Transborder tourism,borderless classroom: reflections on a Hawaii–Singapore experience

This paper discusses a virtual or borderless classroom exercise conducted by the National University of Singapore (NUS) and the University of Hawaii, Manoa (UHM). By reflecting on the experiences and views of the NUS participants, the article explores the possibility of virtual explorations as a substitute for conventional fieldtrips and fieldwork. The findings reveal that online interactions and experiences simulate some of the processes and outcomes of traditional field explorations. Online exercises also permit cross‐country collaboration and trans‐cultural dialogue between students in two campuses. On the other hand, virtual exchanges are limited by their static two‐dimensional medium when contrasted with conventional fieldtrips, which provide multi‐sensory experiences that better allow participants to understand a foreign environment, society and culture.     

Institutionalization and change in cultural policy: CONACULTA and cultural policy in Mexico (1988–2006)

This paper analyses the process of institutionalization of Mexican cultural policy and its evolution after the political alternation of 2000. It demonstrates that since its institutionalization with the creation of the National Council for Culture and Arts in 1988, the objectives, definitions and bureaucratic organization of the cultural policy have not known important changes in the period studied (1988–2006). The inertia observed in Mexican cultural policy can be explained by the institutional structures’ constraints inherited from the Partido de la Revolución Institucional (The Party of the Institutionalized Revolution) and by the actors’ resistance to change.     

The emergence of agropastoralism: Accelerated ecocultural change on the Andean altiplano, ∼3540–3120 cal BP

In the fourth millennium BP, there were major environmental and cultural changes on the Andean altiplano of South America, but the chronology remains vague. A recent synthesis describes a slow, gradual transition from hunting and gathering to agropastoralism. This proposal is tested by refining the date of the onset of more humid and stable conditions, around 3550 cal BP, based on a Bayesian model of 26 dates from Lake Wiñaymarka and an updated calculation of the lacustrine offset. This is compared to Bayesian models of 191 dates from 20 archaeological sites, which incorporate a number of recently processed radiocarbon dates. A synthesis is presented of 15 full coverage surveys, a summed probability distribution, and a Bayesian model of the transition to ceramics, which together support a scenario of a very rapid demographic increase. Fourteen models from archaeological sites are cross-referenced in a composite model, which identifies a brief, altiplano-wide emergence of agropastoralism with starting and ending boundaries of 3540 and 3120 cal BP, respectively. This starting boundary correlates strongly with the onset of improving environmental conditions, indicating synchronous cultural and environmental change. The suite of accelerating cultural changes included a marked reduction in mobility, a demographic surge, increased subsistence diversity, the adoption of ceramics, farming and the integration of camelid herding into a remarkably resilient economic strategy still in use today. This is a highly relevant but yet to be used comparative case study for the variable tempos of ‘big histories’, and ecocultural interactions that generate rapid, emergent episodes of wide-spread and enduring cultural change.     

The Prehistory of NW Argentina: the Calchaquí Valley Project, 1977–1981

Abstract

The late pre-Hispanic populations of the Calchaquí Valley of NW Argentina may be seen as typical of the native culture of the south Andes. The developmental sequence for these sedentary village societies, however, has only recently begun to be detailed. Field and lab results pertaining to a survey of 24 sites are summarized, including one of the first ceramic seriations to include the full range of pottery types; ceramic wares and their significance are also identified. Findings further include the first recognition of what are believed to be Middle Period sites for the valley, thus filling an important gap in our understanding of the region's prehistory.     

The United Nations Arms Embargo Against South Africa, 1977–1994

Abstract

This articles weighs the impact of the United Nations embargoes, especially those on armaments acquisition placed on the Republic of South Africa in the late 1970s, and analyses the resultant growth in a local armaments industry, its effect upon the performance and capabilities of the South African Defence Force, and the economic, social, and political factors that combined to help bring about the end of apartheid in that country in 1994.     

Mapping the arts: industry concentrations,distribution, and change in the US, 1980–2010

This paper studies arts industries in all 366 US metropolitan statistical areas between 1980 and 2010. Our analysis provides evidence that the arts are an important component of many regional economies, but also highlights their volatility. After radical growth and diffusion between 1980 and 2000, in the last decade, the arts industries are defined more by shrinkage and reconcentration in fewer metropolitan areas. Further, we find that the vast majority of metros have strengths in particular sets of arts industries. As we discuss in the conclusion, these conditions present challenges and opportunities for urban cultural policy that goes beyond the current focus on the arts as consumption amenities.     

The Little Nyonya and Singapore’s national self: reflections on aesthetics,ethnicity and postcolonial state formation

Singapore’s postcolonial state formation process has combined the appeal/distress of a multiracial society with the nationalistic pride of economic development. In recent years, the city-state has witnessed a revival of Peranakan culture and history, referring to the descendants of early Chinese immigrants who integrated into Indigenous societies before becoming prized mediators for British colonisers in the nineteenth and twentieth centuries. We question how these references are strategically deployed as part of the process of postcolonial state formation and how their aesthetic representations support public discussions and debates about what defines contemporary (Chinese) Singaporean identity. By examining Peranakan representations in the television series The Little Nyonya from a Deleuzian perspective, it will be argued that Peranakan history and culture are mobilised to de-territorialise previous meanings of national ethnic markers, specifically Chineseness, and to re-territorialise a local sense of Indigeneity. In reaction to concerns over Mainlander identity, representations of Peranakan culture and history in The Little Nyonya support the indigenisation of a specific Chinese identity that is accessible to all Singaporeans, offering an aesthetic framework in which the ongoing process of negotiating between Singapore’s national self and other unfolds.     

The “Zhanguoce” school's effort of wartime cultural reconstruction, 1940–1942

This article examines the Zhanguoce school's unique cultural, historical, and political thinking in the context of cultural transformation and a search for meaning during the Anti-Japanese War (1937–1945). The group was mainly composed of scholars who were born in the 1900s and educated in America and Europe. Keenly concerned for China's survival and influenced by the theories of Oswald Spengler, Arnold Toynbee and Chinese Legalism, the group challenged the May Fourth intellectual legacy of positivism and evidential research, presenting in its place an amoral, militarist worldview, a culture-based global historical theory, and a state-centered political philosophy. The school attempted moreover to interpret world history in the light of the Chinese historical pattern. Their radical outlook was quite different from the contemporaneous trends of positivism and historical materialism, but they did attempt to provide an alternative ideology to guide China's wartime cultural reconstruction.