“Thrown Like Chaff in the Wind”: Excavation, Memory and the Negotiation of Loss in the Scottish Highlands

Memory has become an important area of research in historical archaeology over the last decade with an increasing focus on retrieving the narratives of subaltern groups and painful memories of conflict, displacement and loss. Drawing on ethnographic research, I explore how archaeological excavation provides an arena for sharing, negotiating and contesting difficult forms of memory associated with the Highland Clearances. I argue that the Clearances involve a kind of “postmemory” revolving around a series of iconic motifs and that this provides a framework for interpretation and action in the present. Coherence is produced not through the “excavation” of silenced narratives, but through social processes of performance, negotiation and “composure,” as people engage in a dialogue with past, present and future.     

Assessing Methodologies in Archaeological Ethnography: A Case for Incorporating Ethnographic Training in Graduate Archaeology Curricula

Abstract

Archaeologists have increasingly turned to ethnography as a tool for understanding the contemporary social context of material culture, archaeological practice, and ‘de-colonizing’ archaeology. Furthermore, ethnographers have turned their analysis to the practice of archaeology, providing insights into key ethical dilemmas. This work has produced signi?cant dialogue, demonstrating the potential for research and collaboration at the interface of two sub-disciplines. However, much of the research to date has relied on a limited range of ethnographic methods. We suggest that archaeologists working in this area would bene?t from using a wider repertoire of ethnographic data collection tools and ethics training opportunities. We advocate for greater collaboration between archaeologists and ethnographers and provide suggestions on methods that are well-suited for use in archaeological practice. In the long term, the most effective and far-reaching solution may be to incorporate ethnographic methods training as fundamental to graduate programmes in archaeology.     

All aboard? Women working the spaces of gentrification in Toronto's Junction

Despite early attention being paid to the connections amongst ‘gender, work and gentrification’ in the urban geography literature, there have been few attempts to examine the experiences of women as workers in gentrifying neighbourhoods. This gap leaves open critical questions about the nature of the links between the production of gendered work practices and the production of gentrified urban landscapes. In this article, I explore how women working in a variety of differently precarious situations – as struggling small business owners, self-employed workers and part-time workers – manage the tensions and contradictions of struggling for economic survival while attempting to support community-building efforts and social reproduction needs in a gentrifying area. Using data drawn from interviews and urban ethnographic methods in Toronto's ‘Junction’ neighbourhood, I argue that precarious conditions of work in the context of gentrification engender a variety of diverse economic and social practices – developed through immaterial and affective labour – that, in turn, produce particular, and often contradictory, social and economic landscapes of gentrification. I will explore the ways in which gendered vulnerabilities and insecurities are ironically produced, in part, by the feminized consumption landscape, which primes neighbourhoods for widespread gentrification. Through examining these dynamics, we can begin to theorize the structural production of precarity, and in particular, gendered precarity, through urban processes such as gentrification.     

Can't I be seen? Can't I be heard? Black women queering politics in Newark

What does it mean for a black female to negotiate urban space? How is her body read, her politics enacted, and her agency understood and interpreted? How do black women use their bodies and identities to challenge structural intersectionality in US cities? To answer these questions, I explore how black women embraced a set of oppositional spatial practices to resist the intersectional effects of misogyny, homo/transphobia, racism, and poverty in Newark, New Jersey. I reconstruct the creation of the Newark Pride Alliance, a local lesbian, gay, bisexual, transsexual and queer coalition that mobilized in 2003 and 2004, after the death of Sakia Gunn. Exploring migrations between ‘black women,’ ‘black queer’ and ‘black feminist,’ I examine how black women respatialized social capital and enacted resistance. Through semi-structured interviews and frame analysis, I explore how black women forged new relationships between queer youth and black vernacular institutions, and created political spaces in which honest engagement of issues of gender violence, poverty, and power could take place.     

