Voluntary regions and the case of Las Vegas

A shifting American cultural geography, stemming from clustering of like-minded people, has been much-discussed in recent years. The “voluntary region”, proposed by Wilbur Zelinsky in his path-breaking The cultural geography of the United States, is a regional construct relatively unexplored by cultural geographers that may help in their contributions to such conversations. As described by Zelinsky, voluntary regions are places that attract individual, like-minded people away from long-standing “traditional regions” based on a desire for amenity and economic opportunity. I review the concept and its sparse embrace in the literature and suggest that it has much to offer our discipline. Using Las Vegas as a paradigmatic example, I explore methods that can be used to explore the formation and character of voluntary regions. I argue that the voluntary region framework is an encompassing lens through which cultural geographers can examine the complex nature of place and regional construction at the hands of dynamic forces that lead people to resettle in new places.     

D. W. Meinig and The Shaping of America

Published over eighteen years, between 1986 and 2004, in four volumes and well over 2000 pages, Donald Meinig's The Shaping of America quartet is one of modern geography's most substantial achievements. It warrants and repays careful attention. This essay seeks first to situate or contextualize The Shaping project by attending to the development of Meinig's ideas and scholarship before 1986. It argues that the approaches and emphases of Meinig's magnum opus were substantially but not entirely adumbrated by his earlier work and that the four volumes reflect something of the intellectual contexts in which Meinig developed his ideas about historical geography and the discipline more generally, as well as of Meinig's own particular interests and circumstances. The second section of this essay turns attention to the four volumes and offers some assessment of their contribution to, and significance for, geography, historical geography, and the study of American and Atlantic history.     

OBSERVATION: REDISCOVERING HISTORICAL GEOGRAPHY IN THE LAND OF NORUMBEGA

Recent appraisals of historical geography range widely in their assessment of the field. Donald Meinig (1989), writing of 'The Historical Geography Imperative,' concludes: 'historical geography is not, has never been, just another item in the proliferating diversity of our grand enterprise. Rather, like physical and environmental geography, it is one of the foundations of the whole enterprise. In its own way historical geography encompasses and contributes to all of geography. Micheal Dear (1988) disagrees. In 'The postmodern challenge: Reconstructing human geography,' he states that historical geography is 'overde-termined,' and 'an empty concept' conveying 'few (if any) significant analytical distinctions …. He concludes that historical geography does 'little more than confirm what geography is about. Both writers agree on the pervasive and comprehensive nature of historical geography, but Dear sees this inclusiveness as more of a cincture, whereas Meinig conveys the fundamental and embracing understanding of geography inherent in the practice of historical geography.     

Approaching selfhood

Often overlooked is the fact that postmodern theory brought to the fore a crisis in the humanities. The implied universalism of the current “iconic turn” in postmodern thinking is a blow to the traditional sciences grouped around national literatures and cultures. In the 1980's, postmodern practitioners in the United States began to assault the discursive practices of the mainstream under the banner of cultural studies. The current crisis in the humanities surfaced in the emancipation of the various studies from their traditional fields in the humanities. The German Studies practiced today in the United States for instance, has no counterpart in Germany's traditional departments of Deutsche Philologie. Whereas the icon in the United States has become an object of investigation for the various studies, it has not yet displaced the littera in Germany's literary sciences. However in the 1990's, the historical sciences in Germany responded to the challenge of the various studies by directing their attention not to cultural studies, but to cultural history, with its well-defined set of methodologies. But what kind of cultural history is it? Is it built on 19th century German foundations, or is it grafted to current North American notions of post-industrial culture? In this paper I show that the supposed opposition between cultural studies and cultural history is artificial. Through a close reading of Hayden White's extremist questioning of historical practice in Metahistory (1973), I demonstrate that there is no opposition between the icon and the littera in this recent radical critique of mainstream humanistic science. The vehement German reaction to his North American assault on European Kultur is based on a misunderstanding of White's premises. Rather than being constructed on a hodgepodge of postmodern approaches, I show that White's postmodern history is in fact conventionally grounded in 19th century Nietzschean thinking.     

