Going beyond the grid: literary mapping as creative reading

Drawing from the importance of narrative inquiry in contemporary geographical reasoning and teaching, this paper focuses on some practices set around the relationship between maps and literature. Reader-generated maps, maps produced starting from the reading of a literary text, are at the core of a reflection on the potentialities of literary mapping in higher education; relating maps and literature in an educational environment, I suggest creative reading and creative mapping as co-constructive practices that are able to guide students in addressing and internalising the complexity of spatial categories. Reflecting on the students’ literary mappings, I focus on the various ways that the literary map contributes to mobilising the space of the text, guiding students in approaching spatial issues from a different (and creative) perspective. Time, point of view and literary trans-scalarity are the key narrative concepts that guide and inform possible inductive ruminations on literary mapping as a learning strategy. Following the core question of “what literary mapping might be and do in the digital age”, I aim to resituate contemporary discussions on literary mapping in an educational environment.     

数字近景摄影测量在秦始皇陵百戏坑考古中的应用研究

既要保留遗迹在不同阶段的信息资料,又不影响发掘研究工作的继续进行,一直是考古工作者探索研究的问题。为配合秦始皇陵百戏俑坑的考古发掘工作,为后续考古研究和文物遗迹的保护提供必要的基础信息资料,针对大场景考古发掘现场,通过数字全站仪对文物挖掘现场布设的一定数量控制点进行观测获取其三维点位坐标。利用非量测数码相机获取现场多航带序列影像,通过数码相机检校、自动空中三角测量、影像特征提取与影像匹配、数字微分纠正等数字近景摄影测量方法,获取反映发掘现场文物分布情况的数字高程模型(DEM)和正射影像(DOM)数据。在生成的正射影像图上进行文物轮廓线条的提取,获得发掘现场文物的正射投影矢量图。实现文物位置、形状及分布的平面量测。实验证明:该方法不仅可大面积、快速获取文物挖掘现场文物分布的正射投影平面图,实现考古数字制图,而且能保证一定的精度。具有较高的推广应用价值。     

Carto-fiction: narrativising maps through creative writing

Abstract

This study reacts to the recent call for a narrativisation of maps’ life in post-representational cartography, proposing ‘cartographic fictional writing’ as a means to move geography’s ‘creative (re)turn’ from a place-centred to a ‘carto-centred’ perspective, and as an epistemological tool to go on rethinking maps from post-representational perspectives. First, ‘carto-fiction’ is defined as a self-reflexive (autoethnographic), ethnofictional, creative carto-centred product/practice of research. Second, by including the entire short story entitled ‘Unfolding Berlin’ and an autoethnographic account on how it emerged, this study strives to both theorise and perform carto-fictional writing as an embodied and trans-subjective mapping experience. My goal is to propose ‘carto-fiction’ as a prolific tool to let emotional, subjective cartographies emerge and to narrativise maps as mapping practices. The article further strives to focus on the mapping power of creative writing, and carto-fictional writing and reading will be interpreted as mapping performances, in which subjects are bodily and emotionally engaged. The inclusion of original illustrations aims to involve readers in a visual experience and to further stimulate their spatial imagination: each reader is asked to reflect on his/her own mapping experiences to interpret the fictional story and, thus, the paper itself attempts to unfold unpredicted creative cartographic practices.     

Finding Mid-19th Century Native Settlements: Cartographic and Archaeological Evidence from Central California

Historical maps have the potential to aid archaeological investigations into the persistence of Native American settlements during the mid-19th century, a time when many Native communities disappear from archaeological view. Focusing on Tomales Bay in central California, we evaluate the usefulness of historical maps as a way to discover and interpret archaeological deposits dating to the period, with the aim of better understanding indigenous patterns of residence at the transition from missionary to settler colonialism. In particular, we focus on diseños and plats created to document Mexican-era land grants as well as early maps produced by the General Land Office and United States Coast Survey. Although we note inconsistencies regarding the inclusion of indigenous settlements on historical maps, our case study offers an example of how archaeologists can employ historical maps and targeted archaeological ground-truthing to discover sites that are poorly represented in the historical and archaeological records.     

