and legitimate specific Persian cities and individuals. Dream narratives embedded in Tārīkh-i Bukhārā and Tārīkh-i ?abaristān are literary devices that bring the prestige of religious authority to their city and province and to specific persons. These dream narratives are not only windows into understanding the broader social, political, and religious contexts of local histories but also the particular anxieties and priorities of the authors.     

Sounding the Journey: The Silk Road Journey by Genjō Sanzō (602–664 CE) in Daylight,Moonlight Kitarō Live In Yakushiji

Since receiving international acclaim in the 1980s for the soundtrack of the popular NHK/CCTV documentary series The Silk Road, Kitarō has tapped into the cultural heritage of Asia. In 2001, Kitarō presented a live performance in the 1,300 year-old temple of Yakushiji in Nara, Japan, selecting works from his repertoire to pay homage to the Buddhist monk Genjō Sanzō, a significant figure in religious history who undertook an epic 16-year journey westwards along the Silk Road in the seventh century. This article investigates how Kitarō portrays that journey in the Yakushiji performance. It first examines how three cultural components used in the homage – namely, Genjō Sanzō, the Silk Road and the concept of journey – are deeply connected to Japanese cultural heritage. It then analyses the performance to reveal how these components are delivered through Kitarō’s music to portray the physical and spiritual journey of the monk. It argues that by selecting music that links to his own associations with the Silk Road, Kitarō has created a concept album that not only unifies New Age music with elements of Japanese cultural and spiritual practice, but also makes them more accessible for the increasingly secularised contemporary society.     

Islam without Fuqahāʾ: Ibn al-Muqaffaʿ and His Perso-Islamic Solution to the Caliphate's Crisis of Legitimacy (70–142 AH/690–760 CE)

This paper seeks to advance the existing scholarship on Persian secretary and belles-lettrist, ?Abd Allāh Ibn al-Muqaffa? (d. 139/757) and his Risāla fī ’l-?a?āba (Epistle Concerning the Entourage). It argues that the Risāla, addressed to the second Abbasid caliph al-Man?ūr, set out to tackle the political ills of the caliphate, especially the crisis of political legitimacy. As the first documented articulation of the Islamic polity, the Risāla made a series of recommendations, including a proposal for legal codification that attempted to reinvent the caliphate by reuniting the institution's political and legal authority at the expense of private jurists (fuqahā?). The paper illustrates how Ibn Muqaffa?’s solution relied on a creative integration of Iranian and Islamic ideas of statecraft and legitimate rule. Ironically, this creative integration may have played a part in the Risāla’s failure to garner necessary support to effect change.