Space and Hegemony at La Scala, 1776–1850s

This article focuses on the significance of space in the display of hegemonic power in the La Scala opera house in the years 1776–1850s. More specifically, it traces the changes in the use of space from Napoleon’s attempt to “democratise” La Scala by attacking the display of hegemonic hierarchy and subverting the status quo, to the Habsburgs’ attempt to “restore” a display of hegemonic rule. The analysis of primary findings demonstrates that the space of the opera house was reshaped not only physically through renovation but also by imposing rules and structuring attendance during performances. The social significance of La Scala’s theatrical space is also explored by identifying the means the Habsburg authorities used to control it as part of their response to the rise of the Risorgimento. The article thus traces the historical shifts in the political functions of space in La Scala from its early role of displaying aristocratic authority through the period of Napoleonic democratisation and finally the Hapsburgs’ restoration politics of surveillance.     

La Terre et l’Espace: Rockets, Prisons, Protests and Heritage in Australia and French Guiana

Space technology is often represented as global, modern and placeless. But one of the earliest forms of space site, the rocket range, tends to be located in places of a very specific kind: remote and seemingly empty colonies. Because of their distance from the metropole, these places also lend themselves to hosting prisons, detention camps, military installations, nuclear weapons, and nuclear waste. All of these establishments, including rocket ranges, have inspired reactions of protest. These themes are explored at the rocket launch sites of Woomera (Australia) and Kourou (French Guiana). In 2005, Créole groups in French Guiana were demonstrating against the construction of a new launch pad near Kourou that disturbed archaeological material. My arrival, to deliver a talk proposing that protests in Woomera sixty years earlier were an essential part of the heritage of the space age, revealed the entanglement of imprisonment and protest with space exploration.     

The Multiple Functions of Criollo,Gaucho and Indigenous Symbols in La Historieta Patoruzú, 1936–50: The Conflicts of Peronism,Nationalism and Migration

This article considers the comic book Patoruzú in light of the cultural expressions of Argentine criollismo between the 1930s and 50s. It begins by examining the political and class conflicts that informed the meanings of criollo symbols, and how Dante Quinterno’s creation interacts with them. Perón’s political organisation, for example, constantly resorted to discourses and images of a gaucho and rural nature in order to propagate the ideals of nationalist corporatism. From one perspective, the drawings, storylines and characters of Patoruzú articulate the arguments set forth by Perón in his battles with neo-colonial and oligarchic forces. However, as Anthony Cohen and Stuart Hall argue, mass-media products and popular national symbols are dialogic; they enter into a dialogue with different competing discourses. Thus the comic book is also analysed in respect of the different and conflictive uses and potential interpretations of criollo symbols. One such conflict, it is proposed, resides in the understudied effect of modernisation and urbanisation on the rural criollo migrants, who moved to the provinces of Buenos Aires in large numbers in the 1930s. The comic book, therefore, is not understood simply as an expression of Peronist ideals, but as a footprint of the complex political and identity conflicts of the period.     

‘La doble condición’: landmine victims,forced displacement,and disability in Colombia’s Magdalena Medio

The small body of scholarship that examines the intersection between forced displacement and physical disability draws important attention to the material difficulties simultaneously disabled and displaced people experience. Instead of focusing on disability as a condition lived against the spatial backdrop of forced displacement, this paper approaches disability and displacement as mutually referential spatial conditions. Based on fieldwork with internally displaced landmine victims in Colombia’s Magdalena Medio region, this research highlights how the intersection between physical impairment and forced displacement produces both disabling spatial imaginaries of fear as well as painfully embodied rhythms of daily life. Nonetheless, this paper draws attention to urban agricultural projects’ enabling potential to produce grounding rhythms of labor for landmine victims. Finally, this paper suggests that contexts of forced displacement require close consideration of spatial imaginaries of fear as well as experiences of direct structural violence as key factors underpinning the social production of disability.     

Assessing Conflict and Exchange: The Defensive and Access Layout of La Alumbrera (c. AD 1000–1480, North-west Argentina)

Abstract

The Regional Development Period (c. ad 1000–1480) in north-west Argentina is characterized, among other important features, by the coexistence of two phenomena seemingly opposed: a constant situation of violent conflict between communities and the maintenance or even intensification of interregional goods exchange networks. Although recent studies recognize the simultaneity of these processes, only a few scholars asked how communities dealt with the necessity of protecting themselves as well as obtaining distant resources. In this paper we present the analysis of the defensive and access layout of La Alumbrera archeological site which has the peculiarity of condensing features that may illustrate an example of how conflict and exchange coexisted at a local scale.     

Writing on the edge: the poet,the printer,and the colonial frontier in Ercilla’s La Araucana (1569–1590)

It took Alonso de Ercilla (1533–1594) thirty years to finish La Araucana, a first-person narrative epic poem about the brutal war of Arauco, in southern Chile, and one of the most canonical texts of colonial Latin America. By focusing on a crucial episode of Ercilla's eyewitness account, this essay revisits a number of scholarly discussions that have been central for our understanding of the text. First, it takes into consideration previous scholarship overlooked by specialists, as well as hitherto unstudied copies of the poem, in order to offer a thorough reevaluation of the textual and editorial history of the poem. Moreover, it explores the frontier as a chronotope and as a locus of enunciation for colonial epic, a space that is also crucial for Ercilla's carefully crafted authorial persona. Finally, it interrogates the ways in which the discursive representations of colonial frontier spaces were mediated by the material practices of early modern book production, arguing for a more fruitful relation between ecdotics and poetics, between material bibliography and theories of authorship and textuality in our approaches to colonial texts.     

La Bataille,l'armee et la gloire (1745–1871)

This paper would like to contribute to the discussion on the formation of the idea of Europe and contextually shaping of the debate on the New World in early modern and modern history. Following an important Italian historiographic tradition, the paper discusses the eighteenth-century within a wider objective and subjective historical development.

The first part of the paper focuses on the Eurocentric realigning of the relations in the Atlantic world. It argues that this realignment remains basically a middle period phenomenon. The resistance by the Anglo and Hispano-American colonies to the “reforms” and the internationalisation of the crisis of American Empires actually caused a real caesura in the political history of the Atlantic.

The second part of the paper focuses on the impact of the Eurocentric reorganisation of European/American relations on collective consciousness, political ideologies and historical discourses on both sides of the Atlantic. It argues that this impact was much more lasting and profound.

The paper focuses finally on the anti-Eurocentrism matured in the Americas in the late eighteenth-century. It argues that this attitude declines to present the European cultural and ideological heritage, on the basis of an age-long American experience that historiography presents by now as multiethnic, multicultural and métisse. The paper suggests in particular that this American anti-Eurocentrism can be considered to some extent prototypical of a phenomenon destined to develop in nineteenth and twentieth century in the framework of the apogee, crisis and decline of Europe in the international world system and international world society.     

Judaism and communism: Hanukkah,Passover, and the Jewish Communists in Mandate Palestine and Israel, 1919–1965

This article explores the mythological, ritualistic, and symbolic aspects of the ways in which the festivals of Hanukkah and Passover were celebrated by the Jewish Communists in Mandate Palestine and the State of Israel. It illustrates how elements of Zionist-socialist culture were adopted by Jewish Communists and integrated in their cultural activities. In a gradual process starting in the1920s and culminating in the mid-1960s, the Jewish Communists created a combination of Marxist ideology and Zionist-socialist cultural practices. However, when a group of young Sabra activists reinforced the Zionist-socialist elements, the balance was undermined, contributing to the rift within Israeli communism.