THE SETTLEMENT OF EUROPEAN RUSSIA DURING THE ROMANOV PERIOD (1613-1917)

This paper compares and contrasts Russian frontier experiences on the northern and southern parts of the European plain during the Romanov era (1613-1917). Both were “open” frontiers, in Turner's sense of a frontier as the “hither edge of free land,” but their environments and the settlement processes which affected them were very different. It is suggested that the character of a frontier society is decisively influenced by the process whereby settlers must adapt to their new environment, the features which attract them to that environment, and the character of the pre-existing inhabitants. The northern frontier formed part of what Meinig has called a “boreal riverine empire” with a harsh environment, to which paradoxically the Russians found it relatively easy to adapt, the great attraction of fur-bearing animals and reasonably benign relations with native peoples. By contrast, the southern frontier was a “frontier of exclusion,” following Lattimore's phrase, with hostile indigenes, a natural environment demanding special methods of adaptation, but with many more attractions than the north. Such contrasts gave rise to considerable differences in the settlement process, in the character of land allocation and in the type of society evolving subsequently, with long-term consequences for emerging human landscapes.     

Nabataean or not? The ancient necropolis of Dumat. First stage: a reassessment of al‐Dayel's excavations

Two reports on excavations carried out in 1985–1986 by archaeologist Khaled Abdulaziz al‐Dayel and published in the journal Atlal (1988, 1986) have revealed the existence of ‘Hellenistic tombs’ in the Dūmat al‐Jandal oasis (ancient Adummatu/Dumat/Dumata) in northern Saudi Arabia. Although attributed more precisely to the Nabataeans by Khalil al‐Muaikel (1994), these tombs nevertheless appear not to have interested specialists of this historical period in the least. Moreover, a re‐examination of the architectural data and of the grave‐goods indicates the difficulty of establishing a link between the unearthed remains and a purely ‘Nabataean’ cultural sphere (i.e. of the Petra type). This study therefore attempts to reassess published archaeological data, formulate questions on the Nabataean presence in the oasis, and also to demonstrate the relations connecting Dumat to the great Levantine and Mesopotamian cultural spheres between the first century BC and the second century AD.     

Seismic uplift of the harbour of ancient Aigeira, Central Greece

The Mavra Litharia cove, between Akrata and Derveni, in the North Peloponnesian coast (Central Greece), has been identified as the site of the harbour of the Hellenistic Aigeira, one of the very few natural harbours along the uplifting, fault-controlled North Peloponnesian coast.
Geomorphological, marine biological and archaeological data as well as radiocarbon dating of marine fossils testify to a 2m relative land uplift since Hellenistic times (around 2000 years bp), part of which (1 m at least) was probably seismic, dated to the Byzantine period (AD 900–1200). This palaeoseismic event, as well as others deduced from archaeological data, are not included in the historical seismology records, but had probably dramatic impacts on the economic and cultural history of ancient Aigeira.
The amplitude of uplift at Mavra Litharia is of the same order of magnitude as submersion dominating the Aegean and, with the exception of the arc, the higher Holocene uplift rate recorded in this area and the surrounding regions. This result is consistent with the Quaternary uplift history of North Peloponnesus.     

An economic analysis of a National Theatre: The case of the ‘Abbey’

Abstract: This article asks how a regional community is culturally constructed as a policy subject in the centre/periphery relation of Finnish cultural policy. The focus is on the options the cultural recognitions analysed from the cultural policy documents of central government and the provincial administration of North Karelia provide for different political interests. It is stated here that the democratisation of cultural policy can be open for and a vehicle of the interests the prevailing spatial dominance attempts to get within the population of peripheries. North Karelia has for centuries been a geographic and economic periphery without inner cultural distinctions. Yet it is regarded as a culturally rich and specific area. The analysis shows that the regional community has continuously been used as a partisan identity for maintaining and reinforcing the spatial integration of national projects. Public cultural image would provide a symbolic compensation for the economically underprivileged. Furthermore, the strong cultural identity of North Karelia has constantly been taken by the regional establishment as an instrument to fight the “opponents of common regional interests” in political conflicts. Thus the principles of democracy have not always meant the capability or attitude to notice cultural polyphony within the region abreast of cultural political decision-making.     

