From virtue to virtue: diverging visions of sanctity and monasticism in two Lives of Cuthbert

The onset of the long eighth century demanded that churchmen develop new visions for their place in the changing social and political landscapes of Anglo‐Saxon England. The Anonymous Life of Saint Cuthbert (699–705) and Bede's Life of Saint Cuthbert (c.721) responded to these changes by offering two such visions. Each author made systematic divergences from his exemplars, articulated with a finesse often mistaken for emulation. Nevertheless, each of these texts offered a distinct vision for the church, giving particular attention to the role of monasticism in the changing circumstances of the long eighth century.     

On the Values of Biblical Law and their Contemporary Application

Abstract

In God, Justice, and Society: Aspects of Law and Legality in the Bible (Oxford University Press, 2011), Jonathan Burnside sets himself a dual task: on the one hand (and primarily), to examine historically many biblical texts whose subject-matter has counterparts in modern law, and to identify their values; on the other to argue for the relevance of these texts to public debate on such issues in modern law. His semiotic methodology has much in common with my own (as he has graciously acknowledged). In this paper, stimulated by his work, I seek to sketch the academic context from which it arises, and pose some further questions prompted by reflection on his work.     

3. HISTORIOGRAPHY WITHOUT GOD: A REPLY TO GREGORY1

This reply aims both to respond to Gregory and to move forward the debate about God's place in historiography. The first section is devoted to the nature of science and God. Whereas Gregory thinks science is based on metaphysical naturalism with a methodological corollary of critical‐realist empiricism, I see critical, empiricist methodology as basic, and naturalism as a consequence. Gregory's exposition of his apophatic theology, in which univocity is eschewed, illustrates the fissure between religious and scientific worldviews—no matter which basic scientific theory one subscribes to. The second section is allotted to miracles. As I do, Gregory thinks no miracle occurred on Fox Lakes in 1652, but he restricts himself to understanding the actors and explaining change over time, and refuses to explain past or contemporary actions and events. Marc Bloch, in his book The Royal Touch: Sacred Monarchy and Scrofula in England and France, is willing to go much further than Gregory. Using his superior medical knowledge to substitute his own explanation of the phenomenon for that of the actors, Bloch dismisses the actors’ beliefs that they or others had been miraculously cured, and explains that they believed they saw miraculous healing because they were expecting to see it. In the third section, on historical explanation, I rephrase the question whether historians can accommodate both believers in God and naturalist scientists, asking whether God, acting miraculously or not, can be part of the ideal explanatory text. I reply in the negative, and explicate how the concept of a plural subject suggests how scientists can also be believers. This approach may be compatible with two options presented by Peter Lipton for resolving the tension between religion and science. The first is to see the truth claims of religious texts as untranslatable into scientific language (and vice versa); the other is to immerse oneself in religious texts by accepting them as a guide but not believing in their truth claims when these contradict science.     

Eupolemus the Chronographer and 141 BCE

ABSTRACT

Eupolemus is mentioned in three separate texts: Josephus, Contra Apion; Clement, Stromateis; and Eusebius, Preparation for the Gospels. However, the references and texts associated with Eupolemus in Eusebius and two references to Eupolemus in Clement, found no earlier than the 2^nd cent CE, may be assigned to a second, or, Pseudo-Eupolemus. The earlier Jewish Hellenistic writer is referred to in Josephus but he provides no details. The only information about the original Eupolemus is found in Clement. It is clear that the original Eupolemus uses the independence of Jerusalem from Greek troops in 141 BCE as the base year for his chronology. In addition, it is probable he used the Hebrew text of Kings and not the LXX as his source. Eupolemus should not be used to support early dates for the LXX.     

Between parson and poet: a re-examination of the Latin Continuation of William of Tyre

Although historians of the crusades and the Latin East are familiar with the Old French translation and continuations of William of Tyre’s Historia, very little has ever been written about the narrative of the Third Crusade generally known as ‘the Latin Continuation of William of Tyre’. This article re-examines the probable date and sources of the Continuatio. Challenging long-standing assumptions about when the Continuatio was written and where the continuator drew his information from, it argues that the evidence points to an original date of composition in the early thirteenth century, not c.1194, as is commonly believed, and that the continuator used Roger of Howden’s Chronica, not his Gesta, as a principal written source. Furthermore, analysis of numerous parallels between the Continuatio and the vernacular Estoire de la guerre sainte attributed to the poet Ambroise reveals a possible relationship between the two texts that has hitherto gone largely unnoticed.     

