Conserving Hong Kong’s Heritage: The Case of Queen’s Pier

The case of Queen’s Pier in Hong Kong provides the context for a discussion of conceptions of heritage, the purposes it serves and the dilemmas surrounding conservation in modern Asian societies committed to economic growth. Efforts to save the historic pier from destruction are recounted and the perspectives of those with an interest are examined. Built heritage is shown to have socio‐cultural, political and economic functions and its contribution to defining identity is especially important in times of change and uncertainty. Circumstances in Hong Kong reflect its unique history and current status, but the issues emerging from the analysis have a wider relevance. The fundamental tension between development and conservation is highlighted, together with the challenges of reconciling these two forces in a satisfactory manner.     

A Decadence Baedeker: D’Annunzio’s The Triumph of Death

This article investigates how Gabriele D’Annunzio’s The Triumph of Death brings together Nietzsche’s ideas and Wagner’s music and interweaves them with the motifs of literary Decadence and the author’s own particular sexual politics. The novel is an experimental text striving to be a Gesemtkunstswerk, an integrated work that incorporates music, painting, poetry, regional folklore, and private thoughts about personal and national power. I discuss the novel’s themes of violent sexuality and the anxiety of powerlessness and explore their implications for the fascist political aesthetics in which D’Annunzio played a pioneering role.     

A Gift of Lace: Queen Mary’s Coronation Train, 1911

This paper is concerned with the context of the commissioning and the making of a Youghal lace coronation train, its ‘artistic beauty’, as well as the confusion about where it was worn and its ‘associations’ which, when it was made, displayed and worn, were diverse and complicated. The lace train began its material life in the Presentation Convent in Youghal in the south of Ireland, but had been commissioned then gifted to Queen Mary by the unionist ‘ladies’ of Belfast. Once made, it was exhibited in Belfast and London before its delivery to Buckingham Palace in time for the queen’s departure for India where, according to a number of published accounts, it was to be worn by Queen Mary in the ceremonies surrounding the Delhi Durbar; it was, in fact, worn in Calcutta. Considered one of the most magnificent examples of Irish needlepoint lace ever made, it expressed the loyalty of unionist women, but in its crafting it alluded to the space of nationalist women. The object highlights the workings of the Youghal Lace Cooperative that functioned in much the same way as do today’s fair trade networks (securing markets, returning profits to artisans), while at the same time the object speaks of social relationships, contested spaces, political tensions and agency.     

‘Queen’s Day – TV’s Day’: the British monarchy and the media industries

In contemporary British history, Elizabeth II’s coronation in 1953 is typically imagined and narrated as the moment where television was anchored as a national cultural form. In addition, it is well documented by commentators and scholars that during preparation for the coronation, politicians and the palace had reservations that live television might fracture the carefully constructed mystique of monarchy. This article revisits the coronation to consider why and how television was perceived as a watershed moment for both monarchy and television, and what difference this has made to royal representations since. Using the work of Michael Warner, it argues that the mediated intimacies facilitated by television as a new cultural form encouraged viewers to enact participatory and active processes of spectatorship as royal ‘publics’, who are brought into being through being addressed. That is, it was the act of emphasising the centrality of television’s role in the coronation, and in reinforcing the apparent distance between monarchy and (popular) media, that these ‘meanings’ of the coronation were constructed in the public and historical imaginary.     

The High Cost of Living: Death and Social Identity of Missouri’s Historic Columbia Cemetery

Historical Archaeology - The gravestones of Missouri’s historic Columbia Cemetery demonstrate the changing social identity of the population of Columbia, Missouri. These stone artifacts,...     

‘Oh You Pretty Thing!’: How David Bowie ‘Unlocked Everybody’s Inner Queen’ in spite of the music press

The 1967 Sexual Offence Act decriminalised homosexual acts between men allowing gay men to discuss their sexuality in public. Few prominent popular musicians came-out until 1972 when David Bowie claimed that he was bisexual in an interview with Melody Maker. Music papers and Bowie had substantial cultural power: Bowie was a rising star and music papers recruited journalists who discussed and perpetuated social change. The subsequent conversation, however, reinforced negative stereotypes in constructing the queer subject and tried to safeguard commercial concerns due to the assumption that the market for popular music avoided queer music. This undermined arguments that associate permissive legislation with a permissive media and society, but, to some, representation alone empowered people and destabilised preconceptions about queer identity.     

Gladstone’s Land: the changing face of Edinburgh’s Royal Mile

SUMMARY: This paper presents the results of recent archaeological research into the building known as Gladstone’s Land on Edinburgh’s Royal Mile. The aim of the research was to examine to what extent historical fabric had survived in light of extensive historical intervention. The building is a surviving example of Edinburgh’s Old Town urban architecture, which is characterized by tall structures with a shop front and densely occupied residential spaces. The paper presents evidence of the development of the building from the 16th century to its conservation in the 20th century. This development involved the replacement of formerly timber elements in stone and the creation of ornate painted interiors. The history of the building and the archaeological evidence embedded within it offer evidence of the life and changing architectural trends of Scotland’s capital. It also adds to our current understanding of heritage practice in the 20th century, raising issues of authenticity and the social construction of visitor-oriented heritage.     