Sound maps matter: expanding cartophony

In this article I investigate online sound mapping practices, taking cartophony – the coming together of cartographic and sonic activities – as an important contribution to emerging ways of thinking and practicing mapping. I first develop a typology of approaches to cartophony, before moving on to reveal the normative tendencies of online combinations of sound and mapping through an analysis of three platforms: Freesound; audioBoom; and Radio Aporee. Showing how in different ways each of these platforms supports an approach to sound mapping that favours pinning high fidelity, indexical audio-recordings to a seemingly neutral base layer, I question what is glossed over through this approach, while also considering how visual and sound-based strategies for communicating about places illuminate and resonate with one another. Discussing some more experimental online sound maps, I highlight the value of such projects in their current form, and argue for the continued expansion of cartophonic practice.     

Integrating LiDAR data and conventional mapping of the Fort Center site in south-central Florida: A comparative approach

Abstract

Publicly available LiDAR (Light Detection and Ranging) data provide a potential windfall for archaeologists, permitting the creation of detailed topographic site maps with little more than an internet-connected computer and appropriate software. The quality of these LiDAR data for site mapping is variable, however, and may need to be supplemented with data obtained from conventional mapping techniques. We share insights from recent mapping of the Fort Center site (8GL13) in southern Florida. Specifically, we suggest a method—based on trial and error—for integrating LiDAR and total station survey data. We compare the results of our work with previous efforts at mapping the site based solely on conventional archaeological survey methods, as well as with results based on LiDAR data alone. We conclude that our combination of LiDAR data, corrected by conventional survey data, produces the most accurate map.     

Mapping Sxwóxwiymelh: A Pre-contact Settlement in the Upper Fraser Valley,Southwestern British Columbia

Abstract

Maps and mapping are fundamental to archaeology. Archaeologists sometimes fail to recognize that the maps we use and create are fraught, like material culture, with interpretive complexities. These complexities arise from the fact that maps are created with social meaning dependent on the context in which the map was created and used. Here, we relate our experience with maps and mapmaking at the pithouse settlement of Sxwóxwiymelh, in southwestern British Columbia. We review the mapping history of the site, highlighting the contexts in which the maps were constructed and how they influenced subsequent interpretations of the site. We describe our deconstruction of these earlier maps and how we combined them to create a more accurate and detailed map that presented a rendition of the site as it was prior to significant modern development. This process of map deconstruction and construction allowed us to see several previously unknown details about the ancient settlement (e.g., house form, relative house size, and feature spacing) of Sxwóxwiymelh. In general, this process provides conceptual and practical lessons for incorporating previously collected map data into archaeological research.     

Holistic Mapping: Towards an Epistemological Foundation for Evolutionary Cognitive Archaeology

Evolutionary cognitive archaeology (ECA) is an emerging discipline that attempts to reconstruct the properties of ancient cognitive systems from the study of the material remains found in the archaeological record. Although there has been substantial interest in this area in recent years, scholars have tended to pay little attention to the methodologies used to formulate their theories. This has fostered an unfortunate situation of incommensurability between competing lines of argument. In this paper, I will attempt to provide a way out of this stagnation, using the methodology of “holistic mapping,” which represents a rational tool for theory validation in ECA. The lack of a shared methodology is a symptom of the wider neglect of deeper epistemological aspects of ECA, which in turn has given rise to the even more problematic questioning of the very foundations of the whole ECA enterprise. The absence of direct access to the ancient mind is associated with barriers to empirical testability, which fosters the production of “just so stories,” therefore evoking the specter of relativism. Building upon the previous methodological considerations, I will attempt to defend the epistemic validity of ECA, by discussing how holistic mapping can lead to the acquisition of reliable knowledge even if the object of science can only be indirectly reconstructed. Firmer epistemological foundations for ECA will be established by contextualizing this methodology within a middle-ground position in archaeological theory defined as “realism.” This epistemological perspective allows rejecting both the narrow empiricism and corrosive relativism currently threatening ECA.     

