“Rousers of the Rabble” in the New Mexico Land Grant War: La Alianza Federal De Mercedes and the Violence of the State

Abstract: This paper examines the patterns of state‐sponsored and state‐tolerated violence directed at a social movement organization in New Mexico known as La Alianza Federal de Mercedes during the 1960s and 1970s. Beginning in the 1960s, Alianza mobilized a broad‐based movement of Chicano activists and Hispano land grant communities to advocate the return of lands they claimed had been stolen following the Mexican American War of 1846–1848. As a result, its leaders and many of its members became targets of law enforcement surveillance programs and counterintelligence operations. In this paper I examine the patterns of surveillance and physical violence directed at Alianza members. Confronted by Alianza's challenge to racial inequality and economic injustice, the state construed Alianza as a generalized, and racialized, threat to social order that required in response the use of coercive control and physical violence.     

Children and Print Visual Culture During the Chilean Popular Unity Government

This article analyses the visual figuration of children during the Chilean Popular Unity government (1970–1973) in a diverse archive of photographs, posters, album covers, magazines, and comics. First, it reads the realist representation of children in photography, which emphasises the dramatics of poverty as a form of establishing a photographic “civil contract” (Azoulay, The Civil Contract of Photography, 2008). Second, it interprets posters and texts concerning the Allende government’s Plan de Leche (Milk Plan) as an affirmative biopolitics. It concludes by showing that the children on illustrated posters are the idealised version of childhood projected by adults as a way of imagining a coming community.     

Empires ancient and modern: strength,modernity and power in imperial ideology from the Liberal period to Fascism

This article examines the image of Empire developed in public discourse in Italy during the late Liberal period and Fascism by placing it in the context of representations of the British Empire, with which Italian imperial ambitions were compared. There is a continuity in seeing the British Empire as the expression of industrial and commercial modernity and its resultant strength, but what in the Liberal period was seen as an unparalleled superiority became under Fascism a supremacy acquired in a particular period but now exhibiting signs of decline, which Fascism should contest and surpass. Admiration of the British was mixed with disparagement: key figures expressed a competitive resentment towards Britain and its dominant international position, seeing it as the epitome of ‘modern’ imperial power against which Fascism was destined to be measured. In the 1930s signs of the British Empire's decline were sought, developing the idea in Gibbon's Decline and Fall of the Roman Empire that British domination would also rise and fall, and announcing the replacement of the ‘British order’, founded on commercial modernity and the strength of money and capital, by Fascism's new civilisation, with its authentic heritage of imperial romanità. This competitiveness towards Britain, which historiography has principally seen as a component of foreign policy (as was clear over Ethiopia), has additional significance when seen as an element of political culture that relates to the concept of the State. The autonomy and strength of the State were an important feature of Fascism's self-representation and of its legal culture, and in this light the possession of an empire came to be seen as an essential aspect of statehood and power.     

Jewel of the Pacific and planter's paradise

A 10‐week series with 60 photographs on the Solomon Islands was not unusual in illustrated newspapers and magazines in the early 20th century, and The Queenslander was maintaining a pattern of photographic imaging of sub‐empire going back to the 1890s, concentrating on possible post‐war colonial realignments, appropriateness of British policy and the economic and political roles Australians would adopt if a formal relationship existed with the Solomon Islands. In calling for a greater presence in 1917–18, The Queenslander was supported by expansionists, missions and traders, shipping companies and readers with personal links through work, investment, friends or missions. This essay acknowledges the role of photography in Australian relations with the Pacific, its role in shaping public opinion, and the access it offers to the history of Australia's diverse regional links and particularly its thwarted claims for a closer relationship with the Solomons, depicted optimistically as a planter's paradise and a potential addition to an Australian sub‐empire.     

Commercializing academic knowledge and reputation in the late nineteenth and early twentieth centuries: photography and beyond

Abstract

This article argues that Hermann Vogel (1834–1898), the head of the photochemical laboratory of the Technische Hochschule Berlin-Charlottenburg, was not exceptional in pursuing business undertakings throughout his academic career. After highlighting the involvement of higher education employees of various disciplines and institutions in the photographic industry as consultants, patentees, and entrepreneurs, I more closely examine the commercial activities of Vogel and those of Adolf Miethe (1862–1927), Vogel’s successor in Berlin. This analysis points to a notable continuity through time. It shows that these scientists’ decades-long engagement in commercial work was not materially affected by (1) their salary levels, (2) the emergence of industrial research in the photographic and optical industries, and (3) changes in the amount of government funding for scientific research. In addition, it reveals that the Prussian education ministry maintained a strong focus on reputational risks in handling complaints concerning commercial activities of these academics.     

