“Hold This for Me”: Counter Memory and Trauma in Dionne Brand’s At the Full and Change of the Moon

ABSTRACT

African Caribbean Canadian author Dionne Brand’s At the Full and Change of the Moon augments many African diasporic narratives’ efforts to counter and rewrite exclusive histories. While Brand’s novel challenges and nuances dominant historical narratives by offering counter memory of African diasporic experiences, particularly experiences of enslavement, it also simultaneously illuminates the conflicts that emerge when “holding” and passing on memories that are traumatic. Therefore, Brand’s text emphasizes both the importance of employing counter memory to revise hegemonic historical narratives and the necessity of assessing the impact of trauma on individual and collective remembrances.     

The bricolage of the here: young people's narratives of identity in the countryside

Memories are crucial to our construction of place. They simultaneously offer an anchor for identity and different temporalities to encounters with landscapes. Memory allows different spaces, pasts, and futures to become embedded in particular locales. Yet the spontaneous assemblages of meaning that memory enables are not apolitical. Thus the mechanisms and processes by which meaning is articulated in these encounters are fundamental to our understandings of place. This paper, therefore, brings together the work of Henri Bergson on memory and Paul Ricoeur on narrative, to examine the stories individuals produce which define the self. By drawing on research into the lives of young people in the countryside, the paper does three things: it discusses the role of memory in creating identity; it examines the political process of narrative by which memories become woven into understandings of place and create a bricolage of the here; and finally, it offers the ‘storied-self’ as a resolution of the competing constructions and experiences of personal continuity and the inconsistencies and constant change in the project of the individual.     

Entangled Memories: How to Study Europe’s Cultural Heritage

A fruitful direction for research on the European cultural heritage is to adopt a transnational approach. Rather than see cultural heritage as predominantly expressed in national contexts, it could be seen as primarily transnational and as plural. Such a view would also suggest a conception of national histories as themselves products of transnational encounters. In this perspective, the European dimension is not then necessarily something over and above nations, but part of their heritage. Moreover, as fundamentally transnational, the European heritage is not exclusively confined to Europe. Cultural heritage is not something that is fixed or based on an essence; it is produced and reinterpreted by social actors in different but overlapping contexts. This is also an interpretative approach that draws attention to the entangled nature of memories and especially the cultural logic by which new conceptions and narratives of heritage emerge from the encounter and entanglement of different memories. Such an approach offers new opportunities for comparative research on the European heritage as an entangled mosaic of histories and memories. This approach thus rejects not only particularistic but also universalistic ones such as alternative Eurocentric accounts.     

The Struggle Continues? The Spectre of Liberation,Memory Politics and ‘War Veterans’ in Namibia

Memory politics continues to define the socio‐political landscape of post‐colonial Namibia. Interpretations of the country's recent political history are used to contest and legitimize current social and political relations. This article examines these issues as they appear in the negotiation of recognition and benefits between ex‐combatants and state and ruling party actors. A dominant narrative of national liberation, associated with the ruling party Swapo, casts Swapo ex‐combatants as heroes. This has propelled recurrent ex‐combatant demands to the forefront and relegated those who fought on the South African side to a secondary category of ex‐combatant ‘reintegration’. At the same time, this frame constrains ex‐combatant remembrance, pushing aside contentious memories that might lead to a more critical historical consciousness. Although telling a story of the emergence of a unified nation, the liberation narrative actually is an example of a far more exclusionary form of nationalism that uses the vocabulary of national belonging to make distinctions between citizens, and thus justifies practices of inclusion and exclusion. Its strength lies in its ability to link current material politics with emotionally compelling narratives of identity.     

Child migrants and deportees from Poland and Ukraine after the Second World War: experience and memory

This article aims to compare the biographical experiences and individual memories of child deportees and migrants from Eastern Europe. The analysis is based on a field study of over 100 biographical interviews in two local communities situated in the borderland regions which were particularly exposed to post-war displacement, resettlement and population exchange: Ukrainian Galicia and Western Poland. The author claims that although the history of these two distant communities was totally different, contemporary memory of being a refugee/deportee/forced migrant, losing one's home/homeland and watching the deportation of the previous inhabitants of one's new place of residence bear many similarities. While analysing autobiographical narratives, I attempt to find common threads and topics generated by their experiences as children, as well as explain the differences by exploring the social context of individual memory, with a special accent on post-war socialisation and the Polish and Ukrainian memory culture. The author also strives to show how and why the children's memories differ from those of their parents.     