Reconsidering John Sergeant's Attacks on Locke's Essay

The Catholic polemicist John Sergeant published three major works of philosophy towards the end of his literary career, The Method to Science (1696), Solid Philosophy (1697) and Metaphysics (1700). They were highly critical of what Sergeant saw as the idea‐grounded epistemology of the Cartesians and John Locke, whom he labelled ‘ideists’. Previous scholars have interpreted Sergeant's texts as manifestations of his lifelong obsession with certainty, as initially developed in his Restoration polemics against Anglican divines. Using a previously neglected autobiographical letter, it is demonstrated that Sergeant's intentions were very different. Like Edward Stillingfleet and other critics, Sergeant saw Locke's philosophy as inspiring contemporary heterodoxy. The article identifies the specific channels by which Sergeant saw Lockeanism seeping into irreligion. Moreover, unlike Locke's Anglican critics, Sergeant resorted not to polemical accusations, but to abstract philosophy. This must also be explained contextually: Sergeant wished his works to become textbooks at the universities, concerned as he was by the pedagogical impact of the Essay. A premise of this article is that reception history is less useful for elucidating on the meaning of the received text than for telling us something about the intentions of the receiver, and about the intellectual culture in which the process of reception occurs. With this in mind, the article finishes by recontextualizing Sergeant's works within a broader narrative: his was an attempt to reassert the place of philosophy as a propaedeutic to theology in an age when such a conception of philosophy's social role was coming under intense scrutiny.     

Getting Acquainted With Alfonso Hernández-Catá

Traditionally it has been considered that Castilian cancionero poetry has hardly preserved diálogos interestróficos, such as the primitive tensón. However, the Cancionero de Palacio contains a very significant sample of the different possibilities of the cancioneril dialogic mold: beyond poetic dialogue forms more common in Fifteenth Century Spanish poetry, through whole texts juxtaposed, the Cancionero de Palacio contains several other more original forms, and as a result it serves as a codex unicus. This article offers, for the first time, an analysis of all the diálogos interestróficos collected in this Cancionero. This analysis contradicts the widely held view about the rarity and scarcity of these texts and confirms the originality of the dialogic schemes and the strong presence of polyphonic texts in this colectánea. The article presents a list of twelve compositions—a very significant number—in which the dialogue articulates all the text, with voices alternating stanza to stanza or even within each stanza. After establishing this body of work, the study centers on a typological analysis based on the voices found in these poems.     

Law and the Ruining of the Land

Abstract

In his monograph God, Justice, and Society (Oxford University Press, 2011)response to his work uses examples from Deuteronomy, Jeremiah and other prophetic texts to explore the relationship between obedience to God’s law and the wellbeing of the natural world. It concludes that given the complexity and diversity of natural law within the Western philosophical tradition, it seems unwise to draw too direct a comparison with the biblical material, which reflects a very different world view. The close study of the texts suggests that, for the biblical authors, divine law was both commanded at Sinai and written into the fabric of the universe.     

Spectres,monstres et fantômes: Les Chants de Maldoror et le spectacle de la fantasmagorie

As an introduction to his show in the Capucins' convent, Etienne Robertson states, "Gentlemen, the spectacle about to take place under your very eyes is not a frivolous one. It was created for the thinking man, for the philosopher who enjoys wandering among the tombs" (qtd. in Remise 41). The nineteenth century, and Robertson in particular, grant phantasmagoria a large place in history, even though the concept and the technique existed long before.

