De Bow’s Revolution: The Memory of the American Revolution in the Politics of the Sectional Crisis, 1850–1861

In January 1861 editor James D.B. De Bow advocated the secession of southern states from the union as he proclaimed to his readers that white Southerners “are mainly the descendants of those who fought the battles of the Revolution, and who understand and appreciate the nature and inestimable value of the liberty which it brought.” While editors on both sides of the Sectional Crisis over slavery in the 1850s and 60s claimed to be “custodians of the legacy of 1776” as they used the American Revolution symbolically in their rhetoric. By focusing on De Bow’s Review, a widely read and influential journal during this fight, we can gain a better understanding of the specific terms by which Southerners were encouraged to think of themselves not as rebels but as guardians of “the true American character.”     

The Origins of European Fascism: Memory of Violence in Michael Haneke’s The White Ribbon

Michael Haneke’s film The White Ribbon (2009) narrates violent attacks that disrupt the cyclical life of a German village in 1913–14. The narrator frames the violence as a study of the origins of fascism: the alleged perpetrators are children, who rebel against the disciplinary powers of patriarchal authority. Coming to maturity during World War I, they will have become the generation of Nazism’s followers. In contrast to psycho-historical readings of The White Ribbon as a cinematic exploration of the causal relationship between the authoritarian formation of the juvenile subject and her susceptibility to fascism’s redemptive illusions, I propose an anti-psychological interpretation of the film. This reading seeks to understand The White Ribbon in terms of Haneke’s aesthetic and formal choices, which underpin his notion of “ethical spectatorship.” I argue that the film offers a dual metaphorical construction of the nexus between memory and the cinematic image, and of the mnemonic and affective aspects of the history of violence. Haneke forges a link between the European attitude to its history of fascism and its ongoing politics of exclusion, arising from its covert fascist desire for the unified self. The significance of The White Ribbon in the ongoing debate on history/memory thus lies in its critique of Europe’s current self-understanding as having outgrown its violent past.     

Temporal and Narrative (Dis)junctures: Guillermo Núñez’s Aesthetics of Memory and the Museum of Memory and Human Rights (Santiago,Chile)

Focusing primarily on Guillermo Núñez’s work, this essay juxtaposes two almost-identical exhibits of his ‘exculturas’ (sic: xculptures/ex-cultures) – one at the Chilean-French Cultural Institute in 1975, which resulted in his detention and exile, the other in 2010 for the official inauguration of the Museum of Memory and Human Rights (MM) – to explore their relationships to memory production in Chile four decades after the military coup. In the first, Núñez offered a pointed critique of the repressive post-coup context through a series of caged and netted objects; the second reconstructed the first as a memory gesture, framed within the ultra-modern, state-sponsored MM, in its designated art space, at once included and physically separated from the historical narrative of the Museum. How do the politics, aesthetics and design of the MM work to complement, complicate, or contradict Núñez’s – and, perhaps, any – artistic proposal? What challenges might the aesthetic of memory in Núñez’s work pose to the Museum’s narrative frame? Examining Núñez’s ‘exculturas’ (and, briefly, Gonzalo Díaz’s reconstructed Lonquén) reveals several tensions – around politics of inclusion and exclusion, the state’s role in memorysites, and the relationships between human rights concerns and museological and artistic strategies – marking the social production of memory in Chile today.     

‘La doble condición’: landmine victims,forced displacement,and disability in Colombia’s Magdalena Medio

The small body of scholarship that examines the intersection between forced displacement and physical disability draws important attention to the material difficulties simultaneously disabled and displaced people experience. Instead of focusing on disability as a condition lived against the spatial backdrop of forced displacement, this paper approaches disability and displacement as mutually referential spatial conditions. Based on fieldwork with internally displaced landmine victims in Colombia’s Magdalena Medio region, this research highlights how the intersection between physical impairment and forced displacement produces both disabling spatial imaginaries of fear as well as painfully embodied rhythms of daily life. Nonetheless, this paper draws attention to urban agricultural projects’ enabling potential to produce grounding rhythms of labor for landmine victims. Finally, this paper suggests that contexts of forced displacement require close consideration of spatial imaginaries of fear as well as experiences of direct structural violence as key factors underpinning the social production of disability.     