Mass violence,trauma, and their children

This article concerns the social construction of collective memory particularly with regard to the social remembering of mass violence and trauma. How do individual memories of mass violence which are often idiosyncratic, nonverbal, and embodied coalesce and crystallize into coherent narratives shared by a group. The books reviewed here demonstrate that there are both discursive means of remembering and non-discursive means of remembering. Social memories can take narrative and textual form or they can take performative and ritual form. How does the non-discursive interact with the discursive and do these interactions depend upon varying social, political, and cultural circumstances? An encompassing theoretical issue is addressed in this literature concerning the adequacy of sociological and anthropological models in the elucidation of trauma memory vs. psychological models which place emphasis on the individual. Subsumed within this question is an inquiry into the adequacies and inadequacies of Western clinical models, such as the PTSD model, in explaining trauma due to mass violence, and the opposition frequently noted among survivors between silence and verbalization. Numerous ethnographic examples are considered in this article but particular attention is paid to the Nazi, Cambodian, and Rwandan genocides.     

THE ENDURING PUBLIC STRUGGLE TO CONSTRUCT,CONTROL, AND CHALLENGE HISTORICAL MEMORIES

Sumit Guha's History and Collective Memory in South Asia, 1200–2000 develops important arguments about the public significance of historical knowledge and the essential role of historians in public life. All societies need collective memories to sustain their cultural identities, as Guha shows in this wide‐ranging account of how such memories have been constructed in South Asian societies since the thirteenth century. The knowledge of historical experts is increasingly challenged or derided by contemporary social groups and political activists, who circulate their own historical narratives via new networks of communication. Political uses of historical knowledge are not new, however, as Guha shows in detailed accounts of how Hindu, Muslim, and British imperial regimes all used historical narratives to justify their own power. He also explains how other social groups challenged official historical narratives with their own popular stories about the past. This book contributes to recent work in global intellectual history by comparing similarities in the historical practices of premodern Europe and South Asia, discussing the cross‐cultural exchanges in colonial‐era institutions, and describing postcolonial challenges to European ideas. Guha thus offers an insightful analysis of how social and political forces influence and respond to the cloistered institutions that produce historical knowledge and construct collective memories. He concludes that evidence‐based historical narratives must be continually defended amid current public assaults on historical knowledge in both South Asia and the United States. More generally, Guha's book suggests the need for ongoing analysis of how public events, social conflicts, and new communication systems can reshape or discredit the work of historical experts.     

How does a house remember? Heritage-ising return migration in an Indonesian-Chinese house museum in Guangdong,PRC

This paper is an attempt to integrate heritage and museum studies through exploring the complex relationship between the materiality of architecture and social memories with a house museum of return migration in Guangdong, PRC as a case study. It unveils that the ongoing process of memory is intrinsically intertwined with spatial and temporal dimensions of the physical dwelling and built environment and the wider social-historical context and power relations shaping them. I argue that it is the house as ‘object of exhibit’ just as much as the exhibits inside the house that materialises the turbulent and traumatic migratory experience of Returned Overseas Chinese, embodies their memories and exposes the contested nature of museumification. By looking at the socially and geographically marginalised dwelling of return migrants, the house draws people’s attention to the often neglected importance of conceptual periphery in re-theorising what is often assumed to be the core of heritage value. It points to the necessity to integrate displaced, diasporic, transnational subjects to heritage and museum studies that have been traditionally framed within national and territorial boundaries.     

Constructing the border from below: Narratives from the Congolese-Rwandan state boundary

This article is about the simultaneous subversion and perpetuation of political borders ‘from below’. Using the state boundary between the cities of Goma in the Democratic Republic of Congo and Gisenyi in Rwanda as a case study, this article shows how people make sense of their border-related social world. By analyzing everyday narratives and practices of people who live on both sides of the border, this article reveals popular geopolitics at work and demonstrates the inchoate character surrounding the idea of ‘the border’. Border talk is examined in key narratives and narrative clusters to emphasize the primacy of certain thematic plots and to reveal which aspects of the border people prioritize and how they attribute meaning to the idea of the border. Views of the border ranging from a desired barrier against the demonized ‘other,’ and as a means of exclusion, to its conception as an institution that may be in need of reform but is essential to economic survival, make clear that approaching the border through narratives means allowing for its historicity and relationality. Border narratives and practices reveal some neglected aspects of violent conflict in the study region and provide insights into state-society relations, an understanding of the state’s legitimacy, and an understanding of the effects of the border as a social construction that influences everyday life.     