Design Space and Cultural Transmission: Case Studies from Paleoindian Eastern North America

Tool design is a cultural trait—a term long used in anthropology as a unit of transmittable information that encodes particular behavioral characteristics of individuals or groups. After they are transmitted, cultural traits serve as units of replication in that they can be modified as part of a cultural repertoire through processes such as recombination, loss, or partial alteration. Artifacts and other components of the archaeological record serve as proxies for studying the transmission (and modification) of cultural traits, provided there is analytical clarity in defining and measuring whatever it is that is being transmitted. Our interest here is in tool design, and we illustrate how to create analytical units that allow us to map tool-design space and to begin to understand how that space was used at different points in time. We first introduce the concept of fitness landscape and impose a model of cultural learning over it, then turn to four methods that are useful for the analysis of design space: paradigmatic classification, phylogenetic analysis, distance graphs, and geometric morphometrics. Each method builds on the others in logical fashion, which allows creation of testable hypotheses concerning cultural transmission and the evolutionary processes that shape it, including invention (mutation), selection, and drift. For examples, we turn to several case studies that focus on Early Paleoindian–period projectile points from eastern North America, the earliest widespread and currently recognizable remains of hunter–gatherers in late Pleistocene North America.     

‘Not Like the Stories I am Used to’: East German Film as Cinematic Memory in Contemporary Chile

This paper is concerned with East German films which deal with the subject of Chile in the aftermath of the 1973 coup d’état in a contemporary Chilean cultural framework. Conceived in the charged political atmosphere of the Cold War, this material is valuable in Chile today because it reflects East Germany as a cultural and social environment for Chilean émigré artists during the 1970s and 1980s. The author explores the films’ potential as a form of cinematic postmemory for younger Chilean audiences, focusing on two feature films, Die Spur des Vermißten (1980) and Blonder Tango (1985). Do young Chileans accept these images as truthful and do they inspire a rethinking of the controversial subject of the Pinochet regime? The results suggest that the DEFA films, due to their narrative and aesthetic textures, present this audience with challenging perspectives, uncover misconceptions and evoke empathy with antagonistic social and political agents. Based on this case study, the author argues that the DEFA films are audio-visual materials which can be highly productive in cultural and educational contexts and can complement efforts to revive collective memory in Chile.     

Mongrel nation: animality and Empire in the novels of J.G. Farrell

The novels of J.G. Farrell (1935–79), reveal a writer preoccupied with the cultural representation of Britain in an era of post-imperial decline. Farrell's ‘Empire trilogy’ illustrates a national consciousness examining its chequered past through focus on Ireland in Troubles (1970), the Indian Rebellion of 1857 in The Siege of Krishnapur (1973) and the fall of Singapore in The Singapore Grip (1978). In doing so, Farrell's novels feature a notable proliferation of flora and fauna, particularly his use of dogs as representative of national character and the changeable state of British society under attack. This article argues that Farrell's novels explore the state of post-imperial Britain through a sustained focus on dogs and animality. In situations marked by degradation and decline, Farrell gradually collapses the boundaries of order and disorder, obedience and disobedience and man and beast, inviting comparisons between the animal instincts of the dogs that populate his novels and those of Britons fighting for survival.     

History,Chronology and Techno-Typology of the Upper Paleolithic Sequence in the Shuidonggou Area,Northern China

The timing and behavioral markers of the Upper Paleolithic in different parts of the world are of great importance to research on modern human dispersals. The pattern of behavioral developments in the Upper Paleolithic in northern China differs in important ways from the patterns observed in West Eurasia, Africa, and South Asia. Shuidonggou (SDG), a cluster of Paleolithic sites in northern China, contains several of the most important Upper Paleolithic sites in the region. Various localities yield evidence of three major cultural components dated by ¹⁴C, uranium-series, and optically stimulated luminescence (OSL) methods to between roughly 46 ka and 10 ka. The oldest component, blade assemblages with western Eurasian early Upper Paleolithic characteristics, appears to be intrusive from Siberia and/or Mongolia, beginning at least 41 ka (e.g., SDG 1 and SDG 9). Advanced core and flake assemblages may mark the appearance of an indigenous Late Paleolithic of North China beginning at around 33 ka (e.g., SDG 2 and SDG 8). Finally, around 10.5 ka, microblade technology arrived in the area (SDG 12), although we are not sure of its origins at present. Other typical Upper Paleolithic cultural remains, such as bone tools and body decorations, have been found at various localities in the SDG area as well (e.g., ostrich eggshell beads from SDG 2, 7, and 8). Information from this cluster of occupations increases our understanding of cultural variability, adaptation, and demographic dynamics of modern humans in Late Pleistocene northern Asia.

