近十年来中国人口迁移研究及其评价

本文对20世纪90年代以来的中国人口迁移研究进行了总结与评价。文章首先概述了近10年来中国人口迁移研究的主要特点;然后对中国人口迁移研究的主要内容即迁移人口的社会经济特征,人口迁移的空间格局,影响因素,作用,人口迁移政策建议以及人口迁移研究中的理论与方法等方面进行了总结;最后指出了人口迁移研究中存在的问题与未来应该加强研究的领域。     

近十年国外文化遗产旅游研究动态及趋势——基于《Annals of Tourism Research》与《Tourism Management》相关文章的述评

文化遗产旅游是国外旅游研究的热点领域之一。为了掌握国外近十年的研究动态与趋势,本文通过检索2001-2010年期间国际公认的两大旅游研究权威期刊《Annals of Tourism Research》与《Tourism Management》上发表的文化遗产旅游的相关文献,分别从文化遗产旅游者研究、文化遗产旅游目的地研究、文化遗产旅游开发与管理研究、文化遗产旅游解说与原真性研究四方面进行了分类与述评,发现国外近十年来主要集中于原真性与旅游者研究,普遍采用案例研究与模型构建,注重定性研究与定量研究相结合,多学科渗透与融合趋势明显;认为未来的工作应在坚持文化遗产旅游可持续发展的同时融合绿色理念与低碳发展观,注重实践基础之上的理论创新,并加强对濒危文化遗产的研究。     

论人文旅游景观构成及景观特征

人文旅游景观是文化景观的一种类型。它是一种以自然因素为基底,人文因素为主导;既有极为浓厚的自然地理基础,又深深打上了人为作用烙印的文化景观。它由自然基底、具象质料和非具象质料三大部分组成。人文旅游景观的构成质料复杂,景观类型多样,内部联系紧密,整体性强,相变明显,地域差异也十分显著。     

THE LAST RIGHTS: MORE ON ARCHAEOLOGY AND THE DEAD

Summary. In a recent paper, one of us (Bahn 1984) made a preliminary sketch of the main issues involved in the question of whether archaeologists have the right to disturb the dead. Since then, a number of important new case studies have featured prominently in the media, and more literature on the subject has started to appear—most notably a collection of papers (Green 1984) which, though focused on the particular problems of North America, contains much food for thought for archaeologists elsewhere. In this article we propose to look at the new data and consider what light moral philosophy can throw on the problem as a whole.     

中国人理想景观模式与寺庙园林环境

文章探讨中国人理想景观模式的形成及结构特征,认为中国人理想景观模式是中国文化生态经验对隐蔽和探索结构的强化,景观审美感受上以神秘隐幽为主;中国寺庙园林是这种景观理想的物化,其园林环境和建筑布局都表达了中国人对理想景观模式的追求;作为中国人文旅游资源的重要组成部分,寺庙园林在旅游开发中必须突出其文化内涵,营造氛围,使游客体味它的深层次的美。     

阿拉斯加野性边疆

北极圈将阿拉斯加中分为二;太阳照亮远方地平线的夏季子夜,漫漫长夜无尽的寒冬/孤悬极北的阿拉斯加孤独却不孤寂;因为,在这地球上最后的野性边疆,人性的光辉熠熠闪光,大自然周而复始中,蕴藏着无穷治愈力。     

美国乡土景观研究理论与实践——《发现乡土景观》导读

《发现乡土景观》①一书是美国"乡土景观之父"杰克逊关于文化景观研究的力作。杰克逊建立了美国乡土景观研究的理论框架:两种理想景观--政治景观和栖居景观,以及三种景观原型--景观一、景观二、景观三。在此框架下,探讨当代美国乡土景观的典型要素:平面空间、乡村小镇、乡土建筑、可移动房屋、石材与木材、科技风格、新型公园、新田园。该书提出的乡土景观研究方法论、乡土景观内涵的理解等,对当代中国景观研究和景观设计具有重要参考意义。     

THE CULTURAL LANDSCAPE OF THE CHINESE BRONZE AGE

The Chinese Bronze Age culture from the 19^th to the 1^st century BC can be divided into four zones: the Central Plain in the middle and the lower Yellow River region; the Northern zone along the Great Wall; the Southern zone, south to the middle and the lower Yangzi River; the Southwestern zone covering the upper Yangzi River. In each zone, bronzes are not only different in types and styles but also function differently responding to the processes of the early state formation and social development. More precisely, in the first zone, there are mainly ritual bronzes, serving as symbols of the social and political hierarchy. In the second zone, there are mainly utilitarian items such as weapons, tools, bronzes of everyday use, ornaments, as well as horse‐chariot fittings. Bronze musical instruments characterise the third zone. And bronzes of the fourth zone are realistic or symbolic in style, depicting scenes of social life. Though having different cultural origins and characteristics, the four zones communicate with and influence each other continuously, creating a dynamic cultural landscape of the Chinese Bronze Age.     

背起相机,用7天的时间拍冀东的人文景观

《旅行的艺术》这部电影,一直存在我的手机里,是我的保留剧目,无论到哪儿我都带着它。片中引用了美国思想家爱默生说过的一句话:不要走已知的路,踏上未知的路,然后留下足迹。我想这就是对旅行最好的诠释。别担心你的准备不足,不要怕前方充满未知,只要你有一颗热爱生活的心,就背起背包出发,去体验充满激情的征程吧。     

KYIRONG THE LAST MYSTERIOUS PLACE IN TIBET

Having graduated from university in 1976,The author set out on his journey to Tibet.He took the train from Qingdao of Shandong Province and,via several other places,to Liuyuan in Gansu Province.Changing train,he crossed over Qinghai,passed through Lhasa and then reached Shigatse.Finally,he reached his last stop-Kyirong County,the boundary of China and Nepal,and then stayed there for six years.