The Madrasas of Oxford: Iranian Interactions with the English Universities in the Early Nineteenth Century

Against the background of the Russo-Persian wars of the early 1800s, the Iranian government sponsored a series of Iranian students to travel to the homeland of its erstwhile British allies in search of the new scientific and technological learning. Along with members of the Iranian embassies to London in the same period, the students were the first Iranians to acquire extensive and direct knowledge of British society as it entered the industrial era and the earliest to gain access (albeit short-lived) to the English universities. Yet in spite of the practical agenda of the students and their sponsors, on reaching Britain the students found it necessary to engage extensively with the evangelical and more generally religious agendas of their British co-operators. In reconstructing in detail the intellectual circles in which the Iranian students moved in England between 1815 and 1818, the article uncovers the series of religious negotiations that were a necessary part of Iran's early path to modernization.

In Oxford there are twenty big madrasas and five small madrasas they call “halls.”

Mirza Saleh Shirazi, 1818

     

‘Affirmative Signalling’: Dickens’s Railway Journalism and Victorian Risk Society

This essay explores Charles Dickens’s railway journalism of the 1850s and 1860s and its differences from his more well-known fictional accounts of the British railway network. While fictional works such as Dombey and Son and ‘The Signalman’ emphasize the catastrophic aspects of railway accidents, Dickens’s journalism in Household Words and All the Year Round examines the modern systematicity of the railway network, which by its nature as system, necessitated accidents on the lines. The essay incorporates theoretical readings of risk by Ulrich Beck and Paul Virilio into its critical assessment of Dickens’s railway journalism. Fundamentally, it aims to demonstrate that Dickens’s railway journalism illuminates the complexity of Victorian narratives of technological and bureaucratic industrial and transport systems by prioritizing the global dimensions of systematic accidents over the period’s tendencies to focus merely on local accidental events.     

Management and the Free-Standing Company: The New Zealand and Australia Land Company c. 1866–1900

The scholarly reappraisal of the British imperial system as the ‘British World’ has given scholars the opportunity to examine anew the financial, commercial and industrial ties which held the empire together. This article examines the experience of one such tie, the New Zealand and Australian Land Company, a Scottish-based agricultural and land company which operated in late nineteenth- and early twentieth-century Australasia. This company contributed to the colonies' economic development directly, opening up new farming lands and initiating wool and protein exports, as well as influencing the development of the communities which grew up around its stations and factories. The article details the strategic development of the company until c. 1900 in the wider context of Australia and New Zealand's economic development, demonstrating that studying the evolution of commercial organisations can contribute to the wider debate around the role of British capital in development.     

Dressing a City’s Demeanour: Ottoman Costume Albums and the Portrayal of Urban Identity in the Early Seventeenth Century

The costume album remains an invaluable tool in revealing how patrons organised and catalogued their constantly expanding world through dress. Considering the success of the costume book as a booming market product in early modern Europe and its response in the bazaars of Ottoman Istanbul in the early seventeenth century, the topic warrants further examination of how these books shaped literate society’s perceptions of other cultures. Two early costume albums illustrate a compelling dialogue concerning the population of Ottoman Istanbul, both commissioned in bazaars by foreign travellers: the Warsaw Album of the Muzeum Narodowe w Warszawie (BOZ 165), and the Peter Mundy Album currently residing at the British Museum (Add. 23880/1974-6-7-013). My paper assesses how these books create contrasting portrayals of power and social diversity in the Ottoman Empire by using depictions of dress as windows into cultural mores. I explore how each book attempts to form a city portrait through its compilation of characters and dress in the albums. With these sources, I highlight how the joint efforts of Ottoman artists and foreign patrons offer a surprising range of interpretation, despite their mass-produced reputation in scholarship. This study highlights the considerable role of the European compiler as a curatorial agent in this process.     