Exploring subject positions and multiple temporalities through an Iranian migrant mother's family photograph albums

In this article, I draw on a research study of one Iranian migrant mother's generation of selves through her material configuration of her personal photograph albums and through our verbal reading of her photographs. The research engages in a visual-material feminist ethnographic approach, and is informed by the work of Gillian Rose and the understanding that family photographs are a means by which women negotiate subject positions. In this article, I discuss an unexpected finding of my research, the significance of multiple temporalities in a migrant mother's production of selves. The photo album practices of the participant mother of this study, ‘Parvin’, depart from the common social convention of mothers arranging their photograph albums to chart family growth following the model of milestones occurring over linear developmental time. Parvin does not limit herself to linear developmental time, but rather she mixes up photographs in her post-migration family albums to generate multiple temporalities woven together by an enveloping ‘mixed’ time. Drawing on both Julia Kristeva and Homi Bhaba's theories of temporality and the subject, I suggest that Parvin produces subject positions for self and family through a continual interweaving of a multitude of pasts into the present and through a subsuming of milestones within cyclical family time. Further, I suggest that through her generation of multiple temporalities, Parvin produces the subject position of ‘accommodating mother’. Finally, I highlight the potential afforded by considering the temporal and the spatial together in studies of migrant identity.     

Critical urban collaborative ethnographies: articulating community with Sappho for Equality in Kolkata,India

This article reflects on the notion of community through a collaborative ethnographic study with women loving women in Kolkata. Performing critical urban ethnographies in the global south and writing about sexualities that defy easy spatial categorizations are vital for those who seek to extend the scholarship of sexualities beyond the ‘gayborhood paradigm’ in the global north. This article focuses on how women loving women understand community and activism in Kolkata, a city that exists within tireless attempts at economic rejuvenation and vibrant modes of living. The question of community is moot in political activism around decriminalization of same-sex relationships and social legitimacy of the same. Drawing on collaborative ethnographic work with Sappho for Equality, an activist collective working with sexually marginalized women in eastern India, we engage with community as a space through which women loving women articulate marginalization and strategically connect with normative social institutions. I begin my discussion by introducing the notion of critical collaborative ethnography as a way to practice accountability in social research. Following that through select ethnographic vignettes, I demonstrate how a ‘queer community’ is not a predetermined end but is always in the making: a process that forms and dissipates within specific material contexts, activist practices, and social encounters.     

Ethnographic Clay Sourcing Practices: Insights for Archaeological Assemblage Interpretations

This paper uses examples of ethnographic clay sourcing strategies from coastal and central Kenyan communities (Digo, Jomvu, Chonyi, Tigania and Mbeere), and potsherds from the Manda archaeological site in Kenya (seventh-fourteenth centuries AD), to illustrate archaeological clay variability and discuss cultural and social behaviour which may contribute to paste inconsistences in an archaeological assemblage. I demonstrate that while function and environmental constraints influence the potters’ decision in the selection of clay sources/treatment, the choice may also be influenced by other factors such as aesthetics, which are dependent on the values of the customer, and in some cases, societal taboos. I also argue that clay sources are not always indicators of production centres, and that heterogeneity and homogeneity in paste composition could imply production centres and customer homesteads respectively.     

PRODUCTION,EXCHANGE, AND SOCIO-POLITICAL COMPLEXITY ON BRONZE AGE CYPRUS1

Summary. During the centuries 1700–1400 BC, the archaeological record of the eastern Mediterranean island of Cyprus shows a number of significant innovations: urban centres with public and ceremonial architecture, differential burial practices, writing, an intensification of metallurgical production and export, extensive trade relations with the surrounding cultures of the eastern Mediterranean, fortifications, ‘mass’burials, and increased finds of weaponry. Documentary evidence from Egypt, the Levant, and the Aegean sheds further light on these developments. These changes represent the transformation of an isolated, village-based culture into an international, urban-oriented, complex society. One of the key questions to consider is why these developments in Cyprus lagged so far (400-1200 years) behind those of the island's neighbours: Egypt, Crete, Syria-Palestine, and Anatolia. Using concepts from development economics and political anthropology, and models developed by archaeologists working on similar problems elsewhere, this study attempts to explain the process of change and innovation apparent in the Cypriot archaeological record of 1700–1400 BC.     