Chile,October and November 2019: ‘Feel’ and field-work in times of crisis

One of the most important social upheavals in Chile since the end of the dictatorship started in October 2019, and continued until the coronavirus outbreak in March 2020. The event affected the ethnographic fieldwork that we, four anthropologists, were conducting at that time. This article draws on the recognition that, while being in different geographical locations, our respective experiences involve similar affects. Drawing on feminist epistemology, we have utilized these emotional experiences as a methodological tool to spark curiosity and open up a space for reconsidering fieldwork as ‘feel-work’. Our respective positioning, in terms of national and emotional feelings of belonging as well as physical location, created affective dissonances that raised uneasiness while at the same time opening up a productive space to think about fieldwork as an experience of ‘out-of-place’ bodies and ‘out-of-place’ feelings.     

Spain’s Military Campaigns in Sardinia and Sicily (1717–1720) According to Jaime Miguel de Guzmán-Dávalos,Marquis of la Mina

The Colección de cuadros y planos sobre de Cerdeña y Sicilia en los anõs 1717, 1720 is an archive of military maps complementing the Memorias written by Jaime Miguel de Guzmán-Dávalos, second marquis of la Mina, who had participated in these campaigns. The Colección illustrates some of the most important events of the Italian campaigns against the Quadruple Alliance of Britain, France, Austria and the Dutch Republic (1717–1720). Comparison of the maps and other drawings with details in la Mina’s Memorias allows us to clarify his main objective in compiling the text, which was to record the operations faithfully for use in military education.     

Routes of Resistance: Mobilizing Discourses of Opportunity in Ann Petry’s The Street and Austin Clarke’s The Meeting Point

Ann Petry’s The Street and Austin Clarke’s The Meeting Point provide important representations and affirmations of black people’s use of movements such as educational attainment and economic advancement to create routes to resist inequitable treatment and demand equal access to the benefits of belonging to American and Canadian national communities. In The Street, Lutie employs intellectual and economic movements to achieve her American dream but learns that systematic inhibitions block her intended ascension. In The Meeting Point, Bernice also tries to attain education and make financial strides to achieve her Canadian dream but finds herself barred from fully materializing that dream. Lutie and Bernice continue their quests to fulfill their mobility ideals, despite obstructions they face. Through that movement, which is driven by their knowledge of the implications of their exclusions from promises of the nations they call home, they counter boundaries intended to restrict them. While they do not accomplish fully their upward mobility ideals, their resistance demonstrates their refusal to be denied the benefits of American and Canadian discourses of opportunity. Petry’s and Clarke’s representations of this persistent resistance help inform and give voice to struggles against exclusionary practices blacks in the United States and Canada continually experience.     

‘The True Love of the People and the Motherland’: The concept of socialist patriotism,socialist nation and anti-nationalism in Hungary in the 1960s and 1970s

In the late 1950s, the concept of socialist patriotism in Hungary was reformulated as a basic political concept in the ideology and propaganda of state socialism. The definite appropriation of Leninist contraposition of socialist patriotism and bourgeois nationalism became paramount in the second half of the 1950s because of the nationalist sentiments of the 1956 revolution. I trace the history of the concept of socialist patriotism in the 1960s and 1970s in socialist Hungary. During this period, socialist patriotism served as a slightly undetermined, yet didactic counter-concept to set against ‘bourgeois nationalism’ which was characterised as a xenophobic sense of nation. From the late 1960s, the doctrine of socialist patriotism confronted a new ideological enemy: supra-nationalism or cosmopolitanism. In the mid-1970s, a new ideological equilibrium was elaborated in Hungary between socialist patriotism and proletarian internationalism, which served the economic and political integration of the Eastern bloc countries. In this sense, socialist patriotism was meant to express a link with socialist political order, its achievements and its institutions, in contrast to the ethnic character and revanchist tendencies of nationalism.     