Any Labour Geographies in Urban Theory? Workers Meet Lefebvre and Harvey (Yet Again)

This paper examines the urban theory of Henri Lefebvre and David Harvey to construct an urban perspective on labour geographies. Lefebvre understood work in a work–nonwork continuum beyond binarism, and Lefebvre and Harvey hailed the outpouring of working-class agency from cities. However, they may have obscured the role of labour movements in urbanisation when identifying the living-place (such as streets, neighbourhoods, or housing) as the primary seat of urban agency. Learning from labour geographers in the 1990s, I query this ambiguity to enhance the urban theory of Lefebvre and Harvey, conceive of the urban scale as the site of unfinished industrial/urban dialectics, and conceptualise labour agency as a producer of transformative continua in urbanisation. Interpreting Toyota’s factories as rescaled pivots of industrial urbanisation, I explore how Japanese labour movements challenged just-in-time production, its union form, and its work/nonwork divides, producing new urbanising continua—even planetary ones—between different transformative agencies.     

An engineering career as industrial mission: Jack Keiser in post-war Britain

ABSTRACT

British mechanical engineer Jack Keiser’s postwar career in industrial education was simultaneously a career in justice work and Christian industrial mission. This paper examines the Christian critique of industry Keiser developed early in his career, as he transitioned in 1949–1950 into his life’s work in firm-based industrial education, and asks how historians of technology might interpret a critique that characterized industry in hyperbolic terms as enslaving or demonic. Keiser’s was part of an international critique connected to three important post-war Christian institutions: Student Christian Movement, the Industrial Mission Movement, and the World Council of Churches. He engaged with justice at both an intimate and a cosmic level, intimately through face-to-face relationships with apprentices and trainees under his supervision, and cosmically by engaging with the biblical prophets through whom God called for justice.     

Structural Assessment of Companhia Aurífícia,a 19th Century Industrial Building Located in Northern Portugal

Companhia Aurifícia is located in Porto, Portugal, and was founded in 1864. It was a pioneer factory in the industrial production, casting, rolling, and stamping of metallic objects and laboured for about 150 years, in areas as jewelry, manufacture of parts in silver and gold or the production, and casting of various metals. In 1866, it began laboring in Rua dos Bragas, its present location, and in 2003 ceased all activities.Companhia Aurifícia is an industrial complex including several buildings, all located in the same block. It is a precious example of the industrial architecture in Porto, where the still existent retaining walls, structures, machinery, and decorative elements make it one of the last examples of 19^th century industrial life of the city.This article aims to evaluate the safety condition of one of the buildings included in this industrial complex, in order to propose the necessary strengthening interventions.     

Knowledge Production,Urban Locations and the Importance of Local Networks

This paper analyses the relationship between knowledge production and urban locations in industrial design, a knowledge-intensive business service (KIBS). KIBS concentrate in urban locations. This is often explained by the co-location of client firms and market access in large cities. Recent research on knowledge production, however, reveals that knowledge productive networks are significant for both the competitiveness and location of KIBS. Thus, to understand the urban location of industrial design, it is important to analyse how knowledge production is organized within the industry. Industrial design is concentrated in urban locations, but most of its clients are located elsewhere. Hence, it seems that industrial design firms concentrate in urban locations mainly because their knowledge networks include specific types of formal and informal local social networks.     

Valkeapää's Use of Photographs in Beaivi áhčážan: Indigenous Counter-History versus Documentation in the Age of Photography

This article examines the photographic material of the Sámi cultural mobilizer Nils-Aslak Valkeapää's Beaivi áh?á?an (The Sun, My Father), published in 1988, with theoretical perspectives from anti- and postcolonial studies. The analysis focuses on how Valkeapää's use of photographs involves that the colonial past is examined from the vantage point of the anti-colonial present of the 1980s. Valkeapää's re-contextualization of photographs from ethnographic collections assembled in the late nineteenth and early twentieth centuries in a book he called a family album of the Sámi is discussed as an example of Sámi counter-history that is part of the decolonization process. When analysed with perspectives from anti- and postcolonial studies, the documentation of the way of life of the Sámi people in the late nineteenth and early twentieth centuries exemplifies a practice which has constructed the Sámi as the others of modern society. The article discusses how the construction of the Sámi as the others of modernity is deconstructed and challenged in present-day indigenous identity politics.     