     

INVADED BY WEEDS: CONTESTED LANDSCAPE STORIES

Landscapes tell stories of the lives and dwelling of those who inhabit them. They are not given, but in constant motion. In North Norwegian coastal societies cultural landscapes are rapidly transforming. One of the most visible and debated agents of landscape transformations are weeds such as cow parsley and dock. As well as threatening the biodiversity of coastal landscapes, the “invading weeds” seem to challenge the embodied landscapes of their dwellers. Focusing on the rapid spread of cow parsley, this article investigates complex and contested aspects of landscape changes. Inspired by Ingold's phenomenological perspective as well as performative theories, we search for ways of approaching hybridized relations within dwelt places. The transformative agency of cow parsley is used as a lens to approach societal dynamics and challenges. Through a study of the coastal community of Herøy in Northern Norway, we have explored people's engagement with the changing cultural landscape. The cow parsley covered landscape is perceived as a deteriorated landscape and as such seems to affect a form of alienation. We demonstrate a disruption between the emerging landscape produced by new ways of dwelling, and the landscape people wish to dwell in. What happens when the landscape tells stories which their dwellers do not want to be part of?     

Rethinking the Creation of North Norway as a Region

Abstract

The subject of this article is the creation of North Norway from the late eighteenth century to the present day. Some initial remarks about the relationship between nations and regions are followed by a number of interpretations of recent national and nationalism debates. The former synthesis of the creation of North Norway as a region is analysed, using approaches that on the one hand could be described as an actor stage theory, and on the other as structurally modernistic. As an alternative, a new theoretical approach inspired by cultural hegemonic theories is presented. This cultural hegemonic approach uses the works of Antonio Gramsci (1891–1937) as a point of departure and is related to the concepts he developed, such as “hegemony”, “counter-hegemony”, “historic bloc”, “civil society” and “organic intellectuals”. A new synthesis of the historical regional formation process, based on a cultural hegemonic approach, is then presented, showing that North Norway as a region is the result of a long-lasting, contradictory and continuous process. Six periods are identified in the creation of the region: the period from the late eighteenth century and throughout the nineteenth century up to the second decade of the twentieth century emerges as a time-frame for a counter-hegemonic nation-building project. Since then, North Norway as a region has developed through hegemonic struggle between different kinds of region- and nation-building projects within and outside the region.     

Mixed Metaphors: Dynamic Modernities in Southeastern North America

The concept of modernity has played an essential role in the development of anthropological archaeology. Providing the philosophical foundation upon which both culture historical and processual archaeologies were constructed, the application of theories based in modernism has led to the persistence of essentialist notions concerning the archaeological records of both Western and non-Western peoples. Examining archaeological materials from the Muskogee Creek peoples of interior Southeastern North America, I contend that previous conceptualizations of modernity lack sufficient nuance to adequately address the diversity of cultural practices among the post-contact Creeks (circa A.D. 1550–1830). Rather than the dichotomous perspective of Western moderns and indigenous primitives that predominates, recent archaeological research in Southeastern North America reveals a cultural milieu in which dynamic, contested modernities were created by both the colonizers and the colonized.     

Rural Transformation and Cultural Industries: Popular Music on the New South Wales Far North Coast

This article explores the emergence of popular music as a niche cultural industry, connected to economic and social transformations on the New South Wales Far North Coast (also known as the ‘Northern Rivers’ region). The various images of the New South Wales Far North Coast as a ‘lifestyle’ region, ‘alternative’ locale and coastal retreat have attracted a diverse mix of ex–urban professionals, unemployed persons, youth subcultures, backpacker tourists and retirees. Yet, despite population growth, the region continues to suffer unemployment rates among the highest in Australia. Against this backdrop, diverse popular music ‘scenes’ have emerged, constituting an industry with linkages to cultural production in Sydney, Melbourne and overseas. While the region’s unique cultural mix has been suggested as a key site of comparative advantage, future employment is likely to remain transient, insecure, and governed by industry–wide labour relations. This case study illustrates some of the complexities underpinning contemporary urban–regional change in Australia, and provides cautious assessment of the capacity of the cultural industries to reinvigorate rural economies.     

