‘Glow worms show the path we have to tread’: the counterurbanisation of Vashti Bunyan

Although ‘counterurbanisation’ is very widely acknowledged and studied, certain elements of this migration-led phenomenon lack detailed scrutiny. These gaps need filling in order to appreciate the full flowering of the phenomenon in specific social-cultural, geographical and historical contexts; to enable comparison between these diverse expressions; and to examine their relationships with contemporaneous rural socio-cultural restructuring. One neglected element is counterurbanisation fairly directly informed by the late 1960s/1970s counterculture, a migration strand quickly stereotyped as the ‘hippie’ ‘getting her/his head together in the countryside’. This paper uses the example of British singer-songwriter Vashti Bunyan, notably through the gestation and content of her Just Another Diamond Day album of 1970, to illustrate and examine countercultural counterurbanisation. With an additional nod to affective aspects of rurality, it also suggests something of what the lengthy rural journey Bunyan made from London to the Scottish islands, a key inspiration for the 1970 album, provided for her at a difficult, challenging, yet ultimately rewarding period in her life. Indeed, her experiences of (trying to engage with) the countryside on this journey are described as heterotopic, an association which leads the paper to suggest a more general heterotopic status for rurality within counterurbanisation.     

Hedwig revisited

The mainstream success of the 2014 Broadway revival of John Cameron Mitchell’s Hedwig and the Angry Inch is in stark contrast to the precarity of the central protagonist’s life and the communities out of which the original Hedwig production emerged. While these tensions reveal some of the complicities between homonormativity, gentrification, and neoliberalism, by tracing Hedwig’s other genealogies, a more complicated vision of queer possibility emerges.     

理性、流动与家庭——村民日常生活语境下的乡村性转型

从乡村日常生活的真实状况出发,本文在个人、家庭、村集体三个维度考察了当前乡村性转型的主要路径。对河南邓州的研究表明,市场经济带来的经济理性与城镇化带来的流动性相互耦合,彻底动摇了传统小农分散、孤立、封闭的特征,但在不同维度上转型速率与方式并不同步。进一步的分析表明,当前我国的一系列宏观政策与促进乡村村民城镇化的初衷之间还存在需要弥合的差距。论文最后对家庭理想与经济理性耦合、个体理性与群体理性差距、有限城镇化的制度困境等理论话题进行讨论。     

Écrire la (non-)violence : le cas de Laëtitia ou la fin des hommes d’Ivan Jablonka

This article analyses Ivan Jablonka’s Laëtitia ou la fin des hommes, which garnered three major prizes in the fall of 2016 (Le Prix Littéraire du Monde, Le Médicis et Le Prix des Prix) while also receiving quasi-unanimous acclaim from French press and media. My purpose is to explain how Jablonka’s writing contributes to exposing, denouncing and even, as far as possible ex post facto and by means of a text, undertaking a kind of reparation of the masculine violence inflicted on the 18-year-old young woman not only at the end, but throughout her entire life. To this end, the paradigm of violence laid out by Lévinas and Derrida will allow us to explore the ethics and poetics of non-violence. If on the one hand Jablonka’s text reveals the subjective involvement of the researcher and writer, we will see on the other hand that his project carries social, political and human stakes: his writing of a ‘crime story’ constitutes a manner of understanding the tragedy in the context of French society, with its social, judiciary and political institutions.     

Peripheral Visions? A Cross-cultural Study of Rural Youths' Views on Migration

This study sets out to investigate anticipatory views concerning out-migration amongst rural youth. Utilising three age-group samples from rural Norway, Scotland and Sweden, young people were classified as prospective 'stayers', 'leavers' or 'returners'. Both qualitative and quantitative data show that 'stayers' see themselves as most contented with rurality. 'Leavers' are most negative to rural living. 'Returners', though also critical about rural living, are highly positive towards social relations in their communities. Furthermore, national and gender differences are evident. These varying adolescent constructions of rurality are discussed in relation to possible national policies.     

Anthropological perspectives on death and mourning

Loring M. Danforth with photography by Alexander Tsearas. The Death Rituals of Rural Greece. 1982. Princeton: Princeton University Press. 170 pages (text) with 31 photographs. $30.00 cloth, $12.50 paper.     

Andrea's Baggage: Reading (in) Laforet's Nada

One overlooked feature of Andrea's arrival in Barcelona at the beginning of Nada is the old and battered suitcase that she drags with her to her relatives’ apartment. It is filled almost entirely with books, books that—we may assume—she has read and plans to read again. Reading, it is clear, has played a large part in her intellectual and psychological formation as a teenager, but one of the strands of her overall maturation process during the forthcoming year will involve achieving a greater understanding of the distortions involved in how people (including her) see life through the optic of literature and literature through the optic of life. Gradually disabused of her overly literary adolescent imaginings, then, she eventually becomes a writer—of the text that is Nada—who is well aware of the traps that reading and writing hold.     