With such a success, it should not be surprising that phantasmagoria found its home in literature, especially in Isidore Ducasse's (Comte de Lautréamont's) texts. Indeed, Maldoror's Cantos, in which visual effects hold a significant place, seem to occur behind a thick fog that the reader appears to have difficulty escaping. Just as the spectacles of phantasmagoria are not meant for a "frivolous" audience, as Robertson said, the Cantos are not meant for a reader whom Lautréamont defines as "naive." This article will focus on the visual arts that were prevalent at the time and their influence on the Cantos. Using Roland Barthes's theory, the author shows that Maldoror's Cantos can be read as a spectacle of phantasmagoria in writing.     

Historical writing? – Richard Wilton’s “Booke of particular remembrances”, 1584–1634

ABSTRACT

Francis Bacon’s Advancement of Knowledge shaped contemporary and modern conceptions of historical writing and culture which historians have only begun to re-examine more recently. This case study of the “notebook” of Sir Richard Wilton demonstrates the fruitfulness of considering non-narrative texts as “historical”. Wilton self-fashioned his identity from the ideals of gentry culture and his Protestant faith. Wilton’s personal memory was influenced by the Reformation which led to forms of commemoration in texts. He also used elite knowledge networks to negotiate historical networks that were fundamentally oral and local. Finally, early modern historical writing found in personal accounts, commonplace books, and remembrance books could be fluid and dynamic, and it appropriated forms of writing that were highly accessible in the day-to-day lives of the writers that compiled them. The decision to use particular forms of writing was intrinsically associated with the utility and meaning of these forms.     

Acclamations: a theological-political topic in the crossed dialogue between Erik Peterson,Ernst H. Kantorowicz and Carl Schmitt*

The dual character of acclamations, religious and political, makes of acclamations a perfect place to explore theological-political transferences. Acclamations were central in ancient times in order to constitute a community and to show its acceptance, whether they took place in a republic while deciding in assemblies or during the accession of an emperor. The Christian-Church adopted this imperial ceremonial style with the introduction of imperial laudes into the Church and accommodated it to its own needs. Modern times recovered the magic of acclamations in order to give space to the vox populi in the constitution of the political community. The aim of the present article is to explore the centrality of acclamations in religious and political life through three key texts: Kantorowicz’s Laudes regiae, Peterson’s Heis Theos and Schmitt’s Volksentscheid und Volksbegehren. These texts are interrelated and could be considered a particular case of a broad hidden dialogue between these three authors. The theological-political character and evolution of the practice of acclamations in the West coming from the East shows that the line that divided the sacred from the secular has been always far from fixed, and was instead subject to fluctuation, pressures from every side, and constant renegotiation.     

Structural Features of the Stone-Built T'ing-Pagoda

This article examines representations of Music Master Kuang in early Chinese historical and philosophical texts. Music Master Kuang was entirely blind, at a time when people with disabilities suffered serious discrimination. However, in spite of his handicap, he was able not merely to become a fine musician, but also served as a key advisor to two rulers of Jin, Lord Dao (r. 573–558 BCE) and his son, Lord Ping (r. 557–532 BCE), and in some texts is said to have acted as their prime minister. In achieving this transition, he is unique among Music Masters of the period. This article classifies the stories told about him into two main thematic groups, as a musician and as a statesman, to show the way in which music was related to statecraft through the persona of an individual who was both a highly respected government minister and a noted performer on the qin.     

Texts,topoi and the self: a reading of Alfredian spirituality*

Challenging the allegation that Alfred's spirituality as Asser presents it is no more than a string of textual fictions, this article outlines a context for understanding Alfred's spirituality as a functional process of living texts, or of ‘textualizing’ the self. The discussion first draws support for this view from the history of early medieval spirituality and then demonstrates the theme's relevance both to Asser's representation of Alfred and to the king's own writings. Attention is given especially to the congruence between Alfred's depiction in the Life and Gregory the Great's teachings on the ideal rector as propounded in the Pastoral Care, a text carefully read and famously translated by Alfred himself. The comparison suggests that the main spiritual models for Alfred's kingly piety may be understood to reside in, and to involve assimilation of, this work of Gregory, making it possible to conceptualize the king's self‐presentation in terms of a conscious project to ‘live’ Gregory's text by bringing the ideals of the Gregorian rector to life in his own person. Such an argument helps to explain Alfred's interest in Gregory, to account for his concern to translate the Pastoral Care, and to legitimize the predominant images associated with the king's spirituality as indicative of a kind of functional piety grounded in the reading of texts, rather than simply reflected, perhaps falsely, in Asser’s Life.     