‘Beer and Britannia’: public‐house culture and the construction of nineteenth‐century British‐Welsh industrial identity

Prior to industrialisation, there was a nebulous and fragmented Welsh national character or mass collective identity. Industrialisation engendered significant sociocultural upheaval and change, and for this ‘new’ society to function effectively a cohesive Welsh identity had to emerge. Because the impetus behind industrialisation had occurred primarily in a British context, any newly formed Welsh identity would ultimately have to be reconciled to the nation's industrial import within a ‘United Kingdom’. Mass cultural commonalities and the role played by leisure in this procedure is a core element in the establishment of industrial modernist nation‐states. Therefore, this article argues that public‐house culture played a central role in the construction of a new industrial Welsh national ideology that was ultimately allied to, and a constituent of, a British imperial agenda designed to exploit both the natural resources and workforce of the area to its maximum extent.     

English Clay Tobacco Pipes bearing the Royal Arms from Williamsburg,Virginia

Abstract

The heraldic changes in the royal coat of arms between 1688 and 1801 are noted. Tobacco pipes from Williamsburg bearing these arms during the early Hanoverian period are described. They are principally found on tavern sites, but the reason for this is uncertain. The pipes are of British manufacture and possible pipe-makers are discussed. A photographic technique using a rotating stand enables all the pipe bowl to be illustrated on one photograph.     

Fotografie als Wissenschaft

Photography as Science: In 1908 the English physicist Arthur Mason Worthington published A Study of Splashes, a treatise on the physical behaviour of falling drops. The photographic experiments were performed by means of an electric spark „in absolute darkness”︁. Worthington's experimental practice dealt with two different areas of knowledge production: an area the operator could perceive control from the outside and a corresponding black-box where the photographic recording itself took place. The paper discusses the epistemic challenges of this specific shift from imperceptible events to their photographic representations. It shows to what extent the information revealed by the photographic apparatus had to be converted, for it did not speak for itself. Thus, Worthington's work went beyond the classical dichotomy between objectivity and imagination.     

“A German Bred Revolt”: the Manchester Guardian’s perceptions of the Irish Easter Rising, 1916

ABSTRACT

At the time of the Easter Rising of 1916 Britain had been engaged in the Great War against Germany for almost two years and on a scale and intensity previously unprecedented. This broader Great War backdrop is significant when analysing the 1916 Easter Rising, as it not only influenced the events which occurred in Dublin, but also the interpretation and presentation of the political violence. Despite the Easter Rising being well-documented in secondary literature, with a resurgence accounted for by its recent centenary, the British press and its portrayals of the events of 1916 has been one aspect which has not received as much scholarly attention. By analysing key stages in the uprising’s portrayal, it can be determined that the Manchester Guardian’s utilisation of the German connection had a two-fold implication. Utilising historical precedents of German-Irish “friendship”, such as the gun-running episodes of pre-War 1914, the newspaper justified its portrayal of Germany provoking violence in Ireland to disrupt British war efforts. Additionally, for the Manchester Guardian, the Irish rebels were depicted negatively in its articles as it attempted to halt the growth of republicanism, thereby ensuring the promotion of a more “moderate” form of nationalism.     

Making creative industries policy in the real world: differing configurations of the culture-market-state nexus in the UK and South Korea

ABSTRACT

This paper compares creative (content) industries policies in the UK and South Korea, highlighting the coevality in their development. Seeing them as ‘industrial policies’, it focuses on how state intervention is justified and why a certain set of policy options have been chosen. The UK policy-makers prefer passive and decentralised roles of the state that addresses market failures via generic and horizontal policies. Meanwhile, Koreans have consistently believed in the strong, resourceful and ambitious state in developing centralised, sector-specific policies for cultural industries. While demonstrating two contrasting approaches to the nation state’s management of cultural turn in the economy, both cases seem to present a ‘paradox’. Despite its neoliberal undertone, the horizontal and fused approach taken by the UK’s creative industries policy engenders some space for ‘cultural’ policy. On the contrary, the non-liberal and state-driven content industries policy in Korea has shown a stronger tendency of cultural commodification.     

Ecological Regression and the Analysis of Voter Behavior

Abstract

The project now underway to produce a new, multi-volume print and online edition of Brian Mitchell's British Historical Statistics is an opportunity to examine the history of the celebrated work. An account of its conception, reception, and evolution provides a window through which to examine a central aspect of economic history's disciplinary history and methodenstreit; certain fundamentals relating to the demand for, and supply of, historical statistics; and to introduce the British Historical Statistics Project, which is now underway but still in its infancy, during which it is closely examining its antecedents in order to learn the correct lessons from that history.