Our Dear Cousins the Americans: Sara Jeannette Duncan in Washington

As a young woman, Canadian author Sara Jeannette Duncan (1861–1922) spent nearly a year writing for the Washington Post on literary and cultural matters, and published many of her assessments of American society in The Week, Goldwin Smith's journal of Canadian affairs. Her articles repay close scrutiny not only for their inherent interest as witty observations of America by an engaged Canadian observer, but also for the manner in which they reveal Duncan's national preoccupations and biases. Approaching the Republic with neither antipathy nor deference, Duncan turned her newspaper sketches into an occasion for wide-ranging cultural comment on the nature of the republican experiment – especially concerning America's claims to freedom and human flourishing. She found the results encouraging, if not without salutary warnings, for Canadian efforts in the same direction.     

Queering the transnational turn: regionalism and queer Asias

In recent years, queer studies has increasingly interrogated the racial and colonial unconscious embedded in the earlier studies of non-normative genders and sexualities through the critical frameworks of queer of color critique and queer diaspora studies. This article aims to ‘queer the transnational turn’ by considering what critical edge ‘regionalism’ might bring to the investigation of queer modernities in Asia from both contemporary and historical vantage points. The introductory section of the article provides a broad overview of the ‘transnational turn’ in queer studies, what we diagnose as the ‘area unconscious’ of queer studies in its exclusive critique of Western colonial modernity, and the related binary of cultural particularism versus Eurocentric universalism. Alternatively, we argue that the concept of regionalism can be productively mobilized in order to study the various scales of queer sexualities that traffic within and circulate across Southeast Asia, Australia, imperial China, and contemporary Sinophone cultures (Sinitic-language communities on the margins of or outside mainland China). Through a paired reading of Johann S. Lee’s Singaporean queer novel, Peculiar Chris (1992), and Su Chao-Bin and John Woo’s Sinophone martial art film, the Reign of Assassins (2010), our inquiry accounts for how the spatial–temporal telos of global queering get materially translated across multiple regional hubs of sexual differences. Queer regionalism in Singapore, China, and the Sinophone worlds encompasses relational dynamics, power differentials, and subnational and supranational linkages. Finally, queering regionalism can open up new analytical frameworks for the study of sexualities and corporealities across transcolonial relations and wider temporal and spatial connections.     

Sandro Penna and anti-Oedipal impegno

A number of Italianists have recently argued the need to reconsider the term impegno in the light of feminist and queer critiques. Such critiques do not simply highlight the way in which impegno has usually been construed as a masculine, heterosexual domain. They also note that its employment often presupposes a gendered, heteronormative account of politics itself. Complicating this sense of politics via a reading of recent work in queer theory which insists that desire and need are intertwined, this essay argues for a reconsideration of the work of Italian poet Sandro Penna – someone whose oeuvre has regularly been construed by literary critics as apolitical – as an example of impegno. Bringing together psychoanalysis, the work of Michel Foucault, and historical materialism, the essay argues that, in their historical context, Penna's poems staged a resistance to what Freud termed the genital organisation of the libido and are thus ‘anti-Oedipal’.     

Domesticating Diamonds and Dollars: Identity,Expenditure and Sharing in Southwestern Zaire (1984–1997)

This article explores the impact of the recent diamond traffic on both rural and urban life in southwestern Congo-Zaire, in an attempt at a ‘multi-sited’ ethnography of the circulation of cultural meanings, commodities, money and identities in an increasingly diffuse time-space, in which the standard dichotomies between rural and urban worlds, lived world and system, traditional and modern, or precapitalist and capitalist realities have lost much of their explanatory strength. More specifically, the article deals with the widespread phenomenon of the bana Lunda, ‘the children of Lunda’, young Congolese urbanites who travel from all over southwestern Zaire to the Angolan province of Lunda Norte in order to dig or dive for diamonds in the UNITA-controlled territories. It investigates the changes brought about by the diamond trade and by the influx of these urban youngsters into the rural border area, as well as the impact of the accompanying monetization, known as ‘dollarization’, on the daily life of villagers and urbanites in Southwestern Zaire.     

