War and peace in the contemporary French film ecosystem: Valérie Donzelli’s La Guerre est déclarée

This article analyses Valérie Donzelli’s film Declaration of War (La Guerre est déclarée, 2011), in the context of the contemporary French film ecosystem. The article argues that Donzelli’s film exemplifies the French miniaturist mode of production; demonstrates the modern conceptual notion of applied cinephilia; highlights the idiosyncratic uses possible for French popular genres, particularly the comedy and the musical; and embodies the French film industry’s export mission by representing on-screen the French national healthcare system.     

La Greffe Générale: the voice of French facially injured soldiers

Like the combatants on the frontline, the wounded soldiers of the First World War wrote and published newspapers during the sometimes lengthy periods of time they spent in hospital. La Greffe Générale is the journal written by and for facially injured combatants treated at the Val-de-Grâce military hospital in Paris. Throughout the eight issues released between December 1917 and July 1918, the voices of these men can be heard. While the surgeons’ perspective prevails in most remaining documents to do with French maxillofacial wards, La Greffe Générale gives an insight into the experiences of injury and treatment from the point of view of the wounded and convalescent combatants. The specific challenges faced by facially injured men are reflected in their writings, as this article shows. At the same time, their newspaper is in itself an attempt to respond to some of these issues. Ultimately, the patients’ publication reveals how gueules cassées, as French disfigured veterans came to be known, tried to collectively cope with their changed lives. The ethos reflected in, and fuelled by, La Greffe Générale played, this article argues, a significant part in the later constitution of the facially disfigured men’s organisation, the Association des Gueules Cassées.     

La typologie des nations et l’Espagnol mélancolique: Notes pour l’interprétation d’un cliché

Included in the traditional typology of nations, the image of the melancholy Spaniard is a cultural stereotype which appears with a remarkable continuity since the Spanish Golden Age. Developed by foreigners--particularly by the French--this stereotype is also adopted by the Spaniards themselves. It is then necessary to inquire about the persistance of this stereotype through-out the centuries and to examine how--and why--the Spaniards did adhere to the image given by foreigners and the typology of nations. The examination of this stereotype aims at analyzing its mechanism, at discovering its representations--sometimes very different--and the implications involved. The image of the melancholy Spaniard is deeply subjective representation which engages a complex work of the imagination: it concerns the representation of the other and the consciousness that every nation has of itself, revealing many elements about the one who produces it.     

La Fabrique de l’infini Phénoménologie du désordre et genèse sensible de l’idée d’infini chez Diderot

Against the classical point of view, for which the idea of the infinite is the expression of God’s in the human being, Diderot proposes a concept of the infinite that considers it as an immediate production of the body. Removing the infinite from its former divine origin, Diderot’s idea of the sentient body contests the classical concepts, particularly the one of order, which bound epistemology to theology. Thus, disorder acquires a new value, even in its pathological forms, which now can be considered as modes of an immanent and fundamentally creative process.     

Monitoring the French Panthéon: From Rondelet’s Historical Surveys to the Modern Automatic System

The damage of a historical structure can be today controlled with many sophisticated instruments. Nevertheless, this type of monitoring can give information only over a very short period of time compared with the long life of the building. This approach can be insufficient to reconstruct the whole evolution of the damage, and thus to understand the stress distribution inside the structural elements, particularly in cases for which long-term phenomena (such as viscosity or soil settlements) are present. To reach this more complex aim, an approach of historical monitoring should be applied, both looking at technical historical documents and surveying the traces of history directly on the monument itself. The case of the French Panthéon is presented in this study, showing the usefulness of this approach also for the present stability assessment. The comparison among the plentiful historical documentation (including 18th-century surveys, monitoring, and technical reports), the present surveys of deformations and the “modern” structural monitoring allowed a complete quantitative reconstruction of the main damages evolution from the construction till now, laying the base for a possible future conscious intervention.     

La Philosophie Analytique ou les Promesses d’Une Pensée Technologique

This article focuses on the origins of analytical philosophy. It argues that the conditions under which it was thought out were similar to the conditions necessary for critical thinking - like the scientific inquiry that served as its model, analytical philosophy was based on the distinction between syntax and semantics. Resulting from logical analysis, this distinction was later essential to all systems of representation - works of art, human action, intellectual endeavours. This evolution reveals a major concern - the need for a technical tool for the critical mind.     