Time-Averaging Slows Down Rates of Change in the Archaeological Record

Measuring the pace of cultural change, and understanding its determinants is a fundamental goal of anthropological research. The archaeological record is the main source of information about the pace of cultural change, but it is an imperfect one, as taphonomic loss and mixing distort rate measurements. Here, I focus on the impact of time-averaging on rate measurements. Time-averaging arises when archaeological materials associated with activities and events that took place at different points in time are mixed into the same unit, whether because of depositional processes, disturbance factors, or because archaeologists lump together archaeological contexts when creating analytical units. I use analytical models to show how time-averaging can slow down the observed rates of change under two general modes of cultural change: random drift and directional change. I test this prediction using empirical rates of change from the archaeological record of North America. I show that empirical rates of change are indeed inversely correlated with the duration of time-averaging and provide a range estimate for this correlation.     

Cartographic,Geophysical and Diver Surveys of the Medieval Town Site at Dunwich,Suffolk, England

This paper presents the results of an integrated historical and geophysical survey of a medieval town lost through cliff recession and coastal inundation. Key objectives included evaluating historic maps in supporting the relocation and identification of major buildings, and applying integrated multibeam, side‐scan and sub‐bottom profiling to determine the location and extent of archaeological remains. The results demonstrate that cartographic sources from 1587 onwards can be a reliable source of data to guide geophysical survey. Integration of historical mapping with geophysical data enabled identification of the remains of two medieval structures, and the tentative identification of two others. © 2010 The Authors     

Archaeometry and materiality: materials‐based analysis in theory and practice*

Due to the diversity of contemporary archaeology, the aims and approaches of archaeological scientists and archaeological theorists are often at odds. I suggest that this position is problematic, both intellectually and methodologically, as both groups are fundamentally engaged in the same task: an understanding of past societies through the medium of material culture. This paper offers a review of the intellectual positions of both groups, with a brief discussion of the history of archaeological theory and an appraisal of its current trajectory. I will discuss how and why contemporary theoretical perspectives have fundamentally diverged from the perspectives of archaeological scientists and how the recent theoretical emphasis upon materiality offers a rapprochement between theoreticians and archaeological scientists.     

Protecting a ‘Homeric landscape’: The making of the Butrint National Park,Albania

Abstract

This paper will present research on the vulnerability mapping of coastal archaeological sites currently being undertaken in Northern Ireland. The ultimate aim of this research is improve current predictions of where archaeological sites and landscapes will be at risk in the future from coastal erosion. The initial stage of this approach uses a suite of oblique aerial photographs to construct a baseline of eroding locations and coastal geomorphology. The erosion baseline can then be integrated with existing historic environment records to obtain a coarse first-pass archaeological vulnerability assessment. Subsequent stages can then use this assessment to prioritize future mitigation such as field surveys or monitoring exercises, or conduct further refinements of vulnerability classifications by incorporating information on site type and positioning on a local scale.     

Occupying the Past: Colonial Rule and Archaeological Practice in Israel/Palestine

Scholars working on issues of cultural heritage politics have repeatedly argued that archaeological sites in Israel/Palestine serve as grounds for the creation of a nation-state narrative that erases other histories. Expanding on this view, my paper first explores a set of spatio-political strategies that Israeli settlers use to carve out a national space within a larger colonial landscape. Second, as I trace those strategies into the realm of archaeological work, it is my goal to highlight how practices of heritage management and colonial rule in Israel/Palestine are co-constitutive. In this context, I also consider how the occupation, confiscation, and demolition of archaeological sites take place before the background of a modernist discourse that references a universal or global heritage.     

Aegean Prehistory as World Archaeology: Recent Trends in the Archaeology of Bronze Age Greece

This article surveys archaeological work of the last decade on the Greek Bronze Age, part of the broader discipline known as Aegean prehistory. Naturally, the literature is vast, so I focus on a set of topics that may be of general interest to non-Aegeanists: chronology, regional studies, the emergence and organization of archaic states, ritual and religion, and archaeological science. Greek Bronze Age archaeology rarely appears in the comparative archaeological literature; accordingly, in this article I place this work in the context of world archaeology, arguing for a reconsideration of the potential of Aegean archaeology to provide enlightening comparative material.     