Dress-code: gender performance and misbehavior in the manor

This article is a queer reading of the architecture of Swedish writer Selma Lagerlöf's mansion Mårbacka. Through a combination of performativity theory and architecture theory, the article addresses social and historical constructions of gender and sexuality, complicit with the entities age, class and nationality, through architecture. Architecture is explored ‘on the one hand’ as a representation of social norms and ‘on the other hand’ as a practice which can subvert them. Departing from a performative perspective on identity, the term cross-cladding is introduced as a tool to interpret architecture as dressing and thereby its complex, layered and manifold performances of gender and sexualities. The article writes a social and architectural history of what has been called ‘the most famous manor in Sweden and of Swedish manors the most famous in the world’ (Sterner 1935, 4). Mårbacka was not simply the home of Selma Lagerlöf (1858–1940) and her kin but also a public display of this Nobel Prize-winning first woman of the Swedish Academy – a national monument. Lagerlöf continuously worked on the main building. In 1919–1924, it was transformed with the help of the architects' office of Isak Gustaf Clason. It also appears in Lagerlöf's novels and throughout the building there are references to her books and biography. There is something queer here. The master of Mårbacka was a woman who loved women and made room for a household of women. This article discusses how architecture can represent a gendered disguise and reveals Mårbacka as an excessive, patriarchal ‘power suit’, which enabled a lifestyle that deviated from the norms of society.     

Commodification and Creative Destruction in the Australian Rural Landscape: The Case of Bridgetown,Western Australia

This paper examines the destructive tendencies associated with the commodification of rurality in some of Australia’s more scenic and accessible rural areas. While development based on the consumption of idealised rural landscapes and cultures can contribute to the accumulation of capital in rural areas, it can also result in the destruction of those aspects which consumers find attractive. These attributes include traditional farming landscapes, picturesque country towns, scenic rural environments, and perceptions of congenial and cohesive local communities. The purpose of this paper is to provide insights into the processes that lead to the degradation of these attributes. The discussion is set within the context of the ‘commodification of rurality’ and ‘creative destruction’ perspectives, and uses the case of Bridgetown in the south‐west of Western Australia to illustrate how an almost unfettered pattern of development is leading to the gradual destruction of the countryside ideal.     

基于县域尺度的江苏省乡村性空间格局演变及其机理研究

基于区域城乡一体的思想构建乡村性指数RI,通过GIS-ESDA空间分析框架,运用空间自相关、空间变差函数等测度模型对20世纪90年代以来县域尺度江苏省乡村性空间格局演变和机理进行了研究。结果表明:1990年以来县域尺度江苏省乡村性表现出较强的空间自相关性,相似地区在空间聚集分布,且集聚的程度不断增强;乡村性热点区空间结构主要以徐州-宿迁-淮安为核心的圈层结构,并且不断向盐城集聚,呈现出明显的地理集中演变特征;县域尺度乡村性空间格局的连续性和自组织性越来越强,由空间自相关引起的结构化分异的机理越来越显著;东北-西南方向乡村性空间差异较小,东南-西北方向乡村性的异质性则十分明显,空间差异较大。     

Intimate mobilities: emotional embodiment and queer migration

This paper offers theoretically-informed empirical insights into queer migration in the contemporary West. Understanding the rationales, patterns and outcomes of migration is important for scholars researching the life experiences of gay men, lesbians and other non-heterosexuals. This paper advances knowledge of queer migration by interpreting interview data from thirty-seven gay and lesbian Australians. The analysis is prompted by a qualitative and narrative turn in migration studies, and the urgings of new mobility studies to account for the embodied and emotional dimensions of migration. Interrogating gay and lesbian Australians' migration narratives over the life course, I scrutinise the emotionally embodied nature of queer migration. I focus on the body as a vector of displacement, and explore how emotions, desires and intimate attachments shape queer mobilities. Respondents particularly emphasised the roles of ‘comfort’ and ‘love’ in relocation decisions. I found that these feelings interleaved with three patterns of emotionally embodied queer migration in the data—coming out, gravitational and relationship migrations. The embodied affects of comfort played a key role in coming out and gravitational migrations, while the exigencies of love underpinned relationship migration.     

Book Reviews

Letters from the Dust Bowl by Caroline Henderson Alvin O. Turner (Ed.), 2001 Norman, OK, University of Oklahoma Press 320 pp., $34.90 hardback ISBN 0-8061-33-3 hardback The American ‘Dust Bowl’ landscape of the 1930s has been etched into the global imagination through powerful narratives: Farm Security Administration photography (1935-43), Per Loretz's film, The Plow that Broke the Plains (1936), and John Steinbeck's Grapes of Wrath (1939). In the last quarter of the twentieth century, historians such as Donald Worster (1979) have constructed their own narratives of this time and place. Caroline Henderson's Letters from the Dust Bowl, edited by Alvin O. Turner, provides a counterpoint, in the form of a first-hand account and a woman's voice, to the news stories, government propaganda, and historians' analyses that construct our understanding of the Dust Bowl. Henderson's letters reveal not only the ‘real’ experience of living in that place during a particularly difficult time, but also the ‘before’ and ‘after’–what led these individuals to the Great Plains and what became of them afterward. Educated at Mt Holyoke, Caroline Henderson ventured out onto the panhandle of Oklahoma to homestead in 1907 as a single woman, who ‘hungered and thirsted for something away from it all and for the out-of-doors’ (p. 33). She met her future husband Will when she hired a crew to dig a well on her land. Letters from the Dust Bowl captures Caroline's transformation from an idealistic young woman to a woman ‘worn by years of struggle with land and life’. Caroline's ‘letters’ are an amalgamation of letters to family and friends, and letters and essays written for publications such as the Atlantic Monthly. Letters begins with Henderson's optimism and delight in both life and landscape. Caroline's early writings capture the excitement of homesteading, of marriage, of being a young mother. Her writings eventually shift from purely personal letters to family and friends to being a source of additional income. Drought and failed crops led Caroline to begin writing for publication in 1913; her first published article was on her first years homesteading. She became a regular contributor to Ladies' World magazine, as their ‘Homestead Lady’, until its demise in 1918.     