‘Resemblances to archaeological finds’: Guido Boggiani,Claude Lévi-Strauss and Caduveo body painting

In 1942, Claude Lévi-Strauss published an article on Caduveo body painting in the first number of the surrealist magazine VVV, with the editorial assistance of André Breton and cover by Max Ernst. In the article, Lévi-Strauss uses the photographs of the Caduveo women taken during his fieldtrip in 1935–36, together with drawings of facial designs collected to reflect on their ‘strong originality’, which ‘evokes a very ancient culture, and one full of preciosities’. Amongst these illustrations, there is an engraving taken from Guido Boggiani’s book, I Caduvei, published in 1895. Boggiani, an Italian landscape painter who visited South America in 1887–93, was captivated by the Caduveo graphic art, which he sketched in detail. In 1896 he returned, travelling to Paraguay, this time equipped with a new tool to help his ethnographic research: a photographic camera. Over a period of five years, Boggiani completed more than 400 photographs on glass gelatin plates of various sizes. For Lévi-Strauss, as for Boggiani, the originality of the Caduveo graphic art remained enigmatic, evoking a very ancient culture; it was a topic to which he would return in several of his most influential works. In this article, I focus on the visual images (engraved, drawn, photographed and filmed) that depict the body painting of the Caduveo people in central Brazil by Boggiani and Lévi-Strauss in order to explore the ways in which they enabled an ephemeral art – delicate arabesques painted on skin – to be studied as archaeological vestiges. In the process, I trace the aesthetic sensibility of Boggiani and Lévi-Strauss that provided them with the imaginative tools to do so.     

‘On a nos mots à dire’: Kanak Women's Experience of Bridewealth in Lifou

Bridewealth in Lifou cannot be discussed on its own; rather it should be considered within the plurality of ceremonial acts which are needed to legitimize a marriage as customary. What do these transactions mean? Where does women's agency lie? Through a longitudinal analysis of ethnographic materials from my fieldwork in Lifou, Loyalty Islands, I consider how Kanak women are engaged in and perceive these ceremonial and cultural processes through a declared women's perspective that highlights their ability to make autonomous choices in an open ended historical context. I argue that it is a case of ‘positive agency’. I emphasize that local categories (june hmala and wenehleng) which define specific moments in this process can be subsumed under the anthropological term ‘bridewealth’. Further, I examine the meaning of money in bridewealth and the fact that the monetary contribution keeps increasing, raising local concerns about the need to regulate the amount circulating in marriage exchanges and its dispersion. Furthermore in Lifou there is no indication that the assembling of the bridewealth by the grooms implies a commoditization and (later) exploitation of women.     

The Beasts At Large – Perennial Questions and New Paradigms for Caribbean Translocation Research. Part II: Mammalian Introductions in Cultural Context

Looking to clarify outstanding questions about human-animal dynamics in the pre-Columbian Caribbean, archaeologists have recently renewed investigation into the sociocultural context of mammal translocations to the islands. In this second instalment of a three-article series, I examine Amerindian ethnophoresy, that is, the process of anthropogenic species dispersal and its associated cultural practices, drawing on archaeological, ethnographic, and ethnohistoric evidence. Building on the ethnozoogeographic baselines established in Part I, I consider the tangible and intangible roles of introduced mammals, with particular attention given to subsistence, status, symbolic and ritual dimensions. I discuss enduring speculation over the management and incipient domestication of these species and its broader significance. Collectively, these topics are important because they inform explanation of the cause, extent and consequences of non-native animal introductions and allow us to understand translocation as an adaptive response to the natural and cultural environment. I conclude that resolution of the managed/domesticated status of non-native animals, in particular, constitutes the most critical research area in Caribbean ethnophoresy since this bears directly on the environmental impact and ecological legacy of mammal introductions in the region. This last topic is addressed in Part III of the series.     

Breadfruit Fermentation in Pohnpei,Micronesia: Site Formation,Archaeological Visibility,and Interpretive Strategies

Fermentation is a common method of processing and preserving breadfruit throughout the Pacific Islands. While these pits are often reported in the archaeological record, they can pose some interpretive challenges. This paper presents an analysis of probable archaeological breadfruit (Artocarpus altilis (Parkinson) Fosberg) fermentation pits on Temwen Island, Pohnpei, Micronesia. Using the existing ethnographic record as a guide, I present archaeological and paleoethnobotanical criteria for identifying fermentation features. Architectural and stratigraphic analyses from four excavated pits match ethnographic expectations. Phytolith analysis shows some concurrence in terms of taxonomic data, but is more useful for indicating disturbance specific to building activities. Based on the distribution and size of pits present in the survey area, I suggest that breadfruit fermentation took place as primarily a household level (rather than community level) activity during the late prehistoric and early historic period in Pohnpei.     

Detecting Apprentices and Innovators in the Archaeological Record: The Shell Bead-Making Industry of the Channel Islands

Archaeologists have demonstrated that it is challenging but feasible to identify the material remains of apprenticing activities associated with stone tool and ceramic assemblages. Building on this work, I explore apprenticing behavior in North America??s most intensive ancient shellworking context, using the large bead-making assemblages from California's Channel Islands. I examine a spectrum of production errors associated with a newly identified variant of Olivella shell bead and offer generalizations about what we should find in the material record of apprentices engaged in manufacturing ornamental goods. I also explore how we may distinguish novices?? errors from the mistakes of skilled experts experimenting with new bead forms. Existing ethnoarchaeological studies of children??s roles and contemporary craft practitioners specializing in ceramics, bead making, stone work, and other materials are foundational sources of data for this project, providing insights into the transmission of technical information from experts to novices in communities of practice. Such work directly informs archaeological research and facilitates our understanding of apprenticing from periods and regions where ethnographic information is insufficient or inapplicable.     

Avenging ‘Bridget’: Irish domestic servants and middle-class America in the short stories of Maeve Brennan

This article will examine the representation of Irish women servants in Maeve Brennan's short stories, first published in The New Yorker in the 1950s, and collected in The Rose Garden (2001). The Irish ‘Bridget’, the most publicly visible, if troubling, image of Irish womanhood in late nineteenth- and early twentieth-century America, has received much-needed attention from historians and social scientists in the last decade, and is a central figure in discussions of Irish women and diasporic identity in the American context. Drawing on this body of work, and focusing in detail on key stories from the collection, including ‘The Bride’, ‘The View from the Kitchen’, ‘The Anachronism’, ‘The Divine Fireplace’, and ‘The Servants’ Dance', I argue that Brennan's reimagining of the Irish Bridget can be approached as a form of feminist revisionism, as Brennan's stories enter into a charged dialogue with the history of imagining the Irish woman servant as an undesirable but necessary presence in middle-class American domestic culture. Brennan's self-reflexive reworking of this paradigm is informed by her work as a satirist for The New Yorker, and proves an effective means of writing back to this problematic history, as she takes up recognisable tropes and motifs from earlier representations of Bridget in popular and literary culture, and alters them in knowing and subversive ways.     

Cocoons as a space of their own: a case of Emirati women learners

This article focuses on ‘cocooning’ as a spatial practice of Emirati higher education women learners in a single-sex learning context, which emerged from exploring the intersectional and intertwined relationship of gender, place and culture with its unique cultural formation that informs women learners’ spatiality. To understand women’s spatiality and explore these intersecting relations, I conducted an ethnographic qualitative inquiry, applying multiple levels of data gathering and analysis. I also utilised social theories of space as a theoretical framework, specifically the social construction of space and Lefebvre’s triad of perceived, conceived and lived space. Cocooning, represented in these women learners’ unique spatial appropriation in their quest for a space of their own, emerged as a pervasive socially constructed spatial theme. As a spatial practice, it was largely influenced by the women learners’ cultural model, including socio-cultural status and gender roles, rooted in their national, historical colonial and traditional past as well as current economic, political, demographic, academic-institutional and global positions and demands. Furthermore, cocooning is a spatial representation of what also seems a universal longing among women, beyond context and culture, for a space of one’s own. Such a spatial need is manifested differently in the perceived space while shared in the conceived and lived.     

Ethnographic Understandings of Gender and Economic Transition in Siberia: Implications for Planners and Policy Makers

Economic transition has been defined by neo-liberal restructuring policies and understandings. Using ethnographic data from Omsk, Russia, I examine structural adjustment policy implementation in the context of socially constructed gender norms. These policies have complicated implications for women and men's economic survival. The ethnographic understandings gained from interviews with women provide vital information that would improve planning processes in Omsk. For example, using an economic gardening approach to support women's small business development and workforce development targeting survivors of violence would advance women's economic self-sufficiency. I suggest that if planners use ethnographic understandings they will be able to more effectively respond to planning challenges such as poverty, education and health care issues.     

Aegean Prehistory as World Archaeology: Recent Trends in the Archaeology of Bronze Age Greece

This article surveys archaeological work of the last decade on the Greek Bronze Age, part of the broader discipline known as Aegean prehistory. Naturally, the literature is vast, so I focus on a set of topics that may be of general interest to non-Aegeanists: chronology, regional studies, the emergence and organization of archaic states, ritual and religion, and archaeological science. Greek Bronze Age archaeology rarely appears in the comparative archaeological literature; accordingly, in this article I place this work in the context of world archaeology, arguing for a reconsideration of the potential of Aegean archaeology to provide enlightening comparative material.     

Architectural decorations from the private buildings in the Market Square at Tamn

The architectural decorations in pre-Islamic Yemen feature a wide and heterogeneous range of materials. Their many functions cover different fields: domestic, religious, funeral architecture, grave goods (particularly censers and furnishings) and, last but not least, epigraphs. Thus the study of this class of materials requires a two-fold approach: on the one hand to identify and understand the various ornamental motifs in themselves; on the other to study which types of decorative motifs were applied in various circumstances, and hence what it is that links them to each other and to the structure they adorn. This work aims to provide a foundation for a thorough study of the decorative motifs on stonework in various contexts. We begin by defining the use of architectural decorations in the domestic sphere. The archaeological context of the Market Square at Tamna' is particularly suitable, in view of the number of houses brought to light, the amount of related materials found and, above all, because it represents a coherent urban context over a specific period of time.     

Cultural Imperialism and Heritage Politics in the Event of Armed Conflict: Prospects for an ‘Activist Archaeology’

The production of archaeological knowledge is embedded in a long-standing tradition of colonial encounters. This paper asks how political-economic interests impinge on archaeological work, specifically in the event of armed conflict. To answer this question I discuss commodification of cultural heritage and analyze it as a form of structural violence. I argue that the attitude that allows treatment of archaeological artifacts as saleable items with international owners is part of a strategy of global cultural imperialism. Exemplified by the case of the US-led invasion of Iraq in 2003, this paper shows how the clash of global ‘heritage’ politics with local practices of memorializing the past results in a tension: because capitalist governments consider the locales whose glorious pasts are studied by archaeologists to be culturally inferior, the nexus between (trans-)national actors and local communities is an asymmetrical one. In order to overcome the hegemonic role of archaeology within these dynamics, I propose an ‘activist archaeology’ that enables a political activism grounded in recursivity.     

Disciplining the Past, Policing the Present: The Postcolonial Landscape of Ecuadorian Nostalgia

The present article assesses the complex reconfiguration that studying the past signifies when one becomes visibly aware of the enormous political and cultural implications that such an endeavor entails. To this end, I will use the Ecuadorian landscape as an entry point or particular case to understand these larger theoretical problematics within a more empirically grounded ethnographic framework. I will rely heavily on my own previous assessments of particular reconfigurations of the past in the Ecuadorian imaginary through the production of the archaeological site of Cochasquí (Benavides, Making Ecuadorian Histories: Four Centuries of Defining Power, 2004a); the Indian movement’s historical recovery of their pre-Hispanic past; the representation of a troubling pre-Hispanic homosexual harem of young coastal boys known as the enchaquirados; and the more recent representation of Guayaquil’s national identity over the last century. All of these studies have viewed the manner in which the differing communities of the Ecuadorian nation-state utilize the past in conscious and unconscious forms to legitimize their own political ambitions. More concretely even, these studies exemplify the manner in which archaeological discourse is used to identify itself as the most rightful heir to assessing and understanding the national past, and ultimately, defining what being Ecuadorian means or should be all about.