Airborne laser bathymetry – detecting and recording submerged archaeological sites from the air

A new generation of airborne bathymetric laser scanners utilises short green laser pulses for high resolution hydrographic surveying in very shallow waters. The paper investigates its use for the documentation of submerged archaeological structures, introducing the concept of airborne laser bathymetry and focussing on a number of challenges this novel technology still has to face. Using this method, an archaeological pilot study on the northern Adriatic coast of Croatia has revealed sunken structures of a Roman villa. The results demonstrate the potential of this novel technique to map submerged archaeological structures over large areas in high detail in 3D, for the first time providing the possibility for systematic, large-scale archaeological investigation of this environment. The resulting maps will provide unique means for underwater heritage management.     

Some reflections on mental maps

ABSTRACT

The point of departure for this essay is a map drawn in 1963 by the writer’s maternal grandfather. It represents the village of Berg, located in northern Sweden, and depicts his activities as a farmer and hunter. But it is also based on grandfather’s collective knowledge of the village. In what follows I will examine mental maps of microspaces that reflect what is important to an individual or to the members of a community. One shows how Aivilik Inuits perceive their local environment; another set of urban maps from Los Angeles, California, are based on the views of residents in different areas. The social divides become strikingly apparent on these mental maps. Among the conspicuous features of my grandfather’s map are the images he drew to supplement the various geographical locations he laid out. In this respect one might compare medieval mappae mundi that is, maps of the world representing compendiums of all things worth knowing. I also consider the appearance of mysterious gaps on grandfather’s map, that is, “the silences”. Many general perspectives on mental mapping are suggested by a consideration of the map my grandfather drew.     

Cultural Imperialism and Heritage Politics in the Event of Armed Conflict: Prospects for an ‘Activist Archaeology’

The production of archaeological knowledge is embedded in a long-standing tradition of colonial encounters. This paper asks how political-economic interests impinge on archaeological work, specifically in the event of armed conflict. To answer this question I discuss commodification of cultural heritage and analyze it as a form of structural violence. I argue that the attitude that allows treatment of archaeological artifacts as saleable items with international owners is part of a strategy of global cultural imperialism. Exemplified by the case of the US-led invasion of Iraq in 2003, this paper shows how the clash of global ‘heritage’ politics with local practices of memorializing the past results in a tension: because capitalist governments consider the locales whose glorious pasts are studied by archaeologists to be culturally inferior, the nexus between (trans-)national actors and local communities is an asymmetrical one. In order to overcome the hegemonic role of archaeology within these dynamics, I propose an ‘activist archaeology’ that enables a political activism grounded in recursivity.     

When Communities Collide: Competing Claims for Archaeological Objects in the Market Place

Rather than recount a specific archaeological project and its community relationships, in the following, I consider the competing claims for archaeological objects by the various groups associated with the illegal and legal trade in antiquities. For nearly a decade I have examined the efficacy of cultural heritage laws in the protection of eastern Mediterranean archaeological landscapes. More specifically, I am interested in the contentious issues surrounding legalized antiquities markets as a means of protecting the archaeological past. In order to assess the value of various legal instruments I attempt to engage with the communities who claim an interest in the buying, selling, protection or appreciation of antiquities. The list of communities is long, varied and often at odds with each other. Reconciling these competing claims is a Herculean task, but one worthy of investigation as questions of inclusion, responsibilities and ownership of cultural heritage are at the forefront of an engaged archaeology.     

Fractured Media: Challenging the Dimensions of Archaeology’s Typical Visual Modes of Engagement

As new media technologies increasingly populate our toolkits, questions arise about whether archaeologists are yet even competent users of orthodox media. Prior to engaging with emerging tools, this paper takes one step back to probe the subtexts of traditional two-dimensional archaeological images. Of interest is whether the many implications of these images can be made poignant via personally manipulating and imposing upon their form and function. Influenced by the work of various playwrights, artists, anthropologists, cultural theorists, and archaeologists, this paper examines what is legitimate in our practices of picturing the past, and what it means to explicitly—perhaps illicitly—interfere with typical archaeological visuals. Via tentative experiments with assorted maps, photos and illustrations, I endeavour to turn these orthodox modes of engagement into more defiant tools of discovery and critique. Ultimately, my objective is to disrupt convention and prompt archaeologists to confront and respond to themselves (and their responsibilities to others) in their everyday interactions with media.