Constructions of rural childhood: challenging dominant perspectives

This article reviews research on the lives and experiences of children and young people living in rural Minority world environments. The literature reviewed has focused on constructions of rurality in relation to children's experiences, most notably the rural idyll. Alternative constructions of rural childhood, characterised by dullness, horror and deprivation, are also apparent, and associated with insufficient rural activities, resources and transport, marginalisation and social exclusion. The more recent inclusion of children's perspectives on rural living provides a deeper understanding of rural childhood and challenges the dominant perspectives.     

Irrefutable arguments: Teresa de Cartagena defends her right to authorship

Teresa de Cartagena wrote a masterful text of consolation for all who suffer illness or impairment entitled Arboleda de los enfermos [Grove of the Infirm] in which she recounts her spiritual response to the onset of deafness. The work was maligned, not for its content, but rather because detractors refused to believe that Arboleda could have been penned by a woman, especially one who suffered from a physical impairment. Teresa responded to those who doubted her authorship by writing a second text, Admiraçión operum Dey [Wonder at the Works of God]. She felt compelled to respond to her critics in order to assert a single, and irrefutable, truth: God gave her the ability to write Arboleda, and, since anything is possible for God, to deny her authorship is tantamount to denying the omnipotence of God. She declares that any reader who doubts her authorship does not believe that God is capable of miraculous deeds. She argues that it is rare for a woman to write but certainly not impossible if God so wills it. This article explores how Teresa constructs and builds what, on the surface, appears to be a simple, in not outright indisputable, tenet of Christian doctrine, i.e., God’s unlimited and inscrutable power.     

Can't I be seen? Can't I be heard? Black women queering politics in Newark

What does it mean for a black female to negotiate urban space? How is her body read, her politics enacted, and her agency understood and interpreted? How do black women use their bodies and identities to challenge structural intersectionality in US cities? To answer these questions, I explore how black women embraced a set of oppositional spatial practices to resist the intersectional effects of misogyny, homo/transphobia, racism, and poverty in Newark, New Jersey. I reconstruct the creation of the Newark Pride Alliance, a local lesbian, gay, bisexual, transsexual and queer coalition that mobilized in 2003 and 2004, after the death of Sakia Gunn. Exploring migrations between ‘black women,’ ‘black queer’ and ‘black feminist,’ I examine how black women respatialized social capital and enacted resistance. Through semi-structured interviews and frame analysis, I explore how black women forged new relationships between queer youth and black vernacular institutions, and created political spaces in which honest engagement of issues of gender violence, poverty, and power could take place.     

Reorienting the nation: spatio-corporeal imaginaries and Turkey’s father of modern obstetrics,Dr Besim Ömer

In this study, I use a queer theoretical framework to critically assess narratives of reproductive reorientation in the early Turkish republic. I focus on the writings of one of the central medical professionals associated with the Kemalist regime, Dr Besim Ömer. Inspired by Sara Ahmed’s approach to orientation, I undertake a queer reading of Dr Besim Ömer’s writings on reproductive bodies and the spaces that they inhabit. Spatial dimensions of reproductive misalignment and reorientation are especially evident in Dr Besim Ömer’s work between 1923 and 1938. Rural and urban women are written as out-of-line with respect to the presumed national family line of Turkishness, one that extended Turkish bodies from the heroically fertile past and into a successfully (re)productive future. This assessment is predicated upon a spatio-corporeal imaginary: the naturally fecund Turkish woman, a body whose otherwise reproductively inclined tendencies had become misaligned in both the stagnating rural and industrializing urban spaces of the late Ottoman Empire and early Turkish republic. I draw upon Ahmed in order to highlight the slantwise character of desires for properly oriented reproductive bodies and spaces that were in-line with the nationalistic family line of Turkishness; desires that were predicated upon a placeless idealization and an embodied utopia. Spatio-corporeal imaginaries such as these have limited the scope and dimension of what constitutes, as Ahmed describes, ‘a life worth living.’