Beyond the One-World Frame of Fiction: The Breakdown of Reality in Hushang Golshiri's Stories

The debate over political commitment in Iran was never limited to adjudicating content: it was frequently a debate over form as well. In the realm of fiction, this debate fixated on realism, the nature of mimesis, and the autonomy of art and the literary text. Within a few short years after forming the iconoclastic journal Jong-e Esfahan in 1965 with a group of likeminded colleagues, the writer Hushang Golshiri had become the preeminent modernist fiction writer in Iran. His critical essays represented a passionate defense of aesthetic autonomy at a time when realism and, particularly, socialist and “engaged” literature were powerful shibboleths in the Tehran literary scene. This paper begins with a look at Golshiri's critical interventions in this debate and then moves on to show how the short stories he produced in the Jong era were an even more integral part of his response to the mimesis question. By reading his stories with a methodology drawn from “possible worlds” theories of narratology, Todorov's fantastic, and Golshiri's own theories, we see how these works break down the “one-world” frame of reality that realism takes for granted, and require the reader to grapple with multiple, often contradictory, possible realities in its stead.     

Empire is the Enemy of Love: Edith Noor's Progress and Other Stories

Cases discovered in the British Colonial Office archives of the 1920s and 1930s show how different branches of the imperial state struggled with interracial couples and families to define their rightful place in the empire. As discursive analysis historically contextualised shows, state servants striving to maintain colonial power relations held assumptions about racial and cultural differences that reacted in unpredictable ways with their deeply gendered and classed judgements about interracial marriages and the women in them. This evidence reveals that racial distinction or ‘whiteness’ was neither the sole nor even the primary variable driving these decisions. Discourses of gender, class, culture, sexual danger and spatial location were equally powerful.     

The messiah epithet in the Hebrew Bible

Rather than a reference ''to a present, political and religious leader who is appointed by God, applied predominantly to a king, but also to a priest and occasionally a prophet'' as proposed in 1985 by the first Princeton Symposium of Judaism and Christian origins, the term 'MSH' in the Hebrew Bible is an epithet or title which functions within a literary and mythic but not an historical context. The role of the messiah as played in the Hebrew Bible is not uniquely Jewish, but functions within the symbol system of ancient Near Eastern royal ideology and functions within a theology of divine transcendence and immanence. The coherence of the mythic role of the messiah is identified in relation to concepts of messianic time, as in the functions of expiating and mediating transcendence, of maintaining creation through war against the powers of chaos and the establishment of eternal peace. David's role as messiah in the Psalter is described in his role as ideal representative of piety, and as ruler over destiny bringing the good news expressed in various forms of ''the poor man's song.'' Finally, the role of the messiah myth is integrated with utopian concepts of a new Israel.     

Comments on Yoram Hazony,The Philosophy of Hebrew Scripture

Hazony's insightful book advances three theses: (1) The Tanakh, the canonical Hebrew Scripture, is coherent, by virtue of its distinctive vision of the Whole and of the Israelite People's special place in it. (2) The Tanakh is a philosophic as well as a religious text. (3) The study of the Tanakh should find a home in departments of philosophy and political science as well as religion or religious studies. Granting the first and third points, we may raise questions about the second: Does philosophy require a concept of Nature qua Necessity, which is at odds with the Scriptural God's radical freedom? Does Hazony, to present the Tanakh as philosophic, overrationalize it, and therewith offer interpretations that, although fruitful and inspiring, fall wide of the mark? Of particular interest are his translation of the Hebrew word lev, literally “heart,” as “mind”; his sketches of five of the Patriarch Jacob's sons as politically relevant character types; and especially his take on the Patriarch Abraham's near sacrifice of his son Isaac, which understates this text's poignancy and wonder. An alternative reading reveals the Book of Genesis as a set of cautionary tales about the hazards of unaided human reason, for which the Mosaic Law provides a needed corrective. On the other hand, Hazony should not be judged too harshly for his critical comments on a dogmatic strand (but only a strand) of Christian thinking that he associates with the early Church Father Tertullian.     

Clio, Columbia, And The Cosmopolitans: Beyond American Exceptionalism And The Nation–State

Books reviewed in this article:
Thomas Bender, Rethinking American History In A Global Age     

The symbolism of the Arab flag in modern Arab states: between commonality and uniqueness*

ABSTRACT. The national flag, anthem and emblem are the three symbols through which an independent country proclaims its identity and sovereignty. Although each state has its distinctive flag, there are similarities in the flags of certain countries, such as in Scandinavia (the cross) and Africa (colours). These symbolise certain propinquity in terms of ideology, culture and history. Similarity is also to be found in the flags of the Arab countries: out of the twenty‐two current members of the Arab League, ten share the same colours on their flags (green, white, black and red), while a certain Islamic symbol (eagle, star) in some flags represents the uniqueness of that country. Of the other twelve countries, most rely on one colour of the four (usually red or green) while nine use Islamic symbols (stars, crescent and sword) on their flags. In spite of the importance of this national symbol, the study of the modern Arab flag is almost non‐existent. This article explores the modern evolution of the Arab flag and the reasons for the similarities in many Arab flags. In particular, it will deal with the pan‐Arab flags of the Hashemites Kingdom of the Hijaz (1916–26), Jordan, Iraq, Palestine, Syria and Egypt.     

Gender,sexuality and power in Arab society: Arab feminist criticism of discourse and social order

Adnan, Etel. Sitt Marie Rose. Sausalito, California: Post‐Apollo Press, 1982. 105 pp. $7.50 paper.

El Saadawi. Woman at Point Zero. London: Zed Press, 1983. iv + 106 pp. $6.25 paper.

Sabbah, Fatna A. Woman in the Muslim Unconscious. New York: Pergamon Press. 132 pp. including footnotes and index. $22.50 cloth, $9.95 paper.     

Stories in Space: The Geographies of Children's Literature

This paper argues for the uses of children's literature in the study of children's geographies. It focuses in particular on the nature of representations of urban space in children's literature, a genre more usually connected with the pastoral and explores the narrative strategies and approaches of children's literature which does venture into the city. I propose five modes in which the city is written for children and ask, from the position of literary criticism which distrusts children's stories' ability to speak for children, how far these modes can be said to coincide with children's lived experience of the city.