AMS C dating of early human occupation of southern South America

The time of appearance of a persistent and demographically-viable hunter-gatherer population in late Pleistocene southern South America must be determined by evaluating evidence from as large as possible a sample of candidate archaeological sites in the region. We co-ordinated the AMS dating of multiple bone and charcoal samples from previously-excavated strata at the following sites: Arroyo Seco 2, Paso Otero 5, Piedra Museo, and Cueva Tres Tetas (all in Argentina), and Cueva del Lago Sofia 1 and Tres Arroyos (both in Chile). With one possible exception, we did not obtain new results to confirm earlier observations of pre-Clovis-age cultural activity at any of the sites considered in this study. The possible exception, Arroyo Seco 2, is considered in detail elsewhere [Politis G., Gutierrez M.A., Scabuzzo, C. (Eds), in press. Estado actual de las Investigaciones en el sitio 2 de Arroyo Seco (región pampeana, Argentina). Serie Monográfica INCUAPA 5. Olavarría]. However, our results for the samples which were the most preferred indicators of cultural events (hearth charcoal and cut-marked bone) confirm that people were in the southern cone of South America at or soon after 11,000 BP (13,000 cal BP). Considered alongside recent age estimates for the Clovis culture in North America, these results imply the contemporaneous emergence of a consistent and archaeologically-robust human occupation signal at widely-separated locations across the Western Hemisphere. Such findings suggest that Palaeoindian demic expansion may have involved more than one terminal Pleistocene dispersal episode.     

河北及京津地区早中全新世文化的时空分布及其气候环境因素

本文根据考古学14C年代数据和考古遗存情况,结合高分辨率的地层和古气候研究资料,分析了河北及京津地区早中全新世文化的时空分布格局以及影响遗址分布的地貌和气候因素。该地区早中全新世文化时间序列为:早期新石器时代文化(10,000~8,800 yr BP)、新石器早中期之间的文化缺环(约8,800~7,300 yr BP)、7,300~6,500yr BP的磁山.兴隆洼.北福地一期三大文化系统并立发展时期以及6,500~6,000 yr BP的前仰韶文化时期。文化序列与气候序列对比发现:文化发展很大程度上受到气候条件的制约。从文化分布空间来看,具有如下特征:首先,早中全新世时期的文化分布在与当时海岸线平行的弧形地带上,这种分布格局与气候和地貌条件有关。在排除了地势高亢和海侵影响地区后,太行山东麓到古海岸线之间的弧形地带成为最佳选择。其次,从遗址分布高度来看,当时人仍居住在较高地貌面上,海侵及众多湖沼阻止了人类向东部平原腹地迈进的步伐。     

The Disappearing Body

Although Chile was the first country in Latin America to report cases of anorexia nervosa in 1982, the issue had already gained notoriety during the 1970s, the decade when North American policies and the United States capitalist economy began to infiltrate Chilean society. The category of eating disorders, which may be manifested in a variety of diseases (such as anorexia, bulimia, and compulsory overeating), has only recently become the focus of Chilean literature and, in turn, literary criticism, which has primarily focused on the metaphorical interpretations of these illnesses. One novel that treats the multifaceted manifestations of eating disorders, not merely the metaphorical representations, is Marcela Serrano's Antigua vida mía (1995). The societal demands of unhealthy body images have been the concern of feminist criticism such as Susan Bordo's Unbearable Weight: Feminism, Western Culture, and the Body (1993). In Marcela Serrano's novel the treatment of eating disorders reflects the evolving expectations on women in contemporary Chilean culture. Through the application of Bordo's analysis of the cultural pressures and significances of body expectations, this article delves into the various manifestations of unhealthy eating practices in Serrano's Antigua vida mía and reveals the self-destructive and self-isolating consequences of an often-occulted illness while also recognizing that by treating body image and illness, the author engages in a cultural discourse regarding the expectations and repercussions of cultural demands.