La République, l’affaire Dreyfus et la raison d’État

It is often said that the Dreyfus Affair was a key moment in the history of french republicanism. But the philosophical sens of this turning point remains to be elucidated. Indeed it is not certain that the republican discourse can then be reduced to the apology of the individual and of justice against the reason of State. The aim of this article is to analyse the arguments mobilised in the Dreyfus camp by certain figures of republican socialism, like Jean Jaurès, or of republicanism like Alfred Fouillée, Emile Durkheim and others. The examination of the positions of Célestin Bouglé, a young sociologist close to Durkheim, is here privileged: it is situated, through his biography and his work, at the crossroads of diverse tendencies, from positivism to neo-criticism.     

Opération Amérique: Québec’s Soft Power Applied to French Language Teaching in the United States

ABSTRACT

Opération Amérique refers to the coordinated efforts of René Lévesque’s Parti Québécois government beginning late 1970s to promote Québec’s interests in the United States. The general goals and strategies of Opération Amérique suggest that it presents a case of soft power. However, the specific actions implemented as well as their effects have barely been explored. An analysis of original documents pertaining to Opération Amérique indicates that specific groups in the United States—namely, French professors—were targeted with the hope that they would improve perceptions of Québec in the United States. An examination of French textbooks used in the United States in the 1970s and 1980s shows an increase in Canada/Québec content, which may reflect the influence of Opération Amérique on French teaching practices.     

La scission et le développement dans la tradition de l’écriture féminine de Chen Ran

Le roman de Chen Ran陈染Siren shenghuo 私人生活(La vie privée) constitue la vie d’une jeune femme, Ni Niuniu, qui vivait dans une métropole chinoise dans une époque de grands changements. Chen Ran a dévoilé la propre expérience de sa vie intime pour concrétiser son image de soi et d’autrui,son style de narration de la vie avec sa volonté et sa logique, pourétablir les paroles féminines.Chen Ran est une écrivaine singulière et importante dans la littérature contemporaine, elle nous a fourni une ressource spirituelle riche pour le développement de la littérature féminine du XXesiècle par ses nombreuses écritures d’exploration des expériences psychologiques spécifiques, féminines, qui représentent le modernisme.Pendant ces dernières années, son oeuvre s’ est orientée de plus en plus vers le psychologique et le philosophique en explorant la solitude, l’amour sexuel et la vie humaine. Chen Ran exprime la solitude et la tristesse des personnages par son écriture parfaite qui rend toute la beauté de la tristesse profonde. La tristesse qu’elle a exprimée n’est pas de simples expériences ou émotions personnelles, mais de la recherche et de l’interrogation profonde vers l’identité du《je》 et de l’《autre》     

La Découverte de L’Amérique

This article examines the significance accorded to the discovery of America in the period between 1492 and the publication of Alexander von Humboldt’s Kosmos in 1855. It argues that, the « discovery » of America was perceived as the « uncovering » of not merely a place, but of an epistemological challenge which both transformed, Europe’s intellectual dependence on Antiquity, and shaped its evolving perception of both space and time. It argues that, after the discovery, human history came to be seen, in terms of as series of inventions all of them related to human movement, which were projected, as more and more of the globe was « discovered » into an unpredictable future.     

‘Le mot déclin est presque trop doux’: Michel Houellebecq’s (Euro)déclinisme

ABSTRACT

Michel Houellebecq’s views on the European Union have been consistently negative, recently declaring in an interview that anti-Europeanism is his ‘only political engagement.’ Houellebecq’s work takes for granted civilizational decline, what Oswald Spengler called the ‘decline of the West’, and regards the EU, described in Submission as a ‘putrid decomposition’, as central to this vision. The only way to revitalise Europe and to reverse this decline, Submission suggests, is by reinstating the traditions and moralities that have been eradicated in Europe by post-‘68 moral and sexual liberalisation. On this view then, only those cultures untouched by progressive politics can rebuild Europe and in Submission only the Muslim Brotherhood can provide ‘the moral and familial rearmament of Europe.’