Knowledge of the past and the judgement of history in tenth‐century Trier: Regino of Prüm and the lost manuscript of Bishop Adventius of Metz

Regino of Prüm's chronicle is an invaluable source for ninth‐ and early tenth‐century Frankish history, but also for contemporary perceptions of that history. Though Regino's motivations for writing continue to be discussed, most historians now agree that his account can be read as one of Carolingian rise and fall. This article argues that this interpretative stance should be considered as in part a product of Regino's engagement with the surprisingly limited sources for the ninth century at his disposal. Taken together, these texts suggested a narrative for which Regino could find ample confirmation in the events of his own time.     

Culture and Truth: Nietzsche and Classical Philology

Several recent studies have returned to the famous controversy over the reception of Nietzsche’s Birth of Tragedy from the Spirit of Music (1872). By reinterpreting it within the immediate context of Germany in the early 1870s, James Whitman understands this controversy as a Methodenstreit within Classical Philology and James I. Porter claims that, through this controversy, Nietzsche developed an extensive critique of modern culture. I contend that Nietzsche’s reaction to the scholarly rejection of his first publication resulted in no immediate response on his behalf; rather, it led to three years of intense rethinking and strengthening of the position he took in The Birth of Tragedy. This is evidenced in his early published essays and notebooks of 1872–1875. From the first readers of these early notebooks, Karl Schlechta and Anni Anders, to its most recent interpreters, Richard T. Grey and Alexander Nehamas, these scholars are unanimous in understanding them as Nietzsche’s attempt to work through a number of conventional philosophical problems. I argue that Nietzsche developed in these essays and notebooks a type of criticism that broke away from all traditional philosophical problems and creatively introduced such notions as cultural horizon, background phenomena, and life as a philosophical measure — all of which would be further refined in his mature texts of the 1880s and underpin his innovative concepts of the will to power and eternal recurrence.     

James Fitzjames Stephen,John Stuart Mill,and the Victorian Theory of Toleration

Due to his famous conflict with John Stuart Mill, James Fitzjames Stephen is often assumed to have been an opponent of toleration and intellectual freedom and a defender of authoritarian or reactionary principles. These assumptions are misleading. Stephen was, and was known in his time to have been, a champion of toleration. This essay provides a comprehensive overview of his writing on these themes, drawing from a wider array of texts than is usually considered in the study of the Stephen-Mill controversy. Contrary to popular belief, Stephen had a deep and multi-faceted argument in favor of toleration. As a critic of contending theories of toleration and freedom of discussion (especially Mill’s), Stephen was concerned to defeat what he saw as the resurgence of a priori principles in Victorian political philosophy and to combat the expansion of a proper notion of toleration to include a cluster of beliefs and attitudes of which he disapproved. In his approach to these issues Stephen was, arguably, as representative of Victorian thinking as the author of On Liberty.     

Justice Breyer's Constitutional Jurisprudence: Active Liberty and Pragmatism

This analysis of Associate Justice Stephen Breyer's jurisprudence proceeds from his first book devoted to this subject, Active Liberty, a term he derives from Benjamin Constant and that Breyer defines as participatory democracy. Active Liberty and two subsequent books, as well as numerous off-bench writings, explain his jurisprudence of pragmatism, an approach he contrasts with originalism. This article addresses three general questions: Is Breyer's jurisprudence, founded on active liberty and pragmatism, fundamentally consistent with the design of the Constitution? Does his jurisprudence support his opinions in the constitutional decisions examined, a number of which are also treated in his books and articles? In a system that is designed to empower and to limit government, do his jurisprudence and judicial decisions constrain judges? This last question is especially important because of Breyer's thesis “that courts should take greater account of the Constitution's democratic nature when they interpret constitutional and statutory texts.” Breyer believes that his theory of active liberty ameliorates the democratic anomaly between a system “based on representation and accountability” that at the same time entrusts “final or near-final” authority to unelected judges who are insulated from public opinion.