Narratives in Anecdotes,Memory and Interlocutors: An Early Engagement with Neville Alexander’s Story

In this article, I present a story about South African Marxist and activist-scholar Neville Edward Alexander. As historians, social scientists and intellectuals embedded in the humanities, a part of the job we have awarded ourselves or that we assume to be part of our disciplinary reasoning, our intellectual orbit, is to bring to life the periods that, and the people about whom, we reflect. This we do through writing and telling stories, often constructed with a “moral message” of sorts. In these acts of writing and story-telling, objectivity plays a disputed and a precarious role, and misrepresentations could be conscious or unwitting. The lack of objectivity in bringing to life the period and the people we talk about in our stories, in our exaggeration and our understatement about what we have read, about what we have heard, and then about what we write, is part of an academic’s narrative. These human traits of exaggeration and understatement can lead to historical error. In this early exploration of seeking answers to the questions, “Who is Neville Alexander?” and “What can we learn from his writings?” I offer two anecdotes about the man. My proposition is that overcoming historical error does not rest exclusively with factual verification. It has to factor in an appraisal of the ideological intention or even political wish of the people telling the stories, in written texts and orally, and of the interlocutors’ context that we recover in our historical studies. In writing this preliminary sketch of Alexander, I take a detour into higher education issues, particularly the field of doctoral studies, and I paraphrase some of the concerns that have been raised by Alexander. I conclude this introductory study with some thoughts on Alexander’s contributions to social change, to “race,” and to language policy and multilingualism.     

Memory Mapping: Affect,Place, and Testimony in El Lugar Más Pequeño (2011)

This article examines the Salvadoran documentary El Lugar Más Pequeño (The Tiniest Place, 2011) and argues that the film gives new insight into the complicated spaces and practices of memory post-transition and post-conflict through a process I call ‘memory mapping,’ which I define as the aesthetic process of representing the affective, polyvocal, layered relationship between past, present, and place as experienced by individuals and the communities in which they live. Engaging primarily with affect and memory theory, I contend that the film maps post-conflict memory in two specific ways: first, through testimony, and second, through an exploration of the relationship between memory and place. Ultimately, I argue that memory mapping sheds new light on how the aftermath of conflict – the physical, but also the emotional ruination caused by violence – is negotiated in the everyday of human life.     

The Politics of Archaeology in North Korea: Construction and Deterioration of Toh’s Knowledge

This paper considers how North Korean archaeology developed during the 1950-60s. Archaeological implementation, under the law of historical process in North Korea, was not perfectly compatible with true Marxist ideology; the actual archaeological movement went in a different direction. Archaeological activity in the North was not free from political constraints. Thus, it is more appropriate to say that the regime and archaeologists shared the same goal: to build a national identity. Emulating Marxist archaeology was the ostensible goal, whereas adopting the culture-historical approach was the more practical goal.     

The Demographics of Dystopia: The Muslim City in Asia’s Future

This essay argues that UN projected population growth will not only lead to more Muslims in Asia’s cities in a purely numerical sense, but also to more Muslim cities in a proportional and cultural sense through the continuation of existing trajectories of ‘de-cosmopolitanization’. Urban life will be deeply affected by this increasing shift from cities that are not merely majority Muslim, but are also increasingly Muslim in moral, social or political terms. Inevitably such changes will affect the lives of urban citizens, none more so than women. The essay then asks whether population growth will allow these cities to maintain their ‘globalizing’ trajectory of increasing interconnection. Having framed its analysis around the ‘hard’ outcomes of demographic change, the analysis then turns to ‘soft’ outcomes by tackling the question of the likely contours of the increasingly divergent versions of Islam produced by the competitive religious economies of the modern Asian city.