Gombrich’s critique of Hauser’s Social History of Art

This article examines E.H. Gombrich’s critical appraisal of Arnold Hauser’s book, The Social History of Art. Hauser’s Social History of Art was published in 1951, a year after Gombrich’s bestseller, The Story of Art. Although written in Britain for an English-speaking public, both books had their origins in the intellectual history of Central Europe: Gombrich was an Austrian art historian and Hauser was Hungarian. Gombrich’s critique, published in The Art Bulletin in 1953, attacked Hauser’s dialectical materialism and his sociological interpretation of art history. Borrowing arguments from Karl Popper’s critique of historicism, Gombrich described Hauser’s work as collectivist and deterministic, tendencies at odds with his own conception of art history. However, in his readiness to label Hauser a proponent of historical materialism, Gombrich failed to recognize Hauser’s own criticism of deterministic theories of art, especially formalism. This article investigates Gombrich’s reasons for rejecting Hauser’s sociology of art. It argues Gombrich used Hauser as an ideological counterpoint to his own version of art history, avowedly liberal and individualist in outlook.     

Sappho’s “Brothers Poem”: An Interpretation

This article explores the overall meaning of Sappho's “Brothers' Poem” by elucidating its web of interwoven verbal repetitions. “The gods”, Sappho seems to say, “reward those who have moderate wishes, think in longer time frames by trying to exploit all their resources and understand the law of natural alternation, regulated by Zeus, by bringing about an even more spectacular reversal of fortune”.     

Lampon’s Episode in Xenophon’s Ephesiaca: The Reformulation of a Goatherd

The article examines the figure of Lampon, an uncharacteristic goatherd appearing in a folk-tale-like story in Xenophon’s Ephesiaca 2.9–12. It has long been recognized by critics that the circumstances of the Euripidean Electra are recalled in the episode under discussion. Comparisons are made with the Euripidean scene and the “reshuffling” of the main roles is expounded, including the novelist’s decision to make Anthia the partner of a goatherd and not the wife of a lowly farmer. On the basis of thematic and verbal similarities, it is argued that Xenophon appears to have a direct knowledge of Euripides’ Electra, which he imaginatively exploits. Subtle details of occupation and name are also discussed in relation to the stereotypical α?π?λο? and the ?γροικο?. A characteristic feature recalling the Aristotelian notion of ?γροικ?α is pointed, and it is concluded that Xenophon skilfully subverts the stereotypes, as he does not endow Lampon with the traditional negative marking of ?γροικοι and α?π?λοι, and indeed moulds an anti-aipolos.     

‘Germany’s salvation’: Carl Schmitt’s teleological history of the Second Reich

Although Schmitt’s enthusiastic conversion to National Socialism is well known, his short history of the German Kaiserreich, published in 1934, remains neglected in Anglophone scholarship. This article contextualizes Schmitt’s narrative through the National Socialist conception of history and its accompanying teleology leading to the formation of the Third Reich. By placing Schmitt’s historical text in conversation with his earlier Staat, Bewegung, Volk, this article argues that Schmitt appropriated the history of the Kaiserreich to construct liberalism as a social pathology which could only be cured through the ‘concrete state theory’ he outlined in Staat, Bewegung, Volk. Furthermore, this article argues that Schmitt’s history relied heavily on propagandistic clichés of the Third Reich and thereby functioned as a rhetorical legitimation of Hitler’s rise to power.     

“Down with the Monarchy”: Iran’s Republican Moment of August 1953

The purpose of this article is to explore and analyze Iran’s “Republican Moment” of 16?19 August 1953, arguably the last concerted effort to abolish the monarchy and establish a republican order in the county prior to the Revolution of 1978?79. By drawing on a broad range of primary source materials that have thus far remained relatively understudied by existing scholarship, such as the political press of those crucial days, the essay will attempt to shed light on a number of significant domestic developments which impacted the outcome of the actual coup of 19 August 1953. A further attempt will be made to explain the importance of calls in favor of the Republic and the premier Mohammad Mosaddeq’s refusal to take heed of them. The paper will also explore the diverse origins of the Republican platform and its impact on both the urban crowd and the political elite.     

Russia’s gas “Triopoly”: implications of a changing gas sector structure

The growth strategies of the two largest so-called independent Russian gas producers – Novatek and Rosneft – as well as developments in international markets and changing domestic energy needs have put pressure on the present Russian gas sector model dominated by Gazprom. The three companies are involved in a struggle over export liberalization as well as the conditions in the domestic market. Liquefied natural gas is top priority for Novatek and Rosneft’s main gas focus is on eastern Russia and Asia, but there is still room for considerable tension with Gazprom. The government wants to both improve Russia’s position in export markets and maintain stable domestic supplies, including to socially disadvantaged regions and institutions. Gazprom is insisting that if further access to export markets is granted to the Independents, then they must take greater responsibility for domestic market obligations. On the other hand, the key Independents seem intent on stopping or slowing down their expansion in the domestic market in order to prioritize export sales, and will certainly not take broader domestic supply responsibilities without better access to export markets. The balancing of policies involves strong players on the Russian economic and political scene, all with ties to the Kremlin.     

Editorial: Geography and the ‘European Year of Citizenship through Education’

The paper introduces a library of video podcasts (vodcasts) used to support the learning and teaching of geographical methods and techniques relating to physical geography and GIScience in particular. While the notion of video learning is not new, the accessibility of the multimedia snippets via lightweight mp4 players in a field context allows a geographical freedom to learning that goes beyond previous classroom-based work. Evaluation, conducted through the use of reflective diaries and focus groups, identified that all students thought the podcast reference library was a valuable learning resource, of particular appeal to students with a visual approach to learning.