Imaging the materiality of a diaspora: Recording the biographies of Greek Orthodox church buildings in London

The materiality of world diasporas – in every form, from landmark features to everyday objects – is a relatively modern approach towards studying the diasporas' relationship with both homeland and hostland. Photo narratives and various modes of imaging can be employed to better record, assess and disseminate the narratives of diasporic lifeways in terms of their material culture. This article examines how Greek Orthodox communities have altered Western denomination church buildings in London to serve their spiritual and community needs. The new, amalgamated characteristics are described, while the debate around the role these religious communities should play in the hostland is also discussed.     

Remembering the Sea: Personal and Communal Recollections of Maritime Life in Jizan and the Farasan Islands,Saudi Arabia

People create narratives of their maritime past through the remembering and forgetting of seafaring experiences, and through the retention and disposal of maritime artefacts that function mnemonically to evoke or suppress those experiences. The sustenance and reproduction of the resulting narratives depends further on effective media of intergenerational transmission; otherwise, they are lost. Rapid socio-economic transformation across Saudi Arabia in the age of oil has disrupted longstanding seafaring economies in the Red Sea archipelago of the Farasan Islands, and the nearby mainland port of Jizan. Vestiges of wooden boatbuilding activity are few; long-distance dhow trade with South Asia, the Arabian-Persian Gulf and East Africa has ceased; and a once substantial pearling and nacre (mother of pearl) collection industry has dwindled to a tiny group of hobbyists: no youth dive today. This widespread withdrawal from seafaring activity among many people in these formerly maritime-oriented communities has diminished the salience of such activity in cultural memory, and has set in motion narrative creation processes, through which memories are filtered and selected, and objects preserved, discarded, or lost. This paper is a product of the encounter of the authors with keepers of maritime memories and objects in the Farasan Islands and Jizan. An older generation of men recall memories of their experiences as boat builders, captains, seafarers, pearl divers and fishermen. Their recounted memories are inscribed, and Arabic seafaring terms recorded. The extent of the retention of maritime material cultural items as memorials is also assessed, and the rôle of individual, communal and state actors in that retention is considered. Through this reflection, it becomes clear that the extra-biological memory and archive of the region’s maritime past is sparse; that intergenerational transmission is failing; that the participation of state agencies in maritime heritage creation is highly limited; and that, as a result, memories current among the older generation have limited prospect of survival. These memories, recorded and interpreted here, identify the Farasan Islands as a former centre of the pearling industry in the Red Sea, and identify them and Jizan as open to far-reaching maritime-mediated cultural influences in an era before the imposition of the attributes of the modern nation-state.     

Coastal heritage in touristic regional identity narratives: a comparison between the Norwegian region Sørlandet and the Dutch Wadden Sea area

ABSTRACT

Heritage plays a central role in narratives of coastal regions that promote them as places of leisure. This paper compares this role of heritage in Sørlandet (Norway) and the Dutch Wadden Sea area. Both regions have rich and related cultural histories, but at the same time exhibit striking differences in the role of cultural heritage and other aspects of heritage in regional identity narratives that are aimed at attracting tourists. We conclude that while the narratives of Sørlandet affirm a romantic, picturesque image of pre-industrial, societies, those in the Dutch Wadden Sea area frame this region as a pristine and timeless wilderness, in which human history has no place.     

旅游地理视角下记忆研究的进展与启示

记忆是当前西方人文社会科学的重要研究领域,同时也是一个跨学科的概念。记忆与时间和空间密不可分,随着20世纪90年代以来"旅游潮"和"记忆转向"的兴起,记忆研究日益成为中西方旅游地理研究者的关注领域。本文通过对人文地理学中旅游相关研究中的记忆议题和研究方法的梳理,从记忆、物质景观与地方意义的感知,记忆、仪式与身份认同,以及旅游者的情感体验与地方建构三个方面进行分析,以期展现充满文化、社会、政治乃至经济内涵的记忆地理问题发展脉络及独特意义,为国内旅游地理学开拓新的研究视野。     

Re-imagining the kitchen as a site of memory

Extending the focus of previous geographical research on public spaces of remembering, this paper demonstrates the ways in which memory work also takes place in private domestic spaces. The paper draws on a combination of life history and ethnographic research undertaken in Northern England, examining kitchens as a specific lieu de mémoire, showing how they serve as places where valued items are displayed and material artefacts are curated as part of the construction and reproduction of personal memories and familial identities. Using ethnographic and visual evidence from two case study households, the paper demonstrates the role of material artefacts in curating the past and materialising memory. Additionally, life history interviews with older women reveal narratives of everyday cooking practices which seemingly contradict popular discourses of the past, questioning conventional ideas about the distorted nature of nostalgia. In combination, our data represent complex narratives in which the past can be seen as infusing the present, and where present-day concerns are revealed as actively shaping public discourses which favour a return to an idealised past, which may have little bearing on people’s actual lived experience.     

