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在宝岛台湾与祖国大陆之间有一串明珠似的岛屿,像鹊桥一样连接着台湾海峡两岸的文化与亲情,那就是澎湖列岛。这六七十个岛屿,离大陆直线距离约11公里,离台湾西海岸约40公里,历史上就是大陆与台湾之间往来的中转站,它曾是“台湾陆桥”的一部分,大陆的远古人类就是这样越过茫茫海洋,走入台湾的…… 现在的台湾与大陆有着太多的联系,无论是坐在淡水夜晚的老街品尝小吃,还是在台北的博物馆里欣赏珍玩,走马观花、浮光掠影之间仿佛始终留给人“一等人忠臣孝子,两件事读书耕田“的印象。 台北故宫博物院里的国宝是两岸亲缘、血缘、文化缘最好的见证。自从1933年645.784件珍贵文物走出神武门、走出北京,它们就再也没有能够回来,最终随着国民政府在台湾落了脚,撑起了台北故宫博物院的天空。于是,国宝们承担着骨肉分离痛苦,使中华民族数千年的文明得以在台湾延续——它们成为两岸同胞眼中最真实,最亲切的文明象征——一脉相传的文化,一脉相传的血缘,这是没有人能否认的! 在台湾,人们自觉传承着中华的传统文化,他们教小孩子们念《论语》、《孟子》;他们尽量摒弃外来文化的影响,依旧崇尚着中华民族古老的习俗。 台湾,其实浸透了中国五千年传统文化,汲取天地之灵气,可以任人一品再品而回味无穷。 相似文献
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无论是坐在淡水夜晚的老街品小吃,还是在台北的博物馆赏珍品;无论是站在阿里山看日出.还是在暮色之中访宜兰……走马观花间.浮光掠影里。蓦然回首中,台湾.其实浸透了中国五千年传统文化,汲取天地之灵气,可以任人一品再品而回味无穷。而越是了解台湾.了解台湾普通百姓的生活.我心里也就生出越多的感触一等人忠臣孝子,两件事读书耕田。 相似文献
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杨齐福 《中国边疆史地研究》2010,(4)
康熙年间清廷收复台湾后,举行科举考试,并在乡试中设立专门保障名额,清代台湾举人也随之产生。作为台湾社会阶层的重要组成部分,台湾举人积极参与各种文教活动,推动了台湾教育的发展,促进了当地文化的繁荣。 相似文献
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Taiwan is undergoing spectacular economic development with facets of Westernization that have strong social and political overtones. The Westernization process includes the introduction of the American "Old West" beer house. These beer houses manifest the cultural stress involved in the transfer of a seemingly simple economic element into a traditionally conservative and stable Oriental society. 相似文献
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Li-jung Wang 《International Journal of Cultural Policy》2013,19(1):21-39
From the 1990s, academia has paid increasing attention to cultural rights and cultural citizenship. This paper reviews existing literature on the construction of cultural rights and cultural citizenship and argues that cultural citizenship expands the concept of ‘citizenship’, promotes citizens’ consciousness, and confirms the content of ‘cultural rights’. The concept of cultural citizenship provides a new perspective from which to examine the challenges of cultural inequality, taste differences, symbolic struggle in cultural participation, and consumption. Based on western theories, this paper discusses the development of cultural citizenship and cultural rights in cultural policy in Taiwan and China, and it finds the tension between control and autonomy and between the government and the civil society in the practice of cultural citizenship. In Taiwan, most cultural policies are developed and implemented by the government, and those affected by them often do not have the necessary critical awareness to judge or examine them. In China, the protection of cultural rights provides a new type of control rather than autonomy from the Chinese Government. In both Taiwan and China, it is important to empower civil society to balance the governments’ control over the practice of cultural citizenship. 相似文献
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Shu‐Yuan Yang 《Oceania; a journal devoted to the study of the native peoples of Australia, New Guinea, and the Islands of the Pacific》2011,81(3):316-330
ABSTRACT This article aims to understand the meanings and impact of the reconstruction of tradition and the objectification of culture among the Bunun, an Austronesian‐speaking indigenous people of Taiwan. It situates the revival of tradition in the contexts of state appropriation and the development of ethnic tourism, and shows how the Bunun attempt to control their relationship with the state and the dominant society by reconstituting tradition in the present. The culturally specific ways in which the Bunun sustain local identity and sociality by reproducing their concept of personhood are highlighted. In doing so, I seek to move the analysis beyond the use of reified tradition as a political and identity symbol to address the broader theoretical concern of understanding tradition as a culturally specific mode of change. 相似文献
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台湾地区博物馆发展文化创意产业的理念与实践 总被引:3,自引:0,他引:3
文化创意为近年来发达国家地区竞相发展的经济力,我国台湾在地方政府的鼓励扶持下,利用文化创造活力强、文物资源丰富等优势,积极发展文化创意产业,成果突出,其中台北"故宫博物院"具有台湾地区博物馆发展文创产业指标的地位。台北"故宫博物院"通过精心设计展览内涵、向社会开放文物数字资源、培养民众美学素养等方式,吸引并固定了一大批观众;同时还积极开拓商机,征求厂商合作开发文物衍生商品,并结合典藏文物特色设计餐饮空间,文化创意产业获得了可观的产值和显著的社会效应。 相似文献
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台湾东线旅游,无论是自驾、骑行或者乘火车换轮船,一路全是风景,高山、海洋、峡谷、瀑布、果园、茶园、稻田、牧场……太平洋海景与峭壁山色相映、纵谷田园可见云影飞行,我想一生至少要有这么一次体验。 相似文献
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文物古迹是过去文化的载体,文化既是不同人们共同体在特定时空中适应环境与社会的结晶,也是人类曾经的生存可能性的记录,因此,文化遗产是发展的智慧资源而非包袱。改革开放以来我们对文物与文化遗产及其价值的认识有一个不断拓展和提高的过程,经历了由古玩、文物到全民性的文化遗产自觉的演变。正确认识和处理不同文化及历史文化遗产,既是作为文明古国的中国发展过程中无法避开的选择,也是全球化、信息化时代古今中外文化大会面时代人类和谐共处、共同繁荣的前提性要求。 相似文献
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