Heritage,transnational memory and the re-diasporisation of Scotland

For a long time in Scotland, diasporic – and popular – heritage with its imaginary emphasising kinship, stylised images and ritualised practices was either overlooked or discredited. The term ‘diaspora’ itself to define Scotland’s vast overseas population has been scrutinised for its usefulness. However, since devolution, it has gained currency in public discourse and policies and has led to the ‘re-diasporisation’ of Scotland. Yet, the ‘diaspora’ had long been identified as an important niche market in relation to heritage perceived as an economic resource. This article explores the changing perception and place of diasporic heritage in Scotland since the 1970s through two case studies. Focusing on processes of remembrance of nineteenth-century Highland emigration materialised through monuments and museums, it highlights the conflicting and shifting relationships that different communities – home and diasporic – have with their past, place and the meanings ascribed to them. The transnational memories increasingly promoted in Scotland act as a means of re-energising nationhood and initiating revisions and re-reading of popular and diasporic culture.     

The Past under the Shadow of the Present: The Case of the National Museum of Korean Contemporary History

The National Museum of Korean Contemporary History, which opened in 2012, has been the focus of a heated controversy between the progressive and conservative camps over the “proper” ways to represent South Korea’s turbulent history. I build on the relationship between heritage, collective memory and national identity, and argue that the division that typifies South Korean society has implications that extend beyond socio-political issues. Anchored within a broader discursive context, the museum became an important memory carrier involved in the process of debating the issue of national identity. Although no agreement has been reached regarding the “proper” historical narrative the site should exhibit, the museum has nevertheless offered an opportunity to shape a form of national identity that can embrace a more complex perspective on the country’s contemporary history. At present, though, this contentious site has demonstrated the extent to which the legacy of the conservative–progressive divide remains deep. I offer a discursive context that is useful for the study of current debates over heritage sites in South Korea, while the overall analysis illuminates the idea that the “present-centred” management of heritage in national museums can, potentially, play a part in the process of forming more intricate notions of national identity.     

The Unseamed Picture: Conflicting Narratives of Women in the Modern European Past

This article is about the tension between the grand narrative of modern European women's history and the micro‐study of a particular place and experience. Adopting a perspective far removed from the metropolitan heart of Europe forces one to think differently about the prime motors of change and the chronology of that change. I ask how we can write meaningful and recognisable histories which simultaneously are recognisable to those whose voices are represented and which also contribute to the (re)writing of the bigger picture. I conclude that an alternative history can only emerge from a historical practice which privileges a social memory crafted around narratives of women whose sense of the past included themselves.     

“Thrown Like Chaff in the Wind”: Excavation, Memory and the Negotiation of Loss in the Scottish Highlands

Memory has become an important area of research in historical archaeology over the last decade with an increasing focus on retrieving the narratives of subaltern groups and painful memories of conflict, displacement and loss. Drawing on ethnographic research, I explore how archaeological excavation provides an arena for sharing, negotiating and contesting difficult forms of memory associated with the Highland Clearances. I argue that the Clearances involve a kind of “postmemory” revolving around a series of iconic motifs and that this provides a framework for interpretation and action in the present. Coherence is produced not through the “excavation” of silenced narratives, but through social processes of performance, negotiation and “composure,” as people engage in a dialogue with past, present and future.     

Forgetting to remember,remembering to forget: late modern heritage practices,sustainability and the ‘crisis’ of accumulation of the past

This paper considers the implications for cultural heritage of observations regarding individual and collective memory which suggest that the process of forgetting is in fact integral to remembering – that one cannot properly form new memories and attach value to them without also selecting some things to forget. Remembering is an active process of cultivating and pruning, and not one of complete archiving and total recall, which would overwhelm and cause us to be unable to make confident decisions about which memories are valuable and which are not. I argue that the same is true of heritage; that as a result of its increasingly broad definition, and the exponential growth of listed objects, places and practices of heritage in the contemporary world, we hazard becoming overwhelmed by memory and in the process rendering heritage ineffective and worthless. I refer to the consequence of this heterogeneous piling up of disparate and conflicting pasts in the present as a ‘crisis’ of accumulation of the past. To deal with this crisis adequately, we must pay increased attention to the management of heritage. This should not only refer to processes of preservation and conservation, but also to active decisions to delist or cease to conserve particular forms of heritage once their significance to contemporary and future societies can no longer be demonstrated. Deaccessioning and disposal must become a key area of attention for critical heritage studies in the coming decades if heritage is to remain sustainable and uphold its claims to